Search results for ""Author Robert Doran""

Birth of a Worldview is a groundbreaking intellectual history of the making of the worldview that came to define western Christian culture for two millennia. Using a broad range of primary sources, Robert Doran narrates the story of how early thinkers wrestled with philosophical and cultural questions in order to form a view that would make sense of their place in the world. This engaging book will be of interest to scholars, students, and general readers interested in religious studies, ancient history, and intellectual thought.

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Mimesis and Theory brings together twenty of René Girard's uncollected essays on literature and literary theory, which, along with his classic, Deceit, Desire, and the Novel, have left an indelible mark on the field of literary and cultural studies. Spanning over fifty years of critical production, this anthology offers unique insights into the origin, development, and expansion of Girard's "mimetic theory"—a groundbreaking account of human interaction and of the genesis of cultural forms. The essays run the gamut of Western literary culture, from Racine and Shakespeare to the existentialist writings of Simone de Beauvoir and Jean-Paul Sartre. The authors who have most influenced Girard—Stendhal, Proust, and Dostoevsky—receive extended treatment, and Girard's observations on the changing landscape of literary studies are chronicled in several essays devoted to psychoanalysis, formalism, structuralism, and post-structuralism. Though at times overshadowed by his work in religious and cultural anthropology, Girard's work in the area of literary studies has been the wellspring of his thought. All of the essays in this volume develop the idea that the greatest authors are also the greatest students of human nature, for their artistic intuitions are generally more penetrating than the analyses of the philosophers or the social scientists. Girard does not offer us a theory of literature but literature as theory.

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Hayden White is celebrated as one of the great minds in the humanities. Since the publication of his groundbreaking monograph, Metahistory, in 1973, White's work has been crucial to disciplines where narrative is of primary concern, including history, literary studies, anthropology, philosophy, art history, and film and media studies. This volume, deftly introduced by Robert Doran, gathers in one place White's important-and often hard-to-find-essays exploring his revolutionary theories of historical writing and narrative. These texts find White at his most essayistic, engaging a wide range of topics and thinkers with characteristic insight and elegance. The Fiction of Narrative traces the arc and evolution of White's field-defining thought and will become standard reading for students and scholars of historiography, the theory of history, and literary studies.

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Mimesis and Theory brings together twenty of René Girard's uncollected essays on literature and literary theory, which, along with his classic, Deceit, Desire, and the Novel, have left an indelible mark on the field of literary and cultural studies. Spanning over fifty years of critical production, this anthology offers unique insights into the origin, development, and expansion of Girard's "mimetic theory"—a groundbreaking account of human interaction and of the genesis of cultural forms. The essays run the gamut of Western literary culture, from Racine and Shakespeare to the existentialist writings of Simone de Beauvoir and Jean-Paul Sartre. The authors who have most influenced Girard—Stendhal, Proust, and Dostoevsky—receive extended treatment, and Girard's observations on the changing landscape of literary studies are chronicled in several essays devoted to psychoanalysis, formalism, structuralism, and post-structuralism. Though at times overshadowed by his work in religious and cultural anthropology, Girard's work in the area of literary studies has been the wellspring of his thought. All of the essays in this volume develop the idea that the greatest authors are also the greatest students of human nature, for their artistic intuitions are generally more penetrating than the analyses of the philosophers or the social scientists. Girard does not offer us a theory of literature but literature as theory.

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Hayden White is celebrated as one of the great minds in the humanities. Since the publication of his groundbreaking monograph, Metahistory, in 1973, White's work has been crucial to disciplines where narrative is of primary concern, including history, literary studies, anthropology, philosophy, art history, and film and media studies. This volume, deftly introduced by Robert Doran, gathers in one place White's important-and often hard-to-find-essays exploring his revolutionary theories of historical writing and narrative. These texts find White at his most essayistic, engaging a wide range of topics and thinkers with characteristic insight and elegance. The Fiction of Narrative traces the arc and evolution of White's field-defining thought and will become standard reading for students and scholars of historiography, the theory of history, and literary studies.

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For the edition of A Second Collection prepared for the Collected Works of Bernard Lonergan, editors Robert M. Doran and John D. Dadosky have added archival materials directly related to almost every one of the papers, bringing the reader closer to the original compositions. The papers date from 1966 to 1973, and span the most creative period in Lonergan's development. Two major themes run through these papers: the primacy of the fourth, existential level of human consciousness, and the significance of historical mindedness with all its implications for culture, hermeneutics, and phenomenological thinking. The theme of conversion makes a grand entrance in 'Theology in Its New Context,' a paper that charted the course for the unfolding of Method in Theology. This new edition makes extensive use of original manuscripts, variants in drafts of the essays, and hand-written corrections.

