Search results for ""Hebrew Union College Press""

Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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The work of a coterie of dynamic women - not the brainchild of Reform Judaism’s male leaders, as is often thought - Women of Reform Judaism has been a force in the shaping of American Jewish life since its founding as the National Federation of Temple Sisterhoods in 1913. The synergy of Reform Judaism’s universalist ideas and the women’s emancipation movement in the early twentieth century made the synagogue auxiliary a natural platform for women to assume new leadership roles in their synagogues, in Reform Judaism, and in American society. These “sisterhoods” have stood for the solidarity among synagogue women as well as the commitment of these women to important social action issues. Called Women of Reform Judaism since 1993, this oldest federation of women’s synagogue auxiliaries has grown from 52 temple sisterhoods to 500 and a membership of over 65,000 women, today a vibrant international women’s organization.Women of Reform Judaism, in cooperation with the Jacob Rader Marcus Center of the American Jewish Archives and Hebrew Union College Press, marks its centennial anniversary with this collection of new scholarly essays which looks back at its history in order to understand how the hopes and dreams of its founders have come to fruition. Armed with the rich archival resources of The Jacob Rader Marcus Center of the American Jewish Archives, including Proceedings of the National Federation of Temple Sisterhoods, 1913-1955, eighteen scholars contributed essays on the spectrum of Women of Reform Judaism’s activities, including their funding of Hebrew Union College during the Great Depression, their support for Jewish education through production of a substantial women’s Torah commentary designed to edify lay people as well as scholars and clergy, their promotion of Jewish foodways and art through publication of cookbooks and support of synagogue gift shops, their invention of the Uniongram as a formidable fundraising tool on a par with the Girl Scout cookie, and their efforts to safeguard Jewish continuity through support of youth activities (NFTY).Sisterhood: A Centennial History of Women of Reform Judaism fills a void in the study of women’s philanthropic organizations, as the contributions of women to the American synagogue has not yet enjoyed sustained attention. Scholars, clergy, and laypeople interested in the history of American Jewish life and the distinctive place of women in American religious history will benefit from the rich insights and perspectives in these essays.

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Maverick Israeli poet Yona Wallach (1944-1985) is often remembered for her outrageous and unconventional personality and the controversies engendered by her sometimes shamelessly erotic verse. But she is regarded by many of her friends and colleagues as the most important among the Israeli poets of her generation, perhaps even the greatest Hebrew poet of modern times, and has had a profound effect on Israel's cultural life ever since her works began to appear in periodicals in the early 1960s. Zafrira Lidovsky Cohen presents the first full-length critical analysis in English of her works, exposing the roots of her poetry in the poetic revolution in Israel during the 1950s and explain how she epitomizes the literary climate of her time. Wallach's poetry reflects the cultural crises that shook the academic world of the 1960s and the intellectual battles many artists fought with the prison-house of semiotic systems in which the human mind, they felt, was entrapped. Mysticism, religion and prophecy, passion, genius, sex, and madness are only some of the terms associated with this woman and her poetic art, which one critic has called a "unique combination of elements of rock and roll, Jungian psychology and street slang, break-neck pace and insistent sexuality." Cohen paints a background for Yona Wallach's poetry by outlining her short life and surveying her critical reputation. Drawing on her own rich and varied background in Bible, mythology, Hebrew language, and Poststructuralist and Postmodernist literary and linguistic theory, Cohen traces Wallach's poetic corpus, translates and interprets representative examples of her works, and situates them within a variety of historical and literary contexts.

