Search results for ""Istros Books""

ucharest, before and during World War II, where Bernard Davidescou lives with his parents and his older brother on Triumph Street, in the middle of a courtyard block inhabited by a dozen Jewish families and two Christian ones. When Romania, under General Ion Antonescu's dictatorship, allies itself with Hitler and invades the USSR, the Jews in Bucharest face the threat of being sent to the Nazi extermination camps, after having survived the terror of the fascist Iron Guard. However, each Sunday morning, young Bernard, age twelve, passionate about politics and history, amazes the adults in the courtyard, Jews and Christians alike, with his analysis of the political situation in Romania and the development of the war on all fronts. 'Triumph Street, Bucharest' is the story of this young boy and his dreams and torments during this dark period of human history, while also chronicling a family in crisis, the discovery of sexuality and first loves, and the distraction offered by the cinema, religious searching and idealistic aspirations for a better world.

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In Axonas/Axis, Curtis gives voice to the experience of trauma and recovery through the poetic language of imagery rather than graphic detail, attempting to convey the fundamental twist in the narrative - perhaps even a breakage - that needs to be mended through a synthesis of mind, heart and body working towards the integration of the whole. The whole self. Using Ancient Greek words/concepts and mythology as a springboard to launch into her own personal etymology - the origin and intimate meaning of words dear to her - juxtaposed against what we commonly expect from that word. Ultimately, these poems attempt to tread on Holy ground, the territory where symbol is created from suffering and metaphor from the muscle of language, the territory of healing and wholeness.

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"A world without truth would be immensely sad," states the magistrate in the murder trial of local boy, Janek. A young man with serious mental issues, Janek's strange `chestnut crown' - woven from the leaves of a supposedly sacred tree - was found on the body of the farmer Geder; stabbed to death with a bread knife. Through a series of flashbacks during the interrogations, we learn of Janek's story: from the perversion of his relationship with his mother, to the frustrations of his love affair with Daria and his inability to complete his studies or free himself from the ghosts of this past.

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The short-sighted adolescent is a passionate reader who takes various cultural figures as models, trying to emulate both their lives or their works. The pupil protagonist is a poor student, who likes science and reads a lot of books, sometimes staying up all night to do so. At the age of 17, he decides to write a novel to demonstrate to his teachers that he is not as mediocre as his other classmates, and that he is prepared to give up everything he holds dear in order to do so. The novel is written in a number of notebooks - the 'diary' of the title - but our myopic hero ultimately fails 3 subjects and has to repeat the school year. Set in the Romanian capital in the early 20th century, from the perspective of a schoolboy's diary of his daily life, - his teachers, his classmates' academic and amorous rivalries, his first sexual experiences - we are introduced to the themes of religion, self-knowledge, erotic sensibility, artistic creation and otherness, ideas which would preoccupy him until the end of his life. Diary of a Short-Sighted Adolescent was written by the young Mircea Eliade - one of Romania's greatest writers and intellectuals. The book can be viewed as an early 20th century 'Catcher in the Rye', and allows us an intimate view of the developing genius, whose literary output has been neglected in the English language for too long.

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The collection Fairground Magician brings together stories about love fulfilled and unfulfilled, about things that are visible in the everyday world and values that are perceptible only at exceptional moments. The narration moves from apparent realism to other genres; from crime fiction or thriller to erotic prose. Memories, intimations and premonitions are infused in these stories with a tranquillity that accepts what fate brings, even when efforts are made to change it, as in the stories Pockets Full of Stones or Nosedive.Lengold uses eroticism as a natural ingredient of human life, as an integrated tension consisting of two inseparable aspects – body and soul – energising stories like Love Me Tender, Zugzwang, Wanderings, and Aurora Borealis. In Fairground Magician, Lengold is a lucid observer of minute details and subtle emotional shifts. In stories like It Could Have Been Me, Shadow, or Ophelia, Get Thee to a Nunnery, she manages to leap over the wall between the bodily surface and the human interior in a very distinctive way. No matter how common are the situations she depicts - whether it be broken marriages, unfulfilled expectations or the motives of forlorn lovers - Lengold is constantly searching for the authentic, finding it within the sophisticated irony which is a trademark of her fiction.Jelena Lengold is a storyteller, novelist and poet. She has published five books of poetry, one novel (Baltimore) and four books of short stories, including Rain-soaked Lions, Lift and Fairground Magician, which won her the European Prize for Literature in 2011. Lengold works as a journalist and an editor at Radio Belgrade.This book is also available as a eBook. Buy it from Amazon here.

