Search results for ""Author Theodor W. Adorno""

Dialéctica de la Ilustración, escrita en colaboración con Horkheimer es una crítica a la razón instrumental, concepto fundamental de este último autor, o, lo que es lo mismo, una crítica, fundada en una interpretación pesimista de la Ilustración, a la civilización técnica y a la cultura del sistema capitalista (que llama industria cultural), o de la sociedad de mercado, que no persigue otro fin que el progreso técnico. La actual civilización técnica, surgida del espíritu de la Ilustración y de su concepto de razón, no representa más que un dominio racional sobre la naturaleza, que implica paralelamente un dominio (irracional) sobre el hombre; los diversos fenómenos de barbarie moderna (fascismo y nazismo) no serían sino muestras, y la vez las peores manifestaciones, de esta actitud autoritaria de dominio.

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Nueva traducción de una de las referencias absolutas en la producción de Adorno, acompañada de 'La jerga de la autenticidad', texto concebido en un principio por su autor como parte de la 'Dialéctica negativa'.

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As an exile in America during the War, Theodor Adorno grew acquainted with the fundamentals of empirical social research, something which would shape the work he undertook in the early 1950s as co-director of the Frankfurt Institute for Social Research. Yet he also became increasingly aware of the ‘fetishism of method’ in sociology, and saw the serious limitations of theoretical work based solely on empirical findings.In this lecture course given in 1964, Adorno develops a critique of both sociology and philosophy, emphasizing that theoretical work requires a specific mediation between the two disciplines. Adorno advocates a philosophical approach to social theory that challenges the drive towards uniformity and a lack of ambiguity, highlighting instead the fruitfulness of experience, in all its messy complexity, for critical social analysis. At the same time, he shows how philosophy must also realise that it requires sociology if it is to avoid falling for the old idealistic illusion that the totality of real conditions can be grasped through thought alone.Masterfully bringing together philosophical and empirical approaches to an understanding of society, these lectures from one of the most important social thinkers of the 20th century will be of great interest to students and scholars in philosophy, sociology and the social sciences generally.

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"Dreams are as black as death." —Theodor W. Adorno Adorno was fascinated by his dreams and wrote them down throughout his life. He envisaged publishing a collection of them although in the event no more than a few appeared in his lifetime. Dream Notes offers a selection of Adornos writings on dreams that span the last twenty-five years of his life. Readers of Adorno who are accustomed to high-powered reflections on philosophy, music and culture may well find them disconcerting: they provide an amazingly frank and uninhibited account of his inner desires, guilt feelings and anxieties. Brothel scenes, torture and executions figure prominently. They are presented straightforwardly, at face value. No attempt is made to interpret them, to relate them to the events of his life, to psychoanalyse them, or to establish any connections with the principal themes of his philosophy. Are they fiction, autobiography or an attempt to capture a pre-rational, quasi-mythic state of consciousness? No clear answer can be given. Taken together they provide a highly consistent picture of a dimension of experience that is normally ignored, one that rounds out and deepens our knowledge of Adorno while retaining something of the enigmatic quality that energized his own thought.

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Delves into Theodor W. Adorno's lesser-known musical career and successful music criticism. Theodor W. Adorno is recognized as one of the twentieth century's most prominent social theorists. Though best known for his association with the Frankfurt School of critical theory, Adorno began his career as a composer and successful music critic. Comprehensive and illuminating, Orpheus in the Underworld centers on Adorno's concrete and immediate engagement with musical compositions and their interpretation in the concert hall and elsewhere. Here, Adorno registers his initial encounters with the compositions of the Second Viennese School, when he had yet to integrate them into a broad aesthetics of music. Complementarily essays on Bela Bartók, Jean Sibelius, and Kurt Weill afford insight into his understanding of composers who did not fit neatly into the dialectical schema propounded in the Philosophy of New Music. Additionally, essays on recording and broadcasting show Adorno engaging

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The major work and Adorno's culminating achievement. Negative Dialectics is a critique of the philosophies of Kant, Hegel, and Heidegger, and a visionary elaboration of the author's own vision of dialectics.

