Search results for ""Cornell University Press""

A history of the first 150 years of Cornell University Press.

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Since 1919, New York History has been the foremost scholarly journal on the Empire State's past. Now under the leadership of the Cornell University Press, and working closely with staff from the New York State Museum, New York History's mission is unifying the diverse field of New York State history and meeting the needs of a growing historical community that includes scholars, public historians, museum professionals, local government historians, and all those seeking an in-depth look at the Empire State's history. The journal promotes and interprets the state's history through the publication of historical research and case studies dealing with New York State, as well as its relationship to national and international events. New York History, published twice a year, presents articles dealing with every aspect of New York State history, as well as reviews of books, exhibitions, and media projects with a New York focus.

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Since 1919, New York History has been the foremost scholarly journal on the Empire State's past. Now under the leadership of the Cornell University Press, and working closely with staff from the New York State Museum, New York History's mission is unifying the diverse field of New York State history and meeting the needs of a growing historical community that includes scholars, public historians, museum professionals, local government historians, and all those seeking an in-depth look at the Empire State's history. The journal promotes and interprets the state's history through the publication of historical research and case studies dealing with New York State, as well as its relationship to national and international events. New York History, published twice a year, presents articles dealing with every aspect of New York State history, as well as reviews of books, exhibitions, and media projects with a New York focus.

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This landmark study, first published by Cornell University Press in 1966, shows how Hitler's elite army grew from a praetorian guard of barely 28,000 men at the beginning of the Second World War to a combat-hardened army of more than 500,000 in 1945. George H. Stein examines in detail the structure and organization of the Waffen SS and describes the rigid personnel selection and intensive physical, military, and ideological training that helped to create the tough and dedicated cadre around which the larger force of the later war years was built.

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Since 1919, New York History has been the foremost scholarly journal on the Empire State's past. Now under the leadership of the Cornell University Press, and working closely with staff from the New York State Museum, New York History's mission is unifying the diverse field of New York State history and meeting the needs of a growing historical community that includes scholars, public historians, museum professionals, local government historians, and all those seeking an in-depth look at the Empire State's history. The journal promotes and interprets the state's history through the publication of historical research and case studies dealing with New York State, as well as its relationship to national and international events. New York History, published twice a year, presents articles dealing with every aspect of New York State history, as well as reviews of books, exhibitions, and media projects with a New York focus.

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Organizations, institutions, and individuals get stuck in spite of their innovative ideas and ambitious agendas. Never has the timing been better for a book that cuts through the theoretical jargon and delineates the exact political and managerial skills leaders need to move agendas forward. Whether you're a team leader trying to lead change and innovation in a large corporation, an entrepreneur trying to gain support, a politician trying to expand your coalition, or an individual trying to advance your career and build networks, The Agenda Mover will give you the political and managerial leadership skills necessary to achieve results. Based on the premise that leadership competencies and skills can be learned, The Agenda Mover is the inaugural volume of the practitioner-oriented Pragmatic Leadership Series published in association with Cornell University Press. Each volume emphasizes specific skills of execution that leaders at all levels need to master. Visit pragmaticleadershipseries.com to learn more about the series.

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Urban Environmental Education Review explores how environmental education can contribute to urban sustainability. Urban environmental education includes any practices that create learning opportunities to foster individual and community well-being and environmental quality in cities. It fosters novel educational approaches and helps debunk common assumptions that cities are ecologically barren and that city people don't care for, or need, urban nature or a healthy environment. Topics in Urban Environmental Education Review range from the urban context to theoretical underpinnings, educational settings, participants, and educational approaches in urban environmental education. Chapters integrate research and practice to help aspiring and practicing environmental educators, urban planners, and other environmental leaders achieve their goals in terms of education, youth and community development, and environmental quality in cities. The ten-essay series Urban EE Essays, excerpted from Urban Environmental Education Review, may be found here: naaee.org/eepro/resources/urban-ee-essays. These essays explore various perspectives on urban environmental education and may be reprinted/reproduced only with permission from Cornell University Press.

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Inspired by the reading and writing habits of citizens leading up to the French Revolution, The Writing Public is a compelling addition to the long-running debate about the link between the Enlightenment and the political struggle that followed. Elizabeth Andrews Bond scoured France's local newspapers spanning the two decades prior to the Revolution as well as its first three years, shining a light on the letters to the editor. A form of early social media, these letters constituted a lively and ongoing conversation among readers. Bond takes us beyond the glamorous salons of the intelligentsia into the everyday worlds of the craftsmen, clergy, farmers, and women who composed these letters. As a result, we get a fascinating glimpse into who participated in public discourse, what they most wanted to discuss, and how they shaped a climate of opinion. The Writing Public offers a novel examination of how French citizens used the information press to form norms of civic discourse and shape the experience of revolution. The result is a nuanced analysis of knowledge production during the Enlightenment. Thanks to generous funding from The Ohio State University Libraries and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access (OA) volumes, available on the Cornell University Press website and other Open Access repositories.

