Search results for ""Author William W. Fitzhugh""

Few animals on the planet inspire the sense of wonder evoked by the narwhal. The ‘Arctic unicorn’ is everyone’s version of “awesome” and “cool.” Explorers, aristocrats, artists and scientists celebrate this elusive whale and its extraordinary tusk. From Flemish unicorn tapestries, Inuit legends and traditional knowledge, and the research of devoted scientists, comes a tale of discovery reported here from the top of the world, a place where climate change is rapidly transforming one of the harshest environments on earth. How did the narwhal tusk become the horn of the fabled unicorn? What treasures do the Inuit hold about this majestic but elusive denizen? What have scientists discovered about the function of its tusk? Explore with whale biologists as they capture live narwhals to answer questions of narwhal biology, migration, population and behavior. Ponder the evolutionary history of the narwhal through paleontology and genetic science. Contemplate the fate of northern regions, animals, and peoples in a rapidly warming Arctic. Experience the insights and observations of Inuit hunters who have lived with the narwhal for thousands of years. The following pages present their views along with the latest research in narwhal biology, art, and climate science illustrated by more than a dozen photographers and graphic artists.

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The appearance during the first millennium A.D. of small, exquisitely carved artifacts of walrus ivory in the Bering Strait region marks the beginning of an extraordinary florescence in the art and culture of North America. The discovery in the 1930s and 1940s of world-class carvings of animals, mythical beasts, shape-shifting creatures, masks, and human figurines astounded scholars and excited collectors. Nevertheless, the extraordinary objects that belong to this fascinating, sometimes frightening, world of hunting-related art remain largely unknown. Gifts from the Ancestors examines ancient ivories from the coast of Bering Strait, western Alaska, and the islands in between—illuminating their sophisticated formal aesthetic, cultural complexity, and individual histories. Many of the pieces discussed are from recent Russian excavations and are presented here for the first time in English; others are from private collections not usually open to the public. The essays, written by an international group of scholars, adopt a refreshing interdisciplinary approach that gives voice to the various competing, and now sometimes cooperating, stakeholders, including Native groups, museums, archaeologists, art historians, art dealers, and private collectors. Distributed for the Princeton University Art MuseumExhibition Schedule:Princeton University Art Museum (October 3, 2009 – January 10, 2010)

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