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Carole Balin introduces us to dozens of Jewish women writers from late nineteenth- and early twentieth- century Tsarist Russia, focusing on five who were among the most prolific. Their extant literary remains include not only fiction, poetry, drama, translations, and essays, but also memoirs, autobiographies, diaries, and letters. Balin contextualizes the works of each within the culture in which she lived and wrote. Miriam Markel-Mosessohn (1839-1920) toiled to advance the goals of the Russian Haskalah (Enlightenment), translated German works into Hebrew, tried her hand at poetry, and became a foreign correspondent for a Hebrew newspaper at the age of 48. Hava Shapiro (1879-1943) published short stories and newspaper articles in Hebrew, earned a doctorate at the University of Berne, and was an active participant in the writing circle convened at the Warsaw home of Y. L. Peretz. Rashel Mironovna Khin (1861-1928) wrote numerous short stories and plays in Russian, two of which were staged at Moscow's Malyi Theater. Feiga Israilevna Kogan (1891-1974) composed books of Symbolist poetry in Russian while harboring a love of Hebrew, which she nurtured at the Society for Lovers of the Hebrew Language. Sofia Dubnova-Erlikh (1885-1986) was the daughter of historian Simon Dubnov, the wife of socialist Genrikh Erlikh, and an accomplished poet, essayist, biographer, and political activist in her own right. The life-like and touching portraits that emerge of these talented writers allow us a penetrating view of Jewish women within their Russian-Jewish milieu that is far more nuanced than the images of housewife and revolutionary currently held in collective Jewish memory. The lives and works of these women help to tell a larger story of Jewish cultural history in the Russian Empire.

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In 1937, the young Yiddish poet Berl Feldman bade farewell to his family in Radzivil and emigrated to the land of Israel, where he became the Hebrew poet Amir Gilboa. In this comprehensive study, Warren Bargad describes and interprets Gilboa's works at the various stages of his career and defines his place in the tradition of modern Hebrew poetry. Spanning nearly fifty years and collected in eight volumes, his works reflect the multiplicity of norms that dominated Israeli poetry in the thirties and forties as well as the personal artistic vicissitudes that moved Gilboa from one set of poetics to another in the course of his life's work. Bargad explains the romantic themes and lyrical style that characterize Amir Gilboa's early poetry as the combined result of his leaving behind the strident tone of Yiddish proletarian verse and his fervid enthrallment with the Land of Israel as a source of spiritual, ideological, and personal fulfillment. Later, Gilboa experimented with other approaches: the poetics of figurative profusion in the 1940s, the poetics of ambivalence in his Holocaust poetry, the poetics of ideological lyricism in the 1950s, and the poetics of ambiguity in his later modernist phase. From the late 1960s until his death in 1984, Gilboa created a highly idiosyncratic blend of romantic preoccupations and new modernist structures. Bargad addresses two additional dimensions of Gilboa's poetry: its multiple linguistic strata and its autobiographical nature. Although Gilboa's frequent borrowings from the language of Hebrew romanticism show his abiding attachment to the modes of expression of Bialik and his followers, the dominant narrative voice in all of Gilboa's poetry is his own. He describes past experiences and everyday incidents-his frustrations, his delights, his sorrows. Even in his poems on biblical figures, where the poetic voice is most distanced, a live image of the poet emerges. The result is an interweaving of autobiography, even if a mythical one, and ancient history. The poems on poetry and the poetic process go much further, disclosing a virtually unmasked autobiographical voice, one which provides much of the force, fervor, charm, and poignancy of Gilboa's unique style.

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In the last twenty-five years, the effort to understand the ways of others has reinvigorated religious discussion on many levels. We have entered what has been described as the "Age of Dialogue." But what should be the nature of such dialogue? And what should be its goal? What exactly is the proper relationship between different communities of faith? In this book, Sandra B. Lubarsky offers some new answers to these timely questions. She begins with an affirmation of "veridical pluralism," the position that more than one tradition "speaks truth" - a "blessed fact" that enables us to enlarge our vision of truth through openness to the perceptions of others. Using the concept of "transformative dialogue" (a term borrowed from the theologian John B. Cobb, Jr.), she presents a method for the encounter of traditions in an age of religious pluralism - one which entails neither a loss of particularity nor a descent into relativism. In a Jewish contexts, Lubarsky argues that the Noachide Covenant, the premodern Jewish approach to non-Jews, is an inadequate framework for today's dialogue since it accords no independent value to any non-Jewish tradition. She then gives serious attention to the interreligious views of four seminal modern Jewish thinkers: Leo Baeck, Franz Rosenzweig, Martin Buber, and Mordecai Kaplan. Acknowledging our tremendous intellectual debt to them, she nevertheless calls for a move beyond tolerance and beyond mutual appreciation toward dialogue that may be transformative of our own traditions.

