Search results for ""Author Robert Burns""

The perfect gift for poetry lovers. A comprehensive collection of the Scottish Bard's songs and poems.The 19th-century scholar and educationalist J S Blackie summed up Burns's importance to Scotland and the Scots with the words:'When Scotland forgets Burns, then history will forget Scotland.'Today, Burns is unique in the affection and fascination that his memory inspires. The fruits of his legacy can be seen not only in Scotland but around the world - on product packaging, in advertising and on a wealth of merchandise, as well as through continued scholarship and academic study.

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Robert Burns is more than Scotland's national poet. This compact little book contains an illustrated selection of Burns' most acclaimed and best loved poems and songs. The book also contains a biography, a guide to the key landmarks 'in the land of Burns', a brief introduction to each poem, a glossary of Scots words, and an index of titles and first lines.

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This title includes all of Burns' poems and songs, with a helpful glossary explaining difficult words, a chronology of Burns's life and a bibliography.

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'Oh would some power the gift give us, to see ourselves as others see us!' Robert BurnsRobert Burns, poet and lyricist, also known as Rabbie Burns, is widely regarded as the National Poet of Scotland - and much of his work has become part of everyday modern language:'The best laid schemes o' mice and men...''To see her is to love her...'Often credited with writing the lyrics for Auld Lang Syne, he almost single-handedly inspired the movement that preserved Scottish music and lyrics which had been handed down the generations vocally for centuries, thereby maintaining Scots culture and language.A cultural icon and pioneer of the Romantic movement, Burns was chosen as the greatest Scot in a 2009 poll. This collection includes some of his best-loved, most beautiful work.'Now's the day, now's the hour' Robert Burns

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O my Luve's like a red, red rose,That's newly sprung in June;O my Luve's like the melodieThat's sweetly play'd in tune.In this beautifully illustrated picture-book version of Burns' classic poem, the lyrics have been re-imagined to explore the special love between parent and child. A mother and daughter feature in everyday scenes such as playing in a garden, splashing in the sea and going to nursery, each inspired by Burns' eloquent words. With delightful, heart-warming illustrations by Ruchi Mhasane, this expressive new picture book is the perfect way to share Burns' with very young children. It is also an ideal Mother's Day or Valentine's Day gift.

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This important book charts the development of philosophical thinking about history over the past 250 years, combining extracts from key texts with new explanatory and critical discussion. The book is designed to make the work of thinkers such as Hume, Herder, Hegel, Dilthey, Nietzsche, Heidegger and Foucault accessible to students with no prior knowledge of Western philosophy. An introductory section is followed by nine further chapters exploring contrasting schools of thought. The volume reveals the origins of contemporary trends in the discipline and relates wider philosophical reflections to the study of history itself. It also points to connections between philosophy of history and literary and cultural theory which have developed in recent decades.

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Fortunate is the man who has been able to realise his childhood dreams: this beautiful book is the result of Andrew Winton's long cherished dream - 'to pass on some of the pleasures I got from Burn's songs.' As a child, he had the North Lanarkshire moors as a playground, listening to the calls and singing of the birds, lying in beds of wild thyme and heathers beside cool, clear burns - while at school, he was taught to recite the poems of Robert Burns, finding that 'old Scottish airs came naturally to me.' Winton describes his emotions while playing the simple melodies on his violin. 'I had a great desire to pass on some of the pleasure I got from his songs. To do this, I would lay aside the cold hard print of the many books of his works and I would try to develop a hand of write to suit the subjects.' There is an uncanny resemblance about the way Burns went about composing his songs (revealed in a letter from Burns included in the book) and the manner in which Andrew Winton was inspired to present his book. Burns describes how he would 'look out for objects in Nature around me that are in unison and harmony with the cogitations of my fancy and workings of my bosom'. One has only to observe the harmony between the words and the watercolours to appreciate how similar was the creative process working through Andrew Winton as he painted the illustrations and penned the words, veritably ...'the beauty of speech made visible by the art of the hand...' In addition to the words and music, there are notes on the lasses to whom the songs were written, and the pages are decorated with delicate watercolours of the countryside flowers and grasses which inspired Burns. Among the favourite songs included are Ae Fond Kiss, Afton Water, Green Grows the Rushes O, Johnny Anderson My Jo, The Red Red Rose, Mary Morrison and Auld Lang Syne. Not only is the music included but the book is designed to open out flat so that it may be played as Andrew Winton has done so many times. His careful research and dedicated craftsmanship have produced a book no true lover of Burns can resist.