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A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries. In the annals of music history, few figures have dominated the discussion of virtuosity as much as Franz Liszt. A flamboyant performer whose hair-raising technical feats at the piano created a sense of awe-inspiring excitement andan icon whose star power radiated far beyond the realm of music, Liszt was, along with his early model, Paganini, among the first major performer-composers to define himself principally by virtuosity. Featuring new essays by an international group of preeminent scholars, Liszt and Virtuosity offers a reevaluation of the concept and practices of virtuosity as shaped and defined in Liszt's multifaceted oeuvre, as well as a reconsiderationof Liszt's relation to other major and lesser-known musical figures, including Czerny, Schubert, Chopin, Brahms, Debussy, and Marie Jaëll. Set in the context of larger trends within the fields of music history, musicanalysis, intellectual history, and performance studies, these capacious explorations demonstrate that Liszt's uniqueness and significance resided in his ability to transform virtuosity into a revolutionary musical force, pushingthe piano aesthetic to the limits of sound and poetic meaning.

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Hayden White is widely considered to be the most influential historical theorist of the twentieth century. The Ethics of Narrative brings together nearly all of White's uncollected essays from the last two decades of his life, revealing a lesser-known side of White: that of the public intellectual. From modern patriotism and European identity to Hannah Arendt's writings on totalitarianism, from the idea of the historical museum and the theme of melancholy in art history to trenchant readings of Leo Tolstoy and Primo Levi, the first volume of The Ethics of Narrative shows White at his most engaging, topical, and capacious. Expertly introduced by editor Robert Doran, who lucidly explains the major themes, sources, and frames of reference of White's thought, this volume features five previously unpublished lectures, as well as more complete versions of several published essays, thereby giving the reader unique access to White's late thought. In addition to historical theorists and intellectual historians, The Ethics of Narrative will appeal to students and scholars across the humanities in such fields as literary and cultural studies, art history and visual studies, and media studies.

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The second volume of The Ethics of Narrative completes the project of bringing together nearly all of Hayden White's uncollected essays from the last two decades of his life, including articles, essays, and previously unpublished lectures. As in the first volume, volume 2 features White's trenchant articulations of his influential theories, as well as his explorations of a wide range of ideas and authors at the frontiers of critical theory, literature, and historical studies. These include the concept of utopia in history, modernism and postmodernism, constructivism, the conceptualization of historical periods such as "the Sixties" and "the Enlightenment," the representation of the Holocaust in scholarly and literary writing, as well as essays on Frank Kermode, Saul Friedländer, and Krzysztof Pomian.

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Early Latin Theology presents seven of Bernard Lonergan's most important early theological works in English translation and the original Latin on facing pages under one cover for the first time. First composed as supplements to the texts he used in his courses, these writings are considered to be Lonergan's initial efforts in the functional specialty he would come to call 'systematics.' They also represent ideas that would remain constant throughout his career. Among the significant works included is 'Supplementary Notes on Sanctifying Grace.' This seminal essay contains what is likely Lonergan's most complete systematic treatment of the topic, and a much more extensive presentation of Lonergan's four-point hypothesis regarding the divine relations and created grace than many have previously read.

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The second volume of The Ethics of Narrative completes the project of bringing together nearly all of Hayden White's uncollected essays from the last two decades of his life, including articles, essays, and previously unpublished lectures. As in the first volume, volume 2 features White's trenchant articulations of his influential theories, as well as his explorations of a wide range of ideas and authors at the frontiers of critical theory, literature, and historical studies. These include the concept of utopia in history, modernism and postmodernism, constructivism, the conceptualization of historical periods such as "the Sixties" and "the Enlightenment," the representation of the Holocaust in scholarly and literary writing, as well as essays on Frank Kermode, Saul Friedländer, and Krzysztof Pomian.

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A companion to Philosophical and Theological Papers 1958-1964 (Volume 6 in the Collected Works of Bernard Lonergan series), this anthology contains Lonergan's lectures on philosophy and theology given during the later period of his life, 1965-1980. These papers document his development in the discipline during the years leading up to the publication of Method in Theology, and beyond to 1980 when he was more engaged in his writings and seminars on macroeconomics. Philosophical and Theological Papers 1965-1980 is divided into five sections, forming units on the basis of dates. The three central sections are each a set of lectures respectively given at the Massachusetts Institute of Technology, Gonzaga University in Spokane, and Trinity College (University of Toronto). Although there is some repetition amongst the lecture sets and in relation to other more familiar works, this repetition displays occasional new turns of phrase that the careful reader will note. In at least one instance, familiar material suddenly opens out onto expressions not to be found anywhere else in Lonergan's work. Other very interesting developments regard the movement from speaking of the immutability of dogmas to their permanence of meaning and the permutations among 'real self-transcendence,' 'performative self-transcendence,' and 'moral self-transcendence.'

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Thematically focused on the theology of redemption or what is called in theology "soteriology," each of the two sections of The Redemption addresses biblical literature and significant moments in the history of Christian theology, and especially the work of Anselm of Canterbury. The second part of the book presents a significant treatment of the problem of good and evil, and introduces the important category of cultural evil. Most significant from the standpoint of Lonergan's original contribution is the treatment accorded in both Part 1 and Part 2 to what he calls "the just and mysterious law of the cross." The treatment of biblical literature contains a valuable distinction between "redemption as end" and "redemption as medium." Beginning with theses 15-17 from Lonergan's Collected Works, The Incarnate Word, this volume also includes rare and never-before-published texts originally written in the late 1950s.

