Search results for ""Latin-Edition""

An ancient twist on the award-winning story of The Gruffalo, in which a clever little mouse outwits the creatures of the deep dark wood, is the perfect picture book, loved by children and adults the world over. This Latin edition of Julia Donaldson and Axel Scheffler's beloved tale is set in forty-six elegiac couplets, the translation drawing on the language and style of the classical poets to brilliantly capture the rhythm and mischievous spirit of the original story.

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In October 1307 all the brothers of the military religious Order of the Temple in France were arrested on the instructions of King Philip IV and charged with heresy. In November, Pope Clement V instructed King Edward II of England to do likewise. This volume provides the first full edition of the four surviving texts of the trial proceedings that followed in Britain and Ireland; volume 2 supplies the translations into English. The trial of the Templars was the first major heresy trial in the British Isles, and the proceedings reveal the Episcopate's attempts to deal with this unprecedented situation, the varying procedures followed in different countries, and how testimonies were recorded and summarised for the Church Councils which eventually decided the fate of the Order of the Temple. The testimonies given during the trial contain a wealth of information about religious beliefs among the lay population of the British Isles (both the Templars and outsiders who gave evidence during the trial), national and international mobility of lay religious, the social function of the order of the Temple in the British Isles and its relations with society at large, and the organisation and operations of the Order of the Temple at a local, national and international level. Detailed introductions to each volume describe the manuscripts and how the material was compiled and arranged, and discuss the course of the proceedings and the value of the evidence they contain. Appendices in volume 2 (the translation) list the names of all the Templars mentioned during the proceedings, Templar houses and the locations of the proceedings in London.

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Designed to meet the needs of both student and scholar, this edition of Leviathan offers a brilliant introduction by Edwin Curley, modernized spelling and punctuation of the text, and the inclusion, along with historical and interpretive notes, of the most significant variants between the English version of 1651 and the Latin version of 1668. A glossary of seventeenth-century English terms, and indexes of persons, subjects, and scriptural passages help make this the most thoughtfully conceived edition of Leviathan available.

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Designed to meet the needs of both student and scholar, this edition of Leviathan offers a brilliant introduction by Edwin Curley, modernized spelling and punctuation of the text, and the inclusion, along with historical and interpretive notes, of the most significant variants between the English version of 1651 and the Latin version of 1668. A glossary of seventeenth-century English terms, and indexes of persons, subjects, and scriptural passages help make this the most thoughtfully conceived edition of Leviathan available.

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This edition contains Donald Cress's completely revised translation of the Meditations (from the corrected Latin edition) and recent corrections to Discourse on Method, bringing this version even closer to Descartes's original, while maintaining the clear and accessible style of a classic teaching edition.

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This edition contains Donald Cress's completely revised translation of the Meditations (from the corrected Latin edition) and recent corrections to Discourse on Method, bringing this version even closer to Descartes's original, while maintaining the clear and accessible style of a classic teaching edition.

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An Open Letters Review Best Book of the YearAngelo Poliziano (1454–1494) was one of the great scholar-poets of the Italian Renaissance and the leading literary figure of Florence in the age of Lorenzo de’ Medici, “il Magnifico.” The poet’s Miscellanies, including a “first century” published in 1489 and a “second century” unfinished at his death, constitute the most innovative contribution to classical philology of the Renaissance. Each chapter is a mini-essay on some lexical or textual problem which Poliziano, drawing on the riches of the Medici Library and Lorenzo’s collection of antiquities, solves with his characteristic mixture of deep learning, analytic skill, and brash criticism of his predecessors. Volume 1 presents a new Latin edition of The First Century of the Miscellanies, and these volumes together present the first translation of both collections into any modern language.

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An Open Letters Review Best Book of the YearAngelo Poliziano (1454–1494) was one of the great scholar-poets of the Italian Renaissance and the leading literary figure of Florence in the age of Lorenzo de’ Medici, “il Magnifico.” The poet’s Miscellanies, including a “first century” published in 1489 and a “second century” unfinished at his death, constitute the most innovative contribution to classical philology of the Renaissance. Each chapter is a mini-essay on some lexical or textual problem which Poliziano, drawing on the riches of the Medici Library and Lorenzo’s collection of antiquities, solves with his characteristic mixture of deep learning, analytic skill, and brash criticism of his predecessors. Volume 1 presents a new Latin edition of The First Century of the Miscellanies, and these volumes together present the first translation of both collections into any modern language.