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Theodor W. Adorno (1903-1969) was one of the twentieth century’s most influential thinkers in the areas of social theory, philosophy, aesthetics, and music. This volume reveals another aspect of the work of this remarkable polymath, a pioneering analysis of the psychological underpinnings of what we now call the Radical Right and its use of the media to propagate its political and religious agenda. The now-forgotten Martin Luther Thomas was an American fascist-style demagogue of the Christian right on the radio in the 1930s. During these years, Adorno was living in the United States and working with Paul Lazarsfeld on the social significance of radio. This book, Adorno’s penetrating analysis of Thomas’s rhetorical appeal and manipulative techniques, was written in English and is one of Adorno’s most accessible works. It is in four parts: “The Personal Element: Self-Characterization of the Agitator,” “Thomas’ Methods,” “The Religious Medium,”and “Ideological Bait.” The importance of the study is manifold: it includes a theory of fascism and anti-semitism, it provides a methodology for the cultural study of popular culture, and it offers broad reflections on comparative political life in America and Europe. Implicit in the book is an innovative idea about the relation between psychological and sociological reality. Moreover, the study is germane to the contemporary reality of political and religious radio in the United States because it provides an analysis of rhetorical techniques that exploit potentials of psychological regression for authoritarian aims.

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Theodor W. Adorno (1903-1969) was one of the twentieth century’s most influential thinkers in the areas of social theory, philosophy, aesthetics, and music. This volume reveals another aspect of the work of this remarkable polymath, a pioneering analysis of the psychological underpinnings of what we now call the Radical Right and its use of the media to propagate its political and religious agenda. The now-forgotten Martin Luther Thomas was an American fascist-style demagogue of the Christian right on the radio in the 1930s. During these years, Adorno was living in the United States and working with Paul Lazarsfeld on the social significance of radio. This book, Adorno’s penetrating analysis of Thomas’s rhetorical appeal and manipulative techniques, was written in English and is one of Adorno’s most accessible works. It is in four parts: “The Personal Element: Self-Characterization of the Agitator,” “Thomas’ Methods,” “The Religious Medium,”and “Ideological Bait.” The importance of the study is manifold: it includes a theory of fascism and anti-semitism, it provides a methodology for the cultural study of popular culture, and it offers broad reflections on comparative political life in America and Europe. Implicit in the book is an innovative idea about the relation between psychological and sociological reality. Moreover, the study is germane to the contemporary reality of political and religious radio in the United States because it provides an analysis of rhetorical techniques that exploit potentials of psychological regression for authoritarian aims.

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This book provides an invaluable introduction to his historical and conceptual engagement with sociology.

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Theodor Adorno (1903-69) was undoubtedly the foremost thinker of the Frankfurt School, the influential group of German thinkers that fled to the US in the 1930s, including such thinkers as Herbert Marcuse and Max Horkheimer. His work has proved enormously influential in sociology, philosophy and cultural theory. Aesthetic Theory is Adorno's posthumous magnum opus and the culmination of a lifetime's investigation. Analysing the sublime, the ugly and the beautiful, Adorno shows how such concepts frame and distil human experience and that it is human experience that ultimately underlies aesthetics. In Adorno's formulation ‘art is the sedimented history of human misery'.

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Las quince lecciones reunidas en el presente volumen, dictadas entre abril y julio de 1968 en la Universidad de Frankfurt, constituyen el último curso académico impartido por Adorno y un testimonio especialmente vivo de las tensiones entre la política real y los planteamientos teóricos de la sociología.Las clases coincidieron con los acontecimientos en torno al mayo del 68 y en ellas Adorno responde a muchas preguntas de las nuevas generaciones, ávidas de cambios y decepcionadas de los discursos demasiado abstractos. Ante este público, Adorno defiende la teoría frente a la pura pragmática, ya que sólo la teoría garantiza una posición crítica ante los hechos.Si me preguntan qué es realmente la sociología, yo diría que debe ser la comprensión penetrante de la sociedad (...), pero en el sentido de que esta comprensión sea crítica y sepa medir lo que socialmente "es el caso" (...) con respecto a lo que la sociedad misma aspira a ser; así se detectará la contradicción y en ella al mis

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This volume makes Adorno's lectures on the problems of moral philosophy available for the first time to English-speaking readers. It is one of several volumes of Adorno's unpublished writings which are currently being published in Germany, and which will be published in translation by Polity. The book is organized around an account of Kant's moral theory, and introduces most of the central topics of Adorno's far more difficult work Negative Dialectics. He examines concepts such as the primacy of practical reason, the relation between freedom and experience, and the desubstantialization of moral thought. These and other concepts are discussed in an accessible and entertaining style which is very different from the rest of Adorno's published work. Problems of Moral Philosophy will be an important resource for scholars drawing on Adorno's thought, and its nature as a lecture course makes it a very useful and accessible introduction for students to Adorno's ideas about moral philosophy. It will be of great interest to those working in philosophy and in social and political thought.

