Search results for ""Author Richard Schickel""

In an unprecedented television program last year, Woody Allen spoke to the camera for the first time about the entire range of his work, in an interview with Richard Schickel, the distinguished film critic and historian. Mr. Allen talked about how he does it, why he does it, its roots in his early life, and his current thinking about the state of his art. The result Woody Allen: A Life in Film, was one of the most popular and critically acclaimed programs in the history of Turner Classic Movies. But the presentation contained only a small fraction of Mr. Schickel's four-hour interview with the famed writer-director-actor. This new book reprints the complete conversation between the two men and includes a long essay of introduction by Mr. Schickel, which places Woody Allen's entire career in critical perspective. Readers will find Mr. Allen's reflections on his major preoccupations—the battle of the sexes; the conflict between reality and fantasy in his major films; mortality, religion, and the role that chance plays in the unfolding of our lives. The book also offers insights into Mr. Allen's working methods as a writer and the growth of his skills as a director, as well as his assessment of himself as an actor and his surprising views of his long life in the public eye. Brief but sharply honed, Woody Allen: A Life in Film is an essential book for anyone seeking to understand the life and times of one of the most important and least understood American filmmakers of our era.

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At age twenty-eight, Charlie Chaplin was a millionaire and one of the world's most famous personalities. He had grown rich playing the poorest of men. He was to go on playing unforgettable characters in timeless films, but now the psychology of celebrity began both to drive and to damage his creativity. Richard Schickel, the distinguished film critic, has called Chaplin the first victim of modern celebrity culture, “driven by his relentless ego, by his helpless need for an audience to dominate, to lead. All the tragedies of his life stemmed from those drives and needs.” Mr. Schickel is the rarest of Chaplin enthusiasts, an unabashed fan who can celebrate the object of his affection without looking away when his subject deserves a poking. In this indispensable collection of some thirty essays, he has selected the most provocative and insightful criticisms of Chaplin's life and work, from the great comedian's beginnings through his early features, his mid-life crisis, and his late films. The contributors include Andrew Sarris, David Thomson, Andre Bazin, Gilbert Seldes, Alistair Cooke, Frances Hackett, Robert E. Sherwood, Stark Young, Penelope Gilliatt, Edmund Wilson, Stanley Kauffmann, Alexander Woollcott, George Jean Nathan, Winston Churchill, Max Eastman, Graham Greene, Otis Ferguson, James Agee, Dwight Macdonald, Robert Warshow, Walter Kerr, J. Hoberman, and others. Mr. Schickel, the last critic to study Chaplin intensively (for his award-winning documentary of a year ago), offers a long Introduction.

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The most important criticism of the great comedian's work, including pieces by Andrew Sarris, David Thomson, Gilbert Seldes, Alistair Cooke, Robert E. Sherwood, Stark Young, Edmund Wilson, Stanley Kauffmann, Alexander Woollcott, George Jean Nathan, Max Eastman, Robert Warshow, Water Kerr, and James Agee. Richard Schickel, one of our outstanding film critics, has written a long introduction. Praise for Schickel's Chaplin documentary: An invaluable critic and historian.... Schickel's film...is like a course in cultural history taught by a witty, slightly dyspeptic professor.-A. O. Scott, New York Times

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This book reprints a four-hour conversation between Mr. Schickel and Mr. Allen and includes a long essay of introduction by Mr. Schickel, which places Woody Allen's entire career in critical perspective, as well as a complete filmography. Readers will find Mr. Allen's reflections on his major preoccupations—the battle of the sexes; the conflict between reality and fantasy in his major films; mortality, religion, and the role that chance plays in the unfolding of our lives. The book also offers insights into Mr. Allen's working methods as a writer and the growth of his skills as a director.

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Double Indemnity was a key film in the definition of the genre that came to be known as film noir.

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In absorbing essays on books about film, the distinguished critic Richard Schickel offers more insights into moviemaking on every page than a reader will find in an entire shelf of film encyclopedias. His trenchant observations about films, actors, directors, producers, and the machinations of an always fascinating industry are consistently authoritative and entertaining. Here are charming but clear-eyed appraisals of Hollywood's major players, its low comedy and high self-regard, its bedrock of bourgeois values, its strange and convoluted affair with sex, and its relentless drive to give the customers what they want, regardless of critical failings. Film on Paper promises to be one of the most enjoyable movie books of the year.

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