Search results for ""Giles de la Mare Publishers""

Nineteenth Century British Painting provides a succinct and informative chronological survey of a century of British painting which produced a great variety of work. It progresses from the beginnings of Romanticism in the late eighteenth century to the British adoption of Impressionism in the late nineteenth, dividing this prolific period into nine parts. In each part the work of the major figures in particular movements or genres is discussed and analysed, and each painter is presented in a biographical context. The artists are set in the framework of their historical, social and economic background. The majority of the paintings and drawings that are examined in detail are reproduced in the 323 plates, 82 of them in colour. The book is intended to be used more as an introduction, and where appropriate as a textbook, than as a work of reference, although its arrangement will enable readers to obtain fuller information about individual artists, with longer sections devoted to such major figures as Lawrence, Turner, Constable, Rossetti, Leighton and Whistler. The last decade has seen a growing interest in nineteenth century British art in this country, and also in the United States and on the Continent. During this time much has been published in the field and there has been a succession of important exhibitions. Even so, there is no up-to-date and comprehensive survey of the whole century on the market. Nineteenth Century British Painting fills the gap, meeting the need for such a book among undergraduate and graduate students, and among connoisseurs and collectors. It will also have a strong appeal for people with a general interest in the period.

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History at War is a unique book. It throws light on important unexplored aspects of the pursuit of historical truth. It tells how, alone among historians, Noble Frankland fought in the bomber offensive during the Second World War and then, together with Sir Charles Webster, wrote its official history; how he transformed the Imperial War Museum from a dying institution into one of the world's leading historical centres for the study of the conflicts of the 20th century; how he played a major part in television documentary productions, including in particular The World at War; and how he wrote a series of original, rigorously researched historical works. In History at War he describes the battles he had to fight against the mandarins and media merchants who sought to impose a spin on history to suit their own ends, and were ruthless and unscrupulous in their methods. Its meticulous documentation gives a guarantee of authenticity to his staggering account of how those in high places tried to distort history, which might otherwise seem scarcely credible. The revelations about 'Bomber' Harris' relations with his superior, Lord Portal, during the war and their joint opposition to the two authors' account of the strategic air offensive, still a highly topical issue, will set alight a new debate among military and other historians. Unlike most books on the theory and practice of history, it does not confine itself to what can be written on the page. It also covers Dr Frankland's experience of demonstrating history in museum galleries, on the television screen, on sites such as Duxford Airfield near Cambridge, and on board HMS Belfast in the Pool of London. The problem for historians of publishing a full and unbiased account and analysis of controversial events and episodes in politics and international affairs is as acute in the 1990s as it ever has been. All readers with a concern for the truth will learn much about such issues from this unflinching and penetrating book

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The publication of "Short Stories for Children" celebrates the fiftieth anniversary of Walter de la Mare's death. It is also the culmination of a major literary enterprise. For many people, Walter de la Mare (1873-1956) is as great a writer of fiction as of poetry. But, the majority of his short stories, of which there are a hundred, have long been unavailable. "Short Stories" brings them all together in three volumes in the first comprehensive collection to be published. The third and last volume, "Short Stories for Children", starts with "Broomsticks and Other Tales" of 1925, with its twelve stories, and continues with "The Lord Fish" of 1933 with seven stories. It includes three distinctive stories, 'Pigtails, Ltd', 'The Thief' and 'A Nose', that have never been reprinted since they originally appeared in Broomsticks. Quirky, disparate, unpredictable, acutely observed, sometimes frightening, and often preoccupied with states of mind and personal identity, these stories have much in common with the adult stories. Some of them are peopled with giants, witches, kind elves, evil and spiteful fairies, and imprisoned maidens in castles, but most are not.We find ourselves in railway trains, a mansion in the City of London, another Elizabethan one in a mysterious tract of country, a remote farm house near the sea, a waterlogged forest, a drawing-room being watched by a fly; and, among other things, we encounter a wise monkey, a haunted cat, a fish magician, a baron transmogrified into a donkey, a thief desperate to be burgled, a man who believes he has a wax nose, and a godmother celebrating her 350th birthday. As in de la Mare's poems, everyday reality may at any time become undercut by disturbing uncertainty and dark, though not always malign, forces. A full understanding of the poems and stories is impossible without knowledge of both. Vivid and timeless, Bold's original woodcut designs and Rex Whistler's original engravings have been used to illustrate the two parts of the book.

