Search results for ""Author Roger Luckhurst""

We spend our lives moving through passages, hallways, corridors, and gangways, yet these channeling spaces do not feature in architectural histories, monographs, or guidebooks. They are overlooked, undervalued, and unregarded, seen as unlovely parts of a building's infrastructure rather than architecture. This book is the first definitive history of the corridor, from its origins in country houses and utopian communities in the seventeenth and eighteenth centuries, through reformist Victorian prisons, hospitals, and asylums, to the "corridors of power," bureaucratic labyrinths, and housing estates of the twentieth century. Taking in a wide range of sources, from architectural history to fiction, film, and TV, Corridors explores how the corridor went from a utopian ideal to a place of unease: the archetypal stuff of nightmares.

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Crumbling ruins, undead fiends, dark alleys and forests teeming with horrors seen and unseen: the tendrils of the Gothic have crept out of the architecture of churches, mosques and grand houses and into suburban malls, overcrowded cities, the deserted corners of the world and beyond, taking the shape of monsters from Beowulf to Gojira, Cthulhu or the wendigo to our own terrifying, warped reflections. Across time, form and media, this book traces the weaving path of the Gothic from the shadows of history to the very heart of popular culture today. With over 350 illustrations

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Alien, that legendary fusion of science fiction and horror, was born out of a terrible monster movie script called Star Beast. Tracing the constellation of talents that came together to produce the film, this book explores how and why this interstellar slasher movie, this old dark house in space, came to coil itself around our darkest imaginings.

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The second in a series of republished classic literature, The Ghost Stories of M. R. James collects the tales that best illustrate his quiet mastery of the ghost story form. Running through each of these stories is a slowly escalating sense of unease and dread, which ultimately shifts into the wildly uncanny. James' characters exist in a world of ancient objects whose atrocious histories begin to repeat when they are disturbed, and the blinkered repression common to James' narratives only amplifies the shock of the spectral appearance.

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Stanley Kubrick hailed The Shining as 'the scariest horror film of all time' before its release in 1980. Though the film opened to poor reviews, it has since become one of the most admired horror films in cinema history. Exerting an enormous influence on popular culture, The Shining has spawned a vast array of interpretations and conspiracy theories. Roger Luckhurst's illuminating study explores the film's themes, tropes and resonances through a detailed analysis of sequences and performances. Situating The Shining in a series of fresh contexts, Luckhurst looks at the complex nature of horror cinema at the end of the 1970s and early 80s. Taking the maze of the haunted hotel as a key motif, he offers numerous threads with which to navigate the strange twists and turns of this enigmatic film. This limited edition features original cover artwork by Mark Swan.

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'He was a man of fairly firm fibre, but there was something in this sudden, uncontrollable shriek of horror which chilled his blood and pringled in his skin. Coming in such a place and at such an hour, it brought a thousand fantastic possibilities into his head...' The Victorian fin de siècle: the era of Decadence, The Yellow Book, the New Woman, the scandalous Oscar Wilde, the Empire on which the sun never set. This heady brew was caught nowhere better than in the revival of the Gothic tale in the late Victorian age, where the undead walked and evil curses, foul murder, doomed inheritance and sexual menace played on the stretched nerves of the new mass readerships. This anthology collects together some of the most famous examples of the Gothic tale in the 1890s, with stories by Arthur Conan Doyle, Vernon Lee, Henry James and Arthur Machen, as well as some lesser known yet superbly chilling tales from the era. The introduction explores the many reasons for the Gothic revival, and how it spoke to the anxieties of the moment. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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STUNNING DETAIL - Adam Simpson''s strong line makes for a jigsaw experience that is both challenging and richly rewarding, with visual interest on every single piecePERENNIAL APPEAL - Frankenstein''s monster is a character who has transcended the novel to become part of the cultural consciousness. Even if you''ve never read the book you will still enjoy the puzzlePERFECT FOR GIFTING - Appeals to core bookshop and gift-shop audience as well as to a general puzzle audienceGOOD SIZE - Completed puzzle measures 48.5 x 68 cm (19 x 27 in.)Packed with characters from the story, the illustration covers all the key scenes in incredible detail so that every piece has something to capture the imagination. This richly rewarding puzzle is accompanied by an illustrated poster and explanatory text detailing who''s who in the grisly world of Victor Frankenstein and his monster.