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It was twentieth-century Modernism that introduced bilingualism into the literary arena. Used as a means for the contradictory aims of universalizing or individualizing the literary idiom, this practice was clearly part of the revolt against nineteenth-century Romanticism and nationalism. In contrast, Jewish bilingualism is rooted in the long history of exilic existence; its modern phase, moreover, is intimately related to the national revival of the Jewish people. As such, it fulfilled a unique role: time and again, literary experiments were conducted first in Yiddish, the spoken language, and later transferred to Hebrew, the "romantic classical" language of the national renaissance. The significance these transfers had for the historical poetics of Hebrew cannot be overestimated. They were instrumental in making what was a "scriptural" literature only a century ago into the modernized, lively literature we know today. Yet Hebrew did not give in easily. It was not until the 1950s, for instance, that Israeli poetry caught up with the poetic understatement of Western Modernism. Two decades earlier, however, Hebrew Modernism did make a breakthrough in America. It was Gabriel Preil, a Lithuanian-born resident of New York, who helped modernize Hebrew verse without so much as visiting the Land of Israel. The emergence of his imagistic free verse in the thirties and forties constituted a bold departure from the classical-romantic norms of Hebrew at the time. Thereafter Israeli modernists adopted him as a precursor, naturally attributing his innovations to the influence of Anglo-American imagism. But there is more to it than that. For Preil, who is currently approaching his 75th birthday, is, in fact, the latest link in the Jewish tradition of intracultural transfer. As this study shows, he absorbed his poetic modernism from the New York Yiddish Modernists, thereafter transferring it to Hebrew via his autotranslation and dual compositions. Yael Feldman here sheds light on this particular, and possibly last, instance in the history of Jewish bilingualism. Yet the significance of her work extends beyond the poetics of Hebrew literature. For it offers unique insights into both the mechanism of literary transfer and the constraints operative within it. In addition, it follows Preil's recent "metapoetic" journey to the borders of imagism and back, thereby illuminating the risks of limitation and dehumanization that have always plagued "pure" imagism. Finally, it shows how Preil's life work recapitulates the complex evolution of Western poetic Modernism with all its inherent paradoxes.

