Search results for ""Author Susan Fletcher""

June 1914 and a young woman - Clara Waterfield - is summoned to a large stone house in Gloucestershire. Her task: to fill a greenhouse with exotic plants from Kew Gardens, to create a private paradise for the owner of Shadowbrook. Yet, on arrival, Clara hears rumours: something is wrong with this quiet, wisteria-covered house. Its gardens are filled with foxgloves, hydrangea and roses; it has lily-ponds, a croquet lawn - and the marvellous new glasshouse awaits her. But the house itself feels unloved. Its rooms are shuttered, or empty. The owner is mostly absent; the housekeeper and maids seem afraid. And soon, Clara understands their fear: for something - or someone - is walking through the house at night. In the height of summer, she finds herself drawn deeper into Shadowbrook's dark interior - and into the secrets that violently haunt this house. Nothing - not even the men who claim they wish to help her - is quite what it seems.Reminiscent of Daphne du Maurier, this is a wonderful, atmospheric Gothic page-turner.

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The new novel from Susan Fletcher, author of the bestselling ‘Eve Green’ and ‘Oystercatchers’. 1692. Corrag, a wild young girl from the mountains of Scotland, has been imprisoned as a witch. Terrified, in a cold, filthy cell, she awaits her fate of death by burning – until she is visited by Charles Leslie, a young Irishman, hungry to question her. For Corrag knows more than it seems: she was witness to the bloody and brutal Massacre of Glencoe. But to reveal what she knows, Corrag demands a chance to tell her true story. It is a tale of passion and courage, magic and betrayal, and the difference that a single heart can make to the great events of history.

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‘Rhythm and blues, psychedelia, surf rock, Latin grooves and a sprinkling of saccharine pop.... ‘All found their way into the mix, not infrequently within the same song. A riot of distorted guitars, Farfisa organ, drums and brass, frequently overlaid with ethereally high-pitched female vocals, that combined to evoke the raw energy of 60s American garage bands coupled with early Tamla Motown.’ Lost Generation tells the story of an iconic music, born in the city known as the Pearl of Asia in the late 1950s and snuffed out little more than a decade later in Pol Pot's brutal Khmer Rouge labour camps, along with 90% of the artists who made it. Sin Sisamouth, Ros Sereysothea, Pan Ron and Yol Auralong are among the lost but far from forgotten stars of the country’s Golden Age. Their legacy is not only very much alive in Cambodia today but is stealthily acquiring a cult following around the world.a

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Provence, May 1889. The hospital of Saint-Paul-de Mausole is home to the mentally ill. An old monastery, it sits at the foot of Les Alpilles mountains amongst wheat fields, herbs and olive groves. For years, the fragile have come here and lived quietly, found rest behind the shutters and high, sun-baked walls. Tales of the new arrival - his savagery, his paintings, his copper-red hair - are quick to find the warden's wife. From her small white cottage, Jeanne Trabuc watches him - how he sets his easel amongst the trees, the irises and the fields of wheat, and paints in the heat of the day. Jeanne knows the rules; she knows not to approach the patients at Saint-Paul. But this man - paint-smelling, dirty, troubled and intense - is, she thinks, worth talking to. So ignoring her husband's wishes, the dangers and despite the word mad, Jeanne climbs over the hospital wall. She will find that the painter will change all their lives.Let Me Tell You About A Man I Knew is a beautiful novel about the repercussions of longing, of loneliness and of passion for life. But it's also about love - and how it alters over time.

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I had a curious sense of being watched.June 1914 and a young woman - Clara Waterfield - is summoned to a large stone house in Gloucestershire. Her task: to fill a greenhouse with exotic plants from Kew Gardens, to create a private paradise for the owner of Shadowbrook. Yet, on arrival, Clara hears rumours: something is wrong with this quiet, wisteria-covered house. Its gardens are filled with foxgloves, hydrangea and roses; it has lily-ponds, a croquet lawn - and the marvellous new glasshouse awaits her. But the house itself feels unloved. Its rooms are shuttered, or empty. The owner is mostly absent; the housekeeper and maids seem afraid. And soon, Clara understands their fear: for something - or someone - is walking through the house at night. In the height of summer, she finds herself drawn deeper into Shadowbrook's dark interior - and into the secrets that violently haunt this house. Nothing - not even the men who claim they wish to help her - is quite what it seems.Reminiscent of Daphne du Maurier, this is a wonderful, atmospheric Gothic page-turner.A deeply absorbing, unputdownable ghost story that's also a love story; for readers who love Sarah Waters's The Little Stranger; Frances Hodges Burnett's The Secret Garden; Margaret Atwood's Alias Grace; Jane Harris's The Observations.

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