Search results for ""Author Tate Publishing""

The first of three text books, published in association with the Open University, which offer an innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1000-1600: Medieval to Renaissance" includes essays on key themes of Medieval and Renaissance art, including the theory and function of religious art and a generic analysis of art at court. Explorations cover key canonical artists such as Simone Martini and Botticelli and key monuments including St Denis and Westminster Abbey, as well as less familiar examples.

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Fahrelnissa Zeid (1901-1991) was one of the most influential Turkish artists, best known for her large-scale abstract paintings. Marrying influences from Islamic, Byzantine and Eastern art with the bold colour of the Fauvists, the geometrical dissonance of the Cubists and the precise lines of Mondrian, Zeid developed an abstract vocabulary that was a synthesis of East and West and was uniquely her own. Born in Istanbul in 1901 into a family of highly creative intellectuals, Zeid's artistic career began in the 1920s in Paris and took her to Istanbul, Berlin and Budapest, before she returned to Paris again in 1946. There she joined the Nouvelle Ecole de Paris, a melting pot movement of international artists that championed a new abstract aesthetic. In the mid-1970s Zeid moved permanently to Amman, Jordan, where she established the Royal Fahrelnissa Zeid Institute. She worked and taught there for the rest of her life; her work was exhibited widely and internationally throughout her career. This new book traces her development from the first works she made in Turkey, through her engagement with the D-Group, her later experiments with abstraction and, finally, her return to figuration. It also examines the pivotal role she played in the cross-pollination of artistic ideas in the twentieth century through her involvement with key groups and movements in diverse regions and communities. Documentary photography from the period gives new insight into the historical and art historical events that formed the backdrop to her ever evolving style. Featuring over 100 reproductions of Zeid's bold and colourful paintings, from her earlier geometric, calligraphic style to the later, more expressive portraits, the catalogue showcases the depth and range of her work. Zeid's works have recently been the subject of renewed attention, with prominent displays at the Sharjah Biennial and the fourteenth Istanbul Biennale in 2015. Accompanying an exhibition at Tate Modern, Fahrelnissa Zeid will be the only book available on the life and work of this pioneering artist and will bring her unique sensibility to the wider audience she deserves.

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Since Tate Modern opened in 2000, the Turbine Hall has hosted some of the world's most memorable and acclaimed works of contemporary art, reaching an audience of millions. The way artists have interpreted this vast industrial space has revolutionised public perceptions of contemporary art in the twenty-first century. The annual Hyundai Commission, now in its second year, gives artists an opportunity to create new work for this unique context. Philippe Parreno is a leading French artist who works across film, video, sound, sculpture, performance and information technology. His work explores the borders between reality and fiction, and he sees his exhibitions as choreographed spaces that follow a score, during which a series of different events unfold. These kaleidoscopic environments redefine the gallery-going experience. Having collaborated with many visual artists as well as musicians, architects, scientists and writers, Parreno continues the tradition of the avant-garde artist engaged with many cultural disciplines. Recently he presented a vast installation H{N)Y P N(Y}OSIS at Park Avenue Armory, New York (2015), which fused film, light, sound and performance to create a dramatic sensory journey. At the Palais de Tokyo, Paris, in 2013 he was the first artist to occupy the entirety of the gallery's expanded space of 22,000 square metres. Created in close collaboration with the artist, the book will feature a fully illustrated survey of Parreno's life and work and an in-depth interview with curator Andrea Lissoni. Exploring in fascinating detail the artistic processes involved in creating this exciting new work, it will include stunning photographs of the dramatic new installation to be revealed in the Turbine Hall in October 2016.

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The book examines three distinct strands of photographic practice: the documentation of performance works, by artists such as Yves Klein, Yayoi Kusama and Merce Cunningham; how performers and photographers have worked collaboratively, such as Nadar and the mime artist Charles Deburau, or Eikoh Hosoe and the choreographer Tatsumi Hijikata; and the work of photographers who have a strong performative element to their practice, such as Charles Ray, Boris Mikhailov and Erwin Wurm. It further explores the construction of self-identity in the work of artists such as Samuel Fosso, Lee Friedlander, Tomoko Sawada, Cindy Sherman and Andy Warhol, as well as the playful, innovative approaches to portraiture adopted by Keith Arnatt and Masahisa Fukase. The result is a fascinating new insight into the ways in which we think about the role of photography in performance art, and of performance within photographic practice. In his introductory essay, Simon Baker provides an insightful overview of the inter-relationship between performance and photography, while a further text examines how performance photography has been used as a tool to explore subjectivity and identity. The work of photography duo Harry Shunk and Janos Kender, who documented a number of the most exciting and important performances of the 1960s and 1970s, is also discussed. With around 300 illustrations of more than ninety key bodies of work, this is the definitive publication on photography and performance, two of the most popular and intriguing art forms of our time.