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Olcinium, the Latin name for present-day Ulcinj, is one of the oldest settlements on the Adriatic coast and ruled in turn by the Illyrians, Romans, Byzantines and Ottomans, as well as being an important Venetian port and a centre for the slave trade. It was also home to Fra Dolcino, a medieval heretic who announced the return of the Messiah and Sabbatai Zevi, a Renaissance cabalist who maintained that he was the Messiah and according to legend left behind sacred writings, The Book of Return: Both make appearances in this trilogy.The Olcinium Trilogy brings together three of Nikolaidis’ short novels: The Son, The Coming and Till Kingdom Come, which together encompass an apocalyptic vision of this ancient town; where mystics have prophesized, regimes plotted against their citizenry and ordinary people resorted to crime and deceit in order to survive. Like his literary hero, Thomas Bernhard, Nikolaids’ prose is precise and bitingly funny and his protagonists hopeless misanthropes: from the local sleuth who sacrifices truth for the sake of telling his clients the stories they want to hear to the local reporter who discovers that his own past was concocted by Yugoslav secret services and enters a state of time-travelling paranoia.

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There are three of them and they have no names: they are a family whose roles superseded by destiny. This is the story of man's struggle for dignity of a man who has only a short time left to live. In the first months of lockdown a mother and son struggle against bureacracy to be able to visit the father in hospital and to fulfil his last wish to return to their Dalmatian terrace just as the cherries blossom and the swallows' nests are full of hatchlings. In this novel, Prtenjaca deals with loss, short-lived hope and memory, his voice is that of a child - one that asks questions - alongside that of a mature voice of a man who has to make difficult decisions. These voices overlap in a rhythmical exchange of scenes and images from the past and the present, comprising an elegy in which love reverberates like the sound of cymbals. There's three of them, and they have no names. Sometimes they seem alone in this world.

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Once again, the extraordinary storyteller, Ludovic Bruckstein, opens the door onto a lost world of Jewish history and lore in the central European Carpathian region, now parts of Hungary, Romania and Ukraine. Invoking the tales of a great maggid – a wandering storyteller within the East-European tradition of Hassidism - he weaves tales of wisdom and mystery which linger inside us long after the story has ended. Bruckstein's previous titles (The Trap, 2019 and With an Unopened Umbrella in the Pouring Rain, 2021) have gained him a growing audience of dedicated readers in the English-speaking world, where his work has been too-long absent. This edition comes complete with a fascinating glossary of terms and historical references complied by the translator.

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Designed as a historical novel, The Masochist forges an intimate portrait of a young, tenacious woman who, in uncertain times at the end of the 19th century, chose an uncertain path - the only path that could lead her to freedom. On Christmas Eve 1874, Leopold von Sacher-Masoch, whom history would remember as the most famous masochist, left his home in Bruck an der Mur in Austria for the unknown. The novel surmises he didn't come back alone, but brought with him a new family member: a tiny red-haired girl he found in the forests around Lemberg/ Lviv. The Masochist is the memoir of Nadezhda Moser, the woman this little girl becomes, a fictional character who forces her way among the historical figures of the time.

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Quiet Flows the Una is the story a man trying to overcome the personal trauma caused by the war in Bosnia and Herzegovina between 1992 and 1995. Through an induced trance, the main character of the novel takes the reader through three time periods: the hero’s childhood before the war, the battle lines during the war, and his attempt to continue with normal life in a post-conflict society. Through poetic, meditative prose, Šehić attempts to reconstruct the life of a man who is bipolar in nature; being both a veteran and a poet. At times, he manages to pick up the pieces of his life, but at other times it escapes him. With the help of his memories, he uses his mind and strength to look for a way out of the maze in which he is confined, acting as both archivist and chronicler of the past - roles that allow him the opportunity to rebuild everything again. In parallel to this story, the book’s passages on the city next to the river Una take on mythical and dreamlike dimensions. Here, the novel expands into a poetic description of nature, seasons, flora and fauna, as well as childhood memories not yet tainted by all that will happen after 1992. Quiet Flows the Una is a book is dedicated to people who believe in the power and beauty of life in the face of death and mass destruction.

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After nine months of self-imposed isolation following his wife's departure, the hero of Seven Terrors finally decides to face his loneliness and join the world once more. However, when the daughter of his old friend Alex appears in his flat one morning with the news that her father has disappeared, he realises that his life is again about to change. As the two search for clues in Alex's war diary, unearthed in a library in Sweden, they come upon tales of unspeakable horror and mystery: meetings with ghosts, a town under siege, demonic brothers who ride on the wings of war, and many more things so dangerous - and so precious - that they can only be discussed by the dead.

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A historical novel which looks at Central Europe in the 16th century - a territory plagued by ceaseless battles for supremacy between the Protestant political elite and the ruling Catholic Habsburg Monarchy. In this epic saga, history and fiction intertwine in wavelike fashion, producing a colourful portrait of the Renaissance; permeated by humanist attempts to resurrect antiquity through art, new scientific findings, and spirited philosophical and theological debates. Yet this was a time of intrigues, accusations of heresy, political betrayal, and burnings at the stake, an age which produced executioners, scapegoats and extraordinary individuals who were prepared to oppose the dominant beliefs and dare to believe in a new order.

