Search results for ""Epitaph""

An original novel set in the Halo universe - based on the New York Times best-selling video game series

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When Keke starts looking into secretive stripper Monaka''s grisly death, she''s instantly caught between her past and her present. Through The Honey Pot club owner ''Honey Mama'' Thiboudeaux, Keke found refuge from the streets, earned much money from her stage persona ''Brandy,'' and got a chance at a new life all her own. Her bombshell expose about the club launched her reporting career. But it caused a bitter, seemingly irrevocable split between her, the only family she''s ever known - and Drew, the one man Keke won''t admit she''s never gotten over... At Honey Mama request''s, Keke goes undercover as Brandy to find the truth before political pressures shut the progressive club down for good. But Keke has to watch more than her back when she finds Monaka had an unshakable, dangerously elusive stalker, an illicit club sideline - and vicious conflicts with rival dancers. Even more explosive, Keke''s persistence is putting her at odds with Drew, now a police detective working this case.

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Josef Vadassy, a Hungarian refugee and language teacher living in France, is enjoying his first break for years in a small hotel on the Riviera. But when he takes his holiday photographs to be developed at a local chemists, he suddenly finds himself mistaken for a Gestapo agent and a charge of espionage is levelled at him. To prove himself innocent to the French police, he must discover which one of his fellow guests at his pension is the real spy. As he desperately tries to uncover the true culprit's identity, Vadassy must risk his job, his safety and everything he holds dear.

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'I am a deceased writer not in the sense of one who has written and is now deceased, but in the sense of one who has died and is now writing'. So begins the posthumous memoir of Braz Cubas, a wealthy nineteenth-century Brazilian. While the grave may have given Cubas the distance to examine his rather undistinguished life, it has certainly not dampened his sense of humour. Epitaph of a Small Winner is one of the wittiest self-portraits in literary history.

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Twenty-three years old, forensic archaeologist Courtney Brkic joined a UN-contracted team excavating mass grave sites in eastern Bosnia. She was drawn there by her family history - her father is Croatian - and she was fluent in the language. As she describes the gruesome work of recovering remains and transcribing the memories of survivors, she reimagines her family's own catastrophic history in Yugoslavia. Alternating chapters explore her grandmother's life: her childhood in Herzegovina, early widowhood and imprisonment during the Second World War for hiding her Jewish lover. The movement throughout the book between the past and the present has a powerful effect, evoking belonging and nationality, what it is to feel rooted in a particular country, how its landscape forms you, and also shedding light on the roots of violence and genocide.

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An examination of how the dead were memorialised in late medieval French literature. Awarded a commendation in the Society for French Studies R. Gapper Book Prize for the best book published in 2016 by a scholar working in French studies in Britain or Ireland. Who am I when I am dead? Several late-medieval French writers used literary representation of the dead as a springboard for exploring the nature of human being. Death is a critical moment for identity definition: one is remembered, forgotten or, worse, misremembered. Works in prose and verse by authors from Alain Chartier to Jean Bouchet record characters' deaths, but what distinguishes them as epitaph fictions is not their commemoration of the deceased, so much as their interrogation of how, by whom, and to what purpose posthumous identity is constituted. Far from rigidly memorialising the dead, they exhibit a productive messiness in the processes by which identity is composed in the moment of its decomposition as a complex interplay between body, voice and text. The cemeteries, hospitals, temples and testaments of fifteenth- and early-sixteenth-century literature, from the "Belle Dame sans mercy" querelle to Le Jugement poetic de l'honneur femenin, present a wealth of ambulant corpses, disembodied voices, animated effigies, martyrs for love and material echoes of the past which invite readers to approach epitaphic identity as a challenging question: here lies who, exactly? In its broadest context, this study casts fresh light on ideas of selfhood in medieval culture as well as on contemporary conceptions of the capacities and purposes of literary representation itself. Helen Swift is Associate Professor of Medieval French at St Hilda's College, Oxford.