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Considered the most authoritative single-volume reference work on Islam in the contemporary world, the German-language Der Islam in der Gegenwart, currently in its fifth edition, offers a wealth of authoritative information on the religious, political, social, and cultural life of Islamic nations and of Islamic immigrant communities elsewhere. Now, Cornell University Press is making this invaluable resource accessible to English-language readers. More current than the latest German edition on which it is based, Islam in the World Today covers a comprehensive array of topics in concise essays by some of the world's leading experts on Islam, including: • the history of Islam from the earliest years through the twentieth century, with particular attention to Sunni and Shi'i Islam and Islamic revival movements during the last three centuries; • data on the advance of Islam along with current population statistics; • Muslim ideas on modern economics, on social order, and on attempts to modernize Islamic law (shari'a) and apply it in contemporary Muslim societies; • Islam in diaspora, especially the situation in Europe and America; • secularism, democracy, and human rights; and • women in Islam Twenty-four essays are each devoted to a specific Muslim country or a country with significant Muslim minorities, spanning Asia, Africa, the Middle East, and the former Soviet Union. Additional essays illuminate Islamic culture, exploring local traditions; the languages and dialects of Muslim peoples; and art, architecture, and literature. Detailed bibliographies and indexes ensure the book's usefulness as a reference work.

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The Devil, Satan, Lucifer, Mephistopheles - throughout history the Prince of Darkness, the Western world's most powerful symbol of evil, has taken many names and shapes. Jeffrey Burton Russell here chronicles the remarkable story of the Devil from antiquity to the present. While recounting how past generations have personified evil, he deepens our understanding of the ways in which people have dealt with the enduring problem of radical evil.After a compelling essay on the nature of evil, Russell uncovers the origins of the concept of the Devil in various early cultures and then traces its evolution in Western thought from the time of the ancient Hebrews through the first centuries of the Christian era. Next he turns to the medieval view of the Devil, focusing on images found in folklore, scholastic thought, art, literature, mysticism, and witchcraft. Finally, he follows the Devil into our own era, where he draws on examples from theology, philosophy, art, literature, and popular culture to describe the great changes in this traditional notion of evil brought about by the intellectual and cultural developments of modern times.Is the Devil an outmoded superstition, as most educated people today believe? Or do the horrors of the twentieth century and the specter of nuclear war make all too clear the continuing need for some vital symbol of radical evil? A single-volume distillation of Russell's epic tetralogy on the nature and personifcation of evil from ancient times to the present (published by Cornell University Press between 1977 and 1986), The Prince of Darkness invites readers to confront these and other critical questions as they explore the past faces of that figure who has been called the second most famous personage in Christianity.

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Border of Water and Ice explores the significance of the Yalu River as a strategic border between Korea and Manchuria (Northeast China) during a period of Japanese imperial expansion into the region. The Yalu''s seasonal patterns of freezing, thawing, and flooding shaped colonial efforts to control who and what could cross the border. Joseph A. Seeley shows how the unpredictable movements of water, ice, timber-cutters, anti-Japanese guerrillas, smugglers, and other borderland actors also spilled outside the bounds set by Japanese colonizers, even as imperial border-making reinforced Japan''s wider political and economic power. Drawing on archival sources in Japanese, Korean, Chinese, and English, Seeley tells the story of the river and the imperial border haphazardly imposed on its surface from 1905 to 1945 to show how rivers and other nonhuman actors play an active role in border creation and maintenance. Emphasizing the tenuous, environmentally continge

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Cultural Imprints draws on literary works, artifacts, performing arts, and documents that were created by or about the samurai to examine individual imprints, traces holding specifically grounded historical meanings that persist through time. The contributors to this interdisciplinary volume assess those imprints for what they can suggest about how thinkers, writers, artists, performers, and samurai themselves viewed warfare and its lingering impact at various points during the samurai age, the long period from the establishment of the first shogunate in the twelfth century through the fall of the Tokugawa in 1868. The range of methodologies and materials discussed in Cultural Imprints challenges a uniform notion of warrior activity and sensibilities, breaking down an ahistorical, monolithic image of the samurai that developed late in the samurai age and that persists today. Highlighting the memory of warfare and its centrality in the cultur

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Revolutionary Warfare investigates how efforts to counter a revolution could also be revolutionary. The Algerian War fractured the French Empire, destroyed the legitimacy of colonial rule, and helped launch the Third Worldist movement for the liberation of the Global South. By tracing how French generals, officers, and civil officials sought to counter Algerian independence with their own project of radical social transformation, Terrence G. Peterson reveals that the conflict also helped to transform the nature of modern warfare.The French war effort was never defined solely by repression. As Peterson details, it also sought to fashion new forms of surveillance and social control that could capture the loyalty of Algerians and transform Algerian society. Hygiene and medical aid efforts, youth sports and education programs, and psychological warfare campaigns all attempted to remake Algerian social structures and bind them more closely to the French state.

