Search results for ""Author Sarah James""

For fans of ATOMIC CITY GIRLS and THE SECRETS WE KEPT, a fascinating debut historical novel of one of the most closely held secrets of World War II and a woman caught up in it when she follows her missing sister to the mysterious city of Oak Ridge, Tennessee.Lillian Kaufman hasn't heard from her twin sister since Eleanor left for a mysterious job at an Army base somewhere in Tennessee. When she learns, on an unexpected phone call, that Eleanor is missing, Lillian takes a train from New York down to Oak Ridge to clear up the matter. It turns out that the only way into Oak Ridge is to assume Eleanor's identity, which Lillian plans to do swiftly and perfectly. But Eleanor has vanished without a trace-and she's not the only one. And how do you find someone in a town so dangerous it doesn't officially exist, when technically you don't exist either?Lillian is thrust into the epicenter of the gravest scientific undertaking of all time, with no idea who she can trust. And the more she pretends to be Eleanor, the more she loses her grip on herself.

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Sarah James' precise and astonishing poetry invites us to taste and touch the flavours, shapes, memory and experiences for ourselves, the tang of sea-salt tempering the irresistible physicality of these adventurous poems.

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"Glamorous and suspenseful." -Marie Benedict, New York Times bestselling author of The Only Woman in the Room and The Mitford AffairPerhaps the best place in 1943 Hollywood to see the stars is the Hollywood Canteen, a club for servicemen staffed exclusively by those in show business. Murder mystery playwright Annie Laurence, new in town after a devastating breakup, definitely hopes to rub elbows with the right stars. Maybe then she can get her movie made.But Hollywood proves to be more than tinsel and glamour. When despised film critic Fiona Farris is found dead in the Canteen kitchen, Annie realizes any one of the Canteen's luminous volunteers could be guilty of the crime. To catch the killer, Annie falls in with Fiona's friends, a bitter and cynical group-each as uniquely unhappy in their life and career as Annie is in hers-that call themselves the Ambassador's Club.Solving a murder in real life, it turns out, is a lot harder than writing one for the stage. And by involving herself in the secrets and lies of the Ambassador's Club, Annie just might have put a target on her own back."This vibrant, utterly delightful mystery expertly captures the drama, glamour and absurdity of wartime Hollywood. Sarah James's swift dialogue, dry wit and clever characters transport you into a 1940s movie, where the jokes are quick, the love affairs scandalous and the cast as charming as they are flawed. Underneath it all, James's deep knowledge of the era's movies and music lends an authenticity that makes the rest shine even brighter. I laughed, I gasped and I never wanted it to end. This should head straight to the top of every must-read list." -Brianna Labuskes, author of The Librarian of Burned Books

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"Do Not Refreeze" charts a 'lost' chapter in the history of European photography. These photographers developed their practice in the former East Germany negotiating its omnipresent secret police to create imagery, increasingly compared to that of luminaries such as Henri Cartier-Bresson, Diane Arbus and Robert Frank. The stunning images convey a glimpse of day-to-day life and evoke the claustrophobia, rage, envy and ideological pomp of the Communist era as well as its unexpected personal warmth, tenderness and exoticism. Had they been painters, sculptors, authors or playwrights, these photographers would have been arrested or imprisoned. Because photography was not considered to be 'art' however, they were able to circumnavigate a rigid system of censorship to produce the most insightful and openly critical visual arts output in East Germany's 40-year history. This book is published by Cornerhouse in association with the University of Hertfordshire.

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A groundbreaking examination of post-war photography in East and West GermanyThis ambitious publication is the first book to thoroughly evaluate the photography that emerged during Germany’s geopolitical division from the 1950s to the 1980s. With richly illustrated and exhaustively researched analyses of photographic projects from East and West Germany, including exhibitions, photo-essays, private archives, and photo-books, Common Ground constructs a comparative perspective, examining how sequence, seriality, and repetition were mobilized to produce forms of solidarity and political agency.Author Sarah James places German postwar photography in the context of Soviet, American, and European photographic developments; the specific cultural experiences of the Cold War; and the shifting politics of German identity. By reconsidering the relationship between divergent cultures of the pre-war Weimar period and the Cold War era, Common Ground prompts new readings of major figures such as Bernd and Hilla Becher, Karl Blossfeldt, and August Sander, as well as historically neglected figures such as Karl Pawek, Evelyn Richter, and Rudolf Schäfer. The result is a groundbreaking study of the political and pedagogical functions of documentary photography.

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