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This is the third of three text books, published in association with the Open University, which offer an innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1850-2010: Modernity to Globalisation" includes essays which engage directly with topical issues around art and gender, globalisation, cultural difference and curating, as well as explorations of key canonical artists and movements and of some less well-documented work of contemporary artists.

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This beautiful book invites readers to join the Artful Sketcher on an exclusive tour of one of the most creative factories they'll ever know: the Little Factory of Potential Illustration. The factory is full of eccentric artists who just love making pictures, not to mention some oddball animals and astonishing machines. From the get-go readers can doodle, experiment with different techniques or simply draw alongside LIFIPO's resident team of artists. There's a games pocket at the back with some weird and wonderful dominos, and heaps of activities throughout exploring among other things collage, patternmaking, sculpture and composition. Children will be delighted to find that at the end of their tour they are given their very own office and their first solo exhibition! Exploring art techniques, geometry and game-playing simultaneously, this beautiful and humorous book is perfect for budding artists.

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How many times have you read the caption next to a work of art in a museum or gallery, or a review of an exhibition, and found yourself none the wiser? The language in which modern art is described can be even more mystifying than the art itself. Now, a fully updated and expanded edition of the acclaimed "Tate Guide to Modern Art Terms "offers a clear and reliable guide, with more than 450 pithy entries on the full range of international modern and contemporary art. Drawing on the expertise of Tate, the book provides an authoritative and up-to-date resource, small enough to fit into a bag or pocket. Spanning the dawn of Impressionism to the digital age, every term whether a theme, movement, medium, or technique is defined with clarity and precision. This is the perfect companion for all those wanting to increase their understanding and appreciation of modern and contemporary art. "

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"Exploring Art and Visual Culture: A Reader" brings together essential primary texts by artists, critics and art historians ranging from the medieval period right through to our own times. There is no other reader available that covers such an extensive period. Selected by leading academics in their field, and published in conjunction with the Open University, the reader will be an essential sourcebook for every student of art history as well as all those seeking a greater understanding of art and of the cultural and historical context in which it is made. "The Reader" is organised in three parts. The first section, Medieval to Renaissance, 1000 - 1600, includes extracts from the writings of the Venerable Bede, Vasari, Bernard of Clairvaux, Aristotle, Erwin Panofsky, Nikolaus Pevsner, Erasmus and Walter Pater, among others, and sections on sacred art, Gothic architecture, the art of the crusades and the Renaissance. The second part Patronage to the Public Sphere, 1600 - 1850 includes texts by W.J.T. Mitchell, Sir Joshua Reynolds, Thomas Crowe, Richard Shiff and Caspar David Freidrich and examines the city and the country, the golden age of Dutch painting, London and Paris, landscape design, exploration, neoclassicism and the birth of Romanticism. The section on Exploring Art from Modernity to Globalisation, 1850 - 2010 includes writings by Marinetti, Gauguin, John Ruskin, William Morris, John Berger, Clement Greenberg, Lucy Lippard and Miwon Kwon examining modernism, the rise of abstraction, conceptual art and globalisation.

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"A Bigger Splash" will take a new look at the dynamic relationship between performance and painting from 1950 to the present day. Taking its title from David Hockney's iconic 1967 image of a Californian swimming pool and Jack Hazan's docu-fiction film about Hockney's life, it will bring together a range of key works by artists including Yves Klein, Jackson Pollock, Cindy Sherman and Karen Kilimnik. Moving through half a century of work in painting, video and photography, and including archival and documentary material, this book will show how performance art has challenged and energised the medium of painting for successive generations. The book will contain three essays: the evolution of contemporary practice via a key period of experiment in the 1960s-70s; a consideration of the issue of pictorial space in painting with reference to history; and an examination of how the theoretical concept of 'performativity' relates to the issues played out within that high period of 'performance art'. By offering readers new ways of looking at some familiar works in Tate's Collection, and yet also bringing to light recent and new works that experiment with performance and painting in a variety of ways, this promises to be one the most authorative and dynamic studies of the subject yet published.

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Since 1960, progressive forces within art education have stoked, and continued to fire, new impulses in the field of artistic production. As society at large embraced youth and popular culture, art school students with international aspirations exploded class barriers, fused fashion with Pop and insisted that art was integral to social change. These possibilities were unthinkable without shifts in priorities. Replacing a craft-based curriculum, the teaching in art schools across Britain, and notably in London, began to widen the range of artistic exploration. A new generation emerged, whose techniques, perspectives, and arguments had their origins in these innovations and whose most striking forms of expression maintain their influence on the most adventurous artists in the new millennium. This history of innovation has been largely unwritten. Here, scholars in the field explore key aspects of this dynamic period such as changes in architecture, exhibition display and approaches to art history.With 100 illustrations showing both the art school in action and the works that were made under its pull, this survey also provides key information for the London Art Schools - Camberwell, Chelsea, Wimbledon, Slade, Royal College of Art, Goldsmiths and Central St Martins - allowing

