Search results for ""Author Robert Hunter""

Now in its seventeenth year of publication, Ceramics in America is considered the journal of record for historical ceramics scholarship in the American context and is intended for collectors, historical archaeologists, curators, decorative arts students, social historians, and contemporary potters.“Each year Ceramics in America opens a window on most aspects of American life: public and private, imported and native, industrial and aesthetic, social and economic—and on all cultures betwixt and between.”—Philip Zea, President, Historic Deerfield, Inc.“Ceramics in America is a highly important publication in the field of ceramics research. Always stunningly produced, it can be counted on to provide the latest research into a variety of topics that impact our understanding of ceramics production and consumption in America.”—Suzanne R.F. Hood, Curator of Ceramics and Glass, Colonial Williamsburg Foundation

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Now in its eight year of publication, Ceramics in America is considered the journal of record for historical ceramics scholarship in the American context and is intended for collectors, historical archaeologists, curators, decorative arts students, social historians, and contemporary potters. This volume of Ceramics in America features articles on eighteenth-century New York and New Jersey salt-glazed stoneware, a fascinating ceramic cargo from the "Blue China" wreck, nineteenth-century ceramic consumption patterns in the Anglo-American merchant trade, and commemorative ceramics made for the 1907, 1957, and 2007 anniversaries of the founding off Jamestown, Virginia. Included are many additional articles detailing important new discoveries in the ceramic field and scholarly reviews of recently published ceramic books.

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At the beginning of the twenty-first century, scholarly interest in ceramics is at an all-time high. As a vehicle for much-needed synthesis, Ceramics in America is an interdisciplinary annual journal that examines the role of historical ceramics in the American context. Intended for collectors, historical archaeologists, curators, decorative arts students, social historians and contemporary potters, every issue features a variety of ground-breaking scholarly articles, new discoveries in the field, and book and exhibition reviews for this diverse audience.The 2005 issue of Ceramics in America will feature a diverse lineup of articles and new discoveries. Of particular interest will be articles covering early American stoneware from Baltimore and Richmond, Virginia. Of interest to both ceramic collectors and social historians is an article reviewing ceramics related to the publication of Uncle Tom's Cabin.

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The 2004 issue features many important articles including the first color publication of America's earliest stoneware factory-The Poor Potter of Yorktown. In addition, other articles feature previously unpublished information about several important American Salt-glazed stoneware potters. The redware products of Morgantown West Virginia are presented along with information about English porcelain, Maryland tobacco pipes, and a wonderful essay about Bernard Leach's travels in America.

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Students of golf course architecture are well aware of Robert Hunter — and it’s all because of The Links. This scholarly work was different from other architecture books of the day because Hunter was not a designer attempting to attract commissions through his writing. His goal — through the use of detailed drawings, contemporary photographs and thoughtful text — was not only to explain what made the classic holes so great but why they would stand the test of time. This exact reprint of The Linksbelongs in the libraries of all aficionados of golf course architecture.

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The 2019 volume of Ceramics in America features exciting new discoveries in the field of American ceramics studies, from an early example of Chinese porcelain found in the New World to previously undocumented green-glazed earthenware made in early-nineteenth-century Philadelphia. New analytic information about the manufacture of hard-paste porcelain, also in the Philadelphia context, will be of special interest to students of American porcelain production. Of special note, reconstructive drawings of two of America’s most important potteries and their kilns are illustrated and discussed: the William Rogers Pottery of Yorktown, Virginia (ca. 1720-1745), and the massive stoneware kilns of Abner Landrum’s Pottersville factory in Edgefield, South Carolina (ca. 1818-1840). Other articles examine topics of American stoneware, including the distinctive eighteenth-century stoneware of Boston and Charlestown, Massachusetts. The journal concludes with a beautifully illustrated two-part presentation on clay tobacco pipes made in the Chesapeake region of America between 1640 and 1660, highlighting the pipe maker’s art and the multicultural circumstance of their manufacture and use.

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Now in its nineteenth year of publication, Ceramics in America is considered the journal of record for historical ceramics scholarship in the American context and is intended for collectors, historical archaeologists, curators, decorative arts students, social historians, and contemporary potters. The special focus of the 2018 volume of Ceramics in America is The Last Drop Project, held in conjunction with the North Car-olina Pottery Center, where seventeen American potters were invited to create new ceramic works inspired by seventeenth- and eighteenth-century drinking vessels. Included are two wonderfully illustrated articles on con-current installations at the Pottery Center: Michelle Erickson: DISTILLED and In the Pale Moonlight: Pottery & Alcohol in North Carolina. Other articles examine contemporary potters working in the field of historical ceramics reproductions. The journal concludes with an important interdisciplinary study of a late-nineteenth-century industrial pottery of the Shenandoah Valley in Virginia.