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In Liberalism Disavowed, Beng Huat Chua examines the rejection of Western-style liberalism in Singapore since the nation's expulsion from Malaysia and formal independence as a republic in 1965. The People's Action Party, which has ruled Singapore since 1959, has forged an independent non-Western ideology that is evident in various government policies that Chua analyzes, among them multiracialism, public housing, and widespread social distributions to the citizenry. Singapore is prosperous and peaceful, it's highly advanced on various metrics of economic development, it has a great deal of regional influence, it is home to sophisticated industries and a large financial service sector, and it features what are by Western standards unusually low levels of social inequality. Paradoxically, however, it is no beacon of political liberalism. Chua sets forth ample evidence that the dominance of the People's Action Party is based on a combination of economic success and media c

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Timing the Future Metropolisan intellectual history of planning, urbanism, design, and social scienceexplores the network of postwar institutions, formed amid specters of urban crisis and renewal, that set out to envision the future of the American city. Peter Ekman focuses on one decisive node in the network: the Joint Center for Urban Studies, founded in 1959 by scholars at Harvard and MIT. Through its sprawling programs of organized research, its manifold connections to universities, foundations, publishers, and policymakers, and its years of consultation on the planning of a new city in VenezuelaCiudad Guayanathe Joint Center became preoccupied with the question of how to conceptualize the urban future as an object of knowledge. Timing the Future Metropolis ultimately compels a broader reflection on temporality in urban planning, rethinking how we might imagine cities yet to comeand the consequences of deciding not to.

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What was the life of a cow in early modern England like? What would it be like to milk that same cow, day-in, day-out, for over a decade? How did people feel about and toward the animals that they worked with, tended, and often killed? With these questions, Erica Fudge begins her investigation into a lost aspect of early modern life: the importance of the day-to-day relationships between humans and the animals with whom they worked. Such animals are and always have been, Fudge reminds us, more than simply stock; they are sentient beings with whom one must negotiate. It is the nature, meaning, and value of these negotiations that this study attempts to recover.By focusing on interactions between people and their livestock, Quick Cattle and Dying Wishes restores animals to the central place they once had in the domestic worlds of early modern England. In addition, the book uses human relationships with animalsas revealed through agricultural manuals, literary sources, an

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Astrology in the Middle Ages was considered a branch of the magical arts, one informed by Jewish and Muslim scientific knowledge in Muslim Spain. As such it was deeply troubling to some Church authorities. Using the stars and planets to divine the future ran counter to the orthodox Christian notion that human beings have free will, and some clerical authorities argued that it almost certainly entailed the summoning of spiritual forces considered diabolical. We know that occult beliefs and practices became widespread in the later Middle Ages, but there is much about the phenomenon that we do not understand. For instance, how deeply did occult beliefs penetrate courtly culture and what exactly did those in positions of power hope to gain by interacting with the occult? In A Kingdom of Stargazers, Michael A. Ryan examines the interest in astrology in the Iberian kingdom of Aragon, where ideas about magic and the occult were deeply intertwined with notions of power, authority, an

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Lex Lu argues in Appearance Politics that crafting an appealing and powerful outward image has long been an essential political instrument in China. Its traces may be found in historical records, imperial portraits, physiognomic prognostications, photographs, posters, statues, and digital images. Employing rare archival materials from Beijing, Shanghai, and Nanjing, Lu tells the story of these political maneuverings. We learn the ways in which political actors and their agents designed their images, and we observe the shifting standards of male beauty that guided their decisions. Appearance Politics examines five case studies: the usurpation of Ming Prince Zhu Di; the rise of Manchu masculinity and its mixed standards of Han Chinese and Manchu beauty at the Yongzheng court; the use of modern photography and Western male beauty standards at the turn of the twentieth century; the making of the Republican founding father Sun Yat-sen; and the cr

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Bowling for Communism illuminates how civic life functioned in Leipzig, East Germany's second-largest city, on the eve of the 1989 revolution by exploring acts of "urban ingenuity" amid catastrophic urban decay. Andrew Demshuk profiles the creative activism of local communist officials who, with the help of scores of volunteers, constructed a palatial bowling alley without Berlin's knowledge or approval. In a city mired in disrepair, civic pride overcame resentment against a regime loathed for corruption, Stasi spies, and the Berlin Wall. Reconstructing such episodes through interviews and obscure archival materials, Demshuk shows how the public sphere functioned in Leipzig before the fall of communism. Hardly detached or inept, local officials worked around centralized failings to build a more humane city. And hardly disengaged, residents turned to black-market construction to patch up their surroundings. Because such "urban ingenuity" was premised on weakness in the centralized regime, the dystopian cityscape evolved from being merely a quotidian grievance to the backdrop for revolution. If, by their actions, officials were demonstrating that the regime was irrelevant, and if, in their own experiences, locals only attained basic repairs outside official channels, why should anyone have mourned the system when it was overthrown?

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This book will guide you in selecting an observation hive and choosing a site for it, modifying the hive and the site as needed, installing the hive, working with the hive, and maintaining the hive. It will prepare you to take a temporary portable observation hive to a market, fair, or school. Most important, it describes and illustrates the many ways you can use your observation hive to learn more about honey bees and how to care for them.

