Search results for ""Author Rachel Robison-Greene""

Conspiracy theories have become a major element in modern opinion formation. From the theory that the killing of President Kennedy was masterminded by a powerful conspiracy to the theory that 9/11 was an inside job, from the story that Barack Obama wasn’t born in America to the story that Donald Trump was a Russian asset, conspiracy theories have become a major element in opinion formation and an ever-present influence, sometimes open, sometimes hidden, on the daily headline news. In Conspiracy Theories, philosophers of diverse backgrounds and persuasions focus their lenses on the phenomenon of the conspiracy theory, its psychological causes, its typical shape, and its political consequences. Among the questions addressed: ● What’s the formula for designing a contagious conspiracy theory? ● Where does conspiracy theorizing end and investigative reporting begin? ● What can we learn about conspiracy theories from the three movie treatments of the Kennedy assassination (The Parallax View, JFK, and Interview with the Assassin)? ● Does political powerlessness generate conspiracy theories? ● Is conspiracy theorizing essentially an instinct that lies behind all belief in religion and all striving for a meaningful life? ● Can we find conspiracy theories in all political movements for centuries past? ● What are the most common types of fallacious reasoning that tend to support conspiracy theories? ● Is there a psychological disorder at the root of conspiracy theories? ● Why is the number of flat-earthers growing?

Read more less

This collection of 18 chapters by talented philosophical minds probes some of the many lessons to be learned from Orange Is the New Black. The show and the book that inspired it both dramatically highlight the troubling, stressful situation of millions of incarcerated Americans. How do the show's shower scenes shed light on the classical mind-body problem? How can we make our lives meaningful when our options are curtailed by authority? What does it mean to manipulate someone, and why is it bad? What can we learn about human beliefs from Pennsatucky's notion of the gay agenda? Is Litchfield Prison a preparation for life outside -- or just a scale model of life outside? What could the governors of Litchfield learn from Jeremy Bentham and his panopticon? How is it that even in prison we find ourselves condemned to be free? Why is one of the worst things about prison being forced to see who and what we really are? It so happens that life in prison is overfull of philosophical implications. Orange Is the New Black and Philosophy stays close to the characters and scenes of the TV show, applying insights from ethics, existentialism, metaphysics, epistemology, and political philosophy.

Read more less

Microchips, government-replaced bird drones, QAnon and vaccine tracers: these are just a few of the most common conspiracies we have heard over and over again throughout most of 2020-2021's news cycles. There are common categories of conspiracy theories, variants of which pop up over and over again, and new and outrageous theories that seemingly appear overnight. While most of them are easily debunked, conspiracy theories and their root causes can be used to closely track people’s most significant philosophical concerns at a point in time. In this up-to-date study of conspiracy theories, the authors look at the history of conspiracy theories, discuss the history and hallmarks of such theories, and examine what counts as a conspiracy theory--and what doesn’t.

Read more less

In American Horror Story and Philosophy, philosophers with varying backgrounds and interests explore different aspects of this popular “erotic thriller” TV show, with its enthusiastic cult following and strong critical approval. The result is a collection of intriguing and provocative thoughts on deeper questions prompted by the creepy side of the human imagination. As an “anthology show,” American Horror Story has a unique structure in the horror genre because it explores distinct subgenres of horror in each season. As a result, each season raises its own set of philosophical issues. The show’s first season, Murder House, is a traditional haunted house story. Philosophical topics expounded here include: the moral issues pertaining to featuring a mass murderer as one of the season’s main protagonists; the problem of other minds—when I see an old hag, how can I know that you don’t see a sexy maid? And whether it is rationally justified to fear the Piggy Man. Season Two, Asylum, takes place inside a mid-twentieth-century mental hospital. Among other classic horror subgenres, this season includes story lines featuring demonic possession and space aliens. Chapters inspired by this season include such topics as: the ethics of investigative reporting and whistleblowing; personal identity and demonic possession; philosophical problems arising from eugenics; and the ethics and efficacy of torture. Season Three, Coven, focuses on witchcraft in the contemporary world. Chapters motivated by this season include: sisterhood and feminism as starkly demonstrated in a coven; the metaphysics of traditional voodoo zombies (in contrast to the currently fashionable “infected” zombies); the uses of violent revenge; and the metaphysics of reanimation. Season Four, Freak Show, takes place in a circus. Philosophical writers look at life under the Big Top as an example of “life imitating art”; several puzzles about personal identity and identity politics (crystallized in the two-headed girl, the bearded lady, and the lobster boy); the ethical question of honor and virtue among thieves; as well as several topics in social and political philosophy. Season Five, Hotel, is, among other disturbing material, about vampires. Chapters inspired by this season include: the ethics of creating vampire progeny; LGBT-related philosophical issues; and existentialism as it applies to serial killers, Season Six, Roanoke, often considered the most creative of the seasons so far, partly because of its employment of the style of documentaries with dramatic re-enactments, and its mimicry of The Blair Witch Project and Paranormal Activity. Among the philosophical themes explored here are what happens to moral obligations under the Blood Moon; the proper role of truth in storytelling; and the defensibility of cultural imperialism.

Read more less