Search results for ""Author Tom de Freston""

An artist's obsession with Géricault's monumental painting The Raft of the Medusa, and an intensely personal reckoning that delves deep inside the making of an artwork. Artist Tom de Freston has long had an obsession with Géricault's painting The Raft of the Medusa, and the troubling story behind its creation. The monumental canvas, which hangs in the Louvre, depicts a 19th century tragedy in which 150 people were drowned at sea on a raft lost in a stormy sea, when the ship Medusa was wrecked on shallow ground. When de Freston began making an artwork with Ali, a Syrian writer blinded by a bombing, The Raft's depiction of pain and suffering resonated powerfully with him, as did Géricault's awful life story. It spoke not only to Ali's story but to Tom's family history of trauma and anguish, offering him a passage out of the dark waters in which he found himself. In spellbinding, visceral prose, de Freston opens a window onto the magnetic frisson that runs between a past masterpiece and contemporary artistic endeavours. He asks powerful questions about how we might translate violence, fear and trauma into art, how we try to make sense of seemingly unthinkable acts, and the value in facing and depicting the darkest horrors.

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A deeply moving love letter from an artist to his wife as they struggle with the loss of multiple pregnancies, exploring how powerful bonds transform as lovers become family.

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An artist's obsession with Géricault's monumental painting The Raft of the Medusa, and an intensely personal reckoning that delves deep inside the making of an artwork. Artist Tom de Freston has long had an obsession with Géricault's painting The Raft of the Medusa, and the troubling story behind its creation. The monumental canvas, which hangs in the Louvre, depicts a 19th century tragedy in which 150 people were drowned at sea on a raft lost in a stormy sea, when the ship Medusa was wrecked on shallow ground. When de Freston began making an artwork with Ali, a Syrian writer blinded by a bombing, The Raft's depiction of pain and suffering resonated powerfully with him, as did Géricault's awful life story. It spoke not only to Ali's story but to Tom's family history of trauma and anguish, offering him a passage out of the dark waters in which he found himself. In spellbinding, visceral prose, de Freston opens a window onto the magnetic frisson that runs between a past masterpiece and contemporary artistic endeavours. He asks powerful questions about how we might translate violence, fear and trauma into art, how we try to make sense of seemingly unthinkable acts, and the value in facing and depicting the darkest horrors.

Read more less

A captivating, powerful and luminous story from a bestselling, award-winning author about a mother, a daughter, and the great Greenland shark. With mesmerising black and yellow illustrations and presented as a deluxe hardback with tracing paper inserts, this is a perfect gift for 9+ fans of David Almond and Frances Hardinge.'Such rich and vivid prose ... with beautiful illustrations by Tom de Freston' New York Times'Tom de Freston's stunning illustrations perfectly complement the poetry of Kiran Millwood Hargrave's story' Cressida Cowell'A truly beautiful book, with text and illustrations in perfect harmony. A book to treasure!' Jacqueline Wilson'Julia and the Shark is deep, beautiful and true. The art shines and the writing soars - a classic from cover to cover' Eoin Colfer'A rich, immersive and wondrous journey, through deep darkness to hope and light' Sophie Anderson, author of The House with Chicken LegsThe shark was beneath my bed, growing large as the room, large as the lighthouse, rising from unfathomable depths until it ripped the whole island from its roots. The bed was a boat, the shark a tide, and it pulled me so far out to sea I was only a speck, a spot, a mote, a dying star in an unending sky...Julia has followed her mum and dad to live on a remote island for the summer - her dad, for work; her mother, on a determined mission to find the elusive Greenland shark. But when her mother's obsession threatens to submerge them all, Julia finds herself on an adventure with dark depths and a lighthouse full of hope...A beautiful, lyrical, uplifting story about a mother, a daughter, and love - with timely themes of the importance of science and the environment.