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Forever Faithful celebrates the history of Cornell hockey, focusing on twenty-four memorable games played by the men’s and women’s teams since the opening of Lynah Rink in 1957. The foreword was written by Ken Dryden (Cornell ’69), who led the Big Red team to its first NCAA championship in 1967, won six Stanley Cups with the Montreal Canadiens, and is a member of the Hockey Hall of Fame. The narrative begins with an early history of the program, when games were played outdoors on Beebe Lake, and moves on to chapters celebrating the rituals and traditions of the Lynah Faithful and the key rivalries of both the men’s and women’s teams. Game accounts follow, each one featuring insights from coaches and players who were involved and illustrated by many color and black-and-white photographs of the players and game action. The book concludes with an appendix that lists key statistics and accomplishments of the men’s and women’s programs.

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Weill Cornell Medicine is a story of continuity and transformation. Throughout its colorful history, Cornell’s medical school has been a leader in education, patient care, and research—from its founding as Cornell University Medical College in 1898, to its renaming as Weill Cornell Medical College in 1998, and now in its current incarnation as Weill Cornell Medicine. In this insightful and nuanced book, dean emeritus Antonio M. Gotto Jr., MD, and Jennifer Moon situate the history of Cornell’s medical school in the context of the development of modern medicine and health care. The book examines the triumphs, struggles, and controversies the medical college has undergone. It recounts events surrounding the medical school’s beginnings as one of the first to accept female students, its pioneering efforts to provide health care to patients in the emerging middle class, wartime and the creation of overseas military hospitals, medical research ranging from the effects of alcohol during Prohibition to classified partnerships with the Central Intelligence Agency, and the impact of the Depression, 1960s counterculture, and the Vietnam War on the institution. The authors describe how the medical school built itself back up after nearing the brink of financial ruin in the late 1970s, with philanthropic support and a renewal of its longstanding commitments to biomedical innovation and discovery. Central to this story is the closely intertwined, and at times tumultuous, relationship between Weill Cornell and its hospital affiliate, now known as New York–Presbyterian. Today the medical school’s reach extends from its home base in Manhattan to a branch campus in Qatar and to partnerships with institutions in Houston, Tanzania, and Haiti. As Weill Cornell Medicine relates, the medical college has never been better poised to improve health around the globe than it is now.

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Whether voluntary or coerced, hopeful or desperate, people moved in unprecedented numbers across Russia's vast territory during the twentieth century. Broad Is My Native Land is the first history of late imperial, Soviet, and post-Soviet Russia through the lens of migration. Lewis H. Siegelbaum and Leslie Page Moch tell the stories of Russians on the move, capturing the rich variety of their experiences by distinguishing among categories of migrants—settlers, seasonal workers, migrants to the city, career and military migrants, evacuees and refugees, deportees, and itinerants. So vast and diverse was Russian political space that in their journeys, migrants often crossed multiple cultural, linguistic, and administrative borders. By comparing the institutions and experiences of migration across the century and placing Russia in an international context, Siegelbaum and Moch have made a magisterial contribution to both the history of Russia and the study of global migration.The authors draw on three kinds of sources: letters to authorities (typically appeals for assistance); the myriad forms employed in communication about the provision of transportation, food, accommodation, and employment for migrants; and interviews with and memoirs by people who moved or were moved, often under the most harrowing of circumstances. Taken together, these sources reveal the complex relationship between the regimes of state control that sought to regulate internal movement and the tactical repertoires employed by the migrants themselves in their often successful attempts to manipulate, resist, and survive these official directives.

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The disintegration of former colonial empires in Asia, Africa, and the Middle East after World War II profoundly affected the international balance of power, irrevocably altering the political map of the world. The United States was in a unique position to influence the outcome of the struggles for independence in the Third World. In Colonialism and Cold War, Robert J. McMahon looks closely at one area where American diplomacy played an important role in the end of the European imperial order: Indonesia, the archipelago that had been the jewel of the Dutch colonial empire since the early seventeenth century. McMahon begins with an overview of the history of Dutch colonial rule in Indonesia and of the subsequent rise of nationalism among the peoples of the East Indies. He then traces the evolution of American policy toward Indonesia during the four years of the Dutch-Indonesian conflict, analyzing the factors that altered the course of that policy from initial support for the Dutch to halting and reluctant support for the nationalists. The case of Indonesia illuminates American foreign relations as a whole in the postwar period. McMahon demonstrates the fundamental link between American colonial policy and the Cold War, showing that the official attitude toward Indonesia was determined by a global geopolitical strategy aimed at containing communism. His study places American policy in Southeast Asia, particularly Vietnam, in historical context by discussing the roots of that policy and comparing the cases on Indonesia and Indochina.