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Insight is Bernard Lonergan's masterwork. It aim is nothing less than insight into insight itself, a comprehensive view of knowledge and understanding, and to state what one needs to understand and how one proceeds to understand it. In Lonergan's own words: 'Thoroughly understand what it is to understand, and not only will you understand the broad lines of all there is to be understood but also you will possess a fixed base, and invariant pattern, opening upon all further developments of understanding.' The editors of the Collected Works of Bernard Lonergan have established the definitive text for Insight after examining all the variant forms in Lonergan's manuscripts and papers. The volume includes introductory material and annotation to enable the reader to appreciate more fully this challenging work.

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Written in Latin for students at the Gregorian University in Rome, Bernard Lonergan's De Deo Trino (The Triune God) is a monumental two-part examination of trinitarian theology published initially in 1961 and again, in revised form, in 1964. The first part, the pars dogmatica, is here translated into English in an edition that includes the original Latin on facing pages. The work begins with the Prolegomena, which traces the dialectical development of trinitarian doctrine by Christian thinkers from the time of the New Testament to the Council of Nicea (AD 325). Following is a discussion of five theses outlining the evolution of the principal features of trinitarian doctrine from the New Testament through the patristic era. Along with its companion volume on systematics, The Triune God: Doctrines represents the most comprehensive treatment of trinitarian theology in recent centuries. This English translation ensures that Lonergan's masterpiece will at last be available in its entirety to contemporary readers.

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Buried for more than forty years in a Latin text written for seminarians at the Gregorian University in Rome, Bernard Lonergan's important work on systematic theology, De Deo Trino: Pars systematica, is presented here for the first time in a facing-page edition that includes the original Latin along with a precise English translation. De Deo Trino, or The Triune God, the second part of which is the pars systematica, continues a particular strand in trinitarian theology, namely, the tradition that appeals to a psychological analogy for understanding trinitarian processions and relations. The psychological analogy dates back to St Augustine but was significantly developed by St Thomas Aquinas. Lonergan advances it to a new level of understanding by bringing to it his extensive exploration of cognitional theory and deliberative process. Suggestions for a further development of the analogy appear in Lonergan's late work, but these cannot be fully comprehended and implemented without the background provided in this volume. With this definitive translated edition, one of the masterpieces of systematic theology, will at last be available to contemporary scholars.

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The renowned Christian theologian Bernard Lonergan was also a professor, teaching courses on theological method at universities in Canada, the United States, and Italy. This volume records his lectures and teaching materials, thus preserving and elucidating his intellectual development between the publication of Insight in 1957 and Method in Theology in 1972. The present volume contains a record of the lectures delivered in 1962 (Regis College, Toronto), 1964 (Georgetown University), and 1968 (Boston College). This is the most 'interactive' volume yet published in the Collected Works series. The audio recordings of the 1962 and 1968 lectures are now available on the website www.bernardlonergan.com, as are PDF files of original papers from his 1964 institute at Georgetown. These lectures help to elucidate the development of Lonergan's ideas on such key notions as horizon, conversion, and meaning, as well as his evolving opinion on how best to divide theology into fields of specialization.

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In the mid- to late-1930s, while he was a student at the Gregorian University in Rome, Bernard Lonergan wrote a series of eight essays on the philosophy and theology of history. These essays foreshadow a number of the major themes in his life’s work. The significance of these essays is enormous, not only for an understanding of the later trajectory of Lonergan’s own work but also for the development of a contemporary systematic theology. In an important entry from 1965 in his archival papers, Lonergan wrote that the "mediated object" of systematics is Geschichte or the history that is lived and written about. In the same entry, he stated that the "doctrines" that this systematic theology would attempt to understand are focused on "redemption." The seeds of such a theology are planted in the current volume, where the formulae that are so pronounced in his later work first appear. Students of Lonergan’s work will find their understanding of his philosophy profoundly affected by the essays in this volume.

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In the mid- to late-1930s, while he was a student at the Gregorian University in Rome, Bernard Lonergan wrote a series of eight essays on the philosophy and theology of history. These essays foreshadow a number of the major themes in his life’s work. The significance of these essays is enormous, not only for an understanding of the later trajectory of Lonergan’s own work but also for the development of a contemporary systematic theology. In an important entry from 1965 in his archival papers, Lonergan wrote that the "mediated object" of systematics is Geschichte or the history that is lived and written about. In the same entry, he stated that the "doctrines" that this systematic theology would attempt to understand are focused on "redemption." The seeds of such a theology are planted in the current volume, where the formulae that are so pronounced in his later work first appear. Students of Lonergan’s work will find their understanding of his philosophy profoundly affected by the essays in this volume.

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