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Sir John Soane (1753-1837) has come to be regarded as one of the great architects of late 18th and early 19th century Europe, and contemporary architects and designers are becoming increasingly influenced by the subtleties of the unique 'Soane style'. Dorothy Stroud's classic book, which is appearing in paperback for the first time, in an updated second edition, is the culmination of a lifetime's research. It brings together all the threads in her previous writings on Soane, combining a concise biography of the architect with a comprehensive and fully illustrated survey of his works. After studying in Italy, Soane built up a considerable private practice and a reputation that secured his appointment in 1788 as architect to the Bank of England, where over a period of forty-five years he designed a vast complex of courts and offices. With his appointment to the Office of Works in 1815, he became responsible for public buildings in Whitehall and Westminster, which entailed the designing of a Royal entrance and gallery in the House of Lords, new Law Courts, Privy Council Offices and a State Paper Office. As professor of architecture at the Royal Academy from 1806, he was to play a leading role in the improvement of architectural education in Britain; and he was active in the founding of what is now the Royal Institute of British Architects. Although much of his work was thoughtlessly destroyed towards the end of the 19th century, a substantial number of buildings and parts of buildings survive, especially outside London, as a testimony to his genius

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The Amadeus Quartet, which was active from 1948 until 1987 when its viola player Peter Schidlof died, is probably the most famous and distinguished string quartet of the 20th century. It played to a wide variety of audiences on innumerable occasions in all the major countries of the world, and produced a galaxy of recordings, many of which are still available. The intensity of its music-making was breathtaking. Muriel Nissel, the author of Married to the Amadeus, is the wife of Siegmund Nissel, the second violinist. Her book tells the extraordinary and moving story of the Quartet, with its many triumphs and its periodic setbacks and traumas, from the inside for the forty years from its inception during the time after the Second World War up to the 1980s. She reveals how it moulded the lives of the four players and their wives and families in unexpected ways, and how they all became inextricably involved in this unique joint enterprise. The fashion in which work and family life interacted was crucial to the Quartet's survival.She returned to her professional life as a statistician when the children went to school and describes how difficult it was in the 1960s for a married woman with children to achieve equal status with men at work; and she tells of the problems she also had to face at home finding satisfactory ways of caring for her family. Remarkably, the four members of the Quartet remained unchanged throughout. They each of them had exceptional qualities. Norbert Brainin, the first violin, Siegmund Nissel and Peter Schidlof, all refugees from Vienna, had first met in internment camps in Britain in 1940. Martin Lovett, the cellist, joined them not long after the war, at a moment when the musical climate was sympathetic to chamber music and the record industry was booming. They never looked back. Nobody who has read Muriel Nissel's absorbing book will ever be able to listen to a string quartet again without being aware of the immense commitment such a group demands of the players and of their families too, and of the longstanding emotional, aesthetic and organizational complexities it entails.

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Robert Ponsonby has been at the centre of the music world both in Britain and elsewhere for some sixty years, and "Musical Heroes" is a distillation of his experiences, achievements and friendships in that world. With its deft touch and its empathy, it is both captivating and inspiring, and it is often full of humour. It paints portraits in many formats of the fifty or so figures he knew best, including conductors, composers, performers and administrators: Boult, Beecham, Giulini, Pritchard, Kubelik, Boulez, Walton, Tippett, Berio, Ligeti, Henze, Menuhin, Sena Jurinac, Rostropovich, Jacqueline du Pre, John Ogdon, William Glock, John Drummond, Thomas Armstrong and Robert Mayer are some of those featured. There has been a widespread renaissance in the appreciation of classical music in the past few years, above all among talented young musicians and composers and in schools, where music is now taught systematically. "Musical Heroes" will therefore have a wide appeal not only among established lovers of classical music but also among people who have discovered it for themselves more recently. There is probably more active music-making in Britain today than there has ever been, and concerts in all parts of the country are often packed out. Dame Janet Baker: 'One of the truly great privileges is to spend one's working life among charismatic, interesting and gifted people. It has clearly been the experience of Robert Ponsonby during his many years of artistic administration and he writes about it with obvious delight...How refreshing...to read [his] collection of portraits which steer such a well-judged course between the light and darker sides of the human condition and give us a balanced picture of his subjects. He has a delightful turn of phrase and describes aspects of character which I found immediately recognizable and true. It is all done with wit, perception, kindness, honesty, affection and humour, leaving this reader wanting more'.