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''The poems carry deep inside Paler's unique tenderness and reflection – short descriptions of feelings, thoughts or moments of our life. In all these short poems, sometimes only into a verse...I found again the main and constant topics which enriched my mind...I found definitions of tears and cries, of departures, of love, of regret, or of obsession. I found definitions of illusion, of maturity, of dignity, of balance, of silence, of loneliness, of ego....'' Mariana Ganea, Romanian-Insider''The poetry reads as though an individual, the poet, is going through a process of examination, attempting to define his relation to the world and to himself, to define not just how he fits in, but if and why. Therefore making this a very introspective collection of poetry, but one that will have you smiling at that collection of words placed in that "best order" & then the awareness of a deeper thought process will seep into your mind – that this collection of beautiful, clever introspective poetry, is not merely one individual's exploration of self, but that it relates to you, us, all of us.'' Gary Moon, The Parrish LanternOctavian Paler was a poet, novelist, essayist, journalist and former politician. He was born on July 2, 1926, into a peasant family in Lisa, Romania and attended the Faculty of Letters and Philosophy and the Law School of Bucharest (1945-1949). During his long career, he worked as an editor for the cultural section of the Romanian Radio Broadcasting Company (1949-1964), Agerpres correspondent in Rome (September-December 1964), General Manager of the Romanian Television (1965-1968), Vice-President of the Radio Broadcasting Company and coordinator of the literary and music sections (1968-1970), editor-in-chief with "România liberă" newspaper (1970-1983) and starting from 1990, honorary director of the newspaper.

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A young man is found lying unconscious on the outskirts of Bucharest. No one knows who he is and everyone has a different theory about how he got there. The stories of the various characters unfold, each closely interwoven with the next, and outlining the features of what ultimately turns out to be the most important and most powerful character of all: the city of Bucharest itself. The novel covers the last 13 days of 1897 and culminates in a beautiful tableau of the future as imagined by the different characters. We might, in fact, say that it is we who inhabit their future. And so too does Dan Cretu, alias Dan Kretzu, the present-day journalist hurled back in time by some mysterious process for just long enough to allow us a wonderful glimpse into a remote, almost forgotten world, but one still very much alive in our hearts.

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A local journalist sends a distant relative to report on the war in Iraq, while he stays at home to sort out his love life and his professional career - all to varying degrees of success. As time goes on, things begin to unravel and he ends up having to fake his missing cousin's reports while struggling to hold on to his actress girlfriend. Our Man in Iraq is a take on the Iraqi conflict from the other side of Europe, where politics and nepotism collide and the confusing aftereffects of the recent Yugoslav wars mix with the joys and trials of modern life.With an introduction by Tim Judah of The Economist.'Robert Perisic is a light bright with intelligence and twinkling with irony, flashing us the news that postwar Croatia not only endures but matters.' Jonathan Franzen'Robert Perisic depicts, with acerbic wit, a class of urban elites who are trying to reconcile their nineties rebellion with the reality of present-day Croatia. . . . The characters' snide remarks could easily sound cynical but the novel has a levity informed by the sense of social fluidity that comes with democracy.' The New YorkerThis book is also available as a eBook. Buy it from Amazon here.

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The book contains eleven dramatic and often horrifying stories, each describing the life of a different prisoner in the camps and prisons of communist Albania. The prisoners adapt, endure, and generally survive, all in different ways. They may conform, rebel, construct alternative realities of the imagination, cultivate hope, cling to memories of lost love, or devise increasingly strange and surreal strategies of resistance. The characters in different stories are linked to one another, and in their human relationships create a total picture of a secret and terrifying world. In the prisoners' back stories, the anecdotes they tell, and their political discussions, the book also reaches out beyond the walls and barbed wire to give the reader a panoramic picture of life in totalitarian Albania.

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Grandma Non-Oui is a biographical novel that tells the life story of a woman from Split, Croatia. In her youth, Grandma Nedjeljkaor Non-Oui, as she goes by the nickname given to her by her French teacher (a literal French translation of the syllables of her nickname Ne-Da, Slavic for No-Yes)falls in love with an Italian soldier, Carlo, at the end of the second World War and later moves to Sicily to marry him. Written as an exchange between Grandma and Nedjeljka, her granddaughter and namesake, a conversation unfolds that encompasses a broad range of times and places between 1938 to 2016, moving back and forth temporally from past to present, and geographically between Castellammare del Golfo in Sicily and Split, Croatia. Their imagined conversations reveal the lives of these two different women and the deep cross-generational bond between them, as they discuss cross-cultural love, private life, and family, as well as the public sphere of war, politics, and migration.

