Search results for ""Author Peter Murray""

The proposals in London of the Future aim to predict and prescribe how the metropolis might be governed, organized, and designed in years to come and to provoke debate among planners, architects, and developers. Over the course of eighteen essays, experts in various fields - engineering, urbanism, architecture, manufacturing, futurology, journalism, and more - examine possibilities for reimagining and improving many aspects of the city. These writers consider changes both radical and minor that could shape London into a more resilient city and a fairer, healthier place to live. The architectural commentator Peter Murray provides an engaging introduction. Discussing some of the more interesting and, in some cases, eccentric proposals of the earlier book, he paves the way for an entirely new and up-to-date collection of ideas for the twenty-first century and beyond. The architectural critic and consultant Hugh Pearman ponders the dangers and uses of prediction while proposing that London be improved and made more liveable, rather than expanded and developed. The architect Carolyn Steel continues the focus on making the city a more pleasant place to live by discussing the future of its food supplies, considering the place of farming within the city's boundaries to spearhead urban renewal in a newly environmental age. The engineer Roma Agrawal advocates increasing cross-disciplinary understanding in the building and engineering world so that tomorrow's engineers can be curious without boundaries. Yvonne Farrell and Shelley McNamara of the architectural practice Grafton interrogate the meaning of permanence, and what London's inhabitants will need from their buildings, and the urbanist Kat Hanna discusses the future of two of London's identities: the Central Business District and the Financial Services Hub. Mark Brearley, an architect and proprietor of a long-established London manufacturer, writes on the subject of the local high street and how the city is strengthened by these social, commercial hubs. Gillian Darley, a writer and historian, looks at the future of heritage, and how the city's past can be conserved and contribute towards its future. Sarah Ichioka is an environmental and social consultant, and her approach focuses on the climate emergency and natural solutions to make the city more resilient. The architect Indy Johar puts forward radical ideas about the shift that is required of all London's inhabitants if the city is to transform itself for the future, and Smith Mordak, an architect and engineer with Buro Happold, advocates for large infrastructural changes for sustainability. The cultural practitioner and writer Yasmin Jones-Henry, meanwhile, advocates for the value of cultural activities, powered by diversity, while the theatre director Jude Kelly calls for London's broadly inclusive cultural past to be put at the centre of future plans, and imagines a place for AI in that future. Dame Baroness Lawrence, a campaigner who has promoted reforms in the police service, uses housing, education, policing, and racial equality to put forward her vision for a more equitable London. The journalist Anna Minton sets the extraordinarily high values of property in certain areas of the city against the crisis of social housing and the poor quality of low-income housing and asks how the problem of housing inequality can be solved. The architect Claire Bennie also examines how housing can be made fairer and available to more people. The futurologist Mark Stevenson, meanwhile, imagines a commercial, building-focused solution to the problem of climate change, while the journalist Tony Travers imagines London's future in relation to its survival of past crises. Neal Shashore, an architectural historian, focuses on the approach to educating future designers of the capital, to champion inclusivity and focus on the needs of people and communities. As part of the London Society's growing role to campaign for a better London, the proposals in this book aim to influence the discourse of politicians and local authorities and to provoke debate among architects, developers, and planners. But it will also provide food for thought more generally, in a world where change will be required of everyone.

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The only book that brings together all London's historic and contemporary Great Estates - documents a remarkable history, unique to England but with lessons for landowners and communities around the world. - Shows how they shape the way development takes place in England providing essential lessons to all those wishing to understand city planning, whether practitioners or academics. - Provides a model example of corporate modernisation following the impact of leasehold reform. Much of the story of London''s development can be traced through the historic ownership of large pieces of land which, through the ongoing ownership of freehold assets and their lease terms, have created a resilient cycle of change and renewal. Today this long-term attitude to investment, development and management has influenced the development of new large-scale and mixed-use areas of the capital, such as King''s Cross, Canary Wharf, and the Olympic Park. This book provides a comprehensive picture on all of

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After the Second World War the Irish state maintained the high industrial tariffs of the 1930s, despite the inefficiency of its protected industries. Such inefficiency fed into the crisis of economic stagnation and mass emigration that engulfed the Republic in the 1950s. As EEC entry became the state's goal, adapting and upgrading Irish industries for free trade conditions loomed large in the 1960s. These ends were pursued through technical assistance schemes and a productivity drive - innovations introduced to the Irish state by the US Marshall Plan. This book looks at this neglected aspect of post-war Irish history and analyses the social, political and economic effects of the policies pursued.

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Drawing upon a surprising wealth of evidence found in surviving manuscripts, this book restores friars to their rightful place in the history of English health care. Friars are often overlooked in the picture of health care in late medieval England. Physicians, surgeons, apothecaries, barbers, midwives - these are the people we think of immediately as agents of healing; whilst we identify university teachers as authorities on medical writings. Yet from their first appearance in England in the 1220s to the dispersal of the friaries in the 1530s, four orders of friars were active as healers of every type. Their care extended beyond the circle of their own brethren: patients included royalty, nobles and bishops, and they also provided charitable aid and relief to the poor. They wrote about medicine too. Bartholomew the Englishman and Roger Bacon were arguably the most influential authors, alongside the Dominican Henry Daniel. Nor should we forget the anonymous Franciscan compilers of the Tabula medicine, a handbook of cures, which, amongst other items, contains case histories of friars practising medicine. Even after the Reformation, these texts continued to circulate and find new readers amongst practitioners and householders. This book restores friars to their rightful place in the history of English health care, exploring the complex, productive entanglement between care of the soul and healing of the body, in both theoretical and practical terms. Drawing upon the surprising wealth of evidence found in the surviving manuscripts, it brings to light individuals such as William Holme (c. 1400), and his patient the duke of York (d. 1402), who suffered from swollen legs. Holme also wrote about medicinal simples and gave instructions for dealing with eye and voice problems experienced by his brother Franciscans. Friars from the thirteenth century onwards wrote their medicine differently, reflecting their religious vocation as preachers and confessors.