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*Winner of the 2023 Wainwright Prize for Children's Writing on Nature & Conservation!*'A captivating tale that glistens with wonder. Leila and Fox will always have a home in my heart' Sophie Anderson'This is an extraordinary book - wild and beautiful and perfect' Katya BalenCome with an Arctic fox on a breathtaking journey ... an enthralling story from the bestselling, award-winning creators of Julia and the Shark. With dazzling blue and black illustrations, this is a perfect gift for 9+ fans of The Last Bear and A Wolf Called Wander.Fox wakes, and begins to walk. She crosses ice and snow, over mountains and across frozen oceans, encountering bears and birds beneath the endless daylight of an Arctic summer, navigating a world that is vast, wild and wondrous. Meanwhile, Leila embarks on a journey of her own - finding her way to the mother who left her. On a breathtaking journey across the sea, Leila rediscovers herself and the mother she thought she'd lost, with help from a determined little fox.Based on the true story of an Arctic fox who walked from Norway to Canada in seventy-six days, a distance of two thousand miles, this compelling, emotional and beautifully illustrated story is the perfect gift for 9+ readers.Praise for Julia and the Shark:'A tale of courage, understanding and compassion' The Observer'Julia and the Shark is deep, beautiful and true. The art shines and the writing soars. A classic from cover to cover' Eoin Colfer'A truly beautiful book, with text and illustrations in perfect harmony. A book to treasure!' Jacqueline Wilson

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The bestselling story about love, loss and hope that launched David Almond as one of the best children's writers of today. Winner of the Carnegie Medal and the Whitbread Children's Book of the Year Award, this unforgettable book now has captivating illustrations by Tom de Freston to celebrate its twenty-fifth anniversary. When a move to a new house coincides with his baby sister's illness, Michael's world seems suddenly lonely and uncertain.One Sunday afternoon, he stumbles into the ramshackle garage of his new home and finds something magical. A strange creature - human? beast? bird? angel? - a being who needs Michael's help if he is to survive. With his new friend Mina, Michael nourishes Skellig back to health.But Skellig is far more than he at first appears, and as he helps Michael breathe life into his tiny sister, Michael's world changes for ever ...Skellig won the Carnegie Medal and the Whitbread Children's Book Award. David Almond is also winner of the Hans Christian Andersen award, the Nonino International Prize, and has received an OBE for services to literature. He is celebrated as - in the words of the Independent - 'a master storyteller'. 'This strange, hugely readable and life-affirming tale exercises every muscle of the imagination' Guardian

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*Winner of the 2023 Wainwright Prize for Children's Writing on Nature & Conservation!*'A captivating tale that glistens with wonder. Leila and Fox will always have a home in my heart' Sophie Anderson'This is an extraordinary book - wild and beautiful and perfect' Katya BalenCome with an Arctic fox on a breathtaking journey ... an enthralling story from the bestselling, award-winning creators of Julia and the Shark. With dazzling blue and black illustrations and presented as a deluxe hardback with tracing paper inserts, this is a perfect gift for 9+ fans of The Last Bear and A Wolf Called Wander.Fox wakes, and begins to walk. She crosses ice and snow, over mountains and across frozen oceans, encountering bears and birds beneath the endless daylight of an Arctic summer, navigating a world that is vast, wild and wondrous. Meanwhile, Leila embarks on a journey of her own - finding her way to the mother who left her. On a breathtaking journey across the sea, Leila rediscovers herself and the mother she thought she'd lost, with help from a determined little fox.Based on the true story of an Arctic fox who walked from Norway to Canada in seventy-six days, a distance of two thousand miles, this compelling, emotional and beautifully illustrated story is the perfect gift for 9+ readers.Praise for Julia and the Shark:'A tale of courage, understanding and compassion' The Observer'Julia and the Shark is deep, beautiful and true. The art shines and the writing soars. A classic from cover to cover' Eoin Colfer'A truly beautiful book, with text and illustrations in perfect harmony. A book to treasure!' Jacqueline Wilson

