Search results for ""Author Paul Ricoeur""

How do human beings become human? This question lies behind the so-called �human sciences.� But these disciplines are scattered among many different departments and hold up a cracked mirror to humankind. This is why, in the view of Paul Ricoeur, we need to develop a philosophical anthropology, one that has a much older history but still offers many untapped resources. This appeal to a specifically philosophical approach to questions regarding what it was to be human did not stop Ricoeur from entering into dialogue with other disciplines and approaches, such as psychoanalysis, history, sociology, anthropology, linguistics and the philosophy of language, in order to offer an up-to-date reflection on what he saw as the fundamental issues. For there is clearly not a simple, single answer to the question �what is it to be human?� Ricoeur therefore takes up the complexity of this question in terms of the tensions he sees between the �voluntary� and the �involuntary,� �acting� and �suffering,� �autonomy� and �vulnerability,� �capacity� and �fragility,� and �identity� and �otherness.� The texts brought together in this volume provide an overall view of the development of Ricoeur�s philosophical thinking on the question of what it is to be human, from his early 1939 lecture on �Attention� to his remarks on receiving the Kluge Prize in 2004, a few months before his death.

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Paul Ricoeur (1913-2005) was one of the outstanding French philosophers of the 20th century and his work is widely read in the English-speaking world. This unique volume comprises the lectures that Ricoeur gave on Plato and Aristotle at the University of Strasbourg in 1953-54. The aim of these lectures is to analyse the metaphysics of Plato and Aristotle and to discern in their work the ontological foundations of Western philosophy. The relation between Plato and Aristotle is commonly portrayed as a contrast between a philosophy of essence and a philosophy of substance, but Ricoeur shows that this opposition is too simple. Aristotelian ontology is not a simple antithesis to Platonism: the radical ontology of Aristotle stands in a far more subtle relation of continuity and opposition to that of Plato and it is this relation we have to reconstruct and understand. Ricoeur’s lectures offer a brilliant analysis of the great works of Plato and Aristotle which has withstood the test of time. They also provide a unique insight into the development of Ricoeur’s thinking in the early 1950s, revealing that, even at this early stage of his work, Ricoeur was focused sharply on issues of language and the text.

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The most accessible of Ricoeur's early texts, Fallible Man offers an introduction to phenomenological method.

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In this new book Paul Ricoeur - one of the greatest contemporary philosophers - offers a personal reflection on his life and on the themes which have preoccupied him over the course of his career. Ranging across topics in ethics and metaphysics, psychoanalysis and hermeneutics, history, politics and religion, Critique and Conviction provides unique insight into the ideas and sources of influence which have shaped Ricoeur's philosophical approach and defined his core concerns. Ricoeur also discusses in detail a number of topics about which he has not written extensively before, including questions of aesthetics and current affairs. This remarkable testimony by one of the leading philosophers of the twentieth century will be of great interest to students of philosophy, theology, literary theory and social and political theory.

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Paul Ricoeur's Freud and Philosophy was a major reinterpretation of psychoanalysis and its philosophical significance, but Ricoeur also wrote many important articles on similar themes. This volume makes available some of his key writings on Freud and psychoanalysis: together with Freud and Philosophy, they form a major part of his philosophical legacy. What kind of science is psychoanalysis? What kind of truth does it offer and what kind of proof does it provide? What does the concrete practice of psychoanalysis consist of? What can it tell us about creativity and the work of art? What is its place within our culture and how can it transform culture? What is the role of narrative in psychoanalysis? Ricoeur reading Freud: this could have been the title of this volume, in which the focus is on the actual work of Freud and not on subsequent commentaries. An open reading of intellectual integrity. A critical reading which shuns definitive positions. A reading to understand Freud. This book - the first volume of Ricoeur's writings and lectures - brings together texts which appeared between 1966 and 1988. It is published under the auspices of Le Fonds Ricoeur.

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Paul Ricoeur’s contribution to the theory of interpretation, or hermeneutics, is considerable: he ranks among the masters of this discipline alongside Schleiermacher, Dilthey, Heidegger and Gadamer. In addition to major works like The Conflict of Interpretations, he wrote many articles and shorter texts which deserve to be discovered and rediscovered. These allow us to gain a deeper understanding of the development of his work over time and to appreciate the full range of his contribution. Some of the texts examine the nature of metaphor while others guide the reader through the many challenges of the hermeneutic problem - from the symbol to the text, then to the text as action, taking full account of the ethical implications. Here one encounters Ricoeur’s reflections on the future of hermeneutics and his abiding concern to explore the relations between hermeneutics and analytical philosophy. Ricoeur’s contribution to biblical hermeneutics has also been decisive. Two masterful studies in this volume attest to Ricoeur’s attempt to explore the relations between revelation and truth, on the one hand, and between myths of salvation and reason, on the other. This book - the second volume of Ricoeur’s writings and lectures - brings together texts which appeared between 1972 and 2006. It is published under the auspices of Le Fonds Ricoeur.