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For God and Globe recovers the history of an important yet largely forgotten intellectual movement in interwar America. Michael G. Thompson explores the way radical-left and ecumenical Protestant internationalists articulated new understandings of the ethics of international relations between the 1920s and the 1940s. Missionary leaders such as Sherwood Eddy and journalists such as Kirby Page, as well as realist theologians including Reinhold Niebuhr, developed new kinds of religious enterprises devoted to producing knowledge on international relations for public consumption. For God and Globe centers on the excavation of two such efforts—the leading left-wing Protestant interwar periodical, The World Tomorrow, and the landmark Oxford 1937 ecumenical world conference. Thompson charts the simultaneous peak and decline of the movement in John Foster Dulles's ambitious efforts to link Christian internationalism to the cause of international organization after World War II.Concerned with far more than foreign policy, Christian internationalists developed critiques of racism, imperialism, and nationalism in world affairs. They rejected exceptionalist frameworks and eschewed the dominant "Christian nation" imaginary as a lens through which to view U.S. foreign relations. In the intellectual history of religion and American foreign relations, Protestantism most commonly appears as an ideological ancillary to expansionism and nationalism. For God and Globe challenges this account by recovering a movement that held Christian universalism to be a check against nationalism rather than a boon to it.

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"Royal power, oil, and puritanical Islam are primary elements in Saudi Arabia’s rise to global influence. Oil is the reason for Western interest in the kingdom and the foundation for commercial, diplomatic, and strategic relations. Were it not for oil, the government of Saudi Arabia would lack the resources to construct a modern economy and infrastructure, and to thrust the kingdom into regional prominence. Were it not for oil, Saudi Arabia would not be able to fund institutions that spread its religious doctrine to Muslim and non-Muslim countries. That doctrine, commonly known as Wahhabism, is a puritanical form of Islam that is distinctive in a number of ways, most visibly for how it makes public observance of religious norms a matter of government enforcement rather than individual disposition and social conformity, as it is in other Muslim countries."—from the Introduction Saudi Arabia is often portrayed as a country where religious rules dictate every detail of daily life: where women may not drive; where unrelated men and women may not interact; where women veil their faces; and where banks, restaurants, and cafés have dual facilities: one for families, another for men. Yet everyday life in the kingdom does not entirely conform to dogma. David Commins challenges the stereotype of Saudi Arabia as a country immune to change by highlighting the ways that urbanization, education, consumerism, global communications, and technological innovation have exerted pressure against rules issued by the religious establishment. Commins places the Wahhabi movement in the wider context of Islamic history, showing how state-appointed clerics built on dynastic backing to fashion a model society of Sharia observance and moral virtue. Beneath a surface appearance of obedience to Islamic authority, however, he detects reflections of Arabia’s heritage of diversity (where Shi’ite and Sufi tendencies predating the Saudi era survive in the face of discrimination) and the effects of its exposure to Western mores.

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"June is a time when the vineyardist thins and trains shoots, which seem to grow inches a day. During thinning and training one learns intimately about the personality of the grapevine. It is a strange creature, and one can see why in ancient Greece and Rome it represented the cycles of life. The bark on the main trunk tends to be cracked and crumpled, hanging in threads in some places, and reminiscent of a withered old man. It’s not pretty to look at. But the vine comes to life in the smooth brown canes that were young growth the year before, and then in the tender, rubbery green shoots of the current season." In 1998, Gary and Rosemary Barletta purchased seven acres of land on the eastern shore of Cayuga Lake. Descending to the west from the state route that runs along on the ridge overlooking the lake, the land was fertile, rich with shalestone and limestone bedrock, and exposed to moderating air currents from the lake. It was the perfect place to establish a vineyard, and the Barlettas immediately began to plant their vines and build the winery about which they had dreamed for years. The Barlettas’ story, as John C. Hartsock tells it, is a window onto the world of contemporary craft winemaking, from the harsh realities of business plans, vineyard pests, and brutal weather to the excitement of producing the first vintage, greeting enthusiastic visitors on a vineyard tour, and winning a gold medal from the American Wine Society for a Cabernet Franc. Above all, Seasons of a Finger Lakes Winery describes the connection forged among the vintner, the vine, and terroir. This ancient bond, when tended across the cycle of seasons, results in excellent wines and the satisfaction, on the part of the winemaker and the wine enthusiast, of tasting a perfect harvest in a single glass. Today, Long Point Winery sits on seventy-two acres (eight of which are under cultivation with vinifera grapes) and produces sixteen varieties of wine, a number of which are estate wines made from grapes grown on their property. With interest in winemaking continuing to grow, the Barlettas’ experience of making award-winning wines offers both practical advice for anyone running (or thinking of running) their own winery, whether in the Finger Lakes or elsewhere, as well as insights into the challenges and joys of pursuing a dream.

