Search results for ""Author Steven Corcoran""

Estelle Ferrarese argues for an understanding of morality that is materialist and political. Taking the Frankfurt School philosopher Theodor W. Adorno as a point of departure, she questions his social philosophy by submitting it to ideas deriving from theories of care. She thinks through the mechanisms of the social fragility of caring for others, the moral gestures it enjoins, as well as its political stakes. Ferrarese shows that the capitalist form of life, strained by a generalised indifference, produces a compartmentalised attention to others, one limited to very particular tasks and domains and attributed to women. Offering a systematic study of the idea of 'coldness' in Adorno's philosophy, she stages a dialogue between Adornian Critical Theory and the ethics of care. In doing so, Ferrarese approaches old questions in a new light in a bid to give dignity to the singular, to make its specific claims and its moral pertinence heard.

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Alain Badiou's philosophical project is a genuine system in the traditional sense. It profoundly shakes up the field of thought as well as offering fresh insights into contemporary events. His concepts are becoming indispensable tools in a variety of fields, from philosophy to anthropology, including art, politics and theatre. From Antiphilosophy to Worlds and from Beckett to Wittgenstein, over 90 entries in this dictionary provide detailed explanations and engagements with his key concepts and some of his major interlocutors. They also reflect the crucial divergences in Badiou scholarship in a productive and enlightening way.

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Since the publication of The Wretched of the Earth in 1961, Fanon’s work has been deeply significant for generations of intellectuals and activists from the 60s to the present day. Alienation and Freedom collects together unpublished works comprising around half of his entire output – which were previously inaccessible or thought to be lost. This book introduces audiences to a new Fanon, a more personal Fanon and one whose literary and psychiatric works, in particular, take centre stage. These writings provide new depth and complexity to our understanding of Fanon’s entire oeuvre revealing more of his powerful thinking about identity, race and activism which remain remarkably prescient. Shedding new light on the work of a major 20th-century philosopher, this disruptive and moving work will shape how we look at the world.

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This is a brand new collection of Jacques Ranciere's writings on art and politics. "Dissensus: On Politics and Aesthetics" brings together some of Jacques Ranciere's most recent writings on art and politics to show the critical potential of two of his most important concepts: the aesthetics of politics and the politics of aesthetics. In this fascinating collection, Ranciere engages in a radical critique of some of his major contemporaries on questions of art and politics: Gilles Deleuze, Antonio Negri, Giorgio Agamben, Alain Badiou and Jacques Derrida. The essays show how Ranciere's ideas can be used to analyse contemporary trends in both art and politics, including the events surrounding 9/11, war in the contemporary consensual age, and the ethical turn of aesthetics and politics. Ranciere elaborates new directions for the concepts of politics and communism, as well as the notion of what a 'politics of art' might be. This important collection includes several essays that have never previously been published in English, as well as a brand new afterword. Together these essays serve as a superb introduction to the work of one of the world's most influential contemporary thinkers.

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This is the first complete English translation of the work that immediately followed Badiou's magnum opus, "Being and Event" in which Badiou provides an overview of what he sees as the four great conditions of philosophy - this book is therefore central to an understanding of Badiou's whole philosophical project.Alain Badiou is without doubt the most important and influential thinker working in European philosophy today. "Conditions" is the first major collection of essays written after "Being and Event", his extraordinary magnum opus.Beginning with a sustained critique of the so-called 'end of philosophy', the book goes on to propose a new definition of philosophy, one that is tested with respect to both its origin, in Plato, and its contemporary state. The essays that follow are ordered according to what Badiou sees as the four great conditions of philosophy: philosophy and poetry, philosophy and mathematics, philosophy and politics, and philosophy and love. Conditions provides an illuminating reworking of all the major theories in "Being and Event". In so doing, Badiou not only develops the complexity of the concepts central to "Being and Event" but also adds new ones to his already formidable arsenal. The essays contained within "Conditions" reveal the extraordinary and systematic nature of Badiou's philosophical enterprise.

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In The Lost Thread, Rancière debunks the notion of Flaubert, Baudelaire, Conrad, Woolf and Keats as reactionary producers of bourgeois mythologies, and instead foregrounds the egalitarian and democratic impulses of modernist literature. Contrary to the canonical interpretation of the relation between modernism and capitalism via the commodification of everyday life, Rancière proposes a radical rethinking of our received ideas regarding the politics of aesthetics in the modern era. Through a complex and original stitching together of form and content, modernists strove to depict by embodying new forms and regimes of material and everyday life. Rancière articulates this substantial change in the politics of representation by explaining the shattering of the sacrosanct hierarchies of the genres and life-forms of classical literature. In the midst of the 19th century, poets, novelists and playwrights challenged the narrative staples of noble means and moral ends, and introduced an entirely new “structure of feeling”. In this work, Ranciere continues his project of outlining an egalitarian “distribution of the sensible” as the compelling linkage between politics and aesthetics in the modern age. The Lost Thread not only advances Rancière’s commended work on aesthetics, it also offers the reader in depth analyses of the writers in question.

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