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Loss defines the crossbeams and chronicles of Tuvia Ruebner’s life. Born in 1924 into a semi-secular Jewish family in Slovakia, Ruebner was also born into the catastrophe that would follow - the extermination of European Jewry and of his own family in the Holocaust. Hitler became chancellor of Germany on Ruebner’s ninth birthday. Six years later, the race-laws enacted in Slovakia banned all Jewish students from school and Ruebner’s formal education ended with ninth grade. His involvement in the Socialist-Zionist youth movement bought him a ticket out to Palestine and, in 1941, the seventeen-year-old bid his family farewell at the Pressburg-Bratislava train station, unaware that he would never see them again.The disasters of the twentieth century swept Ruebner from Europe to Israel, from German to Hebrew, from the familiar to the strange. Despite his truncated formal education, he became a poet and man of letters in Israel’s fledgling intellectual community alongside other Jewish immigrant-refugee-survivors like Ludwig Strauss, Werner Kraft, Lea Goldberg and Dan Pagis, eventually gaining international esteem as professor of comparative literatures at Haifa University and as translator of Nobel prize winner S.Y.Agnon’s stories into German. Ruebner’s early work in Israel took shape in German, the language he spoke to his lost beloveds and the language of Kafka, Hoelderlin and Rilke, whose work he loved, a language that protected him from the overwhelming strangeness of his new land and life. He began composing poetry in Hebrew in the 1950s, beginning a life-long relationship with the newly-revived ancient tongue. The result: fifteen poetry collections in Hebrew, from The Fire in the Stone in 1957 to Last Ones in 2013, a poetic oeuvre that has received countless awards and accolades in Israel and Europe alike and has established Ruebner as an elder of the tribe.Ruebner’s poetry offers us an exquisite and indispensable voice of the twentieth century. His little sister, murdered in Auschwitz, and his youngest son, who disappeared in South America, wander unceasingly through his poems. Beyond the personal losses, the devastation of the century informs all of his work. Textual rupture and fragmentation echo historical rupture and fragmentation. The wonder of Tuvia Ruebner is that, after a lifetime of loss and tragedies, he remains open to the possibility of happiness. This openheartedness accommodates the many paradoxes and conflicts of life and infuses his poetry with an enduring and encompassing compassion for the lost and for the living alike.Rachel Tzvia Back’s graceful translations of select poems representative of Ruebner’s seven-decade poetic trajectory are ever-faithful and beautifully attuned to the Hebrew originals, even as they work to create a new music in their English incarnations. Her comprehensive introduction and annotations supply the context in which these poems were produced. This first-ever bilingual edition, published as Ruebner marks his 90th birthday, gives readers in both Hebrew and English access to stunning poetry that insists on shared humanity across all border lines and divides.

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The Jewish struggle for survival as a spiritual entity after the cohesiveness of Jewish communal life began to disintegrate in the latter decades of the nineteenth century spawned a new tradition-a modern secular Hebraic cultural tradition. These seventeen essays by Israel's esteemed literary critic, Gershon Shaked, explore the evolution of that new tradition, tracing its major processes and identifying central stages in the development of new canonical texts. After introductory essays in which he defines Israeli secularism, explores the historical consciousness of the Israeli sensibility both in Israel and in the Diaspora, and comments on major trends in the development of Hebrew literature, Shaked describes the mythopoeic creativity of the Hebrew poet laureate Hayyim Nahman Bialik and of the major Hebrew playwright Mattityahu Shoham. He then explores the early literary associations of Yehuda Amichai, who transformed the exalted poetic idiom of the pre-state years into a sober, sensitive, accessible language. Three essays each treat Medele Mosher Seforim and Shmuel Yosef Agnon. As the voice of the limping shlemazels of the shtetl, Mendele foretold the destruction of the eastern European Jewish community but offered no constructive alternative to its dismal prophecy. Agnon's characters seek redemption by immigrating to Eretz Israel. His two works discussed here, "Agunot" (Forsaken Wives) and Shevu'at emunim (The Betrothed) suggest that, while it may be possible to take neurotic Jews out of the Diaspora, taking the Diaspora out of them is another matter. A second set of essays is dedicated to Joseph Hayyim Brenner, an immigrant in the Second Aliyah who also wrote of displaced strangers trying to set down roots in a foreign environment, and Yitzhak Shami, an "Arab-Jew" who wrote about the mentality and lifestyle of the oriental Jewish communities of Palestine and Syria. The last chapter analyzes the work of an outsider, David Vogel. Although Vogel's novel Hayyei nissu'im (Married Life) was written in Hebrew, its plot and characters are strongly reminiscent of the German-Jewish literary tradition. Shaked's analysis of the cultural processes underlying Hebrew literature's major achievements in the late nineteenth and twentieth centuries not only sheds important light upon the major concerns of this new and secular literary tradition but also illuminates key aspects of modern Jewish culture.