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A complex novel of migration told from the point of view of an un-named narrator. Full of the paradoxes of a life lived in exile and the inevitable doubts and nostalgia for Home, this is a gentle and charming read.

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The protagonist in Dogs and Others is the first openly lesbian character in modern Serbian literature, but she is also so much more than that, as she encapsulates the zeitgeist of her generation. Coming of age in 1970s Belgrade, then the capital city of thriving, socialist Yugoslavia, we follow Lida and the bohemian life she leads, made more complicated by the trials and tribulations of her eccentric family. The whole novel breathes with a raw sensibility so aptly captured in the voice of the heroine - a striking, rebellious, overtly feminist and somewhat neurotic young woman.

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The Highly Unreliable Account of the Brief History of a Madhouse is an ever-expanding novel that moves at a dizzying pace. A literary panorama of Turkey that defies boundaries spatial or temporal: one end in the 19th century, and the other in the 21st. A book of ‘human landscapes’ that startles anew with a completely unexpected turn of events, immediately after deceiving the reader into thinking the end of a plot line might be in sight. The novel starts in a small-town mental asylum with its back to the Black Sea, and weaves its way through a highly entertaining chain of interlinked lives, each link a complex and bewildering personality. The Highly Unreliable Account… follows the trails of political and social milestones left on individual lives across a span of nearly a century.

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In this exuberant and touching portrait of youth, Eliade recounts the fictional version of his university years in late 1920’s Bucharest. Marked by a burgeoning desire to ‘suck out all the marrow of life’, the protagonist throws himself into his studies; engaging his professors and peers in philosophical discourse, becoming one of the founding members of the Student’s Union, and opening---up the attic refuge of his isolated teenage years as a hotspot for political debate and romantic exploration. Readers will recognize in these pages the joy of a life about to blossom, of the search for knowledge and the desire for true love. Already an accomplished writer as a young man, this follow-up to his Diary of a Short-Sighted Adolescent reveals a keen observer of human behaviour, a seeker of truth and spiritual fulfillment whose path would eventually lead him to become the ultimate historian of 20th-century religions.

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Byron and the Beauty is loosely based on Byron's biography and takes place during two weeks of October 1809, during his now famous sojourn in the Balkans. Besides being a great love story, this is also a novel about East and West, about Europe and the Balkans, about travel and friendship and cruelty. Bazdulj marvellously combines facts with imagination, history and romance, resulting in an exceptionally beautiful novel. The author's style has something of the subtle lyricism and chronicle-like tranquillity of his countryman Ivo Andric, but also a touch of the oriental baroque richness associated with Orhan Pamuk, making this a book which is both erudite and innovative, with a daring sense of humour.

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Ekaterini, born in Greece at the beginning of the twentieth century, is a woman who knows her own mind. Against the wishes of her family, she marries an immigrant worker and follows him from the port of Thessaloniki to Belgrade. There, Ekaterini is not only forced to learn the country's 'odd' language and adapt to life in an alien culture, but soon becomes a young widow who must guide her two small daughters safely through the turmoil caused by the Second World War and the socialist post-war period. Refusing to cheer Stalin or to bend to the new political environment, the story of a remarkably stoic and courageous woman unfolds: a woman whose life spans the collapse of Yugoslavia, the last Balkan war, the Kosovo crisis and the bombing of Belgrade, and yet still dreams of one day returning to her beloved Greece. Ekaterini is the human story of an epoch. Though set in the Balkans, it is nevertheless a tale of universal human survival, chronicling the ordinary lives of women who live through history's most turbulent times. While written in homage to the ancient story of Odysseus this remarkable novel sees the roles reversed, so that it is a modern Penelope who must travel and suffer in search of her homeland. With her distinctive brand of humour, Marija Knezevic cleverly parodies the traditional biography by demystifying the everyday events of life and allowing a female narrator to share her version of events. The story of Ekaterini is the story of one woman who lives through the twentieth century in a part of the world where a long life could bear witness to four major wars. Just as there is no such thing as a 'normal life', so we can understand that one individual story can be the story of a country, of an epoch. The heroine of 'Ekaterini' is born in the Balkans, and her story is one of human survival, and is therefore universal. This is history seen from the woman's point of view, the story of the ordinary lives of the women who live through the turbulent historical events of their time. With her own brand of humour, Knezevic wants to parody the traditional biography by demystifying the everyday events in one 'ordinary life' and let the female narrator tell her side of the story.

