Search results for ""Author Pierluigi Serraino""

A captivating history of 20th-century Modern American architecture, as seen through the eyes of a legendary photographer It is impossible to overstate the importance of photography's role in shaping the world's perception of architecture. And towering above the ever-growing crowd of image-makers is Ezra Stoller, an architectural photographer of immeasurable consequence in documenting the history of modern architecture – both known and unknown – in the United States and beyond. This book is one of the first to present the breadth of Stoller's largely unseen archive of images, brought to life through exquisite color and duotone black-and-white reproductions.

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Visionary landscape architecture and garden design at mid-century in North America is captured by the greats of the era, including Julius Shulman and Ezra Stoller in many previously unpublished photographs.

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​The buildings burned in our memories, which to us represent the spirit of ’50s and ’60s architectural design, were those whose pictures were widely published in magazines and books; but what about those that got lost in the process, hardly or never appearing in publication? The exchange of visual information is crucial to the development, evolution, and promotion of architectural movements. If a building is not widely seen, its photograph rarely or never published, it simply does not enter into architectural discourse. Many buildings photographed by Julius Shulman suffered this fate, their images falling into oblivion. With this book, TASCHEN brings them to light, paying homage to California Modernism in all its forms. The abandoned files of Julius Shulman show us another side of Modernism that has stayed quiet for so many years. Bringing together nearly 300 forgotten masterpieces, Modernism Rediscovered pays tribute to these lesser known yet outstanding contributions to the modern architectural movement. It’s like sneaking into a private history, into homes that have rarely been seen and hardly appreciated as of yet.

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With offices in San Francisco and Sacramento, Dreyfuss + Blackford Architecture has 48 employees and has been in continuous operation since 1950. The firm achieved international recognition early on with the design of several notable game-changing landmark structures, including the recently rehabilitated SMUD Headquarters Building in Sacramento, CA. This project recently received the California Preservation Foundation’s 2020 Preservation Design Award as well as the Trustee’s Award for Excellence. Now in their seventh decade, they continue to be one of the preeminent architectural firms in the region, providing architecture, planning, and interiors services to a broad spectrum of public and private sector clients. Their unwavering commitment to design excellence is reflected in the quality of their built work. They believe great planning is about more than how people use the spaces they create — it’s how they feel inside of them. Positive experience provides the space for engagement and positive communication — resulting in an opportunity for making change in the world through the sharing of knowledge and collective experience. When they combine this understanding with a consistent pattern of outstanding design and efficient construction, the structures can provide lasting aesthetic quality and durability for generations. The firm has been recognised for design at local, state, and national levels with more than 150 awards over its 71-year history. This book celebrates 70 years of outstanding design by Dreyfuss + Blackford Architecture. It starts with historical milestones, shows some examples of process and practice, and concludes with a few consequential recent projects.

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The creator of the ubiquitous Knoll “Tulip” chairs and tables, Eero Saarinen (1910–1961) was one of the 20th century’s most prominent space shapers, merging dynamic forms with a modernist sensibility across architecture and design. Among Saarinen’s greatest accomplishments are Washington D.C.’s Dulles International Airport, the very sculptural and fluid TWA terminal at JFK Airport in New York, and the 630 ft. (192 m) high Gateway Arch of St. Louis, Missouri, each of them defining structures of postwar America. Catenary curves were present in many of his structural designs. During his long association with Knoll, Saarinen’s other famous furniture pieces included the “Grasshopper” lounge chair and the “Womb” settee. Married to Aline Bernstein Saarinen, a well-known critic of art and architecture, Saarinen also collaborated with Charles Eames, with whom he designed his first prize-winning chair. With rich illustration tracing his life and career, this introduction follows Saarinen from his studies across his training all the way to his most prestigious projects, and explores how each of his designs brought a new dimension to the modernist landscape.

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