Search results for ""Author Tim Woods""

'Postmodernism' became the buzzword of contemporary society in the 1990s. Yet, even now, it still remains confusing and baffling in its variety of definitions, contexts and associations. Beginning postmodernism aims to offer clear, accessible and step-by-step introductions to postmodernism across a wide range of subjects. It encourages readers to explore how the debates about postmodernism have emerged from basic philosophical and cultural ideas, and to develop comparative connections and ideas from one area to another. With its emphasis firmly on 'postmodernism in practice', the book contains questions designed to help readers understand and reflect upon a variety of positions within the following areas of contemporary culture: philosophy and cultural theory; architecture and concepts of space; visual art, sculpture and material culture; pupular culture and music; film, video and television; and the social sciences

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Twisted Mountains is a collection of short stories set among the summits of England, Scotland and Wales, from Ben Hope to the South Downs. Each tells the story of someone who has their own reasons to be in the mountains. From a vengeful student to obsessive hostel owner, the wannabe biker to the Wainwright expert with a secret. While the stories are varied in their subjects, all have mountains at their heart and a dark humour running through them. Authored by Tim Woods, Twisted Mountains provides a different take on the characters you find in and around the mountains. Tim tells their stories in the characters' varied voices, in ways that are shocking, dark, funny and sad, sometimes all at once.

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This interdisciplinary study of how 9/11 and the 'war on terror' were represented during the Bush era, shows how culture often functioned as a vital resource, for citizens attempting to make sense of momentous historical events that frequently seemed beyond their influence or control. Illustrated throughout, the book discusses representation of 9/11 and the war on terror in Hollywood film, the 9/11 novel, mass media, visual art and photography, political discourse, and revisionist historical accounts of American 'empire,' between the September 11 attacks and the Congressional midterm elections in 2006. As well as prompting an international security crisis, and a crisis in international governance and law, David Holloway suggests the culture of the time also points to a 'crisis' unfolding in the institutions and processes of republican democracy in the United States. His book offers a cultural and ideological history of the period, showing how culture was used by contemporaries to debate, legitimise, qualify, contest, or repress discussion, about the causes, consequences and broader meanings of 9/11 and the war on terror.

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The question of ethics has dominated recent developments within the humanities. This volume brings together the most recent theories of ethics and reading and applies them to a wide variety of literary texts. Ethical and literary issues explored by the contributors include biography, sensibility, national identity, feminism, postcolonialism, religion, subjectivity and stylistics. Literary authors and philosophers/theorists discussed range from Shakespeare and Mary Shelley to Michele Roberts and Salman Rushdie, and from Kant and Coleridge to Derrida and Levinas.

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This interdisciplinary study of how 9/11 and the 'war on terror' were represented during the Bush era, shows how culture often functioned as a vital resource, for citizens attempting to make sense of momentous historical events that frequently seemed beyond their influence or control. Illustrated throughout, the book discusses representation of 9/11 and the war on terror in Hollywood film, the 9/11 novel, mass media, visual art and photography, political discourse, and revisionist historical accounts of American 'empire,' between the September 11 attacks and the Congressional midterm elections in 2006. As well as prompting an international security crisis, and a crisis in international governance and law, David Holloway suggests the culture of the time also points to a 'crisis' unfolding in the institutions and processes of republican democracy in the United States. His book offers a cultural and ideological history of the period, showing how culture was used by contemporaries to debate, legitimise, qualify, contest, or repress discussion, about the causes, consequences and broader meanings of 9/11 and the war on terror.

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November 22nd 1963, Dealey Plaza As a seminal event in late twentieth-century American history, the Kennedy assassination has permeated the American and world consciousness in a wide variety of ways. It has long fascinated American writers, filmmakers and artists, and this book offers an authoritative critical introduction to the way the event has been constructed in a range of discourses. It looks at a variety of historical, political and cultural attempts to understand Kennedy's death. Representations include: journalism from the time; historical accounts and memoirs; official investigations, government reports and sociological inquiries; the huge number of conspiracy-minded interpretations; novels, plays and other works of literature; and the Zapruder footage, photography, avant-garde art, and Hollywood films. Considering the continuities and contradictions in how the event has been represented, the author focuses on how it has been seen through the lens of ideas about conspiracy, celebrity and violence. He also explores how the arguments about exactly what happened on 22 November 1963 have come to serve as a substitute way of debating the significance of Kennedy's legacy and the meaning of the 1960s more generally. Key Features: * presents information about the event itself, the cultural context of the period, and the consequences of the event * considers the ways in which the event has been represented in subsequent years in a variety of discourses * includes an annotated bibliography and 10 B&W illustrations.

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