Search results for ""Author Robin Griffith-Jones""

William Marshal, born about 1147, was the son of a minor lord who held the hereditary title of ‘Marshal’, or head of the king’s security. He became a knight loyal to five kings, the most powerful man in the kingdom, the hero of Magna Carta and a saviour of England. At his funeral in the Temple Church, London, on 20 May 1219, he was described by the Archbishop of Canterbury as ‘the greatest knight in the world’. William’s son commissioned a biography of his father, The History of William Marshal, which brings William vividly to life and is the fullest and most dramatic such biography to reach us from the Middle Ages. The Rotunda of the Temple Church still contains eight 13th-century effigies of knights in armour. Three of the Marshals – William and two of his sons – are known to have been buried in the Church. By the late 16th century, antiquarians were trying to identify William’s effigy among them; and since 1843 one effigy in particular has been universally accepted to be William’s. This has recently been disputed by a set of drawings, dating to c. 1610, discovered in Washington, DC. These drawings show all the medieval effigies in the Temple Church – and a further, long-lost gravestone which matches the earliest descriptions of William’s tomb. This raises a fascinating question: has the real monument to William been lost? This book will uncover the details of this latest discovery and commemorate the greatest knight that ever lived.

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First full-length survey of the Temple Church, from its foundation in the twelfth century to the Second World War. Founded as the main church of the Knights Templar in England, at their New Temple in London, the Temple Church is historically and architecturally one of the most important medieval buildings in England. Its round nave, modelled on the Holy Sepulchre in Jerusalem, is extraordinarily ambitious, combining lavish Romanesque sculpture with some of the earliest Gothic architectural features in any English building of its period. It also holds one of the most famous series of medieval effigies in the country. Major developments in the post-medieval period include the reordering of the church in the 1680s by Sir Christopher Wren, and a substantial restoration programme in the early 1840s. Despite its extraordinary importance, however, it has until now attracted little scholarly or critical attention, a gap that is remedied by this volume. It considers the New Temple as a whole in the Middle Ages, and allaspects of the church itself from its foundation in the twelfth century to its war-time damage in the twentieth. Richly illustrated with numerous black and white and colour plates, it makes full use of the exceptional range and quality of the antiquarian material available for study, including drawings, photographs, and plaster casts. Contributors: Robin Griffith-Jones, Virginia Jansen, Philip Lankester, Helen Nicholson, David Park, Rosemary Sweet, William Whyte, Christopher Wilson. Robin Griffith-Jones is Master of the Temple at the Temple Church; David Park is a Professor at the Courtauld Institute of Art.

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