Search results for ""Author Shane Mccrae""

VULTURE''S BEST MEMOIR OF THE YEAR A NEW STATESMAN BEST BOOK OF THE YEAR Shane McCrae was born to a white mother and a Black father. At eighteen months old, he was kidnapped from his parents'' house. His maternal grandparents transported him to suburban Texas, wishing to hide his Blackness from him. In the years that followed, they manipulated and controlled him, believing they were doing what was best for Shane. While in their house, Blackness would always be the worst thing about him.Pulling the Chariot of the Sun is a revelatory account of what it means to be Black in America, written with virtuosity and heart by one of the finest poets writing today. It illuminates how we all might be made whole again, through a tireless search for the truth and the joyful pursuit of what we love.

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'Beautifully up-to-date, old-fashioned work, where the dignity of English meters meets, as in a mosh pit, the vitality - and often the brutality - of American speech' Dan Chiasson, New Yorker'Shane McCrae is one of our best, a great poet who mines the rhythms and vernacular of America, excavating the most exquisite of poems. His work is risky, not risqué; intelligent, not clever; deep, not jocular surface play. He is sui generis' Rabih AlameddineI'm made of murderers I'm madeOf nobodies and immigrants and the poorand a whole / Family the mother'sliver and her lungsIn The Gilded Auction Block, the acclaimed poet Shane McCrae considers the present moment in America on its own terms as well as for what it says about the American project and Americans themselves. In the book's four sections, McCrae alternately responds directly to Donald Trump and contextualizes him historically and personally, exploding the illusions of freedom of both black and white Americans. A moving, incisive, and frightening exploration of both the legacy and the current state of white supremacy, The Gilded Auction Block is a book about the present that reaches into the past and stretches toward the future.

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'In McCrae's hands, poetry is reclamation. It is also transport: writing a way out and through' Kate Kellaway, Guardian 'Confirms McCrae as one of the most erudite and inventive poets of our time' Kit Fan, GuardianWriting you I give the death I take I know I should feel wounded by your death I write to you to make a wound write back Shane McCrae fashions a world of endings and infinites in Cain Named the Animal. With cyclical, rhythmic lines that create and recreate images of our shared and specific pasts, McCrae writes into and through the wounds that we remember and 'strains toward a vision of joy' (Will Brewbaker, the Los Angeles Review of Books). Cain Named the Animal expands upon the biblical, heavenly world that McCrae has been building throughout his previous collections; he writes of Eden, of the lost tribe that watched time enter the garden and God rehearse the world, and of the cartoon torments of Hell. Yet for McCrae, these outer bounds of our universe are inseparable from the lives and deaths on earth, from the mundanities and miracles of time passing and people growing up, growing old, and growing apart. As he writes, 'God first thought time itself/Was flawed but time was God's first mirror.'

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VULTURE'S BEST MEMOIR OF THE YEAR 2023A NEW STATESMAN BEST BOOK OF THE YEAR 2023When Shane McCrae was eighteen months old, he was removed from his parents and taken to suburban Texas. His mother was white and his dad was Black, and to hide his Blackness from him, his maternal grandparents stole him. In the years that followed, they manipulated and controlled him, believing they were doing what was best for him. His grandmother loved Shane but hated people who looked like him. His grandfather policed any perceived signs of Blackness his grandson showed. In their house, Blackness would always be the worst thing about him.Pulling the Chariot of the Sun is a revelatory account of what it can mean to be Black in America, written with virtuosity and heart by one of the finest poets writing today. This memoir offers acute insight into the larger story of a people stolen from their homes, dominated by white supremacy and lied to about their own history. And it illuminates how we all might be made whole again, through a tireless search for the truth and the joyful pursuit of what we love.

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SHORTLISTED FOR THE T S ELIOT PRIZE 2020'Out of personal history, out of the history of an enduringly fractured nation, and out of the deep history of language, Shane McCrae is writing the most urgent, electric poems of his generation' Garth Greenwell'Shane McCrae is one of our best, a great poet who mines the rhythms and vernacular of America, excavating the most exquisite of poems. His work is risky, not risqué; intelligent, not clever; deep, not jocular surface play. He is sui generis' Rabih AlameddineI think now more than halfOf life is death but I can't dieEnough for all the life I seeIn Sometimes I Never Suffered, Shane McCrae remains 'a shrewd composer of American stories (Dan Chiasson, New Yorker). Here, an angel, hastily thrown together by his fellow residents of Heaven, plummets to Earth in his first moments of consciousness. Jim Limber, the adopted mixed-race son of Jefferson Davis, wanders through the afterlife, reckoning with the nuances of America's, as well as his own, racial history.Sometimes I Never Suffered is a search for purpose and atonement, freedom and forgiveness, imagining eternity not as an escape from the past or present, but as a reverberating record and as the culmination of time's manifold potential to mend.

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A TELEGRAPH BEST BOOK OF THE YEAR 2023'One of the most erudite and inventive poets of our time' GuardianShane McCrae, one of the most powerful voices in contemporary poetry, returns with The Many Hundreds of the Scent, an urgent new collection that brims with lyric force. He expands both the poetic and the personal mythologies that he has been constructing over the course of his career; in addition to introducing his readers to 'the thin king / who eats the world,' McCrae invites them to bear witness to his tangle of childhood memories. In brutal, sorrowful lines, he recounts being kidnapped by his white supremacist maternal grandparents from his Black father as a boy. 'O reader, listener, stay,' McCrae writes. 'You are now evidence.'In The Many Hundreds of the Scent, Homeric figures mingle with those that populate the poet's world. Helen weighs Paris's spear in her hand and bloodies a raging Achilles; Penelope burns her loom each night; Dido watches Aeneas's ship burn on the horizon. A strikingly original and engaging poet, McCrae continually surprises - the collection includes a series of poems about the advent of post-rock and Hex, the debut album of the band Bark Psychosis. With this collection, he has once more crafted an extraordinarily affecting book of poetry. As Kate Kellaway writes in the Guardian, 'In McCrae's hands, poetry is reclamation. It is also transport: writing a way out and through.'

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