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Zombies: A Cultural History, now available in paperback, sifts materials from anthropology, folklore, travel writing, colonial histories, long-forgotten pulp literature, B-movies, medical history and cultural theory to give a definitive short introduction to the zombie, exploring the manifold meanings of this compelling, slow-moving yet relentless monster.

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In this new and timely cultural history of science fiction, Roger Luckhurst examines the genre from its origins in the late nineteenth century to its latest manifestations. The book introduces and explicates major works of science fiction literature by placing them in a series of contexts, using the history of science and technology, political and economic history, and cultural theory to develop the means for understanding the unique qualities of the genre. Luckhurst reads science fiction as a literature of modernity. His astute analysis examines how the genre provides a constantly modulating record of how human embodiment is transformed by scientific and technological change and how the very sense of self is imaginatively recomposed in popular fictions that range from utopian possibility to Gothic terror. This highly readable study charts the overlapping yet distinct histories of British and American science fiction, with commentary on the central authors, magazines, movements and texts from 1880 to the present day. It will be an invaluable guide and resource for all students taking courses on science fiction, technoculture and popular literature, but will equally be fascinating for anyone who has ever enjoyed a science fiction book.

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'One ought to choose something very deliberately, and be faithful to that.' Isabel Archer is a young, intelligent, and spirited American girl, determined to relish her first experience of Europe. She rejects two eligible suitors in her fervent commitment to liberty and independence, declaring that she will never marry. Thanks to the generosity of her devoted cousin Ralph, she is free to make her own choice about her destiny. Yet in the intoxicating worlds of Paris, Florence, and Rome, her fond illusions of self-reliance are twisted by the machinations of her friends and apparent allies. What had seemed to be a vista of infinite promise steadily closes around her and becomes instead a 'house of suffocation'. Considered by many as one of the finest novels in the English language, this is Henry James's most poised achievement, written at the height of his fame in 1881. It is at once a dramatic Victorian tale of betrayal and a wholly modern psychological study of a woman caught in a web of relations she only comes to understand too late. This edition reproduces the revised New York Edition, with James's own Preface. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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'it was butcher work...the horrid screeching as the stake drove home; the plunging of writhing form, and lips of bloody foam' Bram Stoker's 1897 Gothic shocker introduced Count Dracula to the world, an ancient creature bent on bringing his contagion to London, the very heart of the British Empire. Only a handful of men and women stand between Dracula and his long-cherished goal, but they are vulnerable and weak against the cunning and supernatural powers of the Count and his legions. As the horrifying story unfolds in the diaries and letters of young Jonathan Harker, Lucy, Mina, and Dr Seward, Dracula will be victorious unless his nemesis Professor Van Helsing can persuade them that monsters still lurk in the era of electric light. The most famous of all vampire stories, Dracula is a mirror of its age, its underlying themes of race, religion, science, superstition, and sexuality never far from the surface. A compelling read, rattling along at break-neck speed, it is a modern classic. This new edition includes Stoker's companion piece, 'Dracula's Guest'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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An often overlooked collection in Arthur Conan Doyle's career, these tales actually track the vital moment in his life when he decided to shift careers from provincial medic to celebrated London author Detailed introduction, notes and scholarly apparatus Appendixes that collect extra medical tales, Conan Doyle's early contributions to the medical press and the two one-act plays that he produced from two of the stories, including one of his greatest successes for the stage, Waterloo Introduction provides the medical context to help understand its place in Conan Doyle's career This is a scholarly edition of Arthur Conan Doyle's controversial collection of medical tales, first published in 1894 in the first flush of his fame. Conan Doyle had trained in medicine at Edinburgh University in the 1870s, and then spent eight years as a General Practitioner in Southsea, before deciding to become a professional author in 1890. The stories he collected in Round the Red Lamp are gathered from his medical training and incidents in his life as a provincial GP. Some of the stories are daring dealing explicitly with child birth, sexually transmitted diseases and malpractice. Some are sentimental or comic vignettes. Some are Gothic horrors. On publication the shades of dark and light bewildered some of his readers and the medical realism outraged others. Round the Red Lamp is a vital collection in understanding Conan Doyle's shift of profession from medic to author.

