Search results for ""Author Susanna Fein""

The essays examine Audelay's biography, his self-representation as the maker of his book, and the specific parts of that book, from the poems and colophons found in The Counsel of Conscience to the salutations and carols that follow in the manuscript, concluding with a defense of Audelay's authorship of Three Dead Kings and Fein's own study of the multiple endings of the Audelay Manuscript. The scholarly work gathered in this collection allows John the Blind Audelay to take his rightful place among his peers in early fifteenth-century English literature.

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Studies in the Harley Manuscript is the first comprehensive examination of a manuscript that is of supreme value to literary scholars of medieval English literature. In an Introduction and fifteen essays a team of scholars considers many aspects of the 140 folios of this trilingual miscellany that preserves 121 items (or 122 depending on how one counts) from which we get a strange and privileged glimpse into the rich literary heritage that existed in England prior to the flourishing of vernacular poetry in the Richardian era. As the Contents indicates, the history and composition of the manuscript are considered, as are the Anglo-Norman, English, and Latin compositions that it preserves. This is a companion volume to the three volume complete edition of Harley 2253.

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Studies in the Harley Manuscript is the first comprehensive examination of a manuscript that is of supreme value to literary scholars of medieval English literature. In an Introduction and fifteen essays a team of scholars considers many aspects of the 140 folios of this trilingual miscellany that preserves 121 items (or 122 depending on how one counts) from which we get a strange and privileged glimpse into the rich literary heritage that existed in England prior to the flourishing of vernacular poetry in the Richardian era. As the Contents indicates, the history and composition of the manuscript are considered, as are the Anglo-Norman, English, and Latin compositions that it preserves. This is a companion volume to the three volume complete edition of Harley 2253.

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An edition and accompanying translation of this late C13th anthology of early Middle English verse. In addition to the original text and Modern English translations, the edition contains a substantial scholarly introduction, notes and a substantial bibliography. Oxford, Jesus College, MS 29 (II), a thirteenth-century manuscript, contains the longest surviving English verse sequence from the period between the Exeter Book and the Harley Lyrics. The sequence is varied in subject, with poems of religious exhortation set beside others of secular pragmatism. Included are: The Owl and the Nightingale, Poema Morale, The Proverbs of Alfred, Thomas of Hales’s Love Rune, The Eleven Pains of Hell, the prose Shires and Hundreds of England, the lengthy Passion of Jesus Christ in English, and twenty-one additional lyrics, most of them uniquely preserved in this manuscript and presented here with accompanying translations in Modern English and scholarly introduction and apparatus. This scholarly presentation of the text is designed for both research and classroom use, intended for teachers, scholars and students.

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An edition of the early Middle English verse sequence contained in the thirteenth-century Oxford Jesus College MS 29 (II) with accompanying translations in Modern English and scholarly introduction and apparatus. The sequence is varied in subject, with poems of religious exhortation set beside others of secular pragmatism. Included are: The Owl and the Nightingale, Poema Morale, The Proverbs of Alfred, Thomas of Hales’s Love Rune, The Eleven Pains of Hell, the prose Shires and Hundreds of England, the lengthy Passion of Jesus Christ in English, and twenty-one additional lyrics, most of them uniquely preserved in this manuscript. Made in the West Midlands, the Jesus 29 manuscript is the lengthiest all-English verse collection known to exist in the period between the Exeter Book and the Harley Lyrics.

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Audelay's idiosyncratic devotional tastes, interesting personal life history, and declared political affiliations-loyalty to king, upholder of estates, anxiety over heresy-make him worthy of careful study beside his better-known contemporaries. Of particular note: MS Douce 302 preserves Audelay's own alliterative Marcolf and Solomon, a poem thought to be descended from Langland's Piers Plowman. The Audelay Manuscript also contains unique copies of other alliterative poems of the ornate style seen in Gawain and the Green Knight and The Pistel of Swete Susan. These pieces are Paternoster and Three Dead Kings, both set at the end of the book. Whether or not they are Audelay's own compositions, they seem certain to be his own selections. Audelay also displays a persistent habit of sequencing materials in generic and devotionally affective ways. His is a pious sensibility delicately honed by reverence for the liturgy and by an awe of God. That Audelay's poetry can awaken us to new poetic sensitivities in medieval devotional verse is reason enough to bring him into the ambit of canonical fifteenth-century English poets.

