Search results for ""Author Susan Ouriou""

Finalist, Governor General's Literary Award in the Translation Category A Quebec bestseller based on the life of Michel Jean’s great-grandmother that delivers an empathetic portrait of drastic change in an Innu community. Kukum recounts the story of Almanda Siméon, an orphan raised by her aunt and uncle, who falls in love with a young Innu man despite their cultural differences and goes on to share her life with the Pekuakami Innu community. They accept her as one of their own: Almanda learns their language, how to live a nomadic existence, and begins to break down the barriers imposed on Indigenous women. Unfolding over the course of a century, the novel details the end of traditional ways of life for the Innu, as Almanda and her family face the loss of their land and confinement to reserves, and the enduring violence of residential schools. Kukum intimately expresses the importance of Innu ancestral values and the need for freedom nomadic peoples feel to this day.

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White Resin is an ethereal love story of the almost-impossible reconciliation between the manufactured world and the haunting and feminine nature that envelops it. In this impassioned and wildly imagined story of creation, a girl named Dãa, is born to “twenty-four mothers,” the sisters of a convent at the edge of the Quebec taiga. Nearby, at the Kohle mining company, a woman dies giving birth to Laure, a child with albinism, in the workers’ canteen. What follows is a dream-like recounting of their love affair and the family they bear, a captivating magic-realist tale of origins and opposites, that would be fantastical if it did not ring so true to the boreal north. White Resin is at once a dream-like romance and an homage to gorgeous, feral, and fecund nature as it both stands against and entwined with the industrial world.

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Disturbing and sensuous, Audrée Wilhelmy’s tale of a hermetic family minding a lighthouse in willed isolation is reminiscent of William Golding’s Lord of the Flies.The Body of Beasts is a startling, gorgeously written novel that tells the story of the Borya family living in isolation. Their lives are altered when young Osip, peering from the lighthouse gallery sees a woman, Noé, arrive — her dress scant, her skin curiously scarred, and her manner mysterious and wild.Noé bears a child, Mie, to the eldest son on whose hunter-gathering the Borya family depends. She lives in a cabin on her own and covers the walls with drawings that allude to her mysterious life. The family’s entrenchment in nature is enthrallingly conveyed in young Mie’s sensuous ability to borrow at will the body of mammals, birds, fish, and insects. Her shape-shifting allows her to know the ways of the natural world, though only to a point. When her own awakening body starts to intrigue her, she asks her uncle Osip to “teach me human sex.” The Body of the Beasts is an imaginative tour de force, a beautifully described portrait of a world that exists outside of words; an uninhibited and erotic novel that, in the singular tradition of Québécois Boreal Gothic, explores our humanity — and animal nature.

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From the first page of this unusual and original collaboration between Jorge Luján and Isol, readers will realize that this is not just another counting book. Whether they are discovering that three is for bedtime kisses, or that five is for secret creatures hiding in a glove, children will delight in the poetic and sometimes surreal text. The illustrations by Isol, winner of the 2012 Astrid Lindgren Memorial Award, depict a world at once familiar and strange, a place where the three musketeers can suddenly become six, and the ugly duckling is not so ugly after all.This is a book that presents children with the opportunity to go beyond simply learning to count from zero to ten. The book will encourage very young children (and older ones as well) to create their own meanings and make their own connections between the text and the art.

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In this gentle meditation on the cycle of life, author and illustrator Paloma Valdivia gives us an opportunity to reflect on those who have gone, those who will come, and those of us who are here in this world — for the time being.The neighbor’s cat, a favorite aunt or the fish in yesterday’s soup have gone — and we may well miss them. At the same time, we celebrate the arrival of a new baby or a litter of playful kittens. It’s a mystery where we come from and where we are going, so why not enjoy ourselves while we can?Paloma Valdivia’s charming illustrations bring a light touch to this candid contemplation of life and death.Correlates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RL.K.1With prompting and support, ask and answer questions about key details in a text.CCSS.ELA-LITERACY.RL.K.6With prompting and support, name the author and illustrator of a story and define the role of each in telling the story.CCSS.ELA-LITERACY.RL.K.7With prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).

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Selected for the USBBY Outstanding International Book List In the early 1500s, Hernán Cortés and his conquistadors defeated the great Aztec Empire, built a new city for colonists from Spain and took control of vast lands stretching from today's southwestern US down through most of Central America. But many people don't know that one of the reasons for the success of this conquest was the invaluable help of a beautiful woman, Princess Malinali, known today as La Malinche. She was a Náhuatl princess from the coast lands of Tabasco whose kingdom was at war with the Aztec Empire. Because of her knowledge of Maya and Náhuatl languages, and her rapid acquisition of Spanish, she came to act as an interpreter and advisor to Cortés. She also bore him a child. La Malinche is described here as she often is in Mexico as the embodiment of a new culture, one in which the mixing of races, Spanish and Aztec, created a new world. This view is not shared by all Mexicans, however. For some La Malinche is the symbol of a great betrayal that led to the death of millions of her fellow indigenous people. No one disagrees, however, that La Malinche was an extraordinary woman, whose life is fundamental to understanding the history of ancient and modern Mexico. Includes beautiful illustrations by Pablo Serrano, maps, a timeline and further reading.

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Lauren Groff’s Fates and Furies meets Rachel Cusk’s The Lucky Ones in this astounding debut novel about a woman on the verge of infidelity.Tessa is a thirty-seven-year-old real estate agent living in Montreal. She adores her husband and three young sons, but she’s deeply unhappy and questioning the set of choices that have led to her present life.After a surprising run-in with Francis, her ex-boyfriend and first love, Tessa arranges to see him. During the three days before their meeting, she goes about her daily life — there’s swimming lessons, science projects, and dirty dishes. As the day of her meeting with Francis draws closer she has to decide if she is willing to disrupt her stable, loving family life for an uncertain future with him.With startling clarity and emotional force, Fanny Britt gives us a complex portrait of a woman and a marriage from the inside out.

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