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The ash tree has long been an integral part of the British landscape, its familiar branches protruding from limestone scars and chalky cliff faces. But tragically ash dieback, a disease from mainland Europe, now poses a serious threat to the trees’ survival. And their grave prognosis took on a personal resonance when, while writing this book, Lisa Samson was diagnosed with a brain tumour, forcing her to contemplate her own mortality while the trees’ likely fate emerged. Taking us from the lowlands of Norfolk to the northernmost reaches of the British Isles, Epitaph for the Ash offers up a rallying cry to treasure these remarkable woodlands while we can, before it is too late.

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'Outstanding... The best short introduction I have come across' Sunday TimesWhen he died at the age of just twenty-five, few imagined John Keats would one day be considered among the greatest poets of all time.Taking nine of Keats's best-known poems, Lucasta Miller excavates their backstories and, in doing so, resurrects the real Keats: an outsider from a damaged family whose visceral love of language allowed him to change the face of English literature for ever.Combining close-up readings with the story of his brief existence, Miller shows us how Keats crafted his groundbreaking poetry and explains why it continues to speak to us across the centuries.'One never wants Keats's life to end so soon; I didn't want this book to end, either' TLS Books of the Year'Irresistible... [Miller]digs into the backstories of her subject's most famous poems to uncover aspects of his life and work that challenge well-worn romantic myths' Wall Street Journal

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This volume of fifteen essays includes “La titulature de Nicée et de Nicomédie: La gloire et la haine,” by Louis Robert; “Callinus 1 and Tyrtaeus 10 as Poetry,” by A. W. H. Adkins; “The Curse of Civilization: The Choral Odes of the Phoenissae,” by Marylin B. Arthur; “Arrian and the Alani,” by A. B. Bosworth; “A Fourth-Century Latin Soldier’s Epitaph at Nakolea,” by Thomas Drew-Bear; and “Seventeen Letters of Ulrich von Wilamowitz-Moellendorff to Eduard Fraenkel,” by William Musgrave Calder III.

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Nox is an epitaph in the form of a book, a facsimile of a handmade book Anne Carson wrote and created after the death of her brother. The poem describes coming to terms with his loss through the lens of her translation of Poem 101 by Catullus “for his brother who died in the Troad.” Nox is a work of poetry, but arrives as a fascinating and unique physical object. Carson pasted old letters, family photos, collages and sketches on pages. The poems, typed on a computer, were added to this illustrated “book” creating a visual and reading experience so amazing as to open up our concept of poetry.

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The author brings his love of the English language, nurtured by his life in Palestine, Guyana, Barbados, England and Argentina to a mixture of hope, sadness, love, disillusion and all the other experiences to which human beings are subjected. He has contended with rejection, exclusion, terrorism, injustice, hope and love. He now in old age finds contentment and amusement in the ways of the world, free of illusions, and delusions, while he contemplates the beautiful cattle and crops on his extensive farm, and tries to persuade a golf ball to go straight. May his epitaph be: He tried his best.

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John Osborne was born in London in 1929. He worked as a journalist for a number of trade magazines before becoming an Assistant Stage Manager and actor with several repertory companies. Look Back in Anger (1956) has come to stand as a key text for modern British Drama, and prompted other successes with The Entertainer and Epitaph for George Dillon. He was the first of many writers to be 'discovered' by the Royal Court Theatre, and Look Back in Anger was the first of the Royal Court's plays to be internationally recognised. Osborne adapted Look Back in Anger and The Entertainer for film. He also wrote an Oscar winning screenplay adaptation of Henry Fielding's novel Tom Jones.

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Have you heard of Spurgeon? Preacher, evangelist and stalwart patriarch of the Modern Western Church today. If the cliché ‘behind every great man is a strong woman’, is true, then Susannah Spurgeon remains one of the matriarchs of the same tradition. Spurgeon was the bone companion of her husband. As a pastoral assistant, as Charles’ wife and support through trials, this woman’s biography has been a long time coming. Mary Mohler has gathered information on Susie from sources spanning letters, devotionals and biographies. The result is a thoughtful, sympathetic and endearing epitaph to a sister in Christ, whose voice can no longer be ignored. Mohler allows room for academics, mothers, daughters and wives to dwell on Spurgeon’s joyful eagerness in Christ.