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This collection looks beyond the literary, religious, and philosophical aspects of Chaucer’s texts to a new mode of interdisciplinary scholarship: one that celebrates the richness of Chaucer’s visual poetics. The twelve illustrated essays make connections between Chaucer’s texts and various forms of visual data, both medieval and modern.Basing their approach on contemporary understandings of interplay between text and image, the contributors examine a wealth of visual material, from medieval art and iconographical signs to interpretations of Chaucer rendered by contemporary artists. The result uncovers interdisciplinary potential that deepens and informs our understanding of Chaucer’s poetry in an age in which digitization makes available a wealth of facsimiles and other visual resources.A learned assessment of imagery and Chaucer’s work that opens exciting new paths of scholarship, Chaucer: Visual Approaches will be welcomed by scholars of literature, art history, and medieval and early modern studies.The contributors are Jessica Brantley, Joyce Coleman, Carolyn P. Collette, Alexandra Cook, Susanna Fein, Maidie Hilmo, Laura Kendrick, Ashby Kinch, David Raybin, Martha Rust, Sarah Stanbury, and Kathryn R. Vulić.

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This collection looks beyond the literary, religious, and philosophical aspects of Chaucer’s texts to a new mode of interdisciplinary scholarship: one that celebrates the richness of Chaucer’s visual poetics. The twelve illustrated essays make connections between Chaucer’s texts and various forms of visual data, both medieval and modern.Basing their approach on contemporary understandings of interplay between text and image, the contributors examine a wealth of visual material, from medieval art and iconographical signs to interpretations of Chaucer rendered by contemporary artists. The result uncovers interdisciplinary potential that deepens and informs our understanding of Chaucer’s poetry in an age in which digitization makes available a wealth of facsimiles and other visual resources.A learned assessment of imagery and Chaucer’s work that opens exciting new paths of scholarship, Chaucer: Visual Approaches will be welcomed by scholars of literature, art history, and medieval and early modern studies.The contributors are Jessica Brantley, Joyce Coleman, Carolyn P. Collette, Alexandra Cook, Susanna Fein, Maidie Hilmo, Laura Kendrick, Ashby Kinch, David Raybin, Martha Rust, Sarah Stanbury, and Kathryn R. Vulić.

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This edition contains four Middle English Charlemagne romances from the Otuel cycle: Roland and Vernagu, Otuel a Knight, Otuel and Roland, and Duke Roland and Sir Otuel of Spain. A translation of the romances' source, the Anglo-French Otinel, is also included. The romances centre on conflicts between Frankish Christians and various Saracen groups, and deal with issues of racial and religious difference, conversion, and faith-based violence.

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British Library MS Harley 2253 is one of the most important literary works to survive from the English medieval era. In rarity, quality, and abundance, its secular love lyrics comprise an unrivaled collection. Intermingled with them are contemporary political songs as well as delicate lyrics designed to inspire religious devotion.

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A range of approaches (literary, historical, art-historical, codicological) to this mysterious but hugely significant manuscript. Extravagantly heterogeneous in its contents, Oxford, Bodleian Library, MS Digby 86 is an utterly singular production. On its last folio, the scribe signs off with a self-portrait - a cartoonishly-drawn male head wearing a close-fitted hood - and an inscription: "scripsi librum in anno et iii mensibus" (I wrote the book in a year and three months). His fifteen months' labour resulted in one of the most important miscellanies to survive from medieval England: a trilingual marvel of a compilation, with quirky combinations of content that range from religion, to science, to literature of a decidedly secular cast. It holds medical recipes, charms, prayers, prognostications, magic tricks, pious doctrine, a liturgical calendar, religious songs, lively debates, poetry on love and death, proverbs, fables, fabliaux, scurrilous games, and gender-based diatribes. That Digby is from the thirteenth century adds to its appeal, for English literary remnants from before 1300 are all too rare. Scholars on both sides of the vernacular divide, French and English, are deeply intrigued by it. Many of its texts are found nowhere else: for example, the French Arthurian Lay of the Horn, the English fabliau Dame Sirith and the beast fable Fox and Wolf, and the French Strife between Two Ladies (a candid debate on feminine politics). The interpretationsoffered in this volume of its contents, presentation, and ownership, show that there is much to discover in Digby's lively record of the social and spiritual pastimes of a book-owning gentry family. SUSANNA FEIN is Professor of English at Kent State University. CONTRIBUTORS: Maureen Boulton, Neil Cartlidge, Marilyn Corrie, Susanna Fein, Marjorie Harrington, John Hines, Jennifer Jahner, Melissa Julian-Jones, Jenni Nuttall, David Raybin, Delbert Russell, J.D. Sargan, Sheri Smith

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British Library MS Harley 2253 is one of the most important literary works to survive from the English medieval era. In rarity, quality, and abundance, its secular love lyrics comprise an unrivaled collection. Intermingled with them are contemporary political songs as well as delicate lyrics designed to inspire religious devotion.