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A captivating, powerful and luminous story from a bestselling, award-winning author about a mother, a daughter and the great Greenland shark. Wrapped up in mesmerising illustrations and presented as a deluxe hardback, this is a perfect gift for the holiday season, for 9+ fans of Philip Pullman, Sally Gardner and Frances Hardinge.The shark was beneath my bed, growing large as the room, large as the lighthouse, rising from unfathomable depths until it ripped the whole island from its roots. The bed was a boat, the shark a tide, and it pulled me so far out to sea I was only a speck, a spot, a mote, a dying star in an unending sky...Julia has followed her mum and dad to live on a remote island for the summer - her dad, for work; her mother, on a determined mission to find the elusive Greenland shark. But when her mother's obsession threatens to submerge them all, Julia finds herself on an adventure with dark depths and a lighthouse full of hope...A beautiful, lyrical, uplifting story about a mother, a daughter, and love - with timely themes of the importance of science and the environment.

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Tom de Freston (born 1983) is a British artist and writer, living and working in Oxford. De Freston’s multimedia art tackles themes of trauma, humanity and intimacy across paintings, films and performance. He builds rich visual narratives, drawing on literature, art history and social issues. He graduated from Cambridge University in 2007 and since 2008 has exhibited his work in over twenty shows to date. A prolific author, Granta published de Freston’s debut non-fiction book, Wreck, in 2022 and his second will be released in 2024. Julia and the Shark (Hachette, 2021), created with his wife Kiran Millwood Hargrave, won the Waterstones Children’s Gift of the Year and was shortlisted for the Wainwright Prize for Children's Writing on Nature and Conservation. De Freston was chosen to illustrate the twenty-fifth-anniversary edition of David Almond’s Skellig, published in 2023.I Saw This was born out of a collaboration between de Freston, filmmaker Mark Jones and Dr Ali Souleman after de Freston was introduced to the academic in 2017. The paintings and mixed-media works that resulted from the project are an exploration into Souleman’s experiences of terrorism, displacement and war in Syria and ruminate on how art can attempt to represent suffering and terror. In 1996, a bomb explosion in Damascus on New Year’s Eve nearly killed Souleman and left him blind. A sensitive and highly-charged topic, Souleman explained to de Freston the importance of engaging with what is happening in Syria. Disembodied mouths, hands and feet appear frequently in the works. Circles recur as a motif, which bear an uncomfortable resemblance to eyes and eye sockets. In the Mirror paintings which stand upright in black boxes, de Freston embeds ash, screws, thick glue, dirt and bits of wood into the canvas. They are corporeal and volcanic, visceral and abstract. The sense of molten heat in the paintings was compounded by a fire in de Freston’s studio in 2020, which was simultaneously destructive while giving the artist and the collaboration new momentum.The singular artistic process between the three men involves de Freston describing the paintings to Souleman through words and touch. Souleman brings fresh meaning to the works by reading them in new ways, grounding them in his psychological landscape. Mark Jones captures these interactions in striking photographs and film footage. The collaborators’ close relationships, with each of their practices feeding into the others’, shine through.Habda Rashid, Senior Curator of Modern and Contemporary Art at Kettle’s Yard and the Fitzwilliam Museum, introduces I Saw This and considers the challenges and significance of incorporating elements from real life. Journalist Yasmina Floyer’s contribution describes her reaction to de Freston’s work at his From Darkness exhibition at No 20 Arts, where she found that the sooty-black feet stencils and inky circles depicted resonated with her own experience of child loss. The moving text shows how de Freston’s art carries both specific and universal meanings. Editor Matt Price elaborates on the collaborative process and identifies layers of symbolism across the project, structuring his essay with fascinating quotes from Abu al-Ala al-Ma’arri, the eleventh-century blinded Arab philosopher. Crucially, de Freston, Jones and Souleman’s voices are present in the book, with each shedding light on their part in the project. De Freston’s art is rooted in empathy and I Saw This is a culmination of this, successfully translating Souleman’s world of memory and metaphor.

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