Search results for ""Author Sir Roger Scruton""

With Understanding Music and The Aesthetics of Music (1997) Roger Scruton set a new standard of rigour and seriousness in the philosophy of music. This collection of wide-ranging essays covers all aspects of the theory and practice of music, showing the significance of music as an expression of the moral life. The book is split into two parts, the first is devoted to the aesthetics and theory of music and the second consists of critical studies of individual composers, thinkers and works including essays on Mozart, Wagner, Beethoven's Ninth, Janácek & Schoenberg, Szymanowski and Adorno. Understanding Music will appeal to specialists in philosophy and musicology and also to music lovers who wish to find deeper meaning in this mysterious art. The Bloomsbury Revelations edition includes a new preface from the author.

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Here Scruton explains the connection between good wine and serious thought with a heady mix of humour and philosophy. We are familiar with the medical opinion that a daily glass of wine is good for the health and also the rival opinion that any more than a glass or two will set us on the road to ruin. Whether or not good for the body, Scruton argues, wine, drunk in the right frame of mind, is definitely good for the soul. And there is no better accompaniment to wine than philosophy. By thinking with wine, you can learn not only to drink in thoughts but to think in draughts. This good-humoured book offers an antidote to the pretentious clap-trap that is written about wine today and a profound apology for the drink on which civilisation has been founded. In vino veritas.

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A devastating critique of New Left thinking. In Fools, Frauds and Firebrands, Roger Scruton first surveys and then deconstructs the golden idols of left wing thought from the 1960s to the present day. He dissects the hollow works of Hobsbawm and E. P. Thompson, Galbraith and Dworkin, Sartre and Foucault and exposes the lack of coherence in the works of Althusser, Lacan, Deleuze, Badiou and Žižek. Scruton ponders why the humanities have become so unambiguously aligned to the left, and reveals how fully such thinking has seized the academy in its grasp. In this provocative, compelling and highly entertaining book he explains why empty rhetoric abounds over careful analysis and blatant nonsense over respectable logic, in a shattering demolition of some of today’s most fashionable philosophers.

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For a number of years, Roger Scruton has contributed a weekly article to the "Financial Times" on country matters. Always beautifully written, one of these pieces ("Vegetables") won the 2002 prize from The Queen's English Society for the best piece of prose writing of the year. These are not sentimental bucolic rambles. Scruton's prose is devoid of sentimentality and soggy nostalgia. Whatever he writes about, he always writes with serious purpose. He speaks up for the country dweller, who sees his or her world eroded by the wishy-washy liberal commands of Blairite do-gooders, who sit on their backsides in North West London pontificating about the needs of country people. Nature being red in tooth and claw is something that these people only know about from sitting in a classroom. Farming issues are equally important in this book. The devastations of the foot and mouth crisis showed graphically how great is the divide between town and country dwellers. And when the fate of people in the countryside is decided by bureaucrats in Brussels and Strasbourg, their feeling of alienation is even greater. These are the causes that Professor Scruton espouses and he has become their most intelligent, articulate and clear-thinking advocate.

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In this poignant and personal tribute, Roger Scruton gives an account of England which is both an illuminating analysis of its institutions and culture, and a celebration of its virtues. Covering all aspects of the English inheritance, and informed by a unique philosophical vision, England: An Elegy shows that England has a distinct personality and endows its residents with a distinct moral ideal.

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In this timely new edition of his classic book A Political Philosophy, celebrated conservative philosopher Roger Scruton interrogates contemporary values, virtues and morality. What principles should govern our relations to animals, the nation state, the environment and other ways of life? What does modern marriage look like? What is Enlightenment and how has its inheritance made itself known? How should we approach religion, evil and death? What explains the rise of totalitarianism and how should we respond to nihilism? In these philosophical reflections, Scruton adopts his characteristically articulate and unorthodox tone, making no concessions to intellectual fashion. The result is a book of bold, clear thinking that will seem refreshingly logical to many, particularly those seeking a return to first principles in an increasingly baffling age of modernity.

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Roger Scruton’s How to be a Conservative presents the case for modern conservatism not in the terms of an elegy but rather as a practical example of how to live as a conservative despite the pressures to live otherwise. As he writes, the book ‘is not about what we have lost, but about what we have retained, and how to hold on to it’. In this witty and frank account, Scruton draws on his years of experience as a counter-cultural presence in public life. He examines the truths in Nationalism, Socialism, Capitalism, Liberalism, Multiculturalism, Environmentalism, Internationalism and finally Conservatism. The book concludes on a personal note, with 'a valediction forbidding mourning but admitting loss'.

