Search results for ""British Film Institute""
British Film Institute Das Cabinet des Dr. Caligari
This intriguing text overturns a myth of film history by examining new evidence surrounding the authorship of Das Cabinet des Dr. Caligari - a film that still exerts its gothic spell after nearly a century. A new introduction considers the place of German Expressionist cinema within the European revival of Gothic at the turn of the 20th century.
£11.40
British Film Institute Taxi Driver
Taxi Driver is one of the major films of the 1970s, which established Martin Scorcese's reputation as a prominent American director. This new edition of Taubin's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by Amy Taubin, and a stunning new jacket design by Marc Atkins.
£12.99
British Film Institute Sweet Smell of Success
James Naremore's insightfulstudy ofthis darkly satiric and much-admired film about the culture of celebrity in 1950s New York, starring Burt Lancaster and Tony Curtis, providesnew production information, a lively discussion of the film's historical context, and a close analysis of the work of its various contributors.
£12.99
British Film Institute 100 European Horror Films
Lively and illuminating guide to 100 key horror movies. Dissects classic films from directors and coutries particularly noted with horror production, as well asdelving into sub-genres such as zombie, cannibal and vampire movies and films by directors more commonly noted with art cinema, such as Bergman and Polanski. .
£75.92
British Film Institute Silent Running
Mark Kermode, who describes Silent Running (1972) as his favourite sci-fi film of all time, traces Douglas Trumbull's sentimental masterpiece from its roots in the counter-culture of the sixties to its enduring appeal as a cult classic in the 21st century.
£12.99
British Film Institute Snow White and the Seven Dwarfs
On release in the 1930s, Snow White became a milestone in animated film, Disney production and the US box office. Today its fans cross generations and continents, proving that this tale of the loveable, banished princess and her seven outstanding friends possesses a special magic that makes it both an all-time Disney great and a true film classic.
£12.99
British Film Institute Citizen Kane
Laura Mulvey offers a fresh and original reading of one of the greatest films in all cinema. This new edition of Mulvey's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by the author, and a stunning new jacket design by Eric Skillman.
£12.99
British Film Institute 100 Science Fiction Films
A comprehensive guide to science fiction films, which analyzes and contextualizes the most important examples of the genre, from Un voyage dans la lune (1902), to The Road (2009).
£19.42
British Film Institute The Documentary Film Book
This major new collection, edited by the leading British authority in the field, provides a broad and thorough introduction to documentary cinema. Contributions from leading international scholars address the history and nature of documentary, debates about truth and ethics, and documentary cinema in different national contexts and genres.
£36.93
British Film Institute If....
£11.40
British Film Institute Rome Open City Roma Citta Aperta
This study examines Rome Open City and its place in Roberto Rossellini's career. The film is based on events that took place in Nazi occupied Italy 1944, one year before the film was made. The author argues that the film has value as a commerorative piece and as a documentary record.
£11.40
British Film Institute Interpreting Diana Television Audiences and the Death of a Princess
Examines the role television played in providing news about the event of the Princess of Wales' death. The book goes on to explore the reasons why Diana's death affected so many people and suggests that TV is integral to culture.
£17.09
British Film Institute Went the Day Well
Went the Day Well? is one of the most unusual Ealing Studios pictures, a distinctly unsentimental war film made in the darkest days of WWII. Houston studies why the film avoids the cosy Ealing trademark. This Film Classics 20th anniversary edition comes with a new foreword by Geoff Brown, and a stunning new jacket design by Mark Swan.
£12.99
British Film Institute L.A. Confidential
Manohla Dargis explores the careers of director Curtis Hanson and writer James Ellroy, based on interviews with both men, to dig deep into the film's obsession with the twinned, equally troubled histories of the Hollywood studio system and the city of Los Angeles.
