Search results for ""Author Rebekah Rutkoff""

In a career spanning five decades, Robert Beavers has distinguished himself as one of the most important American avant-garde filmmakers. From My Hand Outstretched to the Winged Distance and Sightless Measure, his cycle of 18 films made across Europe since 1967, to Pitcher of Colored Light (2007) and The Suppliant (2010), intimate portraits shot in the U.S., Beavers has produced a deeply original film language framed by his use of colored filters and mattes. His investigations of the handwork of anonymous artisans complement his dialogues with Ruskin, Leonardo, and Borromini in Ruskin (1975/1997), From the Notebook of… (1971/1998), and The Hedge Theater (1986/2002). This volume contains critical investigations of Beavers' most important films and a collection of the filmmaker's own writings. Occupying a unique space between poetry and philosophy, his aphoristic meditations vivify his own work and generously illuminate the art of film.

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A lavishly illustrated inside account of one of avant-garde film’s most original outsiders, the filmmaker Robert Beavers.Double Vision is a beautifully written work of biography and criticism that tells the inside story of Robert Beavers (b. 1949), a major American avant-garde filmmaker. Until now, Beavers’s dramatic life of itinerant self-imposed exile and resistance to commercial circulation has obscured his recognition as one of today’s most significant living filmmakers. In Double Vision, Rebekah Rutkoff—the first scholar to have full access to Beavers’s writing archive—pulls back the curtain to shed light on this deeply original underground figure and reveal the way Beavers’s films explore non-optical seeing—awareness itself—as an outcome of cinematic sight.Born in the United States, Beavers moved to Europe as a teenager with his partner, filmmaker Gregory Markopoulos, in 1967. Over the foll

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