Search results for ""Author Paul Buhle""

Comics impresario Harvey Peckar brings Terkel's bestselling masterpiece to life in a collection of vibrant, visual comic art that will delight Terkel fans and introduce his work to a whole new audience

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This collection brings together the labor and cultural studies of the author over the past 20 years, during which time the fields of social history, women's history, ethnic studies, public history, and oral history have all been transformed. The essays, some rewritten or newly available and the rest original to this volume, offer important examples of historical analysis, comment on changing scholarly perceptions, and the public uses of history. By drawing upon his own research in popular culture, Yiddish periodicals, interracial unionism, oral history and a variety of other sources, the author demonstrates how the field of labor specialists has become the domain of social historians exploring a rich American past.

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In this history of "business unionism", Paul Buhle and Julius Jacobson explain how trade union leaders in the USA became remote from the workers they claimed to represent, as they allied with the very corporate executives and government officials who persistently opposed labour's interests. At the centre of the tale are three of the most powerful labour leaders of the last century: Samuel Gompers, George Meany and Lane Kirkland, successive presidents of the Federation of Labor and its descendent, the AFL-CIO. Many other labour leaders, from John L. Lewis to Walter Reuther receive in-depth treatment. This work demonstrates how a union hierarchy heavily populated by former radicals thwarted women and people of colour from joining unions, suppressed shop floor militance, and colluded with business and government at home and abroad. Buhle and Jacobson show how these leaders defeated generations of radical union members who sought a more democratic, class-based approach for the movement. The book explains why policies and practices at the highest levels of labour came to be counter-productive to workers' interests - a pattern the authors speculate may have been disrupted by the 1995 election of John Sweeney's "New Slate" in the AFL-CIO.

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Since his murder 50 years ago in Bolivia, Ernesto "Che" Guevara has become a universally known revolutionary icon and political figure whose image is among the most recognizable in the world. This dramatic and extensively researched book breathes new life into his story, portraying his struggle through the medium of the underground political comic - one of the most prominent countercultural art forms since the 1960s. Spain Rodriguez's powerful artwork illuminates Che's life and the experiences that shaped him, from his motorcycle journey through Latin America, his rise to prominence as a leader in Fidel Castro's revolutionary movement, his travels in Africa, his involvement in the insurgency that led to his death in Bolivia, and his extraordinary legacy.

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The countercultures that came to define bohemia spanned the Atlantic, encompassing Walt Whitman's Brooklyn and the Folies Bergère of Josephine Baker, Gertrude Stein's salons and the Manhattan clubs where Dizzy Gillespie made his name. Edited by Paul Buhle and David Berger, Bohemians is the graphic history of this movement and its illustrious figures. The stories collected here revisit the utopian ideas behind millennial communities, the rise of Greenwich Village and Harlem, the multiracial and radical jazz and dance worlds, and the West Coast, Southern, and Midwest bohemias of America, among other radical scenes.Drawn by an all-star cast of comic artists, Bohemians is a broad and entertaining account of the rebel impulse in American cultural history. Featuring work by Spain Rodriguez, Sharon Rudahl, Peter Kuper, Sabrina Jones, David Lasky, Afua Richardson, Lance Tooks, Milton Knight, and more.The ebook edition is expanded from the paperback edition, and includes additional chapters on the swing music scene, La Boheme and midwest bohemians, as well as expanded material on the Greenwich Village intellectuals, Walt Whitman and Harlem jazz club Minton's Playhouse.

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“I believe that Marcuse’s ideas can be as valuable today as they were fifty years ago.”—Angela Y. Davis, from the forewordHerbert Marcuse was one of the twentieth century’s most unlikely pop stars: a celebrity philosopher. In the 1960s, his argument for a “principled utopianism” catalyzed the idealism of a rebellious generation, and Marcuse became an intellectual guide for activists and revolutionaries around the world.From his early studies with Martin Heidegger, to his flight from Nazi Germany with Frankfurt School colleagues, to his status as a countercultural icon, readers are introduced to the development of Marcuse's philosophical theories and the political realities that shaped his work.Marcuse's advocacy for a more humane, sustainable world was grounded in a personal knowledge of authoritarianism's violence, and the risk of its resurgence. Perennially relevant, radical, and inspiring, Marcuse’s concept of a "Great Refusal"—the protest against that which is—is a guide for our times.Praise for Herbert Marcuse, Philosopher of Utopia:"Nick Thorkelson's exploration of the ideas and personality of Herbert Marcuse is exactly the sort of comic book I have longed to read. It is engaging, artful, and explores the world of revolutionary ideas. Books like this keep the fire going inside."—Joe Sacco, author of Footnotes in Gaza"A warm, funny, richly detailed biography. Thorkelson has found a powerful graphic style and narrative voice that animate Marcuse's life and his theory of rebellion. As both personal saga and primer on radical political philosophy, it could not be more relevant to today's resistance movement."—Dan Wasserman, editorial cartoonist for The Boston Globe"Marcuse's energizing sense of critique, hope, politics, and utopian vision are more necessary than ever, especially for the emerging generations of young activists."—Henry A. Giroux, author of American Nightmare: Facing the Challenge of Fascism"A riotous romp through 20th-century philosophy. The story of a man who exists at the eye of storm of ideas, of movements and of social strategies. With workers and students on the streets of Paris once more, Marcuse's life and work has never been more relevant."—Kate Evans, author of Red Rosa: A Graphic Biography"Philosopher of Utopia is art on the attack! A perfect celebration of this unique public intellectual done through a fusion of skill and imagination, Thorkelson's book provides access to the genius and the grit of this master of the dialectic."—Lowell Bergman, Winner of the Pulitzer Prize and Distinguished Chair in Investigative Reporting at UC Berkeley"[This book] confirms my belief that our medium can convey the most complex ideas while being witty and entertaining at the same time."—Sharon Rudahl, author of A Dangerous Woman: A Graphic Biography of Emma Goldman

