Search results for ""Author Thomas Osborne""

What is the point of cultural theory? Do we even know what it is? This book is at once an introduction to, and, broadly, a defence of modern cultural theory understood as a particular constellation of inquiry, one that may be all the more important in our postmodern times the more seemingly irrelevant it is to current fashions.Focusing on the work of Theodor Adorno, Pierre Bourdieu and Michel Foucault the book argues that in spite of their differences these authors shared particularly 'modern' understandings of culture, creativity and human agency; understandings centred on the ideas of critical autonomy and creativity of thought. Even though all three were committed to scholarly empirical research, for them the function of cultural theory was not just to describe the world positivistically 'as it is' (or was) but to cultivate the conditions for ethical autonomy in their readerships by opening up ways for thinking differently and exposing the fetishisms and blockages that hinder that task.

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Aspects of Enlightenment is an attempt to reconfigure the terrain of contemporary social theory. Critical of sociologistic approaches in that discipline and of vague concepts such as modernity and postmodernity, the book argues that the proper subject matter of social theory is enlightenment itself. Dismissing for the most part the conflicts in social and critical theory between realist and relativist approaches, the book argues for the merits of various limited kinds of anti-foundationalism that would guide fieldwork in specific areas of enlightenment. As a means of illustrating this approach, the book focuses on case studies that consider critical attitudes to scientific, therapeutic and aesthetic kinds of enlightenment. A key theme throughout the book is the status of the social sciences themselves with regard to the question of enlightenment, as well as with the nature of the vocation of the intellectual as the embodiment of particular kinds of critical ethos. Finally, the book in an oblique homage to the work of Michel Foucault who figures here, along with Max Weber, as an exemplar of the critical attitude to enlightenment.

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