Search results for ""Author Robert Pinsky""

Despair, mania, rage, guilt, derangement, fantasy: poetry is our most intimate, personal source for the urgency of these experiences. Poems get under our skin; they engage with the balm, and the sting, of understanding. In The Mind Has Cliffs of Fall—its title inspired by a Gerard Manley Hopkins poem—acclaimed poet Robert Pinsky gives us more than 130 poems that explore emotion at its most expansive, distinct, and profound. With seven illuminating chapters and succinct headnotes for each poem, Pinsky leads us through the book’s sweeping historical range. Each chapter, with contents chronologically presented from Shakespeare to Terrance Hayes, Dante to Patricia Lockwood, shows the persistence and variation in our states of mind. “The Sleep of Reason” explores sanity and the imagination, moving from William Cowper’s “Lines Written During a Time of Insanity” to Nicole Sealey’s “a violence.” “Grief” includes Walt Whitman’s “When Lilacs last in the Door-yard Bloom’d” and Marie Howe’s “What the Living Do,” and “Manic Laughter” highlights both Lewis Carroll and Martín Espada. Each poem reveals something new about the vastness of human emotion; taken together they offer a sweeping ode to the power of poetry. Guided by “our finest living example of [the American civic poet]” (New York Times), The Mind Has Cliffs of Fall demonstrates how extreme feelings can be complementary and contradicting, and how poetry is not just an expression of emotion, but emotion itself.

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This lively, abundant book is distinguished by its focus on hearing poetry read aloud. Robert Pinsky, beloved for his ability to bring poetry to life as spoken language, has collected poems that sound marvelous in a reader’s actual or imagined voice. Pinsky has organized the book into sections with brief introductions that emphasize the attentive, intuitive, and reflective process of listening to poetry. This structure provides an implicit, generous definition-by-example of poetry itself: beginning with “Short Lines, Frequent Rhymes” and “Long Lines” and proceeding through fundamental themes such as “Love Poems,” “Odes, Complaints, and Celebrations,” and “Jokes, Ripostes, Parodies, and Insults.”Essential Pleasures gives a fresh setting to traditional favorites, including poems by William Shakespeare, Emily Dickinson, and Robert Frost, placed among contemporary poems by John Ashbery, Louise Glu¨ck, Yusef Komunyakaa, and many others. This is an inviting and distinguished collection and an essential book for every home.

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In late-1940s Long Branch, an historic but run-down Jersey Shore resort town, in a neighbourhood of Italian, Black and Jewish families, Robert Pinsky began his unlikely journey to becoming a poet. Descended from a bootlegger grandfather, an athletic father and a rebellious tomboy mother, Pinsky was an unruly but articulate high-school C-student whose obsession with the rhythms and melodies of speech inspired him to write. Pinsky traces the roots of his poetry, with its wide and fearless range, back to the voices of his neighbourhood, to music and a distinctly American tradition of improvisation, with influences including Mark Twain and Ray Charles, Marianne Moore and Mel Brooks, Emily Dickinson and Sid Caesar, Dante Alighieri and the Orthodox Jewish liturgy. Jersey Breaks offers a candid self-portrait and, underlying Pinsky’s notable public presence and unprecedented three terms as poet laureate of the United States, a unique poetic understanding of American culture.

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From Sadness and Happiness: Poems by Robert Pinsky: CEREMONY FOR ANY BEGINNING Robert Pinsky Against weather, and the random Harpies--mood, circumstance, the laws Of biography, chance, physics-- The unseasonable soul holds forth, Eager for form as a renowned Pedant, the emperor's man of worth, Hereditary arbiter of manners. Soul, one's life is one's enemy. As the small children learn, what happens Takes over, and what you were goes away. They learn it in sardonic soft Comments of the weather, when it sharpens The hard surfaces of daylight: light Winds, vague in direction, like blades Lavishing their brilliant strokes All over a wrecked house, The nude wallpaper and the brute Intelligence of the torn pipes. Therefore when you marry or build Pray to be untrue to the plain Dominance of your own weather, how it keeps Going even in the woods when not A soul is there, and how it implies Always that separate, cold Splendidness, uncouth and unkind-- On chilly, unclouded mornings, Torrential sunlight and moist air, Leafage and solid bark breathing the mist.