£11.40
British Film Institute Crash
In this book, which includes a new interview with Ballard who wrote the book on which the film was based, Sinclair explores the temporal loop which connects film and novel, and asks questions such as to what extent is Crash a premonition of some of the more remarkable media events of recent times. In the BFI MODERN CLASSICS series.
£11.40
British Film Institute Cat People
Novelist and critic Kim Newman assesses the horror noir Cat People (1943), produced by Val Lewton and directed by Jacques Tourneur. This important and influential film is considered in the light of its place in film history and as a work of ambitious horror. The new edition includes a postscript about the sequel, The Curse of the Cat People.
£11.40
British Film Institute The Wizard of Oz
The Wizard of Oz shows that imagination can become reality, that there is no such place like home, or rather that the only home is the one we make for ourselves. This new edition of Rushdie's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by the author.
£12.99
British Film Institute The Best Years of Our Lives
Sarah Kozloff's study of William Wyler's drama about three Servicemen struggling to adapt to civilian lifeon their return home after World War II addresses the Best Years' status as a 'social problem' film depictingclass divisions andthe psychological effects of war, as well as its reception history and contemporary relevance.
£12.99
British Film Institute On the Waterfront
£11.40
British Film Institute Groundhog Day
It is becoming clearer and clearer that 'Groundhog Day', directed by Harold Ramis, is one of the masterpieces of 1990s Hollywood cinema. Ryan Gilbey begins his account of the film with the long and unlucky gestation of the script by Danny Rubinand celebrates the inspired casting of Bill Murray and Andie MacDowell.
£11.40
British Film Institute October
Richard Taylor asks to what extent the film can lay claim to authentic history. He then examines October's relationship to the politics of the period and explains the theory and its application, as well as placing October in the wider context of Eisenstein's career.
£11.40
British Film Institute Dr. Strangelove or How I learned to Stop Worrying and Love the Bomb
Stanley Kubrick's Dr. Strangelove, or: How I learned to Stop Worrying and Love the Bomb (1964) is the definitive film about the nuclear age. Peter Kramer analyses its key scenes and complex production history, highlighting major themes such as Strangelove's Nazi past and the film's close relationship with real-world nuclear strategy and politics.
£12.99
British Film Institute Nosferatu 1979
Nosferatu was one of the masterpieces of the New German Cinema. Herzog's film, with its terrifying coda in which the reincarnated fiend rides out into the world, is perhaps the most compelling screen treatment of the vampire myth. In this second edition, Brad Prager introduces S.S. Prawer's comprehensive account of the film with a new foreword.
£11.40
British Film Institute Night and the City
Night and the City (1950), directed by Jules Dassin and starring Richard Widmark,is the compelling story ofa hoodlum on the make in postwar London. Andrew Pulver's study of the film traces the film's production history and places it in the context of British film noir and the urban mythology ofits West End setting.
£12.99
British Film Institute Pedro Almodovar
Provides a detailed introduction to the essential themes, style, and aesthetics of Pedro Almodovar's films, put in the context of Spain's profound cultural transitions since 1980. This book covers the major concerns of the most successful of all Spanish film directors and makes direct, clear connections to the logic of Almodovar's choices.
£30.58
British Film Institute Amores Perros
Amores Perros (2000) speaks to an international audience while never oversimplifying its local culture. This study of this film opens up that culture, revealing the film's relationship to television soap operas, pop music and contemporary debates about what it means to be Mexican.
£11.40
British Film Institute Wild Strawberries
Wild Strawberries is probably Ingmar Bergman's most personal film and one which explores his relation to the history of Swedish cinema. This study is written by Philip French, film critic of The Observer. It features a brief production history and detailed filmography.
£11.40
British Film Institute Enfants du Paradis
This text looks at one of the masterpieces of French cinema, made under great difficulties during the German occupation in World War II, and set in the world of 19th-century Parisian theatre.