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'Instantly the spirit of hell awoke in me and raged...I was suddenly struck through the heart by a cold thrill of terror.' Stevenson's short novel, published in 1886, became an instant classic. It was a Gothic horror that originated in a feverish nightmare, whose hallucinatory setting in the murky back streets of London gripped a nation mesmerized by crime and violence. The respectable doctor's mysterious relationship with his disreputable associate is finally revealed in one of the most original and thrilling endings in English literature. In addition to Jekyll and Hyde, this edition also includes a number of short stories and essays written by Stevenson in the 1880s, minor masterpieces of fiction and comment: 'The Body Snatcher', 'Markheim', and 'Olalla' feature grave-robbing, a sinister double, and degeneracy, while 'A Chapter on Dreams' and 'A Gossip on Romance' discuss artistic creation and the 'romance' form. Appendixes provide extracts from contemporary writings on personality disorder, which set Stevenson's tale in its full historical context. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Following the great success of our Gothic Fantasy, deluxe edition short story compilations, Ghosts, Horror, Science Fiction, Murder Mayhem and Crime & Mystery this latest title crawls with the dark fingers of terror, the chilling sensation of another presence sitting alongside you while you read the tales of horror laid out before you. Contains a fabulous mix of classic and brand new writing, with authors from the US, Canada, and the UK. New, contemporary and notable writers featured are: E.E.W. Christman, Morgan Elektra, Damien Angelica Walters, Michaël Wertenberg, Lucy A. Snyder, Stephen Kotowych, Kay Chronister, Michelle Muenzler, G.L. McDorman, Cody Schroeder, Jason L. Kawa, Daniele Bonfanti, Desmond Warzel, Carolyn Charron, Trisha J. Wooldridge, Mariah Southworth, Oliver Smith, Matthew Gorman, and Angela Sylvaine. These appear alongside classic stories by authors like E.F. Benson, F. Marion Crawford, Elizabeth Gaskell, M.R. James, Bram Stoker and more.

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'Loathsomeness waits and dreams in the deep, and decay spreads over the tottering cities of men. A time will come - but I must not and cannot think!' H. P. Lovecraft (1890-1937) was a reclusive scribbler of horror stories for the American pulp magazines that specialized in Gothic and science fiction in the interwar years. He often published in Weird Tales and has since become the key figure in the slippery genre of 'weird fiction'. Lovecraft developed an extraordinary vision of feeble men driven to the edge of sanity by glimpses of malign beings that have survived from human prehistory or by malevolent extra-terrestrial visitations. The ornate language of his stories builds towards grotesque moments of revelation, quite unlike any other writer. This new selection brings together nine of his classic tales, focusing on the 'Cthulhu Mythos', a cycle of stories that develops the mythology of the Old Ones, the monstrous creatures who predate human life on earth. It includes the Introduction from Lovecraft's critical essay, 'Supernatural Horror in Literature', in which he gave his own important definition of 'weird fiction'. In a fascinating contextual introduction, Roger Luckhurst gives Lovecraft the attention he deserves as a writer who used pulp fiction to explore a remarkable philosophy that shockingly dethrones the mastery of man.