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When Vladan Borojevic googles the name of his father Nedeljko, a former officer in the Yugoslav People's Army, supposedly killed in the civil war after the decay of Yugoslavia, he unexpectedly discovers a dark family secret which recollects the events of 1991 when he first heard the military term deployment and his idyllic childhood came to a sudden end. Seventeen years later Vladan's discovery that he is the son of a fugitive war criminal sends him off on a journey round the Balkans to find his elusive father where he also finds out how the falling apart of his family is closely linked with the disintegration of the world they used to live in. The story of the Borojevic family strings and juxtaposes images of the Balkans past and present, but mainly deals with the tragic fates of people who managed to avoid the bombs, but were unable to escape the war.

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Sal, the protagonist of "Sun Alley," is an exceptionally intelligent 12-year-old boy, experiencing his first love. One summer afternoon, on his way to see his girlfriend Emi, he is caught in a rain shower and shelters in the hallway of a block of flats. Led by a strong odor, he goes down into the basement, where he comes upon the corpse of a young and very beautiful woman. Little by little, Sal will attempt to discover the mystery of this body and, at the same time, will pursue his amorous relationship with Emi; a strange liaison which unfolds in parallel with the adulterous affair of an adult couple whose path Sal repeatedly crosses. As his love story with Emi evolves, Sal tries his best to hide it, not only from the cynical eyes of his friends in the neighborhood, but also from his parents whose intervention might well shatter his bliss thereby developing a veritably adulterous mindset. The connections between adults and the two children, on the one hand, and the dead body discovered by Sal on the other, are far deeper and more complicated than they may at first seem. "Sun Alley "is a novel about the roots of adultery and the destiny of an exceptional young boy who, thanks to his gifts, has the power to see visions."

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The stories in this collection are stories of the lives and struggles of a wonderful variety of characters living in the Maramures region, in the years leading up to a war that will suddenly and irretrievably destroy the pattern of their existence. The eerily shocking ending of many of these stories is the moment their protagonists climb on the cattle trains to be transported to Auschwitz; while leaving the tale of their often tragic fate unstated. Bruckstein’s works, novels, stories and plays, deal with the sometimes cruel, sometimes comic, lives of simple people whose fate is controlled by highly unpredictable forces. These he describes with understanding, compassion and forgiveness; smiling at the petty worries and trivialities that people take so seriously, while often remaining unaware of very real and existential dangers. He belongs to a generation so well described by the writer Czeslaw Milosz, in his book, The Captive Mind: “Few inhabitants of the Baltic States, Poland or Czechoslovakia, of Hungary or Romania, could summarize in a few words the story of their existence. Their lives have been complicated by the course of historic events”.

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The Fig Tree is a novel composed of the intertwining stories of the family of Jadran, a 30-something who tries to piece together the story of his relatives in order to better understand himself. Because he cannot understand why Anja walked out of their shared life, he tries to understand the suspicious death of his grandfather and the withdrawal of his grandmother into oblivion and dementia. With all his might, Jadran tries to understand the departure of his father in the first year of the war in the Balkans as he also tries to comprehend his mother, with her bewildering resentment of his grandfather, and her silent disappointment with his father. The Fig Tree is a multigenerational family saga, a tour de force spanning three generations from the mid-20th century through the Balkans wars of the 90s until present day. Vojnovic is a master storyteller, and while fateful choices made by his characters are often dictated by the historical realities of the times they live in, at its heart this is an intimate story of family, of relationships, of love and freedom and the choices we make.

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With this collection of brutal and heart-wrenching stories, the Bosnian writer Faruk Sehic secured his reputation as one of the greatest writers to emerge from the region. A war veteran and a poet, Sehic combines beauty and horror to seduce and surprise the reader; Sehic literally describes the war through the gun sight of an AK-47. His book is brutal, naturalistic, honest and uncompromising; his characters kill and get killed, they rob corpses and homes, they get drunk and get into fights, they parade in front of a mirror wearing a uniform ripped off a dead soldier. There's drugs and alcohol in abundance, and they are--paradoxically--reason's last line of defense.

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Hair Everywhere is the story of one family and how they manage to cope when the mother is diagnosed with cancer. It is a delicate tale that balances itself between the generations, revealing their strengths and weaknesses in times of trouble. It is also a story about how roles within a family can change when things become challenging, due to sickness or death, allowing some to grow and others to fade. Ultimately, this is a book about life; full of humour and absurdity as well as sadness, and set against an everyday background where the ordinary takes on new significance and colour. Tea Tulic’s debut novel is a brave glance at the human condition.