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Quick, joyful, and playfully astringent, with surprising comparisons and examples, this collection takes an unconventional approach to the art of poetry. Instead of rules, theories, or recipes, Singing School emphasizes ways to learn from great work: studying magnificent, monumentally enduring poems and how they are made— in terms borrowed from the “singing school” of William Butler Yeats’s “Sailing to Byzantium.” Robert Pinsky’s headnotes for each of the 80 poems and his brief introductions to each section take a writer’s view of specific works: William Carlos Williams’s “Fine Work with Pitch and Copper” for intense verbal music; Emily Dickinson’s “Because I Could Not Stop for Death” for wild imagination in matter-of-fact language; Robert Southwell’s “The Burning Babe” for surrealist aplomb; Wallace Stevens’s “The House Was Quiet and the World Was Calm” for subtlety in meter. Included are poems by Aphra Behn, Allen Ginsberg, George Herbert, John Keats, Mina Loy, Thomas Nashe, and many other master poets. This anthology respects poetry’s mysteries in two senses of the word: techniques of craft and strokes of the inexplicable.

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Despair, mania, rage, guilt, derangement, fantasy: poetry is our most intimate source for the urgent, varied experience of human emotion. Poems get under our skin; they offer solace with the balm, and the sting, of understanding. In The Book of Poetry for Hard Times, former Poet Laureate Robert Pinsky curates poems that explore the expanses of human emotion across centuries, from Shakespeare to Terrance Hayes, Dante to Patricia Lockwood. Each poem reveals something new about our most profound and universal experiences; taken together they offer a sweeping ode to the power of poetry. “For anyone who knows these human feelings—and almost everyone does—this book will become an essential companion.”—Eavan Boland

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This text gathers together all Robert Pinsky's poetry, including 21 new poems. The verse essay "An Explanation of America" (Carcarnet, 1980) remains at the heart of this work. The book also includes "Ginza Samba", a history of the saxophone, and "Impossible to Tell", a jazz-like poem that combines elegy with the Japanese custom of linking-poems and the American tradition of ethnic jokes. "Sadness and Happiness" (1975), "History of My Heart" (1984) and "The Want Bone" (1990). Also included are some of Pinsky's translations of Czeslaw Milosz, Paul Celan and others, and the last canto of his version of Dante's "Inferno" (1994).

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Sculpture has the longest memory of the arts: from the Paleolithic era we find stone carvings and clay figures embedded with human longing. And poets have long been fascinated by the idea of eternity embodied by the monumental temples and fragmented statues of ancient civilizations.From Keats's Grecian urn and Shelley's 'Ozymandias' to contemporary verse about Maya Lin's Vietnam Veterans Memorial and Janet Echelman's windborne hovering nets, the pieces in this collection convert the physical materials of the plastic arts - clay, wood, glass, marble, granite, bronze - into lapidary lines of poetry. Whether the sculptures celebrated here commemorate love or war, objects or apparitions, forms human or divine, they have called forth evocative responses from a wide range of poets, including Homer, Ovid, Shakespeare, Baudelaire, Rilke, Dickinson, Yeats, Auden and Plath. A compendium of dazzling examples of one art form reflecting on another, Poems About Sculpture is a treat for art lovers.

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This new paperback edition of Henry D. Thoreau's compelling account of Cape Cod contains the complete, definitive text of the original. Introduced by American poet and literary critic Robert Pinsky--himself a resident of Cape Cod--this volume contains some of Thoreau's most beautiful writings. In the plants, animals, topography, weather, and people of Cape Cod, Thoreau finds "another world" Encounters with the ocean dominate this book, from the fatal shipwreck of the opening chapter to his later reflections on the Pilgrims' landing and reconnaissance. Along the way, Thoreau relates the experiences of fishermen and oystermen, farmers and salvagers, lighthouse-keepers and ship captains, as well as his own intense confrontations with the sea as he travels the land's outermost margins. Chronicles of exploration, settlement, and survival on the Cape lead Thoreau to reconceive the history of New England--and to recognize the parochialism of history itself.

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