Search results for ""Author Roland Penrose""

A new edition of this classic survey on the life and work of Spanish surrealist, Joan Miró, by his close friend, historian and fellow artist Roland Penrose. Among the great 20th-century masters, the surrealist painter Joan Miró stands out for the atmosphere of wit and spontaneity that pervades his work. Miró’s art went through many phases, and its major features – his signs and symbols, his series of anguished peintures sauvages in the 1930s, his lyrical, poetic gouaches, his monumental sculptures and ceramics, his unprecedented use of poetic titles, and his attachment to nature and to the night – are discussed here by Roland Penrose, a friend of the artist for almost five decades. A brief epilogue by Eduardo de Benito, London correspondent of the Spanish art periodical Lápiz, illustrates the developments of Miró’s last years. This new revised edition, now illustrated in colour throughout, includes a foreword by Antony Penrose, outlining the relationship between his father and the artist, as well as updates to the Bibliography.

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In the 1940s, Picasso wrote two plays in French: the first, Desire Caught by the Tail, was conceived during the German occupation of Paris and features a cast of grotesque allegorical characters such as the Onion, Silence or Fat Anxiety discussing the crucial wartime themes of hunger, cold and love; the second, The Four Little Girls, came about a few years after the end of the war on the French Riviera, and presents the stream-of-consciousness thoughts of four unnamed girls in a vegetable garden, revealing an unexpectedly evil aspect of childhood. These surreal compositions, which were meant to be read aloud rather than formally staged, are a testament to the great artist’s imaginative powers, and have been considered as forerunners to the theatre of the absurd of the 1950s, as exemplified by Beckett, Ionesco and Adamov.

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