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Dennis Barker has written a hard-hitting expose of the erosion of standards and values in the media world of newspapers, TV and radio over the past twenty years, in particular those of integrity, independence of thought and accuracy. He was prompted to start work on his book by the low standing of journalists - at the bottom near estate-agents and politicians - in recent opinion polls on the esteem in which the public holds those in different professions. He takes the reader through a whole gamut of journalistic 'tricks', which pinpoint the failings of the media, in over fifty short chapters, including 'the death of the reporter', 'prejudicial words', 'shovel it all in', 'the sub's role', 'my beautiful career', 'same old celebrities', 'money worship' and 'headlines and fib-lines'. In 'snubbing', we see how a colourfully dramatic conflict or a cauldron of ill-will can be created where possibly none exists. The general public is becoming increasingly aware of the unsatisfactory state of affairs in media journalism, which is highlighted by the periodic distortions caused by the political ambitions of chief executives and tycoons, misleading headlines, and its extraordinary obsession with celebrity culture. "Tricks Journalists Play" is essential reading for the majority of us who care about the pernicious effects of spin, misrepresentation and deception and social and international prejudice, the purveying of half-truths in relation to crucial issues that affect our future, and the failure to report fully and accurately on matters that have a bearing on freedom and democracy in this country. An experienced journalist himself, Dennis Barker has worked for the "Guardian" since the 1960s in many roles, from feature writer and media correspondent to general columnist, and at the moment is a contributor of obituaries, mainly in the media and entertainment spheres.

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A man of action and unflagging energy, with exceptional determination, imagination and compassion, John Wilson changed millions of people's lives for the better by developing systems and techniques for preventing and curing blindness. This work tale of how one remarkable man travelled the world and transformed countless lives.

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Handsworth Revolution has been widely acclaimed as an important book. It charts the progress of an inner-city primary school over twenty three years, describing and analysing its evolution in the context of a local community at a time of rapid change. It is addictively readable, with a strong narrative drive which takes us on a personal, historical and philosophical journey that is enlivened by a vivid sense of the texture of real school life. It is much more than entertaining. It pauses from time to time to engage in profound and penetrating analysis of issues such as school leadership, the role of teaching and learning, the shifting political influences on education, the problems of social disadvantage, the experience of ethnic minority communities. It also celebrates the powerful impact of teachers and schools on children's lives, and has been enthusiastically received by young teachers and students in training, as well as by headteachers looking for reassurance and support on the question of the value of primary education. It is already being extensively used on teacher-education and leadership and management courses, both within and outside the world of education, sometimes as a set text. It will be of great interest in addition to sociologists, political analysts and local historians. This is a book not to miss. Its exceptionally positive reception from commentators in various fields suggests that it will come to be regarded as a classic of its kind, one of the few portraits of the actual life of teaching that has both become an important text for the academy and at the same time attracted a substantial general readership.

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Duchess of Cork Street is the autobiography of a remarkable woman who, educated in the culturally unsophisticated milieu of South Africa, managed by charm, determination and good judgment to establish herself as a doyenne of the London art world between about 1950 and the late 1970s. Although Lillian Browse had originally had ambitions to become a ballet-dancer, she joined the staff of the well known Leger Gallery in the early 1930s, and in 1945 she set up a new art gallery called Roland, Browse and Delbanco in Cork Street in the west end of London together with two fellow art dealers, thus coming to know through her varied experiences many of the most distinguished people of her time as clients and friends. She had worked with Sir Kenneth Clark on planning exhibitions in the National Gallery during the war. Her gallery soon acquired a reputation for quality and integrity and, with her distinctive and influential taste, she pioneered the study of important French and English painters and sculptors, among them Degas, Rodin, Sickert, William Nicholson and Augustus John, and she also gave consistent support to an expanding group of living artists. She was active in the world of art-dealing for over fifty years. During that period the character of the profession changed out of all recognition. Although the spotlight has now moved from London to New York for a variety of reasons, she is by no means despairing of the future. The number of galleries is growing fast, especially away from central London. Above all, there is a much wider interest in art and appreciation of living artists in Britain than ever before. She played a significant role in helping to bring that about. Lillian Browse, who was awarded the CBE in 1998, remains a popular and revered personality in the art world. Her book has been eagerly awaited.

