Search results for ""Author Richard Shiff""
Scheidegger und Spiess AG, Verlag Joel Shapiro: Sculpture et oeuvres sur papier 1969-2019
Born in New York in 1941, Joel Shapiro is one of the most significant artists of his generation. Since the first public showing of his work in 1969 as part of the landmark Anti-Illusion: Procedures/Materials exhibiton at the Whitney Museum of American Art, he has been the subject of numerous solo exhibitions in galleries and museums around the world. Most renowned for having developed in the 1980s and '90s a distinctive language of dynamic sculpture that blurs the lines between abstraction and figuration, Shapiro became known through his earliest 1970s New York shows for introducing common forms of often diminutive size. Since then he has continued to push the material and conceptual boundaries of sculpture by working in a number of materials and employing various working methods. Joel Shapiro: Sculpture and Works on Paper 1969-2019 is the first book in over twenty years to survey the artist's entire working career. In an extensive essay, art historian Richard Shiff provides a fresh and incisive examination of Shapiro's oeuvre and working process. With more than two hundred striking full-colour illustrations, this is a long-anticipated and much-needed survey of this vital and essential American artist.
£63.00
Scheidegger und Spiess AG, Verlag Joel Shapiro: Sculpture and Works on Paper 1969-2019
Born in New York in 1941, Joel Shapiro is one of the most significant artists of his generation. Since the first public showing of his work in 1969 as part of the landmark Anti-Illusion: Procedures/Materials exhibiton at the Whitney Museum of American Art, he has been the subject of numerous solo exhibitions in galleries and museums around the world. Most renowned for having developed in the 1980s and '90s a distinctive language of dynamic sculpture that blurs the lines between abstraction and figuration, Shapiro became known through his earliest 1970s New York shows for introducing common forms of often diminutive size. Since then he has continued to push the material and conceptual boundaries of sculpture by working in a number of materials and employing various working methods. Joel Shapiro: Sculpture and Works on Paper 1969-2019 is the first book in over twenty years to survey the artist's entire working career. In an extensive essay, art historian Richard Shiff provides a fresh and incisive examination of Shapiro's oeuvre and working process. With more than two hundred striking full-colour illustrations, this is a long-anticipated and much-needed survey of this vital and essential American artist.
£63.00
Barbara Gladstone Gallery,US Michael Williams
This book covers the last three years of work by Los Angeles–based painter Michael Williams (born 1978), focusing on exhibitions in New York, Zurich and Brussels. For Williams, reinventing the formalism of painting is a vehicle for understanding his experience in the world.
£30.60
Rizzoli International Publications Peter Saul
A Pop Art predecessor, Peter Saul is known for his luridly coloured, contrarian depictions of popular culture and political history. In the 1950s and 60s, reacting against Abstract Expressionism s seriousness and influenced by Surrealist Roberto Matta, Saul began to paint everyday objects like iceboxes, steaks, and toilets in bright colours, along with political works like his series of graphic, cartoonish Vietnam paintings (1960s), which, though they had no clear moral message or political agenda, were evidently anti Vietnam War. Jumbling references like Mickey Mouse, Ethel Rosenberg, and Willem de Kooning, his work also includes darkly humorous self-portraits. His work is often compared to the riotous palettes and caustic wit of artists such as Robert Colescott, Raymond Pettibon, and R. Crumb. The book includes several contributions: Richard Shiff, renowned art historian, writes about the work from a more formalist and historical perspective; Annabelle Teneze provides a substantive essay on every period of the artist s long career; and critic Bruce Hainley addresses the satirical aspect of the artist s work.
£54.00
The University of Chicago Press Critical Terms for Art History, Second Edition
"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology.Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars.Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young
£31.00
Ridinghouse Early Mondrian: Painting 1900–1905
This publication spotlights the celebrated modern artist Piet Mondrian’s early career, a prolific period that saw the artist focus on figurative landscape painting. Primarily made during the artist’s time in Amsterdam at the turn of the twentieth century, Mondrian's dense, small-scale paintings depict the surrounding Dutch landscape – notably irrigation ditches, canals and farm buildings. The compositions are characterised by complex interactions of light and dark planes, which the artist forms through thick, pigmented strokes of green and brown paint. Marking the last decade of the artist’s engagement with figurative painting, Mondrian's exploration of the interrelationships between colour and space during this period forms the basis for his subsequent abstract works, whilst reflecting the artist’s lifelong interest in nature.
£18.00
Rizzoli International Publications Peter Doig
In every generation of artists, there are a few who propose a new set of ques- tions and alter the way we understand art. Peter Doig is such an artist. This handsome monograph considers the painter's entire career, beginning with the early work produced in the 1990s when Doig's enigmatic but wholly new conception of painting was first introduced to audiences. Doig was born to Scottish parents, spent several years as a child in Trinidad, later settling in Canada for his formative early teen years. He found his voice while at art school in London, albeit one that was out of step with the work of the time (much of it installation-based and dripping with neo-conceptualist leanings). He had developed a small following of fellow artists and critics when the rest of the art world caught up and took notice. In 2002, he left London for Trinidad, where he has remained. The small Caribbean island-with its own distinctive light and landscape-has deeply influenced his recent work. This volume was designed in close collaboration with the artist, with a cover and various interior elements created especially by the artist.
£55.22