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Both an indispensable scientific work and a beautiful collection of art, The Second Atlas of Breeding Birds in New York State documents and illustrates the current distribution of breeding birds within the state and the significant change in bird distribution that has occurred since the publication of The Atlas of Breeding Birds in New York State, edited by Robert F. Andrle and Janet R. Carroll, in 1988. Each species account features a black-and-white illustration of the bird, color maps of the current (2000-2005) breeding distribution and of the twenty-year change in distribution, and an overview of the species' breeding range, habitat preferences, history in the state, trends in distribution, and conservation implications. The book not only chronicles shifts in bird distribution but also celebrates the 244 species that breed within the state's borders by showcasing majestic landscape paintings of family groups and original artwork of each species. Long-term changes in the distribution of bird populations can be driven by habitat alteration caused by development, deforestation, and climate change, but significant change also occurs in the short term. Based on comprehensive, statewide research efforts conducted from 2000 to 2005, this landmark volume shows the surprising amount of change in the distribution of breeding birds in New York that has taken place in the last twenty years: a few species no longer breed in the state (e.g., Loggerhead Shrike), a few breeding species were gained (e.g., Merlin and Black Vulture), and over half of the species changed their distribution in the state, some dramatically. The consistency of survey methods in the two atlas efforts, including census of the same 5,333 survey blocks, allows for statistically significant comparisons. In all, 1,187 volunteers spent 140,000 hours in the field, making this a substantive work of citizen science with broad applications for bird research and environmental management. In addition to the species accounts, there are chapters on methodology, results, habitats, land use, history of New York birding and ornithology, conservation, and appendixes of rare breeders as well as an updated table of the seasonal timing of breeding that completes this monumental work. The documented changes in bird distributions and land use in this stunning celebration of New York's birds will be of critical interest to both birders and conservationists. Published in association with the New York State Ornithological Association and the New York State Department of Environmental Conservation in cooperation with the New York Cooperative Fish and Wildlife Research Unit at Cornell University, Cornell University Department of Natural Resources, Cornell Lab of Ornithology, and Audubon New York.

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This anthology is an exciting new collection of Korean fiction in translation from the early years of the twentieth century that demonstrate the political and ideological divides that Koreans experienced during this time.

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A cultural history of writer and literary critic Hayashi Fusaō's (1903–1975) tenkō experience, Stories from the Samurai Fringe examines Hayashi's tenkō (ideological conversion) through a close reading of his proletarian short stories. Tracing Hayashi's move from "romanticizing" to "defining" to "remembering" the proletarian literature movement and its participants in his proletarian fiction, this study argues for a far more personal and political rationale for Hayashi's subsequent turn to ultranationalism. Stories from the Samurai Fringe concludes with a consideration of Hayashi's tenkō experience, first, within the historiographical context of the early Showa years (1926–1937), and then within the trans-war setting of Hayashi's reemergence as a proponent of wartime nationalism.

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This volume introduces short stories and essays by Kita Morio (1927-2011), one of the most significant, prolific, and beloved post-war writers in Japan. Also known by his literary persona, Dokutoru ManbÅ (Doctor Manbo), Kita was a remarkably versatile writer who produced both serious and comical works in a wide variety of genres. The short stories and essays included in this collection have been carefully selected from Kita's large body of writings to exhibit the breadth of his work. The collection includes his autobiographical fiction, comical essays, science fiction, somber fictional stories, and stories for children. Death, a work of autobiographical fiction, depicts the death and the writer's memories of his father, SaitÅ Mokichi, one of the most important poets in modern Japan. Being a psychiatrist and bipolar patient himself, Kita comically talks about his eccentric behavior during the manic state in the essay "I Am a Manic Patient." The title story, "The Red Ghost and the White Ghost," is a children's story about two ghosts who are incapable of scaring people. Although it is a story for children, Kita subtly includes his criticism of modern society where people value only scientific and tangible things.

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During the period of national isolation, a mathematical tradition called wasan flourished in Japan. Though virtually unknown to Europeans before the Meiji Restoration, its practitioners, the wasanka, produced some results comparable to (and sometimes in advance of) those of mathematicians of the European Enlightment. This volume, a companion to Unger's earlier translation of solutions by Aida Yasuaki (1747–1817), focuses on problems that Aida most likely used as a teacher. Unger explains the reasons for believing this, and sheds further light on the intellectual milieu in which Aida worked by discussing other books by Aida, including one in which he describes Dutch techniques of navigation.

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Gendered Landscapes presents ten short stories and novellas by representative modern Korean women writers dating from the 1930s to the end of the 1990s. Signature pieces selected from the acclaimed novelists' repertoire, these narratives address issues related to Korean women as gendered beings in a Confucian-governed patriarchal society. Thematically interlinked and compellingly articulated, they bring into full view the vivid and colorful mosaic of Korean women's lives over the past seven decades, engendered under the formidable sway of centuries-old Confucian gender ideologies and practices. Collectively, these literary gems represent bold and astute counter-narratives to Confucian master discourses that have determined gender norms, woman's identity, familial and conjugal morality, and other kin and interpersonal relationships in modern and contemporary Korean society. These texts testify to their authors' creative ingenuity and refined craftsmanship in utilizing the power of storytelling and stand as powerful beacons both for the personal voyages of fictional characters and for the transformation of reading communities at large. Readers who are interested in the interrelationships among Korean, and even East-Asian, literature, women, culture, and society, will find the stories in Gendered Landscapes especially informative, illuminating, and enriching. This new anthology is a welcome companion volume to the translator's earlier work, Questioning Mind: Short Stories by Modern Korean Women Writers (2010).