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Gabriela Babnik's novel Dry Season breaks the mold of what we usually expect from a writer from a small, Central European nation. With a global perspective, Babnik takes on the themes of racism, the role of women in modern society and the loneliness of the human condition. Dry Season is a record of an unusual love affair. Anna is a 62-year-old designer from Central Europe and Ismael is a 27-year-old African who was brought up on the street, where he was often the victim of abuse. What unites them is the loneliness of their bodies, a tragic childhood and the dry season, or 'Harmattan', during which neither nature nor love is able to flourish. She soon realizes that the emptiness between them is not really caused by their skin colour and age difference, but predominantly by her belonging to the Western culture in which she has lost or abandoned all the preordained roles of daughter, wife and mother. Sex does not outstrip the loneliness and repressed secrets from the past surface into a world she sees as much crueller and, at the same time, more innocent than her own. Cleverly written as an alternating narrative of both sides in the relationship, the novel is interlaced with magic realism and accurately perceived fragments of African political reality.

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This unique and disturbing work concerns the events of 1997, a tragic year in the history of post-communist Albania. After the world's most isolated country emerged from Stalinist dictatorship and opened to capitalism, many people fell prey to fraudsters who invited them to invest in so-called 'pyramid schemes'. At the start of 1997, these pyramids crumbled one after another causing wide-spread demonstrations and protests. The conflict became increasingly violent, leading to the collapse of the state and of the country's institutions. Prisons were opened, crowds stormed arms depots, and the country was abandoned to anarchy and gang rule. Lubonja has chosen to tell this incredible story through a narrative technique that operates on two levels: a third-person narrator, who describes the large-scale events that made international headlines, and the narrative of Fatos Qorri, the author's alter ego, who describes his own dramatic experiences in a personal diary. The book begins with the synopsis of a novel entitled "The Sugar Boat" that Fatos Qorri intends to write about the spread of a small pyramid scheme luring people to invest supposedly in a sugar business. However, as the major pyramids collapse, real events overtake anything he has imagined and Fatos Qorri finds himself in the midst of a real-life tragedy.

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The new Bulgarian ambassador to London is determined to satisfy the whims of his bosses at all costs. Putting himself at the mercy of a shady PR-agency, he is promised direct access to the very highest social circles. Meanwhile, on the lower levels of the embassy, things are not as they should be. With criminal gangs operating in the kitchens, police on the trail of missing ducks from Hyde Park and a sexy Princess Diana impersonator employed as the cleaner, how is an ambassador supposed to do his job?Combining the themes of corruption, confusion and outright incompetence, Popov masterly brings together the multiple plot lines in a sumptuous carnival of frenzy and futile vanity, allowing the illusions and delusions of the post-communist society to be reflected in their glorious absurdity!"A big European novel… his humour is the weapon of a merciless social critic, such as we have seen in the works of Jaroslav Hashec and Ilf and Petrov…" Miljenko Jergović"This is a true European comic novel in the best tradition of P.G. Wodehouse, Roald Dahl and Tom Sharp. An excellent narrative; a great awareness for detail; a fresh sense of humour and most importantly – a sense of moderation. The situations are typically Bulgarian, yet the irony brings a taste of Englishness." 24 HoursThis book is also available as a eBook. Buy it from Amazon here.

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Catharine's trajectory in life is accompanied by failures in love, family traumas and an incredible romance with handsome Sinisa. The novel takes us through turbulent times in the Balkan region, from the eighties to the present day, portraying growing up in the twilight of communism, and giving intimate insights into all that happened to the region after that. Carefully crafted characters and masterful, dynamic storytelling place Catherine the Great and the Small in the company of the very best of novels, which speak about the reality of their geographic setting and are remembered for their convincing, strong, maladjusted characters. Catherine is certainly one of them: a powerful female voice seeking her place within her family, among friends, in the cities she lives in, and constructing her unique identity as a daughter, granddaughter, friend, mistress, wife and a mother.

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Pavel Vilikovský’s novella Fleeting Snow (Letmý sneh, 2014), depicts the gradual loss of memory of the narrator’s wife. The narrator reminisces about his past life with his wife and muses on issues ranging from human nature and the soul, to names and the phonetics of Slovak and indigenous American Indian languages, in an informal, humorous style whose lightness of touch belies the seriousness of his themes. The book’s title refers to its recurring central motif, an avalanche whose inexorable descent cannot be stopped once the critical mass of snow has begun to roll, echoing the unstoppable process of memory loss. Five themes or storylines, intertwined in passages of varying lengths, are labelled with letters of the alphabet and numbers in a playful allusion to scholarly works and musical compositions.

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Famous soap opera scriptwriter, Naranča, is slowly losing her memory and decides to embark on a road trip down memory lane (in a golden convertible) in search of her greatest love and ex-husband, an artist whose uncompromising artistic integrity is opposed to Naranča’s fickle life in the world of TV drama. It is the memory of a series of letters written over several weeks and hand-delivered to the inhabitants of the street where they lived, that cracks open the novel. The letters, triggered by a mysterious couple who make love loudly for hours in the middle of the night, keeping the neighbourhood awake, touch upon the nature of love, war, lust, nationalism, capitalism, and childhood, highlighting the paradox of the human condition through playful humour.Singer in the Night is a rich, sensual novel which comments on communal perception, on how life is really lived. In its final message, the novel gives a playful warning about the consequences of choosing banality over true human connection.