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Fully revised and updated, in a biography the Sunday Timesdescribed as 'a fitting epitaph to an extraordinary career', Martin Meredith details the life of Nelson Mandela, one of the most admired political figures of the twentieth century. It was his leadership and moral courage above all that helped to deliver a peaceful end to apartheid in South Africa after years of racial division and violence and to establish a fledgling democracy there. Now Meredith has revisited and significantly updated his biography to incorporate the reaction to his death, as well as giving perspective and hindsight on the man and his legacy and to examine how far his hopes for the new South Africa have been realised.

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John Osborne was born in London in 1929. He worked as a journalist for a number of trade magazines before becoming an Assistant Stage Manager and actor with several repertory companies. Look Back in Anger (1956) has come to stand as a key text for modern British Drama, and prompted other successes with The Entertainer and Epitaph for George Dillon. He was the first of many writers to be 'discovered' by the Royal Court Theatre, and Look Back in Anger was the first of the Royal Court's plays to be internationally recognised. Osborne adapted Look Back in Anger and The Entertainer for film. He also wrote an Oscar winning screenplay adaptation of Henry Fielding's novel Tom Jones.

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Devon is a varied county, rich in history and heritage and justly popular with tens of thousands of visitors every year. A great many curious and unusual buildings, objects and landscape features have survived the centuries here. This book is a guide to over 130 of these remarkable sights in the heart of the West Country, including a 'stink pipe' at Bovey Tracey, the Coffin House at Brixham, the cliff railway at Lynmouth, the Devil's Stone at Shebbear, the narrowest street in the world at Exeter and a pillory at Hemyock Castle, as well as curious pub names, an epitaph to a cat and a memorial to a pig, among many others. Numerous illustrations are included, together with a map and location details.

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This is a book about death, comprehensive in its discussion of strategies for coping with loss and grief in rural northern Russia. Elizabeth Warner and Svetlana Adonyeva bring forth the voices of those for whom caring for their dead is deeply personal and firmly rooted in practices of everyday life. Thoroughly researched chapters consider lamenting traditions, examine beliefs surrounding natural symbols, and parse sensitive and profound funereal rituals.""We remember, we love, we grieve"" is a common epitaph in this part of the world. As contemporary Russia contends with the Soviet Union's legacy of dismantling older ways of life, the phrase ripples beyond individual loss - it encapsulates communities' determination to preserve their customs when faced with oppression. This volume offers insight into a core cultural practice, exploring the dynamism of tradition.

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The Dark House lies abandoned. Who knows what horrors lie within?Once the home of one of the Empire''s grandest family, the Dark House lies as an epitaph to their fall. As you fight your way across the two-storied Mansion map, you will find remnants of their wicked ways. Out back, struggle through the Hedge Maze map, sinister and long overgrown with vicious thorns. Down below, in the Crypt map, encounter the deadly curse that once cast a noble line into oblivion.This board expansion for Wildlands gives players three new maps, two of which are specifically designed for two players. Each map features new rules, new challenges, and new opportunities.Requires a copy of Wildlands to play.Number of players: 2-4 Ages: 14+Playing time: 30-60 minutesComponents: 2 boards, rule sheet

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Commencing one of the longest comic book creative runs of all time! Mark Gruenwald''s decade-long stint as writer of CAPTAIN AMERICA begins with unforgettable battles against Madcap, Flag-Smasher and the newly-formed Serpent Society! But things really kick into high gear when the serial killer known as the Scourge of the Underworld targets villains across the Marvel Universe, marking every death with an enigmatic epitaph: ''Justice is served!'' As the bodies pile up, can Cap find and stop Scourge before there are no more criminals left to fight? There''s also Wolverine and the misguided Super-Patriot to contend with - but the government itself might strike the final blow against the Sentinel of Liberty! As a volatile vigilante is chosen to replace him, Steve Rogers retires as Captain America... but he''s not out of the fight just yet!