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The philosophy of Paul Ricoeur is rarely viewed through the lens of political philosophy, and yet questions of power, and of how to live together in the polis, were a constant preoccupation of his writings. This volume brings together a selection of his texts spanning six decades, from 1958 to 2003, which together present Ricoeur’s political project in its coherence and diversity. In Ricoeur’s view, the political is the realm of a tension between “rationality” (the attempt to provide a coherent explanation of the world) and “irrationality,” which manifests itself in force and repression. This “political paradox” lies at the heart of politics, for the claim to explain the world generates its own form of violence: the more one desires the good, the more one is inclined to impose it. Ricoeur warns citizens, the guardians of democracy, against any totalizing system of thought and any dogmatic understanding of history. Power should be divided and controlled, and Ricoeur defends a form of political liberalism in which states are conscious of the limits of their power and respectful of the freedom of their citizens. Ranging from questions of power and repression to those of ethics, identity, and responsibility, these little-known political texts by one of the leading philosophers of the twentieth century will be of interest to students and scholars of philosophy, politics, and theology and to anyone concerned with the great political questions of our time.

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In this series of interviews and dialogues which took place between 1981 and 2003, Paul Ricoeur addresses some of the central questions of political philosophy and ethics: justice, violence, war, the environmental crisis, the question of evil, ethical and political action in the polis. Philosophical issues are brought to bear on present-day concerns and the practical realities of contemporary politics. How can the philosopher speak about politics without claiming superior insight or a higher order of knowledge? Ricoeur distinguishes three levels of society: ‘tools’ (modes of production and the accumulation of technology), ‘institutions’ (which are tied to national cultures) and ‘values’ (which claim to be universal). The philosopher’s task is to probe each of these levels and open up spaces for reflection, criticism and democratic deliberation. It is to explore the paradoxes of the political rather than invoking certainties dictated by conscience. Just as there no longer exists a grand narrative about the past, so too there is no longer any utopia capable of projecting the desired future. What remains is human creativity, which marks the source common to the institutional frameworks that are already present and the horizons that extend beyond them. The philosopher’s engagement lies in the promise to revive this source at the very moment it appears to dry up under the weight of the real. This volume of interviews and dialogues with one of the most important French philosophers of the post-war period will be of interest to anyone interested in the great political and ethical questions of our time.

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In this series of interviews and dialogues which took place between 1981 and 2003, Paul Ricoeur addresses some of the central questions of political philosophy and ethics: justice, violence, war, the environmental crisis, the question of evil, ethical and political action in the polis. Philosophical issues are brought to bear on present-day concerns and the practical realities of contemporary politics. How can the philosopher speak about politics without claiming superior insight or a higher order of knowledge? Ricoeur distinguishes three levels of society: ‘tools’ (modes of production and the accumulation of technology), ‘institutions’ (which are tied to national cultures) and ‘values’ (which claim to be universal). The philosopher’s task is to probe each of these levels and open up spaces for reflection, criticism and democratic deliberation. It is to explore the paradoxes of the political rather than invoking certainties dictated by conscience. Just as there no longer exists a grand narrative about the past, so too there is no longer any utopia capable of projecting the desired future. What remains is human creativity, which marks the source common to the institutional frameworks that are already present and the horizons that extend beyond them. The philosopher’s engagement lies in the promise to revive this source at the very moment it appears to dry up under the weight of the real. This volume of interviews and dialogues with one of the most important French philosophers of the post-war period will be of interest to anyone interested in the great political and ethical questions of our time.

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The essays in this collection by the noted French philosopher Paul Ricoeur grew out of a series of invited lectures given in France on the question of the nature of justice and the law at the Institut des Hautes Etudes pour a Justice in Paris. Gathered under the title "The Just", the essays represent a sustained reflection on the relation between the concept of the juridical - as embedded in written laws, tribunals, judges and verdicts - and the philosophical concept of right, situated between moral theory and politics. In political philosophy, Ricoeur argues, the question of right is obscured by the haunting presence of historical evil. In a philosophy of right, on the other hand, the leading theme is peace. Building on the framework established in his earlier work, "Oneself as Another", Ricoeur shifts his focus from political considerations to those having to do with the juridical dimension of the problem of justice. Fleshing out this framework, Ricoeur revisits the work of Plato, Aristotle and Kant in his engagements with contemporary thinkers, particularly John Rawls, Michael Walzer, Hannah Arendt and Ronald Dworkin. His thought ranges from conceptual analysis, to the theory of law, and finally to the act of judging, exploring the ideas of sanction, rehabilitation, pardon and the status of conscience in relation to the demands of the law. A valuable work for understanding the development of Ricoeur's hermeneutic philosophy and the literary and religious dimensions of his thought, "The Just" should also be of interest to scholars interested in matters of ethics, law and justice.

