Search results for ""Author Robin Laurence""

Gathie Falk is one of Canada’s most heralded visual artists: she has won the Governor General’s Award in Visual and Media Arts, the Audain Prize for Lifetime Achievement in the Visual Arts, and the Gershon Iskowitz Prize; she has been honoured with the Order of British Columbia and the Order of Canada; and her work is featured in major galleries across the country. From performance works involving eggs and bird feathers, to paintings of flower beds and night skies, to celebrated sculptures of fruit, men’s shoes, and dresses, Falk’s chronicles of the everyday span more than four decades and a variety of media. Apples etc. is Gathie Falk’s memoir, a lively, personal, and yet unsentimental reflection on nearly ninety years of art and life. Falk tells of growing up in small Mennonite communities in the 1930s and ’40s. These were hard years, as her Russian immigrant father died just ten months after she was born. While the family struggled financially, Falk recalls cabbage rolls made by hand, a backyard skating rink, and music lessons paid for by an anonymous donor. Her apprenticeship, she says, was a long one. After working a series of menial jobs, she trained as a public school teacher, which led her back to the art classes she’d given up as a child. It has now been fifty years since Falk’s art career was launched, and her “veneration of the ordinary” has sustained her through the deaths of beloved friends and relatives, a short-lived marriage, broken bones, and debilitating pain. Interweaving stories about her community, her family, and her daily rituals with anecdotes about her major artworks, Falk paints a portrait of a life well lived.

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Glory and Exile: Haida History Robes of Jut-ke-Nay Hazel Wilson marks the first time this monumental cycle of ceremonial robes by the Haida artist Jut-Ke-Nay (The One People Speak Of)—also known as Hazel Anna Wilson—is viewable in its entirety. On 51 large blankets, Wilson uses painted and appliquéd imagery to combine traditional stories, autobiography, and commentary on events such as smallpox epidemics and environmental destruction into a grand narrative that celebrates the resistance and survival of the Haida people, while challenging the colonial histories of the Northwest Coast.Of the countless robes Wilson created over fifty-plus years, she is perhaps best known for The Story of K’iid K’iyaas, a series about the revered tree made famous by John Vaillant’s 2005 book The Golden Spruce. But her largest and most important work is the untitled series of blankets featured here. Wilson always saw these works as public art, to be widely seen and, importantly, understood. In addition to essays by Robert Kardosh and Robin Laurence, the volume features texts about each robe by Wilson herself; her words amplify the power of her striking imagery by offering historical and personal context for the people, characters, and places that live within her colossal work. Glory and Exile, which also features personal recollections by Wilson’s daughter Kūn Jaad Dana Simeon, her brother Allan Wilson, and Haida curator and artist Nika Collison, is a fitting tribute to the breathtaking achievements of an artist whose vision will help Haida knowledge persist for many generations to come.

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