Search results for ""Author William Johnston""

William Johnston writes that “the Christian mystic is one who lives in the Christ-mystery and is transformed by it.” Making the distinction between Christian mysticism and other mystic experiences, Johnston locates Christian mysticism in the Scriptures—in meditation on the Word of God. “For God who spoke of old interruptedly converses with the Bride of His beloved Son; and the Holy Spirit. . . leads unto all truth those who believe and makes the word of God dwell abundantly in them.” The Wounded Stag examines the Old and New Testaments, the Christian mystical tradition, the Eucharist and mystical prayer, and explains how these can lead to the resolution of the conflicts within our hearts. Without inner peace, Johnston offers, we cannot hope for peace in our world. As it discusses the social implications of Christian mysticism, Johnston’s book carries this very important message for our world today.

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Christian Zen is a ground breaking book for all Christians seeking to deepen and broaden their inner lives. Providing concrete guidelines for a way of Christian meditation that incorporates Eastern insights, it is a helpful book that can open new spiritual vistas and reveal profound, often undreamed-of dimensions of the Christian faith.

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The Inner Eye of Love offers a contemporary theology of mysticism that locates it at the very center of authentic religious experience. It provides as well a practical guide for meditation even as it maps out the oceanic experience toward which meditation points. Johnston begins with the mystical tradition itself, its roots and origins, its appearance and significance in the Gospels, the letters of Paul, and the early Church. He explains what mysticism is and is not, and how it is inextricably bound up with love. It is at the level of mysticism, he maintains, that the two traditions of East and West can at last understand one another and begin to work together to heal a broken world. The Inner Eye of Love escorts the reader through the stages of the mystical journey, from initial call to final enlightenment. Johnston compares and contrasts the Oriental and Christian experience, continually revealing new points of commonality The much discussed "dark night of the soul" is seen here in a positive way, as an emptying preliminary to the overbrimming of the soul with the knowledge and love of God. Finally, the author considers the often misunderstood relation between mysticism and practical action.

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Silent Music breaks down the barriers between science and religion, as well as between religions themselves, in order to extrapolate a comprehensive understanding of the "science of meditation." Johnston explores the concept of meditation from all perspectives in a rich account that runs the gamut from friendship to biofeedback. Understanding all approaches and incorporating them into a united vision, Silent Music reveals as new way of understanding the mystical and our search for wisdom in the modern world. Included is a glossary of terms and an index.

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It is surely a significant manifestation of the permanence of the soul's quest for God that the Western world, at a time when human values, principles, and ideals are being questioned and rejected, has turned to an interest in the age-old practice of the East - the quest for inner peace and tranquility as found in the profoundly moving experience of contemplation after the method of Zen Buddhism. In this deeply sympathetic study, the author compares the principles and the practices of Zen with the traditional concepts, aims, and results of Christian mysticism. His object is, first, ecumenical - to explore the bases of Zen and Christian mysticism, so that Buddhist and Christian can communicate; second, to rethink the basic concepts of Catholic mystical theology in the light of the Zen experience; and last, to encourage more people to contemplative prayer.

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The Cloud of Unknowing was the work of an unknown 14th-century English writer with a powerful message of God's unconditional love in the face of despair. Johnston's theological treatment of this and other works by the same writer makes a conscious comparison with Oriental ways of contemplation.

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Many patrons of the arts in nineteenth-century America built collections of paintings and sculpture imported primarily from England or Italy. Collectors in Baltimore—William Walters, George Lucas, the famous Cone sisters, among others—stand out in this milieu for having developed a strikingly different aesthetic for their homes and newly founded public institutions. These collectors looked to France for models of culture and, acting upon a remarkable understanding of the educational needs and working methods of artists, assembled extensive collections of drawings by French masters, from David to Daumier, Degas, and Cézanne.The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The book begins with essays by Jay M. Fisher, William R. Johnston, and Cheryl K. Snay that trace the history of collecting in Baltimore and afford new insights into the acquisition, display, and interpretation of drawings. In her essay, conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes as much in technique as style. This book also provides a fully illustrated, scholarly catalogue for one hundred of the most important of the nineteenth-century French drawings now held by The Baltimore Museum of Art, The Walters Art Museum, and the Peabody Art Collection.Published on the occasion of an exhibition jointly organized by The Baltimore Museum of Art and The Walters Art Museum, this book presents a brilliant panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an online archive of the entire corpus of nineteenth-century French drawings in the holdings of these Baltimore museums.This volume has been published in conjunction with the exhibition The Essence of Line: French Drawings from Ingres to Degas, organized by The Baltimore Museum of Art and the Walter Art Museum, Baltimore, Maryland, and held at: The Baltimore Museum of Art, 19 June–11 September 2005The Walters Art Museum 19 June–4 September 2005Birmingham Museum of Art, 19 February–14 May 2006Tacoma Art Museum, 9 June–17 September 2006.

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