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Paul Ricoeur has been hailed as one of the most important thinkers of the century. Oneself as Another, the clearest account of his "philosophical ethics," substantiates this position and lays the groundwork for a metaphysics of morals. Focusing on the concept of personal identity, Ricoeur develops a hermeneutics of the self that charts its epistemological path and ontological status.

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The philosophy of Paul Ricoeur is rarely viewed through the lens of political philosophy, and yet questions of power, and of how to live together in the polis, were a constant preoccupation of his writings. This volume brings together a selection of his texts spanning six decades, from 1958 to 2003, which together present Ricoeur’s political project in its coherence and diversity. In Ricoeur’s view, the political is the realm of a tension between “rationality” (the attempt to provide a coherent explanation of the world) and “irrationality,” which manifests itself in force and repression. This “political paradox” lies at the heart of politics, for the claim to explain the world generates its own form of violence: the more one desires the good, the more one is inclined to impose it. Ricoeur warns citizens, the guardians of democracy, against any totalizing system of thought and any dogmatic understanding of history. Power should be divided and controlled, and Ricoeur defends a form of political liberalism in which states are conscious of the limits of their power and respectful of the freedom of their citizens. Ranging from questions of power and repression to those of ethics, identity, and responsibility, these little-known political texts by one of the leading philosophers of the twentieth century will be of interest to students and scholars of philosophy, politics, and theology and to anyone concerned with the great political questions of our time.

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Recognition, though it figures profoundly in our understanding of objects and persons, identity and ideas, has never before been the subject of a single, sustained philosophical inquiry. This work, by one of contemporary philosophy’s most distinguished voices, pursues recognition through its various philosophical guises and meanings—and, through the “course of recognition,” seeks to develop nothing less than a proper hermeneutics of mutual recognition.Originally delivered as lectures at the Institute for the Human Sciences at Vienna, the essays collected here consider recognition in three of its forms. The first chapter, focusing on knowledge of objects, points to the role of recognition in modern epistemology; the second, concerned with what might be called the recognition of responsibility, traces the understanding of agency and moral responsibility from the ancients up to the present day; and the third takes up the problem of recognition and identity, which extends from Hegel’s discussion of the struggle for recognition through contemporary arguments about identity and multiculturalism. Throughout, Paul Ricoeur probes the significance of our capacity to recognize people and objects, and of self-recognition and self-identity in relation to the gift of mutual recognition. Drawing inspiration from such literary texts as the Odyssey and Oedipus at Colonus, and engaging some of the classic writings of the Continental philosophical tradition—by Kant, Hobbes, Hegel, Augustine, Locke, and Bergson—The Course of Recognition ranges over vast expanses of time and subject matter and in the process suggests a number of highly insightful ways of thinking through the major questions of modern philosophy.

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At the time of his death in 2005, French philosopher Paul Ricoeur was regarded as one of the great thinkers of his generation. In more than half a century of writing about the essential questions of human life, Ricoeur's thought encompassed a vast range of wisdom and experience, and he made landmark contributions that would go on to influence later scholars in such areas as phenomenology, hermeneutics, structuralism, and theology. Toward the end of his life, Ricoeur began to focus directly on ethical questions that he feared had been overshadowed by his other work; the result was a two-volume collection of essays on justice and the law. The University of Chicago Press published the English translation of the first volume, "The Just", to great acclaim in 2000. Now this translation of the second volume, "Reflections on the Just", completes the set and makes available to readers the whole of Ricoeur's meditations on the concept. Consisting of fifteen thematically organized essays, "Reflections on the Just" continues and expands on the work Ricoeur began with his "little ethics" in "Oneself as Another" and "The Just". In the preface, he considers what revisions he would make were he to start over and how that is reflected in these essays. The opening part brings phenomenology to bear on ethics; the second group of essays comprises shorter, occasional pieces considering the concept of justice in the works of other philosophers, including Max Weber and Charles Taylor. The final part turns to the specific domains of medicine and the law, examining how concepts of right and justice operate in those realms. Cogent, deeply considered, and fully engaged with the realities of the contemporary world, "Reflections on the Just" is an essential work for understanding the development of Ricoeur's thought in his final years.