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In the latest of his books exploring a lifetime’s passion for music, bestselling author and philosopher Roger Scruton brings his immense critical faculties to bear on a panoply of different musical genres, both contemporary and classical. Music as an Art begins by examining music through a philosophical lens, engaging in discussions about tonality, music and the moral life, music and cognitive science and German idealism, as well as recalling the author’s struggle to encourage his students to distinguish the qualities of good music. Scruton then explains – via erudite chapters on Schubert, Britten, Rameau, opera and film – how we can develop greater judgement in music, recognising both good taste and bad, establishing musical values, as well as musical pleasures. As Scruton argues in this book, in earlier times, our musical culture had secure foundations in the church, the concert hall and the home; in the ceremonies and celebrations of ordinary life, religion and manners. Yet we no longer live in that world. Fewer people now play instruments and music is, for many, a form of largely solitary enjoyment. As he shows in Music as an Art, we live at a critical time for classical music, and this book is an important contribution to the debate, of which we stand in need, concerning the place of music in Western civilization.

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The Disappeared is a story of our times, of kidnap and rescue, of abuse and healing. It is the story of Stephen, a teacher whose love for the pupil who shares his dreams brings him face to face with ruin; of Sharon, the child of a feckless stepmother, and her criminal abusers; of Laura, the investigative high-flyer, now faced with rape and sexual slavery; of Justin, environmentalist and Heavy Metal fan, whose obsession with Muhibbah, rescued from forced marriage, spells disaster for them both. It is the story of a police force fearful of charges of racism, and a social worker, Iona, expected to make a viable community from fragments that will not join. With dizzying speed The Disappeared uncovers the chaotic underworld of a Yorkshire city, its characters eventually stumbling across one another in a single catastrophe. A victim may bring redemption: but who will it be?

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What do we mean by 'culture'? This word, purloined by journalists to denote every kind of collective habit, lies at the centre of contemporary debates about the past and future of society. In this thought-provoking book, Roger Scruton argues for the religious origin of culture in all its forms, and mounts a defence of the 'high culture' of our civilization against its radical and 'deconstructionist' critics. He offers a theory of pop culture, a panegyric to Baudelaire, a few reasons why Wagner is just as great as his critics fear him to be, and a raspberry to Cool Britannia. A must for all people who are fed up to their tightly clenched front teeth with Derrida, Foucault, Oasis and Richard Rogers.

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Roger Scruton explores the place of God in a disenchanted world. His argument is a response to the atheist culture that is now growing around us, and also a defence of human uniqueness. He rebuts the claim that there is no meaning or purpose in the natural world, and argues that the sacred and the transcendental are 'real presences', through which human beings come to know themselves and to find both their freedom and their redemption. In the human face we find a paradigm of meaning. And from this experience, Scruton argues, we both construct the face of the world, and address the face of God. We find in the face both the proof of our freedom and the mark of self-consciousness. One of the motivations of the atheist culture is to escape from the eye of judgement. You escape from the eye of judgement by blotting out the face: and this, Scruton argues, is the most disturbing aspect of the times in which we live. In his wide-ranging argument Scruton explains the growing sense of destruction that we feel, as the habits of pleasure seeking and consumerism deface the world. His book defends a consecrated world against the habit of desecration, and offers a vision of the religious way of life in a time of trial.

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'His moral courage shines through from the start.' - Sunday Telegraph The definitive edition of the late Sir Roger Scruton's philosophical and political essays and reviews, now collected in one volume. The philosopher Roger Scruton was the leading conservative thinker of the post-war years. In this book are assembled the very best of his essays and commentaries, arranged thematically. The selection has been made and edited by Mark Dooley, Scruton’s literary executor. Throughout this collection, Scruton proves himself to be at his most scintillating and controversial. He writes with passion and conviction about such varied topics as feminism, racism, fascism, Tony Blair and Donald Trump, as well as subjects like global warming, music and architecture. He takes aim at those who defy conservative common sense in favour of liberal falsehoods. This book shows Scruton at his most brilliant and demonstrates how his influence will remain strong and enduring.

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A candid and personal insight into the life and work of the philosopher and writer Roger Scruton, by his intellectual biographer Mark Dooley. This book reveals what life was like for Roger Scruton growing up in High Wycombe, how he survived Cambridge and how he came to hold his conservative outlook. It tells of Scruton’s rise to prominence while writing for The Times and sheds light on his campaign on behalf of underground dissidents in Eastern Europe. Ranging across topics as diverse as the current state of British philosophy, music, religion, and illuminating what lay behind Scruton’s abandonment of academia for his new life on a Wiltshire farm, Conversations with Roger Scruton is an intimate portrait of a writer who has felt philosophy as a vocation and whose defence of unfashionable causes has brought him a wide readership in Britain and around the world.

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