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When he was summoned before the House Committee on Un-American Activities in 1951, Abraham Lincoln Polonsky (1911-1999) was labeled 'a very dangerous citizen' by Harold Velde, a congressman from Illinois. Lawyer, educator, novelist, labor organizer, radio and television scriptwriter, film director and screenwriter, wartime intelligence operative, and full-time radical romantic, Polonsky was blacklisted in Hollywood for refusing to be an informer. The "New York Times" called his blacklisting the single greatest loss to American film during the McCarthy era, and his expressed admirers include Steven Spielberg, Martin Scorsese, Sidney Lumet, Warren Beatty, and Harry Belafonte. In this first critical and cultural biography of Abraham Polonsky, Paul Buhle and Dave Wagner present both an accomplished consideration of a remarkable survivor of America's cultural cold war and a superb study of the Hollywood left. The Bronx-born son of immigrant parents, Polonsky - in the few years after the end of World War II and just before the blacklist - had one of the most distinguished careers in Hollywood. He wrote two films that established John Garfield's postwar persona, "Body and Soul" (1947), still the standard for boxing films and the model for such movies as "Raging Bull" and "Pulp Fiction"; and "Force of Evil" (1948), the great noir drama that he also directed. Once blacklisted, Polonsky quit working under his own name, yet he proved to be one of television's most talented writers. Later in life he became the most acerbic critic of the Hollywood blacklist's legacy while writing and directing films such as "Tell Them Willie Boy Is Here" (1970). "A Very Dangerous Citizen" goes beyond biography to help us understand the relationship between art and politics in American culture and to uncover the effects of U.S. anticommunism and anti-Semitism. Rich in anecdote and in analysis, it provides an informative and entertaining portrait of one of the most intriguing personalities of twentieth-century American culture.

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C.L.R. James was a protean 20th century Marxist intellectual, widely recognized as a pioneering scholar of slave revolt; a leading voice of Pan-Africanism; a peripatetic revolutionary and scholar who was active in US and UK radical movements; a novelist, playwright, and critic; and one of the premier writers on cricket and sports. This intellectual portrait was written by James's longtime interlocutor and comrade Paul Buhle, and initially published in 1988. With a new final chapter, updated bibliography, a new foreword by historian Robin D.G. Kelley and a new afterword by philosopher Lawrence Ware, this long-awaited revised edition of a classic biography will be a key resource in the James revival.

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The first-ever graphic biography of Paul Robeson, Ballad of an American, charts Robeson’s career as a singer, actor, scholar, athlete, and activist who achieved global fame. Through his films, concerts, and records, he became a potent symbol representing the promise of a multicultural, multiracial American democracy at a time when, despite his stardom, he was denied personal access to his many audiences. Robeson was a major figure in the rise of anti-colonialism in Africa and elsewhere, and a tireless campaigner for internationalism, peace, and human rights. Later in life, he embraced the civil rights and antiwar movements with the hope that new generations would attain his ideals of a peaceful and abundant world. Ballad of an American features beautifully drawn chapters by artist Sharon Rudahl, a compelling narrative about his life, and an afterword on the lasting impact of Robeson’s work in both the arts and politics. This graphic biography will enable all kinds of readers—especially newer generations who may be unfamiliar with him—to understand his life’s story and everlasting global significance.Ballad of an American: A Graphic Biography of Paul Robeson is published in conjunction with Rutgers University’s centennial commemoration of Robeson’s 1919 graduation from the university.Study guide for Ballad of an American: A Graphic Biography of Paul Robeson (https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2021/05/10201015/YA_Adult-Study-Guide-for-A-Graphic-Biography-of-Paul-Robeson.pdf).View the blad for Ballad of an American.