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This anthology presents three new translations representing an aspect of modern Asian drama as yet unavailable to readers in English: the community-based theaters of Taiwan, working in Chinese languages beyond Mandarin. Community theater (shequ juchang) contrasts with the more mainstream theater that has emerged in Taiwan from the 1980s onward—a theater dominated by male playwrights, centered in the capital city of Taipei, and, despite its roots as an experimental "Little Theater Movement," increasingly commercial and professionalized. Community theater, conversely, maintains the more fluid line between professional and amateur that initially characterized contemporary Taiwan theater; it exists primarily outside of the capital, in regional cities like Tainan; and the driving forces, artistically and administratively, are women. The content of the plays in this anthology reflects that particular gendering of the community theater. Stories of women dominate in Wang Chi-Mei's One Year, Three Seasons and Peng Ya-Ling's We Are Here. Hsu Rey-Fang's The Phoenix Trees are in Blossom also has significant female roles, both fictional and historical. To connect with the local communities, these playwrights seek stories from within those communities, and then contextualize those stories within the larger historical narratives of Taiwan, itself already a "local" element within the broader Chinese culture. Through these dual foci of gender and locality, stories of the women of Taiwan emerge as meaningful elements of Taiwan's modern history. These plays go beyond the walls of the theater spaces, to educate the local, national, and—through translation—international communities about those significant, but often hidden, stories. Well-researched by the playwrights through texts and interviews, these plays can serve as primary documents for courses in Taiwan history and culture, and comparative women's and gender studies, in addition to literature and drama courses.

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Xuanhe Catalogue of Paintings is the first complete translation of the well-known document produced at the court of Emperor Huizong (r. 1100–1125). Dated to 1120, the Catalogue is divided into ten categories of subject matter. Under Daoist and Buddhist Subjects, Figural Subjects, Architecture, Barbarian Tribes, Dragons and Fish, Landscape, Domestic and Wild Animals, Flowers and Birds, Ink Bamboo, and Vegetables and Fruit are biographies of 231 painters, ranging from famous early masters, such as Wu Daozi (ca. 685-758) and Li Cheng (919-967), to otherwise unknown artists of the Song-dynasty court, including fourteen eunuch officials and sixteen male and female members of the royal family. Titles of their pictures held in the palace collection are listed for each artist. These 6,396 paintings testify to the visual culture experienced by viewers of the twelfth century. The author's Introduction analyzes the Catalogue as a source of evidence about the formation of the Song-dynasty palace collection and argues that the majority of its pictures were already in the collection before Huizong's reign, as a result of conquest, confiscation, tribute, gift culture, collecting by earlier emperors, and the production of academy artists and regular officials at the Song court. Under Huizong's reign, around a thousand other pictures were added to the Catalogue through acquisition and reattribution. Open access edition funded by the National Endowment for the Humanities.

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Although of another place and time, the Bloomsbury group confronted issues that are remarkably current: international crises, war, the value of craft in an industrialized world, women's rights, environmental protection, and the search for the true, the good, and the beautiful in their art and their lives. A Room of Their Own: The Bloomsbury Artists in American Collections examines the group's responses to these issues, providing a valuable mirror on how people can address similar concerns today. A hundred years after the Bloomsbury group was established, their story still resonates and brings together a variety of interests across many artistic and intellectual pursuits. This catalog, the companion catalog to an acclaimed exhibition organized by the Herbert F. Johnson Museum of Art at Cornell University in 2008, is illustrated with full-color plates of the two hundred exhibited works, as well as numerous color figures of comparative works and documentary photographs. It also features essays by several leading Bloomsbury scholars. Gretchen Holbrook Gerzina, author of a major 1995 Carrington biography, provides a personal overview of artistic Bloomsbury. Nancy E. Green, the Johnson Museum curator and organizer of the exhibition, explores the Victorian-era influence on sisters Virginia Woolf and Vanessa Bell. Mark Hussey's essay discusses the cultural differences behind how British and American audiences experience Virginia Woolf and the Bloomsbury group. Benjamin Harvey offers "An Appreciation of Bloomsbury's Books and Blocks." Christopher Reed presents personal stories behind many of the prominent Bloomsbury collectors in North America.

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This volume brings together twelve short stories by colonial Korean proletarian writers, as well as two works written in 1946 under U.S. military occupation. The volume provides a diverse, ever-changing portrait of the complex movements of people and ideas that constituted both colonial Korea and the Japanese empire, adding the tumultuous experiences of those from the Korean peninsula to the existing international canon of socialist and feminist literature.

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Tosaka Jun (1900–1945) was one of modern Japan's most unique and important critics of capitalism, the emperor system, imperialism, and everyday life in wartime Japan. This collection of translations contains some of Tosaka's most important essays and original articles on Tosaka.

