Search results for ""Author Rosemary Canavan""

The Island begins with a haunting 1848 journal entry from a man jailed on Spike Island in Ireland: “Gazing on gray stones, my eyes will grow stony.” Nearly 150 years later, Rosemary Canavan, a poet and painter, teaches literacy at the prison on Spike Island. How do her painter’s eyes and poet’s spirit meet the stony gray of prisoners’ eyes? Throughout these poems, and especially in her long sequence “The Island,” Canavan explores with tenderness and pathos the plight of the incarcerated. With lyrics that seem to be written in primary color, Canavan also celebrates love and children, her struggles as a working mother, and the emerging, vibrant feminist consciousness of a new generation of Irish women.

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What we think of our bodies and what we wear says something about who we are and how we belong. This was the same in the ancient world. Rosemary Canavan explores the imagery of clothing and body in the first century CE Christian writing, the Letter to the Colossians. Through the use of this imagery in the letter, the writer critiques the way people understood themselves in a particular part of the Greco-Roman world in the Lycus Valley in south western Asia Minor (Turkey). An examination of statuary, funerary monuments and coins in this geographical location contemporaneous with the letter's writing reveals how clothing and body images were understood. This is then placed in dialogue with the metaphorical use of clothing and body in other texts, especially the Letter to the Colossians. Social identity and rhetorical studies draw on archaeological, epigraphical, iconographical and literary sources to formulate a new approach to biblical interpretation aptly named "visual exegesis".

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