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Superlatives tend to fail in describing Joan Blaeu’s Atlas Maior—that being said, it stands as one of the most extravagant feats in the history of mapmaking. The original Latin edition, completed in 1665, was the largest and most expensive book to be published during the 17th century. Its 594 maps appearing across 11 volumes spanned Arctica, Africa, Asia, Europe, and America. Ambitious in scale and artistry, it is included in the Canon of Dutch History, an official survey of 50 individuals, creations, or events that chart the most important historical developments of the Netherlands. TASCHEN’s meticulous reprint brings this luxurious Baroque wonder into the hands of modern readers. In an age of digitized cartography and global connectivity, it celebrates the steadfast beauty of quality printing and restores the wonder of an exploratory age, in which Blaeu’s native Amsterdam was a center of international trade and discovery.This edition is based on the Austrian National Library’s complete colored and gold-heightened copy of Atlas Maior, assuring the finest detail and quality. University of Amsterdam’s Peter van der Krogt introduces the historical and cultural significance of the atlas while providing detailed descriptions for individual maps, revealing the full scale and ambition of Blaeu’s masterwork.

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A newly identified medieval play for the Feast of Fools, with a new English translation and musical edition ready for performance. Scholars and non-scholars alike have long been fascinated by the medieval "Feast of Fools", the annual celebration on or around the New Year that came to be known for its inversion of established hierarchies, its boisterousness, and its scurrilous, even sacrilegious, clerical behaviour. However, we now know that many of the most obscene and subversive practices associated with the feast were, in fact, the misunderstandings, exaggerations, or even fabrications of overzealous ecclesiastical reformers. Our most reliable information about the Feast comes from the scant extant liturgical items that clerical communities actually used during their celebrations. This book shows that the twelfth-century Ordo Joseph from Laon, in France - a play long-known to scholars, telling the story of Joseph the patriarch and his brothers -- is in fact a drama for the Feast of Fools, long hidden in plain sight, intended for performance at Epiphany. It situates the play within the context of the cathedral community's history of biblical exegesis under its school-master Anselm of Laon, proposing "performative gloss" as an important new tool for understanding how medieval liturgical dramas generated meaning. It Includes a new Latin edition of the text, accompanied by an English translation, as well as a musical reconstruction that harnesses the music of Laon's liturgy and finally makes possible a performance of this spectacular, newly identified Feast of Fools drama.

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A Monk's Confession is the first completely new English translation of Guibert of Nogent's remarkable memoirs in over seventy years. Written around the year 1115, they offer an unparalleled look at the life of a monk in the Middle Ages. Guibert, who lived his entire life in northern France, called these memoirs his book of monodiae, or solitary songs. Many scholars consider them the first Latin autobiography in the West after Augustine's Confessions. Readers will be stirred and surprised by Guibert's intense preoccupation with the sinfulness of his soul, his visions of demons and necromancy, and his frank struggle to come to terms with his sexuality. But Guibert is also a valuable witness to his age. In addition to his personal history, his memoirs give a brief chronicle of the abbey of Nogent—where he served as abbot for some twenty years—and a vivid account of the bloody uprising of the Laon Commune in 1112. His observations give precious insight into education, monastic life, and the beginnings of the great medieval towns.Paul J. Archambault's translation successfully renders Guibert's Latin—at times stylish, at times rustic—into lively, modern English. He consulted Edmond-René Labande's authoritative 1981 Latin edition with French translation. He provides a complete introduction and annotation that help situate Guibert within the history and literature of the Middle Ages while permitting readers to judge for themselves how to interpret this fascinating voice from the past.

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The 13th-century magical treatise Ars Notoria offers a secret account of the angel Pamphilius revealing the sacred magic to King Solomon by which he gained his famed wisdom and learning, thereby expanding upon the biblical narrative in which Solomon received a vision of God. Solomon’s writings were transmitted to the first-century philosopher, Apollonius of Tyana, who provided a commentary entitled the Golden Flowers (Flores Aurei), which is contained within Ars Notoria. The magical text presents a complete system of angelic magic consisting of prayers addressed to angels, using figures called notae, for the purpose of acquiring scholastic and heavenly knowledge. Due to its rising popularity among university students, the magical ritual was reworked time and again, producing five treatises, dating from the 13th to 15th centuries; The Work of Works (Opus Operum), the Book of Flowers of Heavenly Teaching composed by the French Benedictine monk named John of Morigny, The Short Art (Ars Brevis), the abridged version attributed to Thomas of Toledo, and The Pauline Art (Ars Paulina), thereby establishing an entire notorial art tradition. In this new and complete translation of Ars Notoria, based on Julien Veronese’s critical Latin edition, translator Matthias Castle presents the classic magical text, both short and long versions, including four of the later treatises. Castle explains how these theurgic ritual practices were performed, giving special attention to all the original pictorial figures (notae), and how the art of memory relates to angelic magic. Providing practical instruction, extensive commentary, and in-depth background research and annotations, Ars Notoria: The Notory Art of Solomon is an essential sourcebook on angelic magic for scholar and magician alike.

