Search results for ""Author Patrick McGuinness""

'Beautiful and deep ... a sumptuous treat for any book lover' The Independent'Food for short story lovers everywhere' Irish Times*A major celebration of the French short story and Spectator Book of the Year*The short story has a rich tradition in French literature. This feast of an anthology celebrates its most famous practitioners, as well as newly translated writers ready for rediscovery. The second volume takes the reader through the tumultuous twentieth century in the company of writers including Simone de Beauvoir and Maryse Condé, Patrick Modiano and Virginie Despentes, covering world wars, revolutions, and the horrors of the motorway service station. Along the way we meet electronic brains, she-wolves, a sadistic Cinderella, ancestors, infidels, dissatisfied housewives and lonely ambassadors, all clamouring to be heard. Funny, devastating and fresh at every turn, this is the place to start for lovers of French literature, new and old.Edited and with an introduction by Patrick McGuinness, academic, writer and translator.

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A SPECTATOR BOOK OF THE YEAR 'Beautiful and deep ... a sumptuous treat for any book lover' The Independent'There is so much to discover in these stories - both history and food for short story lovers everywhere' Irish Times*A major new celebration of the French short story across the twentieth century*The short story has a rich tradition in French literature. This feast of an anthology celebrates its most famous practitioners, as well as newly translated writers ready for rediscovery. Here are fables, puzzles, fairy tales, war stories and family histories, testing and expanding the boundaries of the form. They are stories about the self and the other, the centre and the periphery, experimental and existential, real and surreal.The second volume takes the reader through the tumultuous twentieth century in the company of writers including Simone de Beauvoir and Maryse Condé, Patrick Modiano and Virginie Despentes, covering world wars, revolutions, and the horrors of the motorway service station. Along the way we meet electronic brains, she-wolves, a sadistic Cinderella, ancestors, infidels, dissatisfied housewives and lonely ambassadors, all clamouring to be heard. Funny, devastating and fresh at every turn, this is the place to start for lovers of French literature, new and old.Edited and with an introduction by Patrick McGuinness, academic, writer and translator.

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The poems in "Jilted City" inhabit in-between-places, when a border is being crossed, a word is slipping into another language, when memory is translating loss. From 'Stations where the train doesn't stop' in 'Blue Guide', following a train journey through Belgium, to 'City of Lost Walks', English versions of a dissident Romanian poet whose 'poetry fails to register except in the form of an omission', McGuinness explores transition and translation, the afterlife of absences. Wit and paradox are at the heart of a collection that finds unforeseen connections between place and displacement.

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From the troubadours of the Middle Ages to the titans of modern poetry, from Rabelais and Ronsard to Jacques Réda and Yves Bonnefoy, French Poetry offers English-speaking readers a one-volume introduction to a rich and varied tradition. Here are today’s rising stars mingling with the great writers of past centuries: La Fontaine, Villon, du Bellay, Christine de Pisan, Marguerite de Navarre, Louise Labé, Hugo, Baudelaire, Rimbaud, Verlaine, Mallarmé, Apollinaire, and many more. Here, too, are representatives of the modern francophone world, encompassing Lebanese, Tunisian, Senegalese and Belgian poets, including such notable writers as Léopold Senghor, Vénus Khoury-Ghata and Hédi Kaddour. Finally, this anthology showcases a wide range of the English language’s finest translators - including such renowned poet-translators as Ezra Pound, John Ashbery, Marianne Moore and Derek Mahon - in a dazzling tribute to the splendours of French poetry.

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This anthology showcases sixty poets writing in twenty-five languages from countries across Europe. A feat of European intercultural exchange, it is also a fitting celebration of the Versopolis ethos: an extraordinary variety of themes, styles, and subjects finding common ground in a shared idea of what poetry - and a poetry community - can be. This anthology is published in collaboration with Beletrina Academic Press, Slovenia, part of the Versopolis project.

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In this intimate, confiding poetry collection, McGuinness shows how identity is layered, permeable, always in motion - how we are always actor and audience to ourselves'This is McGuinness's best collection by far, and stands out from the crowd'SUNDAY TIMESIn Blood Feather, a book of doubling and displacement, we see time in a new way: the past, personal and collective, lingering as an ever-present ghost - while lost beyond recall.The first section, 'Squeeze the Day' - a series of deeply moving poems about the author's mother, displaced between languages - investigates her illness and death; how being bilingual is like having a double, a second self; how each self haunts the other. 'The Noises Things Make When They Leave' elegises today's post-industrial landscapes, their people and professions: sidelined by literature, bypassed by globalisation. The final sequence, 'After the Flood', links the book's themes, seeking a way of seeing things for the first time and the last time simultaneously. Exploring the gaps between languages and between our selves in language, Patrick McGuinness dreams of a new tense in which the world's losses are redeemed:It's the anniversary of my mother's death,and it's my mother's birthday -the day she short-circuited the tenses,made the current flow both ways.A clear-sighted, intimate new poetry collection from the prizewinning author of Other People's Countries and Throw me to the Wolves.

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Infamous as the inspiration for the novel which slowly corrupts Oscar Wilde's Dorian Gray, Joris-Karl Huysmans' Against Nature (A Rebours) is translated by Robert Baldick with an introduction by Patrick McGuinness in Penguin Classics.A wildly original fin-de-siècle novel, Against Nature contains only one character. Des Esseintes is a decadent, ailing aristocrat who retreats to an isolated villa where her indulges his taste for luxury and excess. Veering between nervous excitability and debilitating ennui, he gluts his aesthetic appetites with classical literature and art, exotic jewels (with which he fatally encrusts the shell of his tortoise), rich perfumes and a kaleidoscope of sensual experiences. Against Nature, in the words of the author, exploded 'like a meteorite' and has enjoyed a cult following to this day.This revised edition of Robert Baldick's lucid translation features a new introduction and a chronology, and reproduces Huysmans's original 1903 preface as well as a selection of reviews from writers including Mallarmé, