Search results for ""Author Willene Hendrick""

Fredrick Douglass (1818-1895), a fugitive slave who became the best-known black abolitionist orator and autobiographer, and Herman Melville (1819-1891), a fiction writer recognized for the elusiveness of his meanings, both composed stories about slave revolts at sea. In the decade just before the Civil War, during years of increasingly angry debate about slavery, Douglass in "The Heroic Slave" (1853) and Melville in "Benito Cereno" (1855) fictionalized important slave insurrections. Of the mutiny on the Creole, on which Douglass's story is based, the editors recount what can be recovered about the slave Madison Washington, who led the revolt, and reconstruct the events before and after the uprising. The editors warn the readers that the official documents about the case are all biased against the mutineers, who were never allowed to tell their story to American officials. Addressing largely white readers in the North, Douglass, to the contrary, speaks clearly as an abolitionist: Slaves wanted their freedom and were justified in using violence to gain it. “Benito Cereno" is based on Captain Amasa Delano's chapter in his Narrative of Voyages and Travels... (1817) about a slave mutiny off the coast of South America. Writing in part for a northern readership, Melville tells of a mutiny that, unlike Madison Washington's, was suppressed. Delano's account shows no sympathy for the slaves. Melville's view is hidden in ambiguities. "Benito Cereno" is one of Melville’s stories most often collected in anthologies; Douglas's "The Heroic Slave" is rarely reprinted.

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The record of civil disobedience by African Americans, which George and Willene Hendrick recount in Why Not Every Man?, begins soon after slaves were brought legally to the American colonies: they began to run away. Through the years of the abolitionists, the struggle against the Fugitive Slave Act, opposition to Jim Crow laws, and the emergence of the civil rights movement, blacks continued the peaceful protest of their inequality and lack of freedom. In addition to describing these often forgotten episodes, the Hendricks show how the idea of civil disobedience, first suggested in America by Henry David Thoreau, crossed oceans to influence Mohandas K. Gandhi, whose thinking in turn attracted a young divinity student named Martin Luther King, Jr. The impact of these ideas was to be profound, forming a central tenet in Dr. King's movement against segregation and for the civil rights of black Americans. The record of civil disobedience in the service of African Americans is not without its failures, but overall it has been a powerful weapon in their quest for a share of the American dream. This is a succinct history of that story.

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On the night of November 7, 1841, the Creole, a brig transporting at least 135 slaves from Richmond, Virginia, to the auction block at New Orleans, was about 130 miles northeast of the Bahamas. In the darkness, a band of 19 slaves led by Madison Washington seized the crew and its captain. Over the next several days they forced the Creole to sail into Nassau harbor, where the British authorities offered freedom to the slaves on board, touching off a diplomatic squabble and continuing legal ramifications. In The Creole Mutiny, George and Willene Hendrick have pieced together, from scant information and remote sources, the story of this successful slave revolt and of the mysterious figure of Madison Washington, a fugitive slave who had been recaptured while trying to free his wife. With careful attention to background details, the authors describe what is known of Washington's life; the efforts of fugitive slaves to free other family members; the methods of slave traders and the operators of slave pens; the conditions on slave ships; and the sexual exploitation of female slaves, some mere children. In an Appendix, the authors show how Madison Washington has taken on mythic qualities in the works of major African-American writers, from Frederick Douglass to Theodore Ward. With 24 black-and-white illustrations. "Fascinating...compelling history."—Vernon Ford, Booklist

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These two slave narratives expand our knowledge of the differing ways males and females coped with enslavement and later ordeals in flight. This popularly-priced anthology contains the often taught Incidents in the Life of a Slave Girl by Harriet Jacobs and the recently discovered A True Tale of Slavery by John S. Jacobs, her younger brother, now reprinted for the first time. After Harriet’s owner, a physician, repeatedly abused her, she escaped his sexual advances for a time by entering into a relationship with a local attorney. Her owner continued to harass her, and she sought refuge in a crawlspace where she lived in hiding. After her escape to the North, she published her narrative. John S. Jacobs “walked away” as he put it, from his owner, a congressman. He sailed on a whaling ship and educated himself. He then became a paid agent of the Anti-Slavery Society, made a lecturing trip with Frederick Douglass, and finally settled in London, where he remained until it was safe for a fugitive to return to the North. He wrote his story for a London Sunday school journal where it was published in 1861.

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Seventy-three poems from Sandburg's early years in Chicago, almost all of them never before in print. They show him as a critic of fast-changing conditions in urban America; a walker in the city; a sensitive poet born to immigrant parents. These poems are a reminder of why we revere Sandburg as an authentic American voice. Edited with an Introduction by George and Willene Hendrick, Sandburg's most accomplished interpreters. An absolutely exhilarating read...a genuine literary event, a virtual rediscovery of an American treasure. —Michael Van Walleghen

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