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One of the most important texts in the Western magical tradition for nearly 500 years, Heinrich Cornelius Agrippa’s 1533 work Three Books of Occult Philosophy collates a multitude of sources from the Classical, Medieval, and Renaissance periods and organizes them into a coherent explanation of the magical world. Divided into three parts--the natural world, the celestial world, and the divine world--the book systematically explains the philosophy, logic, and methods of magic and astrology and how they work, offering numerous examples, diagrams, techniques, and analogies. Agrippa’s seminal masterpiece provided the basis for 19th-century magical orders such as the Golden Dawn and has been a primary source for countless books on magical uses of stones, herbs, incense, and astrology. Additionally, Agrippa’s many lists and diagrams, especially the planetary seals and magic squares, have proven invaluable to magicians since the 16th century. Yet, up until now, all English editions of Agrippa’s Three Books were based on the same flawed 1651 translation from the mysterious “J.F.” In this new translation from the original 1533 Latin edition, Eric Purdue corrects the many mistranslations, copyist mistakes, and errors introduced from other editions, as well as restores all of Agrippa’s original illustrations. He notates every correction from earlier editions and offers commentary to rectify the original translator’s mistranslations. Drawing on major developments in the research of older magical and astrological texts since the 1990s, Purdue also presents a nearly complete bibliography of Agrippa’s primary sources, revealing how Agrippa was not writing from missing or secret texts but was a mainstream scholar of his day. Presenting the first new English translation of Three Books of Occult Philosophy in more than 350 years, this three-volume hardcover boxed set repairs the gaps in knowledge pervasive in the original translation as well as restores the magical spirit of Agrippa’s masterpiece, allowing us to hear Agrippa speak again.

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Leonhart Fuchs's herbal—recognized for more than four centuries as a masterpiece of Renaissance botany and one of the most beautiful books ever printed—now appears for the first time in a facsimile edition, accompanied by a volume of commentary based on three decades of historical and botanical research; the two volumes are published as a handsome boxed set. Only some 150 copies of the herbal are known to survive in rare book collections, and in the antiquarian book market it commands high prices (a copy was sold at Christie's for $17,000 in 1997). The herbal, a compilation of information on the medicinal properties of plants, had declined in the Middle Ages. This changed in the early sixteenth century with the emergence in Germany of the new form of a printed, illustrated herbal, led by De historia stirpium commentarii insignes by Leonhart Fuchs (1501-1566). The plan and organization of the herbal was entirely original with Fuchs, although the work included a vast amount of material derived from his Classical predecessors. Fuchs's book is of great splendor, without equal among sixteenth-century herbals. It is illustrated with 511 woodcut figures, all original and depicted from life. These figures established a standard of botanical illustration that has lasted to the present day, and more than 100 species were illustrated for the first time (including 12 New World plants such as maize, kidney bean, chili pepper, cactus, and tobacco). During Fuchs' lifetime, the herbal and its various abridgements went through 39 printings in Latin, German, French, Spanish, and Dutch. The original Latin edition of 1542 is here reprinted in a facsimile only slightly smaller than the original, as the second volume of this set. The exhaustively detailed commentary will become the standard reference work for Renaissance botany. Of invaluable interest to historians of medicine, pharmacology, philology, art, and printing, it will also appeal to collectors of fine and rare books, gardeners, and proponents of alternative medicine. The commentary contains some 150 illustrations, 100 in color, that include contemporary hand-colored figures from printed copies of the herbal and woodcuts hand-colored under Fuchs' supervision for a projected, unpublished elaboration of the original herbal. Book References to Fuchs's Herbal "A folio of breathtaking splendor." —The Illustrated Herbal "A botanical masterpiece." —Herbals: Their Origin and Evolution "Perhaps the most celebrated and beautiful herbal ever published." —Printing and the Mind of Man "Fuchs' woodcuts set a standard for botanical illustration that holds up to this day for clarity and directness." —The Renaissance Print "One of the greatest of all herbals." —100 Books Famous in Medicine

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