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The 19th century neo-Kantian philosopher Hermann Cohen has provided significant underpinnings for understanding Judaism as a religion with a rational and universal character, as a religion of hope for the future. The eight essays selected for Reason and Hope lay out Cohen’s exposition of God as the Uniquely One and explore the universal implications of this idea. The essays are arranged to show how Cohen’s philosophy on monotheism, prophetism, and messianism holds the idea of Israel’s chosenness in tension with its universalism and its goal of creating a community of ethical individuals bearing witness to the unique Oneness of God. Eva Jospe makes Cohen’s thought accessible to readers in English through her translations, notes, and introduction. Her introduction introduces the life of Hermann Cohen, explains key themes and concepts in his work—faith and reason, the “is” and the “ought,” creation and revelation—and summarizes how they relate to the ethical and rational Judaism Cohen espouses. The essays are self-contained, but Jospe traces Cohen’s thought through them in her notes, which identify his roots in Plato and Kant and explore how his ideas interact with those of other Jewish thinkers like Maimoinides and Buber. Her editorial remarks are careful to retain the essence and context of Cohen’s arguments while pointing to the relevance of his thought to contemporary Jewish theology and education. This reprint edition comes more than twenty years after the book’s first publication and remains a valued resource for introducing scholars, students, and lay readers alike to the work of this important Jewish thinker.

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Defining Israel: The Jewish State, Democracy, and the Law is the first book in any language devoted to the controversial passage of Israel's nation-state law. Israel has no constitution, and though it calls itself the Jewish state there is no agreement among Israelis on how that fact should be reflected in the government's laws or by its courts. Since the 1990s a number of civil society groups and legislators have drafted constitutions and proposed Basic Laws with constitutional standing that would clarify what it means for Israel to be a "Jewish and democratic state." Are these bills liberal or chauvinist? Are they a defense of the Knesset or an attack on the independence of the courts? Is their intention democratic or anti-democratic? The fight over the nation-state law-whether to have one and what should be in it-toppled the 19th Knesset's governing coalition and, even after its passage on July 29, 2018, remains a point of contention among Israel's lawmakers and increasingly the Israeli public. Defining Israel brings together influential scholars, journalists, and politicians, observers and participants, opponents and proponents, Jews and Arabs, all debating the merits and meaning of Israel's nation-state law. Together with translations of each draft law, the final law, and other key documents, the essays and sources in Defining Israel are essential to understand the ongoing debate over what it means for Israel to be a Jewish and democratic state.

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Hebrew Union College Annual is the journal of the Hebrew Union College. Published annually, it is an anthology of scholarly articles concerning Jewish history, religion and culture from antiquity to the present. The Annual publishes scholarly treatments of all aspects of Jewish Studies in all eras, from antiquity to the contemporary world. It particularly encourages longer studies and welcomes the publication of primary sources in most European and Semitic languages, as long as they entail commentary and are translated.

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In this volume, students of beloved teacher B. Barry Levy come together to honor his erudition, superb pedagogy, kindness, and verve, with a collection of essays that reflect Levy's wide range of interest and expertise. Levy, sensitive to the meaning of a text for its original and intended audience, but also to how that meaning changes and develops over the course of years of interpretation, gave his students the broadest education in the evolving context of biblical study. This expansive focus is evident in the essays included in this book. From a study of astronomical observations in the ancient Near East, to an exploration of the excesses of obedience and sacrifice as recounted in the stories of Abraham and Isaac and the Buddhist Vessantara Jataka, from Talmud, to modern Bibles for children, to the evolution of the Dead Sea Scrolls from text and artifact to sacred object, To Fix Torah in Their Hearts is a diverse and engaging collection, of value to scholars and general readers alike.

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Twentieth century Hebrew poetry engages the Bible in an ongoing battle. Modern iconoclastic Hebrew poets fight for their independence from biblical traditions, and they do so by practicing a form of subversive midrash. The ancient rabbis enjoyed developing innovative midrashic methods that would show the reader how the conclusions were drawn from the text. But the modern Hebrew poet uses a new midrashic method that seeks to neutralize the Bible's sway over modern Israeli life. Despite Israel's political secularism, the biblical traditions still have a significant impact on Israeli society. The poet is forced to contend with the Bible. The revival of the Hebrew language itself, which took place in less than a one-hundred year span, drew upon textual models of old. First among them was the Bible. A Zionist ideology steered that decision since the Bible provided the deed for ownership of the land. Biblical language and traditions reverberate through modern writers both intentionally and unintentionally because the language provides so much opportunity for contact. The poets address and sometimes subvert the biblical tradition through puns, playing with the Hebrew morphology, and intertextuality. Kartun-Blum employs historical, rhetorical, and feminist approaches to illuminate these techniques.