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This study discusses six crucial passages from the Old Testament, offering a commentary and new insights into their meaning. Employing a historical-critical method, the text takes account of archaeological, philological and historical research. This method is expanded to include the dynamic tradition of reading Scripture, including developments subsequent to the production of the original literary text. Also taken into account is the relation between the texts and the historical communities who read and interpreted them, together with philosophical speculation. The commentaries highlight the metaphorical structure of the passages and how they have served as catalysts for philosophical thinking from the Greeks to the modern age. Reading the Bible through different but complementary perspectives, the book seeks to reveal the familiar texts as vibrant, philosophically consequential and endlessly absorbing. The passages discussed are: the story of Adam and Eve; the commandment "thou shalt not kill"; "the valley of dry bones" passage from Ezekiel; Psalm 22; the "Song of Songs"; and the naming of God in Exodus 3;14.

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In volume 1 of this three-volume work, Paul Ricoeur examined the relations between time and narrative in historical writing. Now, in volume 2, he examines these relations in fiction and theories of literature. Ricoeur treats the question of just how far the Aristotelian concept of "plot" in narrative fiction can be expanded and whether there is a point at which narrative fiction as a literary form not only blurs at the edges but ceases to exist at all. Though some semiotic theorists have proposed all fiction can be reduced to an atemporal structure, Ricoeur argues that fiction depends on the reader's understanding of narrative traditions, which do evolve but necessarily include a temporal dimension. He looks at how time is actually expressed in narrative fiction, particularly through use of tenses, point of view, and voice. He applies this approach to three books that are, in a sense, tales about time: Virgina Woolf's Mrs. Dalloway; Thomas Mann's Magic Mountain; and Marcel Proust's Remembrance of Things Past. "Ricoeur writes the best kind of philosophy—critical, economical, and clear."—Eugen Weber, New York Times Book Review "A major work of literary theory and criticism under the aegis of philosophical hermenutics. I believe that . . . it will come to have an impact greater than that of Gadamer's Truth and Method—a work it both supplements and transcends in its contribution to our understanding of the meaning of texts and their relationship to the world."—Robert Detweiler, Religion and Literature"One cannot fail to be impressed by Ricoeur's encyclopedic knowledge of the subject under consideration. . . . To students of rhetoric, the importance of Time and Narrative . . . is all too evident to require extensive elaboration."—Dilip Parameshwar Gaonkar, Quarterly Journal of Speech

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Time and Narrative builds on Paul Ricoeur's earlier analysis, in The Rule of Metaphor, of semantic innovation at the level of the sentence. Ricoeur here examines the creation of meaning at the textual level, with narrative rather than metaphor as the ruling concern. Ricoeur finds a "healthy circle" between time and narrative: time is humanized to the extent that it portrays temporal experience. Ricoeur proposes a theoretical model of this circle using Augustine's theory of time and Aristotle's theory of plot and, further, develops an original thesis of the mimetic function of narrative. He concludes with a comprehensive survey and critique of modern discussions of historical knowledge, understanding, and writing from Aron and Mandelbaum in the late 1930s to the work of the Annales school and that of Anglophone philosophers of history of the 1960s and 1970s. "This work, in my view, puts the whole problem of narrative, not to mention philosophy of history, on a new and higher plane of discussion."—Hayden White, History and Theory "Superb. . . . A fine point of entrance into the work of one of the eminent thinkers of the present intellectual age."—Joseph R. Gusfield, Contemporary Sociology

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A landmark work, "Memory, History, Forgetting" examines the reciprocal relationship between remembering and forgetting, revealing how this symbiosis influences both the perception of historical experience and the production of historical narrative. A momentous achievement in Ricoeur's career, this book provides the crucial link between his "Time and Narrative" and "Oneself as Another", and his recent reflections on ethics and the problems of responsibility and representation.

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In the first two volumes of this work, Paul Ricoeur examined the relations between time and narrative in historical writing, fiction, and theories of literature. This final volume, a comprehensive reexamination and synthesis of the ideas developed in volumes 1 and 2, stands as Ricoeur's most complete and satisfying presentation of his own philosophy. Ricoeur's aim here is to explicate as fully as possible the hypothesis that has governed his inquiry, namely, that the effort of thinking at work in every narrative configuration is completed in a refiguration of temporal experience. To this end, he sets himself the central task of determing how far a poetics of narrative can be said to resolve the "aporias"—the doubtful or problematic elements—of time. Chief among these aporias are the conflicts between the phenomenological sense of time (that experienced or lived by the individual) and the cosmological sense (that described by history and physics) on the one hand and the oneness or unitary nature of time on the other. In conclusion, Ricoeur reflects upon the inscrutability of time itself and attempts to discern the limits of his own examination of narrative discourse. "As in his previous works, Ricoeur labors as an imcomparable mediator of often estranged philosophical approaches, always in a manner that compromises neither rigor nor creativity."—Mark Kline Taylor, Christian Century "In the midst of two opposing contemporary options—either to flee into ever more precious readings . . . or to retreat into ever more safe readings . . . —Ricoeur's work offers an alternative option that is critical, wide-ranging, and conducive to new applications."—Mary Gerhart, Journal of Religion

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