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Essays examining the compiler and contents of two of the most important and significant extant late medieval manuscript collections. The Yorkshire landowner Robert Thornton (c.1397- c.1465) copied the contents of two important manuscripts, Lincoln Cathedral, MS 91 (the "Lincoln manuscript"), and London, British Library, MS Additional 31042 (the "London manuscript") in the middle decades of the fifteenth century. Viewed in combination, his books comprise a rare repository of varied English and Latin literary, religious and medical texts that survived the dissolution of the monasteries, when so many other medieval books were destroyed. Residing in the texts he copied and used are many indicators of what this gentleman scribe of the North Riding read, how he practised his religion, and what worldly values he held for himself and his family. Because of the extraordinary nature of his collected texts - Middle English romances, alliterative verse (the alliterative Morte Arthure only exists here), lyrics and treatises of religion ormedicine - editors and scholars have long been deeply interested in uncovering Thornton's habits as a private, amateur scribe. The essays collected here provide, for the first time, a sustained, focussed light on Thornton and hisbooks. They examine such matters as what Thornton as a scribe made, how he did it, and why he did it, placing him in a wider context and looking at the contents of the manuscripts. Susanna Fein is Professor of Englishat Kent State University; Michael Johnston is an Assistant Professor of English at Purdue University. Contributors: Julie Nelson Couch, Susanna Fein, Rosalind Field, Joel Fredell, Ralph Hanna, Michael Johnston, George R. Keiser, Julie Orlemanski, Mary Michele Poellinger, Dav Smith, Thorlac Turville-Petre.

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This edition contains four Middle English Charlemagne romances from the Otuel cycle: Roland and Vernagu, Otuel a Knight, Otuel and Roland, and Duke Roland and Sir Otuel of Spain. A translation of the romances' source, the Anglo-French Otinel, is also included. The romances centre on conflicts between Frankish Christians and various Saracen groups, and deal with issues of racial and religious difference, conversion, and faith-based violence.

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British Library MS Harley 2253 is one of the most important literary works to survive from the English medieval era. In rarity, quality, and abundance, its secular love lyrics comprise an unrivaled collection. Intermingled with them are contemporary political songs as well as delicate lyrics designed to inspire religious devotion.

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Fresh examinations of the manuscript which is one of the chief compendiums of literature in the Middle English period. Created in London c. 1340, the Auchinleck manuscript (Edinburgh, National Library of Scotland Advocates MS 19.2.1) is of crucial importance as the first book designed to convey in the English language an ambitious range ofsecular romance and chronicle. Evidently made in London by professional scribes for a secular patron, this tantalizing volume embodies a massive amount of material evidence as to London commercial book production and the demand for vernacular texts in the early fourteenth century. But its origins are mysterious: who were its makers? its users? how was it made? what end did it serve? The essays in this collection define the parameters of present-day Auchinleck studies. They scrutinize the manuscript's rich and varied contents; reopen theories and controversies regarding the book's making; trace the operations and interworkings of the scribes, compiler, and illuminators; teaseout matters of patron and audience; interpret the contested signs of linguistic and national identity; and assess Auchinleck's implied literary values beside those of Chaucer. Geography, politics, international relations and multilingualism become pressing subjects, too, alongside critical analyses of literary substance. SUSANNA FEIN is Professor of English at Kent State University and editor of The Chaucer Review. Contributors: Venetia Bridges, Patrick Butler, Siobhain Bly Calkin, A. S. G. Edwards, Ralph Hanna, Ann Higgins, Cathy Hume, Marisa Libbon, Derek Pearsall, Helen Phillips, Emily Runde, Timothy A. Shonk, Míceál F. Vaughan.

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Fresh examinations of the manuscript which is one of the chief compendiums of literature in the Middle English period. Created in London c. 1340, the Auchinleck manuscript (Edinburgh, National Library of Scotland Advocates MS 19.2.1) is of crucial importance as the first book designed to convey in the English language an ambitious range ofsecular romance and chronicle. Evidently made in London by professional scribes for a secular patron, this tantalizing volume embodies a massive amount of material evidence as to London commercial book production and the demand for vernacular texts in the early fourteenth century. But its origins are mysterious: who were its makers? its users? how was it made? what end did it serve? The essays in this collection define the parameters of present-day Auchinleck studies. They scrutinize the manuscript's rich and varied contents; reopen theories and controversies regarding the book's making; trace the operations and interworkings of the scribes, compiler, and illuminators; teaseout matters of patron and audience; interpret the contested signs of linguistic and national identity; and assess Auchinleck's implied literary values beside those of Chaucer. Geography, politics, international relations and multilingualism become pressing subjects, too, alongside critical analyses of literary substance. Susanna Fein is Professor of English at Kent State University and editor of The Chaucer Review. Contributors: Venetia Bridges, Patrick Butler, Siobhain Bly Calkin, A. S. G. Edwards, Ralph Hanna, Ann Higgins, Cathy Hume, Marisa Libbon, Derek Pearsall, Helen Phillips, Emily Runde, Timothy A. Shonk, Míceál F. Vaughan.

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