£11.40
Bloomsbury Publishing (UK) Arab Cinema Travels
Kay Dickinson is Associate Professor of Film Studies at Concordia University, Canada. She is the author of Off Key: When Film and Music Won't Work Together (Oxford University Press, 2008); the editor of Movie Music (Routledge, 2002), Teen TV (British Film Institute Publishing, 2003), and The Arab Avant-Garde: Music, Politics and Modernity (Wesleyan University Press, 2013). In addition, she has worked as an education officer on the Ramallah International Film Festival and as an advisor on the Shashat Women's Film Festival (Bethlehem, Nablus and Ramallah). In the academic year of 2010-11, she was awarded a Fellowship in Global Aesthetics at Cornell University.
£29.68
Libri Publishing Book of Books: Pearls from the Meandering Stream of Time that Runs Across Continents
This book on rare books, holographs and historical artifacts in a single collection is a treasure in itself. With generous portions of passages paired with pictures and tastefully spiced with comments, this book is a feast to the intellect. I commend this book as an aperitivo for starters and a digestivo for the sated. Bon Appetit to all guests! Adoor Gopalakrishnan, India, Writer & Filmmaker, Recipient of India's highest film honour: Dadasaheb Phalke Award; Winner: British Film Institute Award; French honour: Commander of the Order of Arts & Letters About the Book Book of Books is a box of literary delights. Illustrated throughout, it provides a guided tour of rare books, manuscripts and historical artifacts in a single collection. The reader is invited to explore and enjoy carefully chosen pearls that dangle from the strands of Time. The theme runs across cultures and centuries from both East and West with excerpts from the works of many great authors including Henry David Thoreau, Ralph Waldo Emerson, Omar Khayyam, Rabindranath Tagore and Sarvepalli Radhakrishnan, and such notable figures as Abraham Lincoln and Mahatma Gandhi.
£30.00
University of Exeter Press The Appreciation of Film: The Postwar Film Society Movement and Film Culture in Britain
This book offers the first full account of the film society movement in Britain and its contribution to post-World War Two film culture. It brings to life a lost history of alternative film exhibition and challenges the general assumption that the study of film began with university courses on ‘Film Studies’. Showing how film societies operated and the lasting impression they made on film culture, The Appreciation of Film details the history of film education in Britain. The book illuminates the changing relationship between volunteer-run societies and professionalised agencies promoting film art such as festivals, specialist commercial distributors and public bodies such as the British Film Institute. Drawing on original archival research and oral history interviews the book acknowledges the vigour and dedication of volunteer film society activists and presents contemporary readers with a record of their achievement. Written in an accessible style, this is a study of 16mm projectors, associational life and the making of film culture in Britain. It reclaims the marginalised civic cinephilia of volunteer film society activists whilst providing an alternative narrative of the emergence of film study in Britain.
£75.00
Open University Press Analysing Media Texts (Volume 4)
The accompanying Analysing Media Texts DVD-ROM is the winner of the 2006 British Universities Film and Video Council 'Learning on Screen Award' for Interactive Media (Course and Curriculum related content). More about the awards and the shortlist can be found at www.bufvc.ac.uk/conferences/learningonscreen/losawards.htmlVisit the Understanding Media series microsite. This book provides an engaging introduction to analysing media texts. Students learn how to do semiotic, genre and narrative analysis, content and discourse analysis, and engage with debates about the politics of representation. Each chapter provides readings and worked examples, from the classic 1959 film melodrama by Douglas Sirk, Imitation of Life, to contemporary television ads. The book has an accompanying DVD-ROM for PC users. “Another exemplary volume from the OU presents a wide range of questions that cab be asked about mediated texts and the complexity of providing adequate answers to such questions. An enjoyable interactive DVD-ROM offers exercises that allow the reader to make the critical language their own." Professor Annabelle Sreberny, Centre for Media and Film Studies, SOAS. "This is an impressive resource, accessible and user-friendly, but authoritative in its development of established theories of textual analysis. The DVD-ROM offers a series of excellent exercises making this a 'must-have' for all undergraduate media studies courses." Professor Richard Paterson, British Film Institute. "An excellent introduction to the theory and practice of media analysis [and] a much-needed ‘toolkit’... The DVD-ROM, with its 'cool' design, clips gallery and innovative narrative sequence builder, allows students to put into practice skills acquired throughout the text and offers an important tool for bringing concepts to life… A wonderful addition to a first-rate series." Alison Griffiths, Associate Professor, Communication Studies, Baruch College, The City University of New York.
