Search results for ""Author Patrick Seguin""

Compact and fluid, robust and delicate, Royère’s chairs, lamps, chandeliers, sofas and desks exude a sensuous confidence, suggesting both comfort and alertness In 1931, aged 29, Jean Royère (1902–1981) resigned from a comfortable position in the import–export trade in order to set up business as an interior designer. He learnt his new trade in the cabinetmaking workshops of the Faubourg Saint-Antoine in Paris. In 1934, he designed the new layout of the Brasserie Carlton on the Champs Elysées and found immediate success, embarking upon an international career that was to endure for nearly half a century. Royère tackled all kinds of decoration work and opened branches in the Near East and Latin America; among his patrons were King Farouk, King Hussein of Jordan and the Shah of Iran, who entrusted him with the interior design of their palaces. The Royère style is a wonderful amalgam of bright, cheery colors, subtly organic forms and precious materials. Compact and fluid, robust and delicate, Royère’s chairs, lamps, chandeliers, sofas and desks exude a sensuous confidence, suggesting both comfort and alertness. This superbly produced, linen-bound, two-volume boxed monograph would have made Royère proud. The first volume explores the designer’s work across four themes inspired by his creations: “The Vegetal Realm,” “The Animal World,” The Imaginative Realm” and “Line and Design.” In addition to prefaces by Jacques Lacoste and Patrick Seguin, this volume contains interviews with Lorenz Baümer, Béatrice Salmon, and Christian Lacroix--by art historian and journalist Françoise Claire Prodhon--and a chapter looking back to the Jean Royère exhibition at the Sonnabend Gallery in New York in 2008. The second volume opens with a 1963 interview with Royère by Pascal Renous, and then presents the “Jean Royère Repertoire”: 380 items of furniture and other creations accompanied by detailed references and illustrations of variants. The volume is rounded off by a sketchbook offering 156 hitherto unpublished Royère drawings. This authoritative and sumptuous publication is the last word on this midcentury master.

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Jean Prouvé began to design portable and demountable barracks for the French army during the Second World War. After the war, the French government commissioned Prouvé to design inexpensive, effective housing for the newly homeless, prompting him to perfect his patented axial portal frame to build easily constructed demountable houses. Few of these groundbreaking structures were built, making them exceedingly rare today—prompting Galerie Patrick Seguin’s tireless efforts over the past 27 years to preserve and promote these important designs. The gallery owns the largest collection of Prouvé’s demountables, 22 in total. This volume focuses on his Metropole Demountable House, and is luxuriously illustrated with archival and contemporary photographs. Though lacking any formal education in architecture, Jean Prouvé (1901–84) became one of the most influential architects of the 20th century, boldly experimenting with new building designs, materials and methods. “His postwar work has left its mark everywhere,” wrote Le Courbusier, “decisively.”

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Jean Prouvé’s Ferembal House was built in Nancy, France, in 1948, as the office for a can factory. Composed of five axial frames clad with wooden panels, set on a tall masonry base and occupying less than 600 square feet in a single raised story, this prefabricated structure was a classic example of Prouvé’s advocacy of mobile architecture. Thirty years later, however, the company went out of business and the factory was demolished. Fortunately a Nancy resident had the wherewithal to dismantle and preserve Prouvé’s innovative building, putting it into storage. In 1991, the well-known Parisian design gallerist Patrick Seguin traveled to Nancy to locate the Ferembal House. Seguin spent the next ten years raising the funds to renovate it, working in tandem with Prouvé experts, and in 2007 invited his longstanding friend, the architect Jean Nouvel, to undertake a creative adaptation of the House. Drawing on contemporary technical resources, Nouvel brilliantly extended and systematized its fundamental modularity with stackable Ductal blocks and a floor of removable slabs. The results were exhibited in the Tuileries Gardens in Paris, in 2010. This comprehensive account of Prouvé’s posthumous collaboration with Nouvel recounts the tale of the Ferembal House with archival photographs and plans of the original structure and a detailed account of Nouvel’s inspired interventions.

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Jean Prouvé began to design portable and demountable barracks for the French army during the Second World War. After the war, the French government commissioned Prouvé to design inexpensive, effective housing for the newly homeless, prompting him to perfect his patented axial portal frame to build easily constructed demountable houses. Few of these groundbreaking structures were built, making them exceedingly rare today—prompting Galerie Patrick Seguin’s tireless efforts over the past 27 years to preserve and promote these important designs. The gallery owns the largest collection of Prouvé’s demountables, 22 in total. This volume focuses on his 1956 Demountable House, and is luxuriously illustrated with archival and contemporary photographs. Though lacking any formal education in architecture, Jean Prouvé (1901–84) became one of the most influential architects of the 20th century, boldly experimenting with new building designs, materials and methods. “His postwar work has left its mark everywhere,” wrote Le Courbusier, “decisively.”

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Jean Prouvé began to design portable and demountable barracks for the French army during the Second World War. After the war, the French government commissioned Prouvé to design inexpensive, effective housing for the newly homeless, prompting him to perfect his patented axial portal frame to build easily constructed demountable houses. Few of these groundbreaking structures were built, making them exceedingly rare today—prompting Galerie Patrick Seguin’s tireless efforts over the past 27 years to preserve and promote these important designs. The gallery owns the largest collection of Prouvé’s demountables, 22 in total. This volume focuses on the Villejuif Temporary School designed in 1957. It is luxuriously illustrated with archival and contemporary photographs. Though lacking any formal education in architecture, Jean Prouvé (1901–84) became one of the most influential architects of the 20th century, boldly experimenting with new building designs, materials and methods. “His postwar work has left its mark everywhere,” wrote Le Courbusier, “decisively.”

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