Search results for ""Author Wheeler Winston Dixon""
Southern Illinois University Press Lost in the Fifties: Recovering Phantom Hollywood
Exposes the seedier side of American life in films of the 1950s. ""Lost in the Fifties: Recovering Phantom Hollywood"" reveals two 1950s: an era glorified in Hollywood movies and a darker reality reflected in the esoteric films of the decade. Renowned film scholar Wheeler Winston Dixon turns to the margins - the television shows and films of a hidden Hollywood - to offer an authentic view of the 1950s that counters the Tinseltown version. Dixon examines the lost films and directors of the decade. Contrasting traditional themes of love, marriage, and family, Dixon's 1950s film world unveils once-taboo issues of rape, prostitution, and gangs. Television shows such as ""Captain Midnight"" and ""Ramar of the Jungle"" are juxtaposed with the cheerful world of ""I Love Lucy"" and ""Howdy Doody"". Highlighting directors including Herbert L Strock, Leslie Martinson, Arnold Laven, and Charles Haas, Dixon provides new insights on the television series ""Racquet Squad"", ""Topper"", and ""The Rifleman"" and the teen films ""I Was a Teenage Werewolf"" and ""High School Confidential"". Lost in the Fifties includes twenty-five photos - many previously unpublished - and draws on rare interviews with key directors, actors, and producers. The volume provides the first detailed profile of the most prolific producer in Hollywood history, Sam Katzman, and his pop culture classics ""Rock Around the Clock and Earth vs. The Flying Saucers"". Dixon profiles, for the first time, B-movie phenomenon Fred F Sears, who directed more than fifty touchstone films of a generation, including the noir thriller ""Chicago Syndicate"", the criminal career story ""Cell 2455 Death Row"", and the 3-D color western ""The Nebraskan"". Also profiled is Ida Lupino, the only woman to direct in Hollywood in the 1950s.
£47.22
Scarecrow Press The Films of Reginald Leborg: Interviews, Essays, and Filmography
This is the first in-depth look at Reginald LeBorg, the quintessential Hollywood contract director, who worked constantly during the 1940s and 50s at such studios as Universal, PRC, and Monogram, making a series of beautiful and resonant films under severe constraints of time and budget. Here, in a book-length interview recorded a year before his death in 1989, LeBorg looks back at all his work—Destiny, Calling Doctor Death, Weird Woman, The Flight That Disappeared, Jungle Woman, Diary of A Madman, San Diego I Love You, and many others, and discusses his impatience with "fans" who don't bother to screen his more interesting non-Gothic films, describes studio life during the 1940s, and gives the reader insights into his personal life. With stills and a thorough filmography.
£61.00
State University of New York Press The Second Century of Cinema: The Past and Future of the Moving Image
£26.97
State University of New York Press Straight: Constructions of Heterosexuality in the Cinema
£25.51