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'The Poetic Genius of my Country...bade me sing the loves, the joys, the rural scenes and rural pleasures of my natal Soil, in my native tongue.' Many of the poems and songs of Robert Burns (1759-96) are familiar to readers the world over: lyrical, acerbic, comic, bawdy, democratic. They include 'To a Mouse', 'John Anderson my Jo', 'A red red Rose', 'Auld lang syne', 'Tam o 'Shanter' and many more, whose vernacular energy and simple beauty have ensured lasting popularity. This generous new selection offers Burns's work as it was first encountered by contemporary readers, presenting the texts in the contexts in which they were originally published. It reproduces the whole of Poems, chiefly in the Scottish Dialect published at Kilmarnock in 1786, the volume which made Burns famous; and it reunites a generous selection of songs from The Scots Musical Museum and A Select Collection of Scottish Airs with their full scores. Comprehensive notes describe the circumstances in which other poems and songs found their way into print, both before and after the poet's death. The edition also includes some important letters, and a full glossary to explain Scots words. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Robert Burns (1759-96) was born into a farming family in Ayrshire, Scotland. The publication in 1786 of his first book, Poems, Chiefly in the Scottish dialect, made him famous overnight, and saw him feted by Edinburgh society. But Burns made no money from his writing and quickly fell on hard times, returning to farming in Dumfries and, when that failed, to work as an excise officer. He devoted his final years to poetry and the writing of Scottish songs.

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The Scottish poet Robert Burns has been idolised and eulogised. He has been sainted, painted, tarted-up and toasted. He is famous as the author of 'Auld Lang Syne', and he has long been the patron saint of the heartsore and the hungover. But what about the poems? Beneath the cult of Burns Nights and patriotic yawps, there is the work itself, among the purest and most truthful created in any age.This is a Burns collection like no other, introduced, arranged and contextualised by the award-winning novelist and essayist Andrew O'Hagan. Above all, it is an accessible edition made for the pleasure of reading that brings Burns' timeless work to full, riotous, colourful life.

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This selection gives equal weight to the two aspects of Robert Burns's reputation, as a lyricist and as a much-loved Scottish poet. Placing works in probable order of composition, it includes lyrics to his most well known songs, such as the nostalgic Auld Lang Syne, the romantic A Red, Red Rose, and the patriotic Scots What Hae. As a poet, Burns wrote with deceptive simplicity and imaginative sympathy, and demonstrated enormous range - from comic dramatic monologues such as Holy Willie's Prayer, which mocks hypocrisy, to narratives including the celebrated Tam O' Shanter, about the ghostly visions of a drunk.

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With an Introduction by Donald McFarlan.Robert Burns, the most celebrated of all Scottish poets, is remembered with great devotion - his birthday on 25th January provokes fervour and festivity among Scots and many others the world over. Born in 1759 into miserable rustic poverty, by the age of eighteen Burns had acquired a good knowledge of both classical and English literature. In June 1786 his first collection of verse, Poems Chiefly in the Scottish Dialect, which included 'To a Mouse' and 'The Cotter's Saturday Night', was greeted with huge acclaim by all classes of society. His later poems and ballads include 'Auld Lang Syne', the beautiful song 'My Love is like a Red Red Rose', 'Highland Mary', 'Scots Wha Hae' and his masterpiece, 'Tam o'Shanter'.

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A complete volume of the writer's poetry and songs includes previously unpublished pieces, draws on extensive scholarship and Burn's own letters, and offers supplemental information about his life, early hardships, political beliefs, and literary contexts.

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