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"All the work of the 1970s involved a kind of doubling; there was the world of the everyday and there was the world of the represented ...a sense of our experiential worlds becoming bifurcated between image and reality." John Stezaker This is the first publication to explore the rich history of conceptual art in Britain during its most exciting and innovative period, from the mid 1960s to the election of Margaret Thatcher in 1979. It examines how the early works of this period took the form of a challenge to art's traditional boundaries and how by the mid 1970s, focus had shifted away from issues of art and individual experience towards questions of politics and identity, using the languages of documentary, propaganda and advertising in the service of action. After introducing the reader to the origins of this radical moment in British art, the book goes on to explore the textual work of Art & Language, Victor Burgin and others; the 'New Sculpture' being produced by those such as Richard Long and Michael Craig-Martin who questioned the traditional art object; and the artists who addressed society and politics, including Stephen Willats and Margaret Harrison.A final chapter deals with the key role of photography, film and print - revealing them to be key modes of dissemination and international exchange with Europe and America. Essays are complemented by in-focus texts on the most significant works and previously unpublished archival material. Featuring contributions by experts in the field, this is the key book on the subject for students, scholars and all those with an

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Born in New York in 1975, Taryn Simon is at the forefront of contemporary photography practice. Her artistic medium is based around three equal elements: photography, text, and graphic design, which combined investigate the limitations of absolute understanding, examining the gaps between each element and how this can lead to disorientation and ambiguity. In the last ten years she has created a suite of projects which deal with a number of theoretical and visual concerns. Her formal interest in arrangement and cataloguing has seen her experiment with different methods of presentation and display, particularly in A Living Man Declared Dead and Other Chapters (2008-11) in which she travelled around the world researching bloodlines: splitting each work in the final piece up into three segments, she presented large portrait sequences of related individuals on the left, a text panel containing details and narratives in the centre, and 'footnote images' on the right of fragmented pieces of established narratives and other photographic evidence. Simon has also skilfully and poetically tackled aspects of the underbelly of American life.Her 2009 project, Contraband, saw her systematically photograph thousands of items received through customs and the international postal service at JFK airport, categorising them into often grotesque and bizarre groupings. In An American Index of the Hidden and Unfamiliar, Taryn Simon documents spaces that are integral to America's foundation, mythology and daily functioning, but remain inaccessible or unknown to a public audience. Taryn Simon has been the subject of a number of monographic exhibitions, including MoMA, New York (2012), Tate Modern, London (2011), Neue Nationalgalerie, Berlin (2011) and the Whitney Museum, New York (2007). Taryn's work was recently featured in the 2013 Carnegie International. Published in close collaboration with the artist, this brand new book will provide a complete overview of her practice to date. With new and re-published essays by amongst others Salman Rushdie, Homi Bhabha, Daniel Baumann, Tim Griffin, Tina Kuklieski, Hans Ulrich Obrist and Elisabeth Sussman. With an introduction by Simon Baker, Curator of Photography at Tate Modern.

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Glenn Ligon (b1960) is one of the most significant American artists of his generation. Much of his work relates to abstract expressionism and minimalist painting, remixing formal characteristics to highlight the cultural and social histories of the time, such as the civil rights movement. The exhibition brings together artworks and other material he references in his own work and writings, or work with which he shares certain affinities. This publication is both a comprehensive exhibition catalogue, which fully illustrating all works in the exhibition from artists including Chris Ofili, Willem de Kooning, Jackson Pollock, Lorna Simpson, Felix Gonzalez-Torres and Jasper Johns, accompanied by newly commissioned texts by Glenn Ligon, Francesco Manacorda, Alex Farquharson, and Gregg Bordowitz; and an anthology of around 20 texts selected/excerpted by Glenn Ligon.

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Over the past thirty years, our ideas about the cultures of Empire have been transformed. Contemporary reflections on Empire by writers and artists are widely published and displayed, and museums have witnessed a growing number of exhibitions devoted to aspects of the rich and varied visual culture that emerged in places under British governance, from the Americas to India and Australasia. And yet, since the vast Imperial exhibitions of the early twentieth-century there has been no wide-ranging presentation of the objects made across the British Empire. This publication, which accompanies a major Tate Britain exhibition, fills that gap. Through broad groupings within thematic chapters - Mapping, Collecting, History, Portraiture, Cultural Exchange and the Return of Empire - leading scholars focus on how particular objects tell the history of life under British rule. Paintings by well-known artists such as John Singer Sargent and Sidney Nolan are illustrated alongside Benin bronze heads and Mughal miniatures in a survey that ranges from sixteenth century colonialism through to the projection of Britain's imperial might in the late nineteenth century to its decline in the post-war era. Exploring how artists have represented and critiqued the diverse places, people and events that make up the legacy of Empire, our expert authors have created a vital book on a subject of broad contemporary interest.

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