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Acknowledged as the journal of record in its field, American Furniture presents new research on furniture design, use, production, and appreciation. Begun in 1993, this award-winning annual provides a comprehensive forum on furniture history, technology, connoisseurship, and conservation by the foremost scholars in the field. It is the only interdisciplinary journal devoted exclusively to furniture made or used in the Americas from the seventeenth century to the present.

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At the beginning of the twenty-first century, scholarly interest in ceramics is at an all-time high. As a vehicle for much-needed synthesis, Ceramics in America is an interdisciplinary annual journal that examines the role of historical ceramics in the American context. Intended for collectors, historical archaeologists, curators, decorative arts students, social historians and contemporary potters, every issue features a variety of ground-breaking scholarly articles, new discoveries in the field, and book and exhibition reviews for this diverse audience. The 2006 issue of Ceramics in America will offer another comprehensive compilation of articles and new discoveries. This issue will review evidence of Dutch and English delft tiles used in seventeenth- and eighteenth-century American fireplaces. It will also feature new information about American stoneware and the archaeological recovery of commemorative wares related to George Washington in Alexandria, Virginia. The highlight of the journal will be the second part of John Austin's examination of potter Palin Thorely's career and production in Williamsburg, Virginia.

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A diverse range of essays, new discoveries and book reviews on the latest research of interest to ceramics scholarsNow in its thirteenth year of publication, Ceramics in America is considered the journal of record for historical ceramics scholarship in the American context and is intended for collectors, historical archaeologists, curators, decorative arts students, social historians, and contemporary potters.“This year’s Ceramics in America is on the cutting edge of Southern material-culture scholarship and ceramics studies. It weaves the sherds of pots past with surviving vessels and documentary evidence to enrich our understanding of the field.”—Daniel K. Ackermann, Associate Curator, Museum of Early Southern Decorative Arts at Old Salem Museums & Gardens“Ceramics in America opens a window into most aspects of American life: public and private, imported and native, industrial and aesthetic, social and economic—and on all cultures betwixt and between.”—Philip Zea, President, Historic Deerfield, Inc.

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Now in its eleventh year of publication, Ceramics in America is considered the journal of record for historical ceramic scholarship in the American context.Included in 2011 edition:• The Chinese Scholar Pattern: Style, Merchant Identity, and the English Imagination-Sarah Fayen Scarlett• Digging Up Salem's Golden Age: Ceramic Use among the Merchant Class-George Schwartz• Ceramic Treasures among Seventeenth-Century Trash: A 1660s Cellar Deposit-Al Luckenbach and John E. Kille• The Stoneware Years of the Thompson Potters of Morgantown, West Virginia, 1854-1890-Richard Duez and Don Horvath with Brenda Hornsby Heindl• Cap-Hole Oyster Jars: A Racial Message In The Mud; or Shipping Crassostrea Virginica-Ivor Noël Hume• Mind Mud: Ai Weiwei's Conceptual Ceramics-Garth ClarkPlus ten New Discoveries and six new book reviews

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For the first time, color photographs of the known nineteen surviving objects from this important American porcelain factory are presented.Accompanying essays provide the historical context for the rise and fall of the factory along with exploration of porcelain technology and classification of parallel British porcelain. Important new evidence is presented for an even earlier porcelain manufactory near Charleston, South Carolina that of emigrant Staffordshire potter John Bartlam.

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Discovered at last, the legendary lost manuscript of Grateful Dead co-founder and primary lyricist Robert Hunter

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Now in its fifteenth year of publication, Ceramics in America is considered the journal of record for historical ceramics scholarship in the American context and is intended for collectors, historical archaeologists, curators, decorative arts students, social historians, and contemporary potters.

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Now in its twelfth year of publication, Ceramics in America is considered the journal of record for historical ceramic scholarship in the American context.A partial list of articles coming in the 2012 edition: "History of Baltimore Porcelain" Barbara And Ken Beem"Stone-Ware of Excellent Quality, Alexandria Manufacture" Part I: The Pottery of John Swann Barbara H. Magid"Late Nineteenth and Early Twentieth Century Japanese Domestic Wares from British Columbia" Douglas E. Ross"The Stoneware of Early Albany: A Mystery Solved" Warren F. Hartmann "Paul Cushman: The Premier Albany Potter and His Fascinating Stoneware" Paul Cushman "Ceramics from the 1813 Prize Brig Ann Auction, Salem, Massachusetts" George L. Miller"Ceramics from the Tortugas Shipwreck: A Spanish Navio of the 1622 Tierra Firme Fleet" Sean Kingsley, Ellen Gerth, and Michael HughesPlus New Discoveries and six new book reviews.