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'So, in the end, above ground you must have the Haves, pursuing pleasure and comfort and beauty, and below ground the Have-nots, the Workers...' At a Victorian dinner party, in Richmond, London, the Time Traveller returns to tell his extraordinary tale of mankind's future in the year 802,701 AD. It is a dystopian vision of Darwinian evolution, with humans split into an above-ground species of Eloi, and their troglodyte brothers. The first book H. G. Wells published, The Time Machine is a scientific romance that helped invent the genre of science fiction and the time travel story. Even before its serialisation had finished in the spring of 1895, Wells had been declared 'a man of genius', and the book heralded a fifty year career of a major cultural and political controversialist. It is a sardonic rejection of Victorian ideals of progress and improvement and a detailed satirical commentary on the Decadent culture of the 1890s. This edition features a contextual introduction, detailed explanatory notes, and two essays Wells wrote just prior to the publication of his first book.

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Machine learning, AI and large language models tell us that the future is with us now. This thrilling collection of science fiction stories gathers the fears and opportunities prompted by responsive chatbots to reveal the struggles of the Machine Age, affecting both humanity and artificial intelligence. With stories from open submissions and classic tales we examine the interplay between automation, humankind, and what it is to be human. The stories encourage us to think of human and machine development in the same terms. What is it like to emerge from childhood as an adult? What was it like to be at the mercy of elemental forces in ancient times? Are we truly in control of our climate now? Are machines the future, or a dangerous distraction? Are thinking machines inevitable? There's so much to explore in this fascinating new book. New, contemporary and notable writers featured are: Rachel Aukes, Stewart C. Baker, Hal Bodner, Kushal Chatterjee, Vivian Chou, Matthew Chrulew and Stelarc’s Prosthetic Head, P.A. Cornell, Yelena Crane, E.J. Delaney, Derek Des Anges, Louis Evans, Paige E. Ewing, Shannon Fay, Sydney Paige Guerrero, K. Lynn Harrison, Emily Inkpen, Akis Linardos, Mary Liu, K.G. McAbee, Corbett McKinney, Adam Mitchell, Jason Sabbagh, M.C. St. John, Antonia Rachel Ward, Nemma Wollenfang, and Ramez Yoakeim. These appear alongside classic work by Karel Čapek, E.T.A. Hoffman, Franz Kafka, Damon Knight, Mary Shelley, H.G. Wells, and more. The gorgeous editions of Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

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'Don't you see that we are buried alive?' When Allan Quatermain is approached by Sir Henry Curtis and his friend Captain Good to search for Sir Henry's missing brother, deep in the African interior, he agrees to lead their expedition. Quatermain has a map to the fabled King Solomon's Mines, whose treasure the missing man sought to attain. Their journey takes them to Kukuanaland, where they find a warrior tribe in thrall to King Twala. Soon the white men are embroiled in a desperate tribal battle, and Quatermain's expedition can only reach its goal with the aid of Gagool, the ancient 'mother' no one trusts. Haggard's exciting adventure story captivated readers when it was first published in 1885. It helped inaugurate a wave of 'lost world' romances inspired by the exploits of British explorers in colonial Africa. This new edition looks at Haggard's own African experiences and unlikely literary success, and his ambivalent attitude to the native tribes and the ravages of the British Empire. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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A collection of new tales with brilliant new writers and lost souls from the darkest corners of literature and legend: Maturin's Melmoth the Wanderer mingles with Dante’s infernal spirits and a retold tale from Ovid's Metamorphoses. And with the dark fiction of William Hope Hodgson and Arthur Machen this promises to be a haunting, chilling read. New, contemporary and notable writers featured are: Sara Dobie Bauer, Sarah L. Byrne, Rachael Cudlitz, C.R. Evans, Geneve Flynn, Adele Gardner, Anne Gresham, Sara M. Harvey, Kurt Hunt, Michael Matheson, J.A.W. McCarthy, John M. McIlveen, Jessica Nickelsen, Michael Penncavage, Lina Rather, Alexandra Renwick, Aeryn Rudel, Lizz-Ayn Shaarawi, Erin Skolney, Lucy A. Snyder, David Tallerman, and Damien Angelica Walters. These appear alongside classic stories by Mary Elizabeth Braddon, F. Marion Crawford, Washington Irving, Perceval Landon, Edith Wharton and more.

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