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In the 1660s, Jews of Iberian ancestry, many of them fleeing Inquisitorial persecution, established an agrarian settlement in the midst of the Surinamese tropics. The heart of this community-Jodensavanne, or Jews' Savannah-became an autonomous village with its own Jewish institutions, including a majestic synagogue consecrated in 1685. Situated along the Suriname River, some fifty kilometres south of the capital city of Paramaribo, Jodensavanne was by the mid-eighteenth century surrounded by dozens of Jewish plantations sprawling north- and southward and dominating the stretch of the river. These Sephardi-owned plots, mostly devoted to the cultivation and processing of sugar, carried out primarily by enslaved Africans, collectively formed the largest Jewish agricultural community in the world at the time and the only Jewish settlement in the Americas granted virtual self-rule. Sephardi settlement paved the way for the influx of hundreds of Ashkenazi Jews, who began to emigrate in the late seventeenth century from western and central Europe. Generally banned from Jodensavanne, these newcomers settled in Paramaribo, where they established their own cemeteries and historic synagogue. Meanwhile, slave rebellions, Maroon attacks, the general collapse of Suriname's economy, soil depletion, absentee land ownership, and a ravaging fire all contributed to the demise of the old Savannah settlement beginning in the second half of the eighteenth century..

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Within traditional Jewish commercial law, the laws of sale and fraud are surprisingly intelligible and fascinating for modern students of Jewish tradition. This translation of the relevant sections of the Shulhan Arukh, sometimes known as the ‘Code of Jewish Law’, has been prepared with the utmost care and attention to the technical nuances of legal terminology in both modern and ancient law. The Shulhan Arukh is the most widely consulted of the various legal codes in Judaism. Rabbinic tradition is in large part a tradition of law and jurisprudence. This tradition of law comprehends fields as diverse as the law of evidence and the dietary regimen, as laws on credit and debt and the laws of ritual purity. It follows naturally that many, if not most, of the great works of rabbinical literature are law books, commentaries on the law, and collections of cases. The principal legal code, or restatement, still authoritative among traditional Jews, is the Shulhan Arukh, compiled by Joseph b. Ephraim Karo of Safed (1488-1575) and glossed by Moses Isserles of Cracow (1520-1572). This work, published in four volumes, provided the rabbinic jurist or magistrate, as well as the learned layman, with a concise review of the various areas of Jewish law that might come to his attention. One such area of traditional Jewish law was the laws of buying and selling and the laws of fraud in sales. This particular domain within traditional Jewish commercial law is surprisingly intelligible and fascinating for modern students of Jewish tradition. Buying and selling are just as much a part of the modern world as they were of past ages. Moreover, the student of legal history or comparative law will find that this rabbinical code on sales and fraud in sales provides, at a glance, a view of the strata of Jewish legal development from the ancient period to the sixteenth century. Among the matters treated in this code are the formation of the agreement to buy and sell, the concept of acquisition as it relates to various types of property, legal capacity, and the requirement of good faith. The chapters on fraud reflect the moral and ethical values of Jewish tradition which are always implicit, and often explicit, in the rules of Jewish civil, criminal, and commercial legal codes. The material is clearly of interest to modern students of business ethics. A synopsis of the law of sale prefaces the work. It underscores some of the main features of this area of the law and furnishes some terminology and analysis of the material. While this synopsis does note some points of contrast and comparison with Roman law and medieval church law, it is not intended as a detailed historical or comparative study. It serves principally to introduce the text itself and establish some useful lines of understanding and classification. The translation of the laws of sale and fraud presented here has been prepared with the utmost care and attention to the technical nuances of legal terminology in both modern and ancient law. Its apparatus of notes and references includes material on the history of the printing of this translated portion of the Jewish legal tradition.