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This magnificant, bestselling reference book finally leaves its old look to join the modern Penguin subject dictionary series. Why exactly did Van Gogh cut off his ear? Was Warhol an original or just a copyist? The answers to all this and more are found in The Penguin Dictionary of Art and Artists, the essential guide to over 700 years of creative endeavour. Each entry features extensive cross-referencing and listings of galleries where the artist’s work can be seen.

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ART AND ARCHITECTURE OF IRELAND is an authoritative and fully illustrated survey that encompasses the period from the early Middle Ages to the end of the 20th century. The five volumes explore all aspects of Irish art – from high crosses to installation art, from illuminated manuscripts to Georgian houses and Modernist churches, from tapestries and sculptures to oil paintings, photographs and video art. This monumental project provides new insights into every facet of the strength, depth and variety of Ireland’s artistic and architectural heritage. TWENTIETH CENTURY An examination of the works of art created in twentieth-century Ireland and the critical contexts from which they came. Focusing on painting, photography and new media, rather than on sculpture, this volume considers the work of conceptual and digital artists as well as those who have used more traditional approaches. Definitive biographies of many of the key artist of the era are included, and the volume also addresses the main political and social issues that lay behind twentieth century Irish art. Through its many fine illustrations, it recreates the vibrancy of the art world of the period.Published for the Paul Mellon Centre for Studies in British Art in association with the Royal Irish Academy

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Johnnie Cooper: Sunset Strip is the first monograph of the British artist's work, joining a curatorial initiative over recent decades to undertake important re-evaluations of the careers of important twentieth- and twenty-first-century artists such as Tess Jaray, William Turnbull and Cuban-born, American Minimalist artist Carmen Herrera. Johnnie Cooper has, for the past half-century, devoted himself to a tireless investigation into the nature and potential of painting in his rural Worcestershire studio, constantly exploring new principles and processes. This book provides an opportunity to explore the development of Cooper's practice, from the figurative totems sculpted in his student days to the rich, Abstract Expressionist works of the 1980s and the Minimalist, gestural works on paper of the past decade. Johnnie Cooper: Sunset Strip charts the journey of his signature investigations into colour, line and form. Born in Wolverhampton, UK, Cooper attended the sculpture course at Staffordshire College of Art, run by internationally renowned sculptor Stuart Osborne. After completing a postgraduate year at Staffordshire University in Fine Art Sculpture, Cooper was awarded a travel bursary and also won a prestigious grant from the Gulbenkian Society to study in Florence. As well as exhibiting in mixed shows throughout the UK over the past 40 years, Cooper has recently shown work in Dallas and Shanghai, and is held in numerous private collections. Cooper has also exhibited with the Free Painters and Sculptors Society, and at the Manchester Academy of Fine Art, the Mall Galleries and the Royal Academy.

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The immense power the Catholic Church once wielded in Ireland has considerably diminished over the last fifty years. During the same period the Irish state has pursued new economic and social development goals by wooing foreign investors and throwing the state's lot in with an ever-widening European integration project. How a less powerful church and a more assertive state related to one another during the key third quarter of the twentieth century is the subject of this book. Drawing on newly available material, it looks at how social science, which had been a church monopoly, was taken over and bent to new purposes by politicians and civil servants. This case study casts new light on wider processes of change, and the story features a strong and somewhat surprising cast of characters ranging from Sean Lemass and T.K. Whitaker to Archbishop John Charles McQuaid and Father Denis Fahey.

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In his Lives of the Artists of the Italian Renaissance, Vasari demonstrated a literary talent that outshone even his outstanding abilities as a painter and architect.Through character sketches and anecdotes he depicts Piero di Cosimo shut away in his derelict house, living only to paint; Giulio Romano's startling painting of Jove striking down the giants; and his friend Francesco Salviati, whose biography also tells us much about Vasari's own early career. Vasari's original and soaring vision plus his acute aesthetic judgements have made him one of the most influential art historians of all time.

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The Oxford Dictionary of Christian Art and Architecture explains a wide range of terms used in the study of the history of Christian art and architecture including subjects, topics, themes, artists, works, movements, and buildings. This long-awaited new edition of Peter and Linda Murray's classic text continues to provide an invaluable, authoritative, and engaging guide to interpreting Christian Art both for students and teachers of the subject, as well as non-specialists or those without a formal education in Christianity. The new editor, the Reverend Tom Devonshire Jones, has been aided by over a dozen expert contributors, fully updating the text for the new century. Areas that have been expanded upon include the artwork, artists, and innovations of the 19th, 20th, and 21st centuries (such as the relationship between Christianity and film). Coverage includes art from around the world, with new entries upon the Christian art of North America, Latin America, Australasia, and of the non-Western world, as well as Christian artistic interactions with other religions, including Judaism and Islam. The detailed bibliography has been heavily revised and updated, increasing the number of sources cited and expanding on sources relevant to the study of non-traditional Christian art. The updated bibliography will be placed on a companion webpage to the Dictionary, which will also feature an appendix of web links to sites of relevant interest.

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