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"Calatafimi" is about the colourful life and the kaleidoscopic history of an idiosyncratic Sicilian town not far from Palermo, in the mountainous west of the island. It traces events and uncovers layer upon layer of the lives of the people there, describing their ambitions, intrigues and preoccupations, from the time of the Greeks, the Romans, the Byzantines, the Arabs, the Normans and the Spanish to 2000. The first major battle fought by Garibaldi during the liberation of Italy took place in 1860 at Calatafimi, which mobilized and supported him. What is more, the famous classical Greek temple of Segesta, together with its ancient theatre, which is still being excavated, lies immediately over the hill from the town. Segesta successfully plotted the destruction of its rival nearby, the city of Selinous.Angus Campbell, who has lived in Calatafimi for many years, and whose love of the region shines through - and whose wife comes from a long-established Calatafimi family - has delved into the extensive local archives, examined the history of local architecture, farming and husbandry, geology and religious festivals, and probed into the customs, traditions and predilections of people in the area, with their proud spirit of independence. Foreign visitors over more than two centuries, many of them from England, wrote accounts of their experiences, and these are liberally quoted, not least those of Samuel Butler, the author of Erewhon, some of whose photographs from the 1890s are among the illustrations, including ones of Garibaldi veterans from Calatafimi.Calatafimi's rich amalgam of observations about the past and the present, about dynastic enlightenment, ruthlessness and neglect, about social life, eccentricity and respectability, generosity and greed, success and failure, will be indelibly imprinted on many readers' minds.

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"Venice: The Anthology Guide" is the sixth edition, completely updated, revised and reset, of Milton Grundy's perennially fresh classic travel guide to the city. It is unlike any other guide, for it conducts visitors round Venice using the observations and opinions of famous writers and art historians to enlighten them. Among the people it quotes are Vasari, Ruskin, Berenson, Wittkower, Dickens, Henry James, A.J.C. Hare, Otto Demus, Ernst Gombrich, Michael Levey, Cecil Gould, Hugh Honour, James Morris and Alan Bennett. It includes thirty new colour illustrations, twenty of them by Sarah Quill, the renowned photographer of Venice. The book divides Venice up into seven walks and four excursions, with eight clear maps, so that people can see the maximum number of sights they wish to in a limited time. Its coverage of Venice's rich store of paintings and sculpture is as full as that of its unique architecture. Most of the illustrations - Sarah Quill's apart - are taken from old engravings and paintings, and, like the text, provide a fascinating historical perspective on the present day versions of the scenes and buildings they represent.

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The Romanesque churches to be found in every corner of France are one of the wonders of Europe. They were built between about 1000 and 1200 and were contemporary with English Norman architecture. Their architectural style varies from region to region, as do their size, shape and layout. The period saw the first revival of the art of sculpture since Roman times, and many of the churches such as Moissac, Autun, Vezelay and Chauvigny contain outstanding sculpture. Some, like St-Savin-sur-Gartempe and Tavant, have superb frescoes, and a few like Ganagobie have fine mosaics. It was the age of pilgrimages and a number of the churches were built along the four great pilgrim routes through France to Santiago de Compostela in north-west Spain. Many have links to Romanesque churches in Italy, England and Germany, since Romanesque was a style that was admired throughout Europe. "Romanesque Churches of France", which covers a hundred or so churches in ten geographical sections from Normandy and Burgundy in the north to Provence, Roussillon and Languedoc in the south, is the first comprehensive book to be published on the subject. This book is an ideal companion for travellers, with its many maps and its regional arrangement, and will be a stimulus for the exploration of remote and beautiful areas that are less familiar, such as Auvergne and the Pyrenees. It will also be invaluable as a reference book for all those with a general interest in the history of French architecture and sculpture.