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The eighteen studies in this book continue the exploration of the Jewish sermon Saperstein began in his groundbreaking Jewish Preaching 1200-1800. His new research further illustrates the importance of this genre, largely ignored by modern scholarship, as an indispensible resource for understanding Jewish history, spirituality, and thought from the High Middle Ages to the beginning of the Emancipation in Europe. Saperstein's thematic studies explore the most important occasions for traditional rabbinic preaching: the Days of Awe and the Passover season. Two studies focus on the homiletical exegesis of classical Jewish texts, and two deal with the historical interaction of Christians and Jews. Saperstein discusses the diffusion of philosophical ideas through homiletics and identifies central conceptual issues presented in the Italian Jewish pulpit. Other essays include a critical analysis of the work of Saul Levi Morteira of Amsterdam, an examination of sermons in eighteenth-century Prague for indications of a traditional community in crisis, and homiletical evidence for a developing sense of patriotic identification with the state, even before Emancipation changed the legal status of the Jews. Saperstein also presents newly discovered sermonic texts in order to explore a full panoply of issues relating to historical context and genre. All are published for the first time with his annotated translation accompanying the Hebrew original. Included are a Guide for Preachers, sermons on repentance and on the Binding of Isaac, and three eulogies, the last a fascinating memorialization of the antisemitic empress Maria Theresa.

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In 1972, twenty-six-year-old Sally Jane Priesand from Cleveland, Ohio became the first in a line of women rabbis to receive ordination from the faculty of a rabbinical seminary. She was not first woman to study: nearly one hundred years earlier, Julia Ettinger had studied with Hebrew Union College's founder and first president, Isaac Mayer Wise. And HUC had formally agreed to ordain women fifty years before Priesand's ordination. But unprecedented transformations quickly swept over American Jewish life in the wake of Priesand's ordination. Women began to flourish in the American rabbinate. In just two decades, they comprised one-half of the student body in the Rabbinic School of the Hebrew Union College-Jewish Institute of Religion, one-half of the student body of the Reconstructionist Rabbinical College, and approximately one-third of the student body of Jewish Theological Seminary. This collection of essays, written by distinguished rabbis and scholars, seeks to examine the significance of women in the modern rabbinate. The essays address the history of women's journey to ordination; how the existence of women rabbis changed and challenged Reform Judaism and the larger Jewish community; the impact this transformation of the rabbinate had on liturgy and theology, Jewish identity, and Jewish communal leadership; and how women rabbis might affect the future of the rabbinate, congregational life, and Jewish communal life in the twenty-first century. The authors trace the history of women in the rabbinate, the present impact of women rabbis, and possible trajectories in this changing face of Judaism.

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What will hold American Jewry and Israel together as the traditional "crisis glue" melts down and the familiar and practiced Israeli call for aid retreats to the remote background of each community's existence? This is the question addressed by participants in a 1996 conference sponsored by the Center for North American Jewry of Ben-Gurion University of the Negev and Hebrew Union College-Jewish Institute of Religion. Beyond Survival and Philanthropy is a collection of answers to this complex question offered by thirty-one leading Israeli and American scholars, educators, journalists, and communal leaders. They consider the cultural currents that have shifted American Jewish attitudes toward Israel from a mobilization model to a search-for-personal-meaning model and trace the historical roots of present tensions between religious and secular Jews in Israel. The views of Yehezkel Kaufmann, Ahad Ha-Am, and David Ben-Gurion are used to help differentiate between the state of exile, the sense of exile, and the recognition of exile. The place of Israel in American Jewish education and the treatment of American Jewry in Israeli schools is considered, and the backstory of recent efforts to streamline the institutional complex that raises funds for Israel and local needs in American Jewish communities is explored. Speaker of the Knesset Avraham Berg presents his view of how the changing natures of both Zionism and Judaism will affect all Jews in the twenty-first century. Sometimes agreeing, sometimes disagreeing, but always expanding upon these presentations, authors of the response essays in the volume reflect and underscore the values that precipitated this discussion: recognition of the unity of the Jewish people and of the continuing to share diverse views and opinions in order to formulate and address the crucial and sometimes radical choices that confront American Jewry and Israel.