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Tea Radan, the narrator of the novel Canzone di Guerra, reflects on her own past and in doing so, composes a forgotten mosaic of historical events that she wants to first tear apart and then reassemble with all the missing fragments. In front of the readers eyes, a collage of different genres takes place - from (pseudo) autobiography to documentary material and culinary recipes. With them, the author Dasa Drndic skillfully explores different perspectives on the issue of emigration, the unresolved history of the Second World War, while emphasizing the absurdity of politics of differences between neighboring nations. The narrator subtly weaves the torturous story of searching for her own identity with a relaxed, sometimes disguised ironic style, which takes the reader surprisingly easily into the world of persecution and the sense of alienation between herself and others.

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‘But for that slender connection with the mainland, Andalıç would have been a regular island,’ says Aslı Biçen in the opening chapter of this deliciously multi-layered novel. And it would have been an ordinary story about love and loss, if it weren't for the earthquake that unexpectedly sets the landmass afloat on the Aegean, kindling a series of increasingly oppressive measures by the authorities; ostensibly to keep public order. As Andalıç drifts between Greece and Turkey, things get from bad to worse, until eventually our heroes, Cemal and Jülide, join the growing resistance, and even nature lends a helping hand, offering a secret underground system that plays its part in ousting the tyranny. What starts as the realistic tale of a charming provincial town develops into a richly detailed political novel in a fantastic setting. Biçen’s dreamy language weaves a flowing style that transports the reader into every nook and cranny of Andalıç and the crystal-clear waters of the Aegean; her metaphors are imaginative, her observations insightful, and her descriptions melodious.

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Ten-year-old Emil lives with his mother in a rented flat in an unnamed city. Although she works hard, as a single mother she can barely making ends meet. Emil has a condition affecting the growth of his legs and his mother is desperately trying to give him all the love and acceptance he needs. Emil also displays selective mutism: he boy talks to some people normally while with others is fully or partially mute. His uncle Jakov thinks that everything to do with Emil is about intimacy and trust and searches for a way to get close to him. The drama of this special boy is based precisely on the relationship that each character has towards Emil’s special needs – and those relationships are polarizing and motivated by varying social, psychological,religious and personal beliefs.

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This is a book for our time - a time where we need a greater understanding of our bodily and emotional needs, as well as of our place in a globalised world where health has become a major issue. Since the beginnings of civilization, humans have relied on and respected the earth and its bounty, understanding that the energy of nature sustains and protects us when we live in balance. The aim of this succinct handbook is to encourage us to take an active role in our own well-being by bringing together the basics of good nutrition, mindfulness and radiesthesia. Here you will find simple advice about diet and fitness, along with explorations of the more spiritual side of healing involving auras, meridian lines and the chakra system (our personal energy fields), ley lines (the earth’s energy fields) and the energetic signatures of all that exists (the vibrational makeup of material and intangible phenomena which we tap into as we dowse). Everything contained in these pages has been composed, explained and published for the good of all. It is the first title of a new imprint that was inspired by and conceived by the work of David Willocks in New Zealand – mimosa books, named after the second star of the Southern Cross, a constellation beloved of the peoples of that nation and region.

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This harrowing tale, which spans sixteen hours and is told through the eyes of a mysterious narrator, delves into the bad blood between two timeless villages in Turkey. Based on a true story, the book tells of geographical complexities, tangled relations, hazy memories and unreliable witnesses: a story in which perhaps is nothing as it seems...

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A fresh new look at an old story: the tale of Jonah is supplemented by the inclusion of his daughter, as the book weaves modern and ancient, telling a tale of startling imagination.

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'My Rivers' is an event in four cycles: The Loire, The Spree, The Drina and the Beyond the River. The book includes different poetic forms, from long narrative poems to free verse/flash fiction. The style is never overly strict in form, as Sehic always wants this work to be as clear and understandable as possible. It deals with themes of post-war reality and the culture of remembrance in a wider context, along with the tragedy of the Bosnian war seen through larger conflicts and the greater tragedies of the two world wars. The book seeks catharsis, to the extent to which it is possible in a post-conflict society like Bosnia, along with universal themes of intimacy, love, freedom.

