Search results for ""Author Robert C. Leitz""

Jack London has long been recognized as one of the most colorful figures in American literature. From his birth in San Francisco in 1876 until his death in 1916, he lived a life rich with experiences and emotional intensity. Factory worker at 14; able-bodied seaman at 17; hobo and convict at 18; "Boy Socialist" of Oakland at 19; Klondike argonaut at 21; the "American Kipling" at 24; renowned author, social crusader, journalist, and war correspondent at 28; world traveler and adventurer at 31; prize-winning stockbreeder and scienfitic farmer at 35; self-made millionaire by the time of his death at 40: the facts became a legend in London's own lifetime. London dominated the literary marketplace during the first decade of the twentieth century; scarcely a month passed without his writing appearing in the nation's leading magazines. In less than 20 years, he produced some 500 nonfiction pieces, 200 short stories, and 19 novels (over 50 books in all), on such varied subjects as agronomy, alcoholism, astral projection, big business, ecology, economics, gold-hunting, penal reform, political corruption, prizefighting, seafaring, socialism, war, and wildlife. Of those books, at least three (The Call of the Wild, White Fang, and The Sea-Wolf) have become world classics. London is America's most widely translated author (into more than 80 langauges), and although his works have been neglected until recently by academic critics, he is finally winning recognition as a major figure in American literary history. Comprising 1,557 carefully annotated letters, this three-volume works is the first full-scale, comprehensive collection of London's correspondence, more than doubling the number of his letters previously in print. It illuminates nearly every facet of london's complex genius and meteoric career, from the early years of his literary apprenticeship, through his rise to success and fame, and, finally to the legal entanglements and failing health of his last years. The image that emerges from London's letters is of an unpretentious, often sensitive human being, extraordinarily open and sometimes brutally candid. He was capable of writing deeply moving, poetic love letters, but he was also capable, when writing to or about those he considered enemies, of a dark bitterness and vicious invective. Like much ofhis published work, many of his letters are simply good reading, written with his characteristic verve and blunt wit. This edition is lavishly illustrated, including 112 photoraphs, most of them from the London family albums and many published for the first time, facsimiles of letters and autograph inscriptions in books, cartoons and drawings, and three maps.

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Over the past decade, increasing attention has been paid to the life and work of Charles W. Chesnutt (1858-1932), considered by many the major African-American fiction writer before the Harlem Renaissance by virtue of the three novels and two collections of short stories he published between 1899 and 1905. Less familiar are the essays he wrote for American periodicals from 1899 through 1931, the majority of which are analyses of and protests against white racism. Collected as well in this volume are the addresses he made to both white and black audiences from 1881 through 1931, on topics ranging from race prejudice to the life and literary career of Alexandre Dumas. The 77 works included in this volume comprise all of Chesnutt’s known works of nonfiction, 38 of which are reprinted here for the first time. They reveal an ardent and often outraged spokesman for the African American whose militancy increased to such a degree that, by 1903, he had more in common with W. E. B. Du Bois than Booker T. Washington. He was, however, a lifelong integrationist and even an advocate of “race amalgamation,” seeing interracial marriage as the ultimate means of solving “the Negro Problem,” as it was termed at the end of the century. That he championed the African American during the Jim Crow era while opposing Black Nationalism and other “race pride” movements attests to the way Chesnutt defined himself as a controversial figure, in his time and ours. The essays and speeches in this volume are not, however, limited to polemical writings. An educator, attorney, and man of letters with wide-ranging interests, Chesnutt stands as a humanist addressing subjects of universal interest, including the novels of George Meredith, the accomplishments of Samuel Johnson, and the relationship between literature and life.

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Over the past decade, increasing attention has been paid to the life and work of Charles W. Chesnutt (1858-1932), considered by many the major African-American fiction writer before the Harlem Renaissance by virtue of the three novels and two collections of short stories he published between 1899 and 1905. Less familiar are the essays he wrote for American periodicals from 1899 through 1931, the majority of which are analyses of and protests against white racism. Collected as well in this volume are the addresses he made to both white and black audiences from 1881 through 1931, on topics ranging from race prejudice to the life and literary career of Alexandre Dumas. The 77 works included in this volume comprise all of Chesnutt’s known works of nonfiction, 38 of which are reprinted here for the first time. They reveal an ardent and often outraged spokesman for the African American whose militancy increased to such a degree that, by 1903, he had more in common with W. E. B. Du Bois than Booker T. Washington. He was, however, a lifelong integrationist and even an advocate of “race amalgamation,” seeing interracial marriage as the ultimate means of solving “the Negro Problem,” as it was termed at the end of the century. That he championed the African American during the Jim Crow era while opposing Black Nationalism and other “race pride” movements attests to the way Chesnutt defined himself as a controversial figure, in his time and ours. The essays and speeches in this volume are not, however, limited to polemical writings. An educator, attorney, and man of letters with wide-ranging interests, Chesnutt stands as a humanist addressing subjects of universal interest, including the novels of George Meredith, the accomplishments of Samuel Johnson, and the relationship between literature and life.

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Scholars, librarians, students, and database vendors have all applauded the increase in access to rare, old, venerated, and obscure texts that has resulted from the rise of electronic resources. Almost everyone associated with any branch of cultural history has heard the claims about unlimited research opportunity and the rediscovery of overlooked sources. But are these claims true? Have high-tech systems and methods enhanced or inhibited scholarship? Nowhere is this question more pressing than in the area of eighteenth-century studies, where so much of the subject matter relates to the first wave of informational abundance: to that great period of profuse printing during which presses produced a mass market full of diverse readers. Textual Studies and the Enlarged Eighteenth Century probes the assumptions about the advanced tools that may be replicating this period of profusion among contemporary scholars. How much access to “period” information do current cost and present institutional support really allow? Who is accessing what—and who is not? Which authors and which topics get lost in the processor-driven shuffle? How do electronic tools bias scholarship? What are the disadvantages of databases? These and many more questions receive a brisk and robust review in this first critique of new-wave research. A variety of acclaimed scholars from an interdisciplinary array of specialties look at topics ranging from legacy bibliographical projects to standards for online editions to para-textual materials to the appropriateness of importing electronic research techniques into the study of a low-tech period and on to the transatlantic exchange of information in both the early modern and the present periods. Scholars in all fields will benefit from this vigorous analysis of the assumptions underlying the tools and the methods of twenty-first century humanities scholarship.

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