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It has been said of Erasmus Darwin (1731-1802) that no one from his day to ours has ever rivalled him in his achievements in such a wide range of fields. He was a far-sighted scientific genius, fertile in theory and invention, and one of the foremost physicians of his time. His gift for friendship enabled him to recruit the members of the Lunar Society of Birmingham which is often seen as the main intellectual powerhouse of the Industrial Revolution in England. He was especially close to Franklin, Wedgwood, Boulton and Watt. Towards the end of his life he gained recognition as the leading English poet in the country, and he deeply influenced Blake, Wordsworth, Coleridge and Shelley. The most striking of Darwin's many talents was his extraordinary scientific insight in physics, chemistry, geology, meteorology and all aspects of biology -- his deepest insight being his evolutionary theory of life. Two of his books, the Zoonomia, which made him famous as the leading medical mind of the 1790s, and The Temple of Nature, a long poem, show that he believed life developed from microscopic specks in primeval seas through fishes and amphibians to 'humankind'. But he failed to convince the world about biological evolution: that was left to his grandson Charles. Erasmus was the first person to give a full description of how clouds form and of photosynthesis in plants. He was also an obsessive inventor of mechanical devices, among them a speaking machine, a copying machine and the steering technique used in modern cars. Substantial donations of Darwin family papers recently to the Cambridge University Library, including over 170 letters written by Erasmus Darwin himself, have made it possible for the author to tell much of the enthralling story of his life in Erasmus' own words. Desmond King-Hele, who is the leading authority on Erasmus Darwin having studied his life and work for three decades, is a mathematician and physicist who is an expert on space research by satellite, in particular on the Earth's gravity field and the upper atmosphere. A Fellow of the Royal Society since 1966, he has written fifteen books including a standard critical work on Shelley, Shelley: His Thought and Work, and Erasmus Darwin and the Romantic Poets; and he has edited the Letters of Erasmus Darwin.

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The publication of "Short Stories 1895-1926" celebrates the fiftieth anniversary of Walter de la Mare's death. It is also the culmination of a major literary enterprise. For many people Walter de la Mare (1873-1956) is as great a writer of fiction as of poetry. But the majority of his short stories, of which there are a hundred, have long been unavailable. "Short Stories" brings them all together in three volumes in the first comprehensive collection to be published. De la Mare's earliest published works were stories, and he continued writing and rewriting stories throughout the rest of his life. There was always a creative counterpoint between the themes and imagery of his prose and his poetry - such as the dream, childhood, the house, night, love lost and regained, solitude and the traveller. A full understanding of either is impossible without knowledge of both.

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Henry Moore's rise from Yorkshire miner's son to international acclaim as the twentieth century's greatest sculptor is one of the most remarkable stories in British art. In this revised, updated, expanded and redesigned new edition of The Life of Henry Moore, Roger Berthoud charts Moore's transition from controversial young modernist to pillar of the art-world establishment, garlanded with domestic and foreign honours. His account is enriched by the weekly interviews he did with Moore -- and his wife Irina -- before the sculptor's death in 1986, aged eighty-eight. At home and abroad Moore's sculptures aroused strong passions and were often the object of abuse, sharp criticism and even physical assault, as well as of admiration. He was attacked by younger artists, among others, who saw his growing fame as an obstacle to their advancement. He was to survive the ebb and flow in his reputation, and emerge with the status of a contemporary old master. From a mass of material, including recently discovered early letters, and interviews with Moore's friends, his former assistants and students, dealers, collectors, museum officials and leading architects with whom he worked, Roger Berthoud has built up a lively and engaging though not uncritical picture of Moore's long life and career in this definitive biography.

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Through his researches in the rich archive of 16th and 17th century manuscripts and documents at the Middle Temple in London, where he is a senior barrister, Anthony Arlidge has revealed that Shakespeare's Twelfth Night was commissioned for performance there in 1602. Middle Temple Hall is the only building surviving from Shakespeare's time where it is known that one of his plays had its first night. He shows that, with its many legal references and 'inn-jokes', Twelfth Night was almost certainly written for an audience of lawyers. The Middle Temple was in fact full of talented young poets and playwrights at the time -- John Webster, John Ford and John Marston, author of What You Will, amongst others -- and it seems probable that Shakespeare knew some of them personally. Also, a 'cousin' of Shakespeare's was a student in the Inn in 1602. Like other Inns of Court, it had its own tradition of holding a feast of 'misrule' over the Christmas period, led by the Bright Prince of Burning Love. Twelfth Night has many oblique references to such festivities. That, for example, is the meaning in Italian of the name of the important character Feste. The still extant text of the Inn's 1597/8 festivities is included complete in an appendix. In the course of the book, Anthony Arlidge describes in detail the background of the contemporary legal world, and brings to life the extravagant literary and social milieu of the Elizabethan Inns of Court in all its complexity. Shakespeare and the Prince of Love is written in such a way that it will have a strong appeal to the general reader as well as to Shakespeare enthusiasts, students of English literature and historians, for whom it will be an essential acquisition.

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It is no accident that the weather is a perpetual topic of conversation in Britain. For its range of extreme conditions our climate is quite unusual. Winds of over 130 mph (1976), arctic conditions like those in early 1963 and snowstorms producing 6 feet of undrifted snow in 15 hours (1929), fogs in which you cannot see your own feet (1952), protracted droughts as in 1975-6 and 1995-7 and heatwaves with temperatures reaching 100 F (1868), hailstorms showering down lb hailstones (1925), ice-storms so severe that birds fell to the ground in mid flight, weighed down by coats of ice (1940), and deluges releasing 11 inches of rain in 24 hours (1955) -- Robin Stirling tells us of these and many other equally remarkable phenomena, assessing their significance in relation to average conditions both locally and nationally, and putting all the facts into perspective. A mine of information, The Weather of Britain has proved absorbing for all those with a general interest in the subject and valuable for people whose jobs and even lives depend on having a detailed and accurate knowledge of Britain's weather. It is now appearing in paperback for the first time in this second, extensively revised and completely updated edition

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East Anglia has a unique and very substantial heritage of flint-built churches and secular buildings over a wide area that range from Saxon times to the 20th century, many of them of exceptional beauty, and most in a good state of preservation. Stephen Hart considers that these buildings, in which a large number of different flintwork techniques and designs are used that are partly functional, partly dependent upon local materials and partly aesthetic in inspiration, constitute an important part of our heritage. It has only been scantily treated in previous works. His book is the first comprehensive one to be written on English flint architecture and is likely to become the definitive work on the subject. He shows that, although some of these techniques and designs are also to be found in other chalkland regions of England, including Hampshire, Sussex (e.g. Goodwood House), Kent, Wiltshire and Dorset, the greatest variety is in East Anglia. He has devised a classification system based on analysis of the materials and workmanship in flintwork which distinguishes between different types of flint, including flint combined with brick and stone. The numerous colour plates and black and white photographs convey the fascinating multiplicity of styles to be found, some of them reminiscent of the work of contemporary artists like Richard Long, and the virtuoso skills of the craftsmen who created them. There is a deeper consciousness and wider appreciation of vernacular architecture today in Britain than there has ever been, and the book could well inspire people to explore new possibilities in the use of flint architecture. Apart from its general appeal, it is a book that will strike a particular chord among architects, designers, craftsmen, local historians, artists and regional councils responsible for planning and conservation.

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This is the story of the destruction of a talented Jewish family, and of the survival against all the odds of two young sisters. It is one of the most moving stories to emerge from the Second World War. Anita and her elder sister Renate defied death at the hands of the Gestapo and the SS over a period of two and a half years when they were sucked into the whirlpool of Nazi mass extermination, being first imprisoned as 'criminals' and then being transferred, separately, to Auschwitz, and finally to Belsen when the Russians approached. They were saved by their exceptional courage, determination and ingenuity, and by several improbable strokes of luck. At Auschwitz, Anita escaped annihilation through her talents as a cellist when she was co-opted into the camp orchestra directed by Alma Rose, niece of Gustav Mahler. Her book is especially remarkable because of the many documents she has managed to preserve, most of them now lodged in the archives of the Imperial War Museum in London. In a sequence of family letters to her sister Marianne, who was marooned in England, from just before the war to 1942 when her parents were deported and liquidated, an atmosphere of happy normality gradually gives way to latent terror and foreboding. The appalling predicament of the Lasker family, and of Anita and Renate in particular when the rest of their relations had been deported and they were left totally alone in Breslau, could not be more poignantly conveyed. They were caught by the Gestapo trying to flee to Paris, and sent to prison: another piece of 'luck', as it turned out, since they were spared the worse horrors of Auschwitz for a crucial year. After the liberation of Belsen in April 1945, the correspondence with Marianne in England resumed. Anita was seconded to the British Army, and she quotes first-hand material about the early days of the occupation, including a transcript of part of the Luneburg trial in late 1945 when she gave evidence about Nazi atrocities at Auschwitz and Belsen, and was confronted in court by her tormentors. In 1946 she and Renate were both finally permitted to emigrate to England. Three years later, Anita became a founder member of the English Chamber Orchestra, in which she continued to play the cello until recently. Anita's book featured in BBC Radio 4's 'Desert Island Discs' programme on 25th August 1996. She had also told her story in a series of five BBC Radio 4 programmes in 1994; and a BBC 2 TV film about her experiences, Playing to Survive, was screened in October 1996.

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The widespead and numerous Romanesque churches in the northern half of Spain rival those of France for their distinctiveness and originality and for their remarkable sculpture. They were mainly built between about 1000 and 1200 and mirror the progressive rolling back of Islamic power in the long reconquista, first of all along the north coast and in Catalonia, which was only occupied by the Muslims for about a hundred years, and then in Leon and Castile. Their architectural styles vary greatly from region to region, and some of them contain fine frescoes as well. Romanesque style introduced the first revival of the art of sculpture since Roman times, and in Spain there good examples of decorative carving as far back as the seventh century. It was the age of pilgrimages and many of the churches were founded along the pilgrim routes from the Pyrenees to Santiago de Compostela in Galicia, which are popular destinations for travellers in Spain today. Romanesque Churches of Spain, which covers a hundred and twenty churches in Catalonia, Aragon, Navarre and the Basque Country, Cantabria, Castile, Leon, Asturias and Galicia, and includes no less than twenty pre-Romanesque churches in the Visigothic, Asturian and Mozarabic styles of 600-1000, many with exotic features such as the horseshoe arch, is the first comprehensive book to be published on the subject. It is a perfect companion for travellers, with its ten maps and its regional arrangement, and will be a stimulus for the exploration of wild and remote areas that are unfamiliar to many people, especially across the Pyrenees and in the mountainous areas of Aragon, Cantabria and Asturias. It will also be invaluable as a reference book, with its 262 illustrations, for all those with a general interest in the history of Spanish architecture and sculpture, many of the churches possessing outstanding examples such as Santiago de Compostela, Jaca, Soria, Agramunt, Ripoll, Armentia, Estibaliz, Sanguesa, Santo Domingo de Silos and San Pedro de la Nave. Peter Strafford is a distinguished journalist who worked on the Times for more than three decades, including in Paris and Brussels, and was, among other things, the Times correspondent in New York for five years. His acclaimed Romanesque Churches of France has recently been reprinted.

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Becoming an Orchestral Musician takes you on a journey into the musical profession. It is the first comprehensive guide for professional musicians on how to succeed in joining an orchestra or ensemble, and how to survive as an orchestral musician. Such crucial topics as how to obtain the right tuition, music college versus university, auditioning, nerves, the secrets of ensemble playing and intonation, conductors, the mechanics of the orchestra, performing philosophies and strategies for survival are covered in separate sections. The matter of how to explore and adapt one's musical psyche, the pitfalls of a career in music and the highs and lows of performing are also discussed. The history, mythology and science of music-making and numerous anecdotes provide a vivid background. It is essential reading for all orchestral musicians, including players of every instrument, whether at college or university or during their career, whether full-time or part-time, and whether professional or amateur, and also for the parents of budding instrumentalists. There are probably more orchestras and ensembles in the length and the breadth of Britain today than ever before.With the renewed recognition in schools of the importance of music, the competition among younger musicians has become intense. Schools and colleges need to be well informed about career guidance for their students. Richard Davis's book will give the answers to many of the questions those students will be asking. It has been warmly welcomed by his colleagues in the BBC Philharmonic, and by other musicians, too. Twenty of them have been interviewed by him specially for it on their experiences and on advice they would like to give to younger musicians on many different themes. They include principals and rank and file players, soloists, academics, music critics, fixers, chamber musicians and people involved in management.

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