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The massive size of the original six-volume History of Woman Suffrage has likely limited its impact on the lives of the women who benefitted from the efforts of the pioneering suffragists. By collecting miscellanies like state suffrage reports and speeches of every sort without interpretation or restraint, the set was often neglected as impenetrable. In their Concise History of Woman Suffrage, Mari Jo Buhle and Paul Buhle have revitalized this classic text by carefully selecting from among its best material. The eighty-two chosen documents, now including interpretative introductory material by the editors, give researchers easy access to material that the original work's arrangement often caused readers to ignore or to overlook. The volume contains the work of many reform agitators, among them Angelina Grimké, Lucy Stone, Carrie Chapman Catt, Charlotte Perkins Gilman, Anna Howard Shaw, Jane Addams, Sojourner Truth, and Victoria Woodhull, as well as Elizabeth Cady Stanton, Susan B. Anthony, Matilda Joslyn Gage, and Ida Husted Harper.

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Canadian labour history and working-class struggles are brought to life in this anthology of nine short comics, each one accompanied by an informative preface. Each comic showcases the inspiring efforts and determination of working people who banded together with others to fight to change the world.

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In the spring of 2011, Wisconsinites took to the streets in what became the largest and liveliest labor demonstrations in modern American history. Protesters in the Middle East sent greetings-and pizzas-to the thousands occupying the Capitol building in Madison, and 150,000 demonstrators converged on the city.In a year that has seen a revival of protest in America, here is a riveting account of the first great wave of grassroots resistance to the corporate restructuring of the Great Recession.It Started in Wisconsin includes eyewitness reports by striking teachers, students, and others (such as Wisconsin-born musician Tom Morello), as well as essays explaining Wisconsin's progressive legacy by acclaimed historians. The book lays bare the national corporate campaign that crafted Wisconsin's anti-union legislation and similar laws across the country, and it conveys the infectious esprit de corps that pervaded the protests with original pictures and comics.

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Under the Banner of King Death is a tale of mutiny, bloody battle, and social revolution, bringing to life an itinerant community of outsiders behind today's legends. This graphic novel breaks new ground in our understanding of piracy and pirate culture, giving us real reasons to love the rebellious and stouthearted marauders of the seas.At the pinnacle of the Golden Age of Atlantic piracy, three unlikely companions are sold into servitude on a merchant ship and thrust into a voyage of rebellion. They are John Gwin, an African American fugitive from bondage in South Carolina; Ruben Dekker, a common seaman from Amsterdam; and Mark (a.k.a. Mary) Reed, an American woman who dresses as a man.When the crew turn to mutiny, they and the freed slaves establish democracy aboard The Night Rambler. This new dispensation provides radical social benefits, all based on the documented practices of real pirate ships of the era: democratic decision-making, a social security net, health and disability insurance, and an equal distribution of spoils taken from prize ships. But before long the London elites enlist a war-hungry captain to take down The Night Rambler in a war that pitches high society against high-seas freebooters.Adapted from the scholarship and research of celebrated historian Marcus Rediker, Under the Banner of King Death is an inspiring story of the oppressed steering a course against adversity and injustice.

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This work contains murals for the Teamsters, the Oil Chemical and Atomic Workers, the Communications Workers, United Electrical Workers, and the United Farm Workers. Other works respond to events such as the 1984 strike of P-9 workers in Austin, Minnesota.

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“The problem of the twentieth century is the problem of the color line.” These were the prescient words of W. E. B. Du Bois’s influential 1903 book The Souls of Black Folk. The preeminent Black intellectual of his generation, Du Bois wrote about the trauma of seeing the Reconstruction era’s promise of racial equality cruelly dashed by the rise of white supremacist terror and Jim Crow laws. Yet he also argued for the value of African American cultural traditions and provided inspiration for countless civil rights leaders who followed him. Now artist Paul Peart-Smith offers the first graphic adaptation of Du Bois’s seminal work. Peart-Smith’s graphic adaptation provides historical and cultural contexts that bring to life the world behind Du Bois’s words. Readers will get a deeper understanding of the cultural debates The Souls of Black Folk engaged in, with more background on figures like Booker T. Washington, the advocate of black economic uplift, and the Pan-Africanist minister Alexander Crummell. This beautifully illustrated book vividly conveys the continuing legacy of The Souls of Black Folk, effectively updating it for the era of the 1619 Project and Black Lives Matter.

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“The problem of the twentieth century is the problem of the color line.” These were the prescient words of W. E. B. Du Bois’s influential 1903 book The Souls of Black Folk. The preeminent Black intellectual of his generation, Du Bois wrote about the trauma of seeing the Reconstruction era’s promise of racial equality cruelly dashed by the rise of white supremacist terror and Jim Crow laws. Yet he also argued for the value of African American cultural traditions and provided inspiration for countless civil rights leaders who followed him. Now artist Paul Peart-Smith offers the first graphic adaptation of Du Bois’s seminal work. Peart-Smith’s graphic adaptation provides historical and cultural contexts that bring to life the world behind Du Bois’s words. Readers will get a deeper understanding of the cultural debates The Souls of Black Folk engaged in, with more background on figures like Booker T. Washington, the advocate of black economic uplift, and the Pan-Africanist minister Alexander Crummell. This beautifully illustrated book vividly conveys the continuing legacy of The Souls of Black Folk, effectively updating it for the era of the 1619 Project and Black Lives Matter.

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