£24.64
Hodder & Stoughton The Reason I Jump: one boy's voice from the silence of autism
The No. 1 Sunday Times and internationally bestselling account of life as a child with autism, now an award-winning documentary film. 'It will stretch your vision of what it is to be human' Andrew Solomon, The TimesWhat is it like to have autism? How can we know what a person - especially a child - with autism is thinking and feeling? This groundbreaking book, written by Naoki Higashida when he was only thirteen, provides some answers. Severely autistic and non-verbal, Naoki learnt to communicate by using a 'cardboard keyboard' - and what he has to say gives a rare insight into an autistically-wired mind. He explains behaviour he's aware can be baffling such as why he likes to jump and why some people with autism dislike being touched; he describes how he perceives and navigates the world, sharing his thoughts and feelings about time, life, beauty and nature; and he offers an unforgettable short story. Proving that people with autism do not lack imagination, humour or empathy, THE REASON I JUMP made a major impact on its publication in English. Widely praised, it was an immediate No. 1 Sunday Times bestseller as well as a New York Times bestseller and has since been published in over thirty languages. In 2020, a documentary film based on the book received its world premiere at the Sundance Film Festival. Directed by Jerry Rothwell, produced by Jeremy Dear, Stevie Lee and Al Morrow, and funded by Vulcan Productions and the British Film Institute, it won the festival's Audience Award for World Cinema Documentary, then further awards at the Vancouver, Denver and Valladolid International Film Festivals before its global release in 2021.The book includes eleven original illustrations inspired by Naoki's words, by the artistic duo Kai and Sunny.
£9.99
Wesleyan University Press Ishiro Honda: A Life in Film, from Godzilla to Kurosawa
The first comprehensive biography of the director behind Godzilla and other Japanese sci-fi classics.Ishiro Honda was arguably the most internationally successful Japanese director of his generation, with an unmatched succession of science fiction films that were commercial hits worldwide. From the atomic allegory of Godzilla and the beguiling charms of Mothra to the tragic mystery of Matango and the disaster and spectacle of Rodan, The Mysterians, King Kong vs. Godzilla, and many others, Honda's films reflected postwar Japan's real-life anxieties and incorporated fantastical special effects, a formula that appealed to audiences around the globe and created a popular culture phenomenon that spans generations. Now, in the first full account of this long overlooked director's life and career, authors Steve Ryfle and Ed Godziszewski shed new light on Honda's work and the experiences that shaped it—including his days as a reluctant Japanese soldier, witnessing the aftermath of Hiroshima, and his lifelong friendship with Akira Kurosawa. Ishiro Honda: A Life in Film, from Godzilla to Kurosawa features close analysis of Honda's films (including, for the first time, his rarely seen dramas, comedies, and war films) and draws on previously untapped documents and interviews to explore how creative, economic, and industrial factors impacted his career. Fans of Honda, Godzilla, and tokusatsu (special effects) film, and of Japanese film in general, will welcome this in-depth study of a highly influential director who occupies a uniquely important position in science fiction and fantasy cinema, as well as in world cinema.Together, the authors have provided audio commentary tracks and produced supplemental material for numerous home video releases, including Ishiro Honda's Godzilla for the British Film Institute. They co-produced the documentary feature Bringing Godzilla Down to Size (2008).
£19.71
Hodder & Stoughton The Reason I Jump: one boy's voice from the silence of autism
The No. 1 Sunday Times and internationally bestselling account of life as a child with autism, now a documentary film Winner of Best Documentary and Best Sound in the British Independent Film Awards 2021. 'It will stretch your vision of what it is to be human' Andrew Solomon, The TimesWhat is it like to have autism? How can we know what a person - especially a child - with autism is thinking and feeling? This groundbreaking book, written by Naoki Higashida when he was only thirteen, provides some answers. Severely autistic and non-verbal, Naoki learnt to communicate by using a 'cardboard keyboard' - and what he has to say gives a rare insight into an autistically-wired mind. He explains behaviour he's aware can be baffling such as why he likes to jump and why some people with autism dislike being touched; he describes how he perceives and navigates the world, sharing his thoughts and feelings about time, life, beauty and nature; and he offers an unforgettable short story. Proving that people with autism do not lack imagination, humour or empathy, THE REASON I JUMP made a major impact on its publication in English. Widely praised, it was an immediate No. 1 Sunday Times bestseller as well as a New York Times bestseller and has since been published in over thirty languages.In 2020, a documentary film based on the book received its world premiere at the Sundance Film Festival. Directed by Jerry Rothwell, produced by Jeremy Dear, Stevie Lee and Al Morrow, and funded by Vulcan Productions and the British Film Institute, it won the festival's Audience Award for World Cinema Documentary, then further awards at the Vancouver, Denver and Valladolid International Film Festivals before its global release in 2021.The book includes eleven original illustrations inspired by Naoki's words, by the artistic duo Kai and Sunny.
£10.30
Pearson Education Limited GCSE (9-1) Edexcel History Migrants in Britain c. 800-present Student Book
Engage, support and develop confident historians This Student Book covers the key knowledge for Pearson Edexcel GCSE (9-1) History Option 13 Migrants in Britain, c800-present and Notting Hill c.1948-1970. Written by an experienced author team (Rosemary Rees, Tony Warner, Joshua Garry and series editor Angela Leonard), with a wealth of experience and knowledge, together, they bring this fascinating journey through British history to life. Key features for students include: clear and accessible language to appeal to students of all abilities a wealth of contemporary images and sources differentiated activities and checkpoint activities recap pages to help with consolidating and retaining knowledge a Preparing for the exam section, with exam advice and annotated sample answers an Extend your knowledge section for students wishing to conduct further research into this topic. The student book also incorporates tried and tested teaching approaches: Thinking Historically activities throughout tackle some of the key misconceptions that can hold student thinking back. Writing Historically spreads, based on the Grammar for Writing approach used by many English departments, explain how students can improve their writing, making their answers more sophisticated, clear and concise. About the series editor: Angela Leonard taught history in secondary schools for over 20 years and was also a teacher trainer at the University of London Institute of Education for over a decade. She has extensive experience as a senior GCSE examiner and as an author and series editor of history textbooks. About the authors: Rosemary Rees taught history in primary and secondary schools for many years and has been involved in teacher training at St Martin's College, Lancaster as well as teaching for the Open University. She has worked as a GCSE external assessor and has extensive experience as a senior examiner at GCSE and GCE levels. She has authored and series edited numerous history books for KS3, GCSE and GCE. Tony Warner is the founder of Black History Walks which leads tours in areas across London, including Notting Hill. The walks are designed to uncover the 3500 years of black history in London. He spent several years running workshops on institutional racism and has created community partnerships with, and lectured at, The Imperial War Museum, National Portrait Gallery, Museum of Docklands and British Film Institute. He is currently Activist in Residence and Honorary Research Fellow at UCL's Sarah Parker Remond Centre. Joshua Garry, Joshua is a Deputy Head of History at a school in London with a passion for creating a more diverse and inclusive history curriculum. “I think first and foremost you want your history curriculum to represent the experiences of the people inside the classroom or the people inside Britain. I always like to start in my classroom first. What does my classroom look like? I want my students to be able to connect with those stories. To see where they fit in.” – Joshua Garry
£24.51