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Now in its fourteenth year of publication, Ceramics in America is considered the journal of record for historical ceramics scholarship in the American context and is intended for collectors, historical archaeologists, curators, decorative arts students, social historians, and contemporary potters. The 2014 volume of Ceramics in America will feature a series of 10 essays by ceramic specialists who are widely recognized in their respective fields of expertise. Each essay will examine 10 objects that are of particular significance to the author. In addition, other experts have been asked to contribute annotated bibliographies of their most significant reference works. A partial list of essays The "X" Project: Ceramics in America 2014 I-Porcelain by John Austin • The Ceramic Vessel in 20th-Century Art by Garth Clark • Hot Bodies, Cool Glazes: American China Painting In Two Centuries by Ellen Paul Denker • A Curator's 10 - Ceramics from the Newark Museum by Ulysses Dietz • "A History of Chinese Export Porcelain in Ten Objects" by Ron Fuchs • An English Pottery Dealer's Triumphs and Tribulations by Jonathan Horne • Specializing in the Diverse: A Ceramic Journey in 10 Objects by Robert Hunter • 10 Ceramics Objects from the Nation's Attic/Smithsonian by Bonnie Lilienfeld • The Ten Commandments by Ivor Noël Hume • London's ceramic history in ten pots by Jacqui Pearce

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Shell has been at the forefront of bitumen technology for over 90 years, and continues to play a leading role in global bitumen research and development. The Shell Bitumen Handbook is an authoritative source of information on bitumen use in road pavements around the world. The Shell Bitumen Handbook explores the very latest technical trends within the industry. Compiled by an international team of Shell experts from Europe, Asia and the Americas, the 6th edition contains global examples of regulations, specifications and practice, highlighting similarities and differences between the regions and reflecting the fact that growth economies are adapting and developing new practices, specifications and driving research in this area. An established, renowned and vital source, The Shell Bitumen Handbook covers the manufacturing, handling and main engineering properties and specifications of both bitumen and asphalt technology, examining how they are designed, manufactured, tested and used. The book also covers the analytical design of flexible pavements – a field in which Shell is particularly well established – as well as surface treatments and certification. The Shell Bitumen Handbook includes reference to new and revised European harmonised specifications as well as new guidance on recycling, warm asphalt mixtures, foam mixtures, bitumen additives and certification schemes for bitumen and asphalt. There are also expanded chapters on the constitution and structure of bitumen, bitumen rheology, polymer modified bitumens, bitumen health, bitumen adhesion and testing of asphalts and surface treatments. The Shell Bitumen Handbook provides new and experienced engineers with accessible and practical technical content such as: Global examples of bitumen regulation, specification and practice written by Shell experts across the world Coverage of the properties, testing methodology and performance related issues of different types of asphalt Information on the new standardised test methods to assess product performance State-of-the-art methods for building longer lasting road pavements Extensive referencing, enabling readers to discover more about subject areas and research topics New and updated appendices to support the reference value of the book. The Shell Bitumen Handbook is an essential, comprehensive reference tool intended to be of daily use to civil engineers, laboratory and site technicians and operation managers, as well as students and researchers in pavement construction and maintenance.

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Ever wondered about the mysterious place we all visit when we fall asleep? Robert Louis Stevenson's classic children's poem about dreamland is given new life in this wonderfully illustrated book. Accompanied by Robert Hunter's bold and beautiful illustrations, this picture book will bring the beloved Scottish author's work to a whole new generation of young readers.

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Now in its ninth year of publication, Ceramics in America is considered the journal of record for historical ceramic scholarship in the American context. The 2009 volume presents new research related to the rich and varied earthenware production in the eighteenth- and nineteenth-century Moravian settlements of Bethabara and Salem, North Carolina. Setting a new standard for American ceramic studies, this transdisciplinary effort draws on archaeology, art history, social history, religion, ceramic technology, and many other areas of inquiry resulting in a substantively revised history of this much-admired North Carolina pottery tradition. Many examples of highly decorative slipware and intriguing figural bottles are illustrated for the first time with color photography by Gavin Ashworth.Art in Clay: Masterworks of North Carolina Earthenware Exhibition Schedule: The Milwaukee Art Museum: September 2, 2010 - January 17, 2011; Old Salem Museums & Gardens: March 2011 - August 2011; Colonial Williamsburg Foundation: September 26, 2011 - June 24, 2012

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