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The cache of bamboo texts unearthed in the village of Guodian, Hubei Province, in 1993 is a rare and unique find in the history of Chinese philosophy and literature. This study renders the complex corpus of the Guodian texts into a more easily manageable form, incorporating the past several years of scholarly activity on these texts and providing them with a comprehensive introduction along with a complete and well-annotated translation into English. As the only archaeologically excavated corpus of philosophical manuscripts to emerge from a Warring States–period tomb, the Guodian texts provide us with a wealth of reliable information for gaining new insights into the textual and intellectual history of pre-imperial China. Given the prominence of Confucian works in the corpus, they serve to fill out much of the intellectual historical picture for the doctrines of roughly three generations of Confucian disciples who fell between the times of Confucius (551–479 BC) and Mencius (c. 390–305 BC). The manuscripts also hold great significance for the study of early Chinese paleography and phonology. Volume II offers introductions to and annotated translations of the manuscripts "Cheng zhi," "Zun deyi," "Xing zi ming chu," "Liu de," and "Yucong" 1-4, along with various appendixes. These include collation tables of witnesses to the Guodian "Laozi" passages and a running translation of all the Guodian texts.

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By examining the life and career of the most prominent noh practitioner of the fury noh composer, Kanze Kojirō Nobumitsu (1435-1516), the author showcases the critical presence of the late Muromachi period in the history of noh.

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Should modern Chinese history be approached from the center looking out or from the margins looking in? The contributors to this book have explored a variety of relationships between the center (or centers) and the margins in China under the Qing dynasty, the Republic, and the People's Republic.

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This work is an exposition of the traditions of Japanese blind singers who accompanied themselves on the biwa, and of the complex identity of Yamashika Yoshiyuki (1901–1996), a man widely portrayed as the last such "living relic" of the medieval bards called biwa hoshi. The author draws upon approaches from Japanese historical and literature studies, performance studies and ethnomusicology in an examination of history, which yielded on the one hand images of blind singers that still circulate in Japan, and on the other a particular tradition of musical story-telling and rites in regional Kyushu, of representations of Yamashika in diverse media, of his experience training for and making a living as a professional performer and rituals from the 1920s on, and of the oral compositional process in performances made between 1989 and 1992.

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This is the second volume of Annotated Japanese Literary Gems, which makes available representative examples of Japanese short stories and novellas from Meiji to the present. This multi-volume set of books—six volumes are planned—provides rubi for nearly all kanji at first use. Each story is also included in a plain-text version. Along with the extensive annotations provided, the collection serves as a resource for students of modern Japanese literature and can also be used as an intermediate to advanced language text. The volume is printed Japanese-style, with pages ordered from right to left. The present volume introduces stories by three distinguished authors. Natsume Soseki, considered the greatest Meiji author along with Mori Ogai, is well known for his Botchan and I Am a Cat. Tomioka Taeko, an Osaka-born contemporary author, favors writing about nameless or marginal, yet unusual, individuals with their distinctive fears and desires. Inoue Yasushi is acclaimed for historical narrative and autobiographical fiction.

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Emerging from materials the author developed while teaching, A Handbook to Classical Japanese draws on twenty-five years of experience in addressing problem areas for those learning the language. The work deals with the central issue of classical language, namely, 'verb'-endings: specifically, the endings of verbs, verbal adjectives, pseudo-adjectives, and verb-suffixes. The Handbook treats the issue systematically, presenting 670 real-language examples, nearly 400 of which are discretely different quotations. The work's extensive Introduction walks the reader through key problem areas, with sections on "Which Verbs Belong to Which Conjugation?" "How to 'Unpack' Bungo Verbs," "Nari Headaches," "Namu/nan Trouble," "Items Easily Confused: Apparent Ambiguity," "Respect Language," and the like. The body of the Handbook, with its hundreds of examples, serves as a kind of reader; thirty-two verb-suffixes are illustrated in all of their forms or functions (with at least two examples of each). The book's seven appendices introduce a wide range of Western-language material, including comprehensive information about other translations into English, French, German, and Spanish of all texts cited—especially helpful for potential comparative translation study. For those unfamiliar with the topic, the section on Orthography is a model of clarity. Throughout the Handbook, highlighted items in Japanese are printed in bright red and their romanization in dark-black small capitals, to repeat and reinforce material at both conscious and unconscious levels via complementary graphic features. The volume can be used as an introduction to classical Japanese, an initial textbook, a companion text, a review text, and/or a reference work.

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This long-awaited volume presents the fifth and final category of Noh plays, often called kiri-nō, or "ending Noh," because they are staged last in a formal performance. This group comprises fifty of the most active and exciting of all plays in the Noh repertoire. They include deities, ghosts, or living humans, as well as a plethora of supernatural beings such as tengu (strange long-nosed creatures), monstrous creatures, demons, and fiends. The fifth-group Noh with such shite are all supernatural or visional. None of them is totally realistic. These ghosts, deities, and monsters sometimes appear to attack men, sometimes to help them, and sometimes just to tell their stories. Dividing the plays into seven subgroups according to structure, the authors fully analyze their dramatic characteristics. The book includes line-by-line translations of eight Noh representing all of the subgroups, together with the Romanized original Japanese texts, detailed introductions, and running commentaries.

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A Moment's Grace presents short stories that depict the core of Korea's modernization, from Liberation in 1945 to the Seoul Olympics in 1988. The stories here provide a view of the process through the eyes of ordinary people as they were affected by the historical and social forces that formed modern Korea. A separate background chapter affords a description of these forces with the intention of providing the reader with a better understanding of both the stories and the culture that produced them.

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