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In the northern Slovenian city of Murska Sobota stands the renowned Hotel Dobray, once the gathering place of townspeople of all nationalities and social strata who lived in this typical Pannonian panorama on the fringe of the Austro-Hungarian monarchy. Due to its historical and geographical particularities, the town had always been home to numerous ethnically and culturally mixed communities that gave it the charm and melos of Central-European identity. But now, in the thick of World War II, the town is occupied by the Hungarian army.Franz Schwartz’s wife, Ellsie has for the past month been preparing their son Isaac, a gifted violinist, for his first solo concert, which is to take place at Hotel Dobray. Isaac is to perform on his bar mitzvah and his 13th birthday on April 26, 1944. When the German army marches into town and forces all Jews to display yellow stars on their clothes, Ellsie advises her husband that the family should flee the town and escape to Switzerland. Schwartz promises her he will obtain forged documents, but not before Isaac performs his concert at the hotel.A year later, in March 1945, Schwartz returns, on foot, from the concentration camp as one of the few survivors.

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Bruckstein's two novellas, published for the first time in English, offer a fascinating depiction of rural life in the Carpathians around the time of the Second World War, tracing the chilling descent into disorder and fear of two cosmopolitan communities that had hitherto appeared to be havens of religious and racial acceptance, but which were in fact constructed on foundations of prejudice and discrimination. Bruckstein presents the effects of the Holocaust not only on the Jewish community, but also the wider Christian society. His novellas tell cautionary tales of how gradual changes that individually seem inconsequential can lead to catastrophic alterations in the very fabric of society which, by the time they are acknowledged, are irreversible. These stories serve as a warning that passivity and political apathy can sometimes be just as harmful as actions.

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A roofless library in the middle of war-torn Bosnia, staffed by a mysterious woman who leads a young solider through hidden doorways. A businessman hiding from an angry mob of unpaid workers in a suitcase and a lonely divorce who picks up a mysterious hitch-hiker, only to be lured by her into an unfamiliar forest. The End. And Again offers a beguiling, imaginative reworking of the history of the independence of Slovenia and the break-up of Yugoslavia through the eyes of its four main characters - like the line-up of a pop group - Peter, Goran, Denis and Mary. Their memories of the years when their interests revolved more around music and love than around the turbulent political situation that derailed their lives intersect with those of Denis, the only one of them to be enlisted and sent into battle. A lack of any meaningful resolution to their mutual story haunts them all and forces them to search for a different end(ing). (And) Again.

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Wild Woman is an anti-love story, set against a background of economic hardship. Told through the undiluted language of thought and mania, the twists and turns of internal dialogue are brought alive by a narrator determined to find her true voice. It is a warning against letting life slip through one’s fingers and a call for personal liberation and authenticity.Wild Woman is set in 1970s Croatia, interchanging between the capital, Zagreb, and the seaside towns of Rijeka and Pula on the Adriatic coast. This is a story about an everywoman from a poor family, with a retied invalid father and a mother who always protects the interests of men. The story begins with a love affair between two students of literature, who bond through shared experiences and rush into the romantic dream of marriage. However, what at first seems idyllic to a young woman in love soon becomes a nightmare as she finds herself the victim of an unscrupulous, lazy womanizer whom she must support financially and who often disappears without explanation, leaving her alone in unfamiliar surroundings. To free herself from him, she must free herself from the “prisons” imposed on her by her family, her community and tradition. She must go wild.

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Our Daily Bread charmingly weaves together the customs, rituals, anecdotes, legends and sayings that tell the story of bread, from Mesopotamia, through Egypt, to the Far East, ancient Greece, ancient Rome, and the New World. Matvejevic shows how bread is depicted in literature and art (with beautiful illustrations) and examines especially closely the role of bread in the major world religions, drawing from the Bible, Talmud and Quran, but also at various apocryphal texts. In his seventh and last chapter, his narrative moves to the personal, explaining what motivated him to write this book; the lean years of his childhood during World War II and his father's detention in a German concentration camp. Warning about the pending threat of hunger in the "developed world," the book fittingly ends with a quote from the Russian anarchist Pyotr Kropotkin: "The question of bread must take precedence over all other questions."

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Exile is a collection of short stories with the taste of a novel. The over-riding theme is the sense of melancholy of those who have been alienated from their homeland, from their families or from society. By offering the reader short, vivid glimpses into other worlds; be they of real or fictional characters, Ilhan builds a patchwork of stories which highlight the lives of the dispossessed. As a woman writing in modern day Turkey, she is not afraid to take on the themes of honour killings or the American occupation of Iraq. All stories are open to her empathy and understanding.Born in 1972, Çiler İlhan worked as a hotelier, a freelance writer (Boğaziçi, Time Out İstanbul, etc.) and an editor (Chat, Travel+Leisure) at different periods of her life. İlhan, based in İstanbul, now works as the public relations manager of the Çırağan Palace Kempinski hotel. In 1993, she received a prestigious youth award for a short story. The award was a tribute to the memory of Yaşar Nabi, a leading publisher and writer. Ilhan's stories, essays, book reviews, travel articles and translations into Turkish have been published in a variety of journals and newspaper supplements.

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