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As an exile in America during the War, Theodor Adorno grew acquainted with the fundamentals of empirical social research, something which would shape the work he undertook in the early 1950s as co-director of the Frankfurt Institute for Social Research. Yet he also became increasingly aware of the ‘fetishism of method’ in sociology, and saw the serious limitations of theoretical work based solely on empirical findings.In this lecture course given in 1964, Adorno develops a critique of both sociology and philosophy, emphasizing that theoretical work requires a specific mediation between the two disciplines. Adorno advocates a philosophical approach to social theory that challenges the drive towards uniformity and a lack of ambiguity, highlighting instead the fruitfulness of experience, in all its messy complexity, for critical social analysis. At the same time, he shows how philosophy must also realise that it requires sociology if it is to avoid falling for the old idealistic illusion that the totality of real conditions can be grasped through thought alone.Masterfully bringing together philosophical and empirical approaches to an understanding of society, these lectures from one of the most important social thinkers of the 20th century will be of great interest to students and scholars in philosophy, sociology and the social sciences generally.

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This volume comprises one of the key lecture courses leading up to the publication in 1966 of Adorno's major work, Negative Dialectics. These lectures focus on developing the concepts critical to the introductory section of that book. They show Adorno as an embattled philosopher defining his own methodology among the prevailing trends of the time. As a critical theorist, he repudiated the worn-out Marxist stereotypes still dominant in the Soviet bloc – he specifically addresses his remarks to students who had escaped from the East in the period leading up to the building of the Berlin Wall in 1961. Influenced as he was by the empirical schools of thought he had encountered in the United States, he nevertheless continued to resist what he saw as their surrender to scientific and mathematical abstraction. However, their influence was potent enough to prevent him from reverting to the traditional idealisms still prevalent in Germany, or to their latest manifestations in the shape of the new ontology of Heidegger and his disciples. Instead, he attempts to define, perhaps more simply and fully than in the final published version, a ‘negative', i.e. critical, approach to philosophy. Permeating the whole book is Adorno’s sense of the overwhelming power of totalizing, dominating systems in the post-Auschwitz world. Intellectual negativity, therefore, commits him to the stubborn defence of individuals – both facts and people – who stubbornly refuse to become integrated into ‘the administered world’. These lectures reveal Adorno to be a lively and engaging lecturer. He makes serious demands on his listeners but always manages to enliven his arguments with observations on philosophers and writers such as Proust and Brecht and comments on current events. Heavy intellectual artillery is combined with a concern for his students’ progress.

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This volume makes Adorno's lectures on the problems of moral philosophy available for the first time to English-speaking readers. It is one of several volumes of Adorno's unpublished writings which are currently being published in Germany, and which will be published in translation by Polity. The book is organized around an account of Kant's moral theory, and introduces most of the central topics of Adorno's far more difficult work Negative Dialectics. He examines concepts such as the primacy of practical reason, the relation between freedom and experience, and the desubstantialization of moral thought. These and other concepts are discussed in an accessible and entertaining style which is very different from the rest of Adorno's published work. Problems of Moral Philosophy will be an important resource for scholars drawing on Adorno's thought, and its nature as a lecture course makes it a very useful and accessible introduction for students to Adorno's ideas about moral philosophy. It will be of great interest to those working in philosophy and in social and political thought.

Read more less

"Dreams are as black as death." —Theodor W. Adorno Adorno was fascinated by his dreams and wrote them down throughout his life. He envisaged publishing a collection of them although in the event no more than a few appeared in his lifetime. Dream Notes offers a selection of Adornos writings on dreams that span the last twenty-five years of his life. Readers of Adorno who are accustomed to high-powered reflections on philosophy, music and culture may well find them disconcerting: they provide an amazingly frank and uninhibited account of his inner desires, guilt feelings and anxieties. Brothel scenes, torture and executions figure prominently. They are presented straightforwardly, at face value. No attempt is made to interpret them, to relate them to the events of his life, to psychoanalyse them, or to establish any connections with the principal themes of his philosophy. Are they fiction, autobiography or an attempt to capture a pre-rational, quasi-mythic state of consciousness? No clear answer can be given. Taken together they provide a highly consistent picture of a dimension of experience that is normally ignored, one that rounds out and deepens our knowledge of Adorno while retaining something of the enigmatic quality that energized his own thought.

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El presente volumen recoge dos trabajos de Adorno sobre teoría musical. El primero, Moments musicaux, reúne ensayos de las más diferentes épocas, los cuales fueron publicados en origen en revistas. El segundo, Impromptus, es una continuación de los Moments musicaux. Como éstos, contienen únicamente trabajos no incluidos en obras de Adorno; aunque en esta ocasión se remontan aún más en el tiempo, abarcando un lapso de cuarenta y cinco años.

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