Search results for ""Author Richard K. Wolf""

Based on extensive field research in India and Pakistan, this new study examines the ways drumming and voices interconnect over vast areas of South Asia and considers what it means for instruments to be voice-like and carry textual messages in particular contexts. Richard K. Wolf employs a hybrid, novelistic form of presentation, in which a fictional protagonist interacts with Wolf's field consultants, to communicate ethnographic and historical realities that transcend the local details of any one person's life. The narrative explores how the themes of South Asian Muslims and their neighbors coming together, moving apart, and relating to God and spiritual intermediaries resonate across ritual and expressive forms such as drumming and dancing. Wolf weaves in the story of a family led by Ahmed Ali Khan, a North Indian ruler who revels in the glories of 19th century life, when many religious communities joined together harmoniously in grand processions. His journalist son Muharram Ali obsessively scours the subcontinent in pursuit of a music he naively hopes will dissolve religious and political barriers. The story charts the breakdown of this naiveté. A daring narrative of music, religion and politics in late twentieth century South Asia, The Voice in the Drum delves into the social and religious principles around which Muslims, Hindus, and others bond, create distinctions, reflect upon one another, or decline to acknowledge differences.

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Based on extensive field research in India and Pakistan, this new study examines the ways drumming and voices interconnect over vast areas of South Asia and considers what it means for instruments to be voice-like and carry textual messages in particular contexts. Richard K. Wolf employs a hybrid, novelistic form of presentation, in which a fictional protagonist interacts with Wolf's field consultants, to communicate ethnographic and historical realities that transcend the local details of any one person's life. The narrative explores how the themes of South Asian Muslims and their neighbors coming together, moving apart, and relating to God and spiritual intermediaries resonate across ritual and expressive forms such as drumming and dancing. Wolf weaves in the story of a family led by Ahmed Ali Khan, a North Indian ruler who revels in the glories of 19th century life, when many religious communities joined together harmoniously in grand processions. His journalist son Muharram Ali obsessively scours the subcontinent in pursuit of a music he naively hopes will dissolve religious and political barriers. The story charts the breakdown of this naiveté. A daring narrative of music, religion and politics in late twentieth century South Asia, The Voice in the Drum delves into the social and religious principles around which Muslims, Hindus, and others bond, create distinctions, reflect upon one another, or decline to acknowledge differences.

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Kay Kaufman Shelemay’s impact as a mentor and colleague to a generation of scholars shines brightly in this wide-ranging edited collection. Shelemay took the field of ethnomusicology by storm with her bold and historically rich ethnography of Ethiopian Jewish music, pioneering the field of musical diaspora studies. Her investigation of musical communities—emphasizing memory, mobility, and the shifting of boundaries—has inspired many of the authors of this volume.The essays treat such diverse topics as cantorial life in America, gender and fertility among Ethiopians in Israel, transnational performance itineraries of griots and Korean drummers, and video games. This volume embraces Western art music, American music, African music, music and ritual, the performing body, and the internet. The seamless flow between ethnomusicology and historical musicology in this volume will interest a wide range of music scholars for generations to come.

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