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For many centuries Jewish prayer was so dominated by its male creators and male readers that the Jewish woman's role in prayer seems to have been all but obliterated. Yet Jewish women have always prayed and, before prayer became standardized into a formal liturgy, Israelite women offered up spontaneous petitions and hymns to God as freely as did men. While they may not have been able to help constitute a minyan, and while many did not know Hebrew or Aramaic, women produced and used material for prayer at home. The Yiddish tkhines had its origin in a form of supplicatory prayer in the Talmud, whose original intent was to allow for individual private devotion during the standard prayer service. The private Yiddish prayers and devotions for Jewish women continued to use this term. They emerged in the world of premodern Ashkenazic Jewry and represent one of the richest and least-known forms of Jewish religious literature. Because modern sensibility seemed to reject them, and because Yiddish was quickly forgotten by second and third generation Jews in the West, they have been sadly neglected. Although a few have been individually translated into English, this is the first bilingual anthology ever to appear. The prayers in this volume are characterized by a highly personal and intimate style and mark occasions in the religious calendar, such as the Tkhine for the Blessing of the New Moon, as well as occasions in the life of a woman, such as the Tkhine for a Mother who Leads Her Child to Kheyder for the First Time. The tkhines are of great appeal and value to those who wish to hear the voices of Jewish women in history, study Yiddish literature and culture, or create new expressions of spirituality.

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In A Collage of Customs, Mark Podwal's imaginative and inventive interpretations of woodcuts from a 16th-century Sefer Minhagim (Book of Customs) allow us to see these historic images in a new light. Podwal brings humour and whimsy to religious objects and practices, while at the same time delivering profound and nuanced commentary on Jewish customs and history, both through his art and through his insightful accompanying text. The book appears in concert with an exhibition of Podwal's renderings at the Cincinnati Skirball Museum.

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A major influence on the development of rabbinic liturgical custom after the destruction of the Temple was the need to establish that this innovative worship of the heart was as acceptable to God as biblically prescribed sacrificial worship. Later Jewish communities and their leaders continually refined the details of the system they inherited to reflect their changing understandings of acceptable, meaningful, and constructive worship. These understandings have in turn been shaped not only by liturgical halakhah and active custom, but by new intellectual and social currents and by the vicissitudes of Jewish history. Ruth Langer uses the tools of historical scholarship and anthropological study of ritual to analyze some of the dynamics that have shaped Jewish liturgical law and determined the broader outlines of the prayer life of the Jews. After a consideration of the talmudic issues upon which the acceptability of prayer depends, she offers a basic list of legal principles derived by later generations from talmudic literature to ensure that prayer takes the form of blessings composed according to a very specific pattern and invoking God in a very precise way. She then investigates the development and implementation of the corollary that invoking this blessing formula in ways that deviate from the specific directions of the Talmud constitutes precisely inefficacious and even dangerous prayer. Questions about appropriate prayer language go beyond the blessing formula to the contents of the prayers themselves. Langer analyzes the battles fought over the legitimacy of inserting liturgical poetry into the fixed texts of the statutory liturgy and over the requirement of community for the proper recitation of certain prayers, specifically those that include the angelic liturgy. Although in each of these controversies the rabbis compromised by reinterpreting either legal theory or custom—or both—to bring them into harmony, their solutions have never been monolithic or simple. In its lucid illumination of those complexities, To Worship God Properly adds to our understanding of the history of Jewish liturgy and the general history of rabbinic leadership and law.

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