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An enchanting and fascinating insight into Japanese landscape, culture, history and future. Originally written in Japanese, this passionate, vividly personal book draws on the author's experiences in Japan over thirty years. Alex Kerr brings to life the ritualized world of Kabuki, retraces his initiation into Tokyo's boardrooms during the heady Bubble Years, and tells the story of the hidden valley that became his home.But the book is not just a love letter. Haunted throughout by nostalgia for the Japan of old, Kerr's book is part paean to that great country and culture, part epitaph in the face of contemporary Japan's environmental and cultural destruction.Winner of Japan's Shincho Gakugei Literature Prize, and now with a new preface.Alex Kerr is an American writer, antiques collector and Japanologist. Lost Japan is his most famous work. He was the first foreigner to be awarded the Shincho Gakugei Literature Prize for the best work of non-fiction published in Japan.

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From the outset, Caroline Lamb had a rebellious nature. From childhood she grew increasingly troublesome, experimenting with sedatives like laudanum, and she had a special governess to control her. She also had a merciless wit and talent for mimicry. She spoke French and German fluently, knew Greek and Latin, and sketched impressive portraits. As the niece of Georgiana, Duchess of Devonshire, she was already well connected, and her courtly skills resulted in her marriage to the Hon. William Lamb (later Lord Melbourne) at the age on nineteen. For a few years they enjoyed a happy marriage, despite Lamb''s siblings and mother-in-law detesting her and referring to her as ''the little beast''. In 1812 Caroline embarked on a well-publicised affair with the poet Lord Byron - he was 24, she 26. Her phrase ''mad, bad and dangerous to know'' became his lasting epitaph. When he broke things off, Caroline made increasingly public attempts to reunite. Her obsession came to define much o

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David Mas Masumoto, best-selling author of Epitaph for a Peach, returns to the same ground but digs even deeper in a new, "more ambitious book" in which "he lets his philosophy about man and nature emerge from an absorbing chronicle of his life and that of his Japanese antecedents" (The Economist). This is a book about working alongside the ghosts of generations past, about the search for roots in the tragic history of internment camps and in the rural culture of Japan. It is equally about renewal-reinvigorating the farm with organic techniques, teaching his children how to carry on the work that eighty acres of peaches and grapes demand. Masumoto knits past and present to achieve a rare and essential harmony: holding on to what matters, despite the pressures of time and change. "Take your time, linger" with the book, counsels the San Diego Union-Tribune, "Masumoto's serene tales . . . are like a balm." He is a "remarkable" author, sums up The Atlantic, "with a field, and a sensibility, peculiarly his own."

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The story of Egypt is the story of history itself—the endless rise and fall, the life and death and life again of the eternal human effort to endure, enjoy, and understand the mystery of our universe. Emerging from the ancient mists of time, Egypt met the challenge of the mystery in a glorious evolution of religious, intellectual, and political institutions and for two millenniums flourished with all the vigor that the human heart can invest in a social and cultural order. Then Egypt began to crumble into the desert sands and the waters of the Nile, and her remarkable achievements in civilization became her lingering epitaph. John A. Wilson has written a rich and interpretive biography of one of the greatest cultural periods in human experience. He answers—as best the modern Egyptologist can—the questions inevitably asked concerning the dissolution of Egypt's glory. Here is scholarship in its finest form, concerned with the humanity that has preceded us, and finding in man's past grandeur and failure much meaning for men of today.

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'The best evocation I've read of London in the '80s' Neil Tennant'I loved Souvenir . . . it rescued some things for me - a certain aesthetic, a philosophical engagement with time and poignant beauty and lived history that I have found myself looking for, and not finding, elsewhere in recent years . . . the book gave me new hope' John Burnside'A suspended act of retrieval, a partisan recall; a sustained, subtle summary of our recent past, and an epitaph for a future we never had' Philip Hoare'Michael Bracewell proves himself to be nothing less than the poet laureate of late capitalism' Jonathan CoeA vivid eulogy for London of the late 1970s and early 80s - the last years prior to the rise of the digital city. An elliptical, wildly atmospheric remembrance of the sites and soundtrack, at once aggressively modern and strangely elegiac, that accompanied the twilight of one era and the dawn of another. Haunted bedsits, post-punk entrepreneurs in the Soho Brasserie, occultists in Fitzrovia, Docklands before Canary Wharf, frozen suburbs in the winter of 1980...

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