Search results for ""Essential Library""

Library of Congress Subject Headings (LCSH) are increasingly seen as 'the' English language controlled vocabulary, despite their lack of a theoretical foundation, and their evident US bias. In mapping exercises between national subject heading lists, and in exercises in digital resource organization and management, LCSH are often chosen because of the lack of any other widely accepted English language standard for subject cataloguing. It is therefore important that the basic nature of LCSH, their advantages, and their limitations, are well understood both by LIS practitioners and those in the wider information community. Information professionals who attended library school before 1995 - and many more recent library school graduates - are unlikely to have had a formal introduction to LCSH. Paraprofessionals who undertake cataloguing are similarly unlikely to have enjoyed an induction to the broad principles of LCSH. This is the first compact guide to LCSH written from a UK viewpoint. Key topics include: background and history of LCSH subject heading lists structure and display in LCSH form of entry application of LCSH document analysis main headings topical, geographical and free-floating sub-divisions building compound headings name headings headings for literature, art, music, history and law LCSH in the online environment. Readership: There is a strong emphasis throughout on worked examples and practical exercises in the application of the scheme, and a full glossary of terms is supplied. No prior knowledge or experience of subject cataloguing is assumed. This is an indispensable guide to LCSH for practitioners and students alike.

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In this addition to the Reformation Anglicanism Essential Library, Michael P. Jensen examines how the reading and preaching of the Scriptures, the Sacraments, prayer, and singing all inform not only worship in Anglicanism, but worship as it is prescribed in the Bible.

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The first in a six-volume series, Reformation Anglicanism seeks to be the go-to resource outlining the rich Reformation heritage undergirding Anglicanism, casting a clear vision for what it means to be an Anglican today.

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Tiger Woods: Golf Legend tells the story of the most gifted golfer of his time, a trailblazer who became the youngest Masters champion, conquered the golf world, fell from grace, but never stopped fighting his way back to the top. Features include a timeline, a glossary, references, websites, source notes, and an index. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.

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Serena Williams: Tennis Icon examines the life of the most successful female tennis player of the modern era, a woman who redefined greatness on the court while balancing a career in fashion design and raising a family off it . Features include a timeline, a glossary, references, websites, source notes, and an index. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.

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What is it about the characters we see in our favorite books, animated films, and games that make us laugh, cry, and respond to them? How do character designers develop ideas that are unique, memorable, and captivate us as an audience? This book answers these questions and more, taking a comprehensive, visual, and analytical approach to discover just what it is that makes a character appealing. Understand key principles like shape language, proportion, and exaggeration, and learn from talented professionals who share industry secrets for getting the most out of anatomy, gesture, expression, and costume. Uncover ways to convey relationships and interaction between multiple characters, and how narrative fuels authentic and engaging characterization. With hundreds of lively illustrations to inspire and study, and tricks of the trade from celebrated artists, this thorough and insightful volume is an essential library addition for anyone interested in character design.

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"Anyone reading this who aspires to chronicle a segment of 20th-century Western design must have Artmonsky‘s modest but essential library of books. And while you are ordering, thank her for this invaluable detour from the fields of psychology and statistics." — Printmag Commercial Art, with different titles over the years, claimed to be the only British monthly magazine covering design until the Council of Industrial Design began to publish Design in 1949. For most of its existence it was published by The Studio Ltd. whose founding family, the Holmes, were to be actively involved, from grandfather to grandsons. The Studio Ltd were already publishing art and design related magazines (The Studio from 1893 and The Studio Decorative Yearbook from 1906), when it decided to plunge into the vulgarity of ‘commercial’ art, buying up an existing magazine with that title in 1926. Most of the rest of the 1920s and into the ‘30s it concentrated on the graphic arts, but increasing in the late ‘30s its focus shifted to industrial design. The shift was acknowledged by title changes, first to Commercial Art & Industry and to Art & Industry. In 1957, with death duty problems, the family were forced to sell to The Hulton Press. Although the Press made a brave effort to update the look and content of the magazine, with the arrival of Design and the turmoil of Fleet Street at the time, the magazine became unviable and was closed in 1959. Commercial Art recounts its history of nearly 40 years and its mirroring of British design over that period.

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Richard Gilman referred to How to Read a Film as simply "the best single work of its kind." And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect "an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic way." Indeed, since its original publication in 1977, this hugely popular book has become the definitive source on film and media. Now, James Monaco offers a special anniversary edition of his classic work, featuring a new preface and several new sections, including an "Essential Library: One Hundred Books About Film and Media You Should Read" and "One Hundred Films You Should See." As in previous editions, Monaco once again looks at film from many vantage points, as both art and craft, sensibility and science, tradition and technology. After examining film's close relation to other narrative media such as the novel, painting, photography, television, and even music, the book discusses the elements necessary to understand how films convey meaning, and, more importantly, how we can best discern all that a film is attempting to communicate. In addition, Monaco stresses the ever-evolving digital context of film throughout--one of the new sections looks at the untrustworthy nature of digital images and sound--and his chapter on multimedia brings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, and the proximity of both to film. With hundreds of illustrative black-and-white film stills and diagrams, How to Read a Film is an indispensable addition to the library of everyone who loves the cinema and wants to understand it better.

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Liddell & Scott's Greek-English Lexicon (9/e 1940) is the most comprehensive and up-to-date ancient Greek dictionary in the world. It is used by every student of ancient Greek in the English-speaking world, and is an essential library and scholarly purchase there and in W. Europe and Japan. The main dictionary covers every surviving ancient Greek author and text discovered up to 1940, from the Pre-Classical Greek of the 11C - 8C BC (for example Homer and Hesiod), through Classical Greek (7C - 5C BC) to the Hellenistic Period, including the Greek Old and New Testaments. Entries list irregular inflections, and together with the definition, each sense includes citations from Greek authors illustrating usage. The Lexicon is Greek into English only, as are other ancient Greek dictionaries. This is the market expectation among both students and scholars. In 1968 the Lexicon was updated with a Supplement, which was available as a separate volume (until 1992) or bound together with the dictionary. Representing the culmination of 13 years' work, the new Revised Supplement is a complete replacement for the 1968 Supplement. Nearly twice the size of the 1968 edition, with over 20,000 entries, it adds to the dictionary words and forms from papyri and inscriptions discovered between 1940 and the 1990s as well as a host of other revisions, updatings, and corrections to the main dictionary. Linear B forms are shown within entries for the first time, and the Revised Supplement gives the dictionary a date-range from 1200 BC to 600 AD. It is fully cross-referenced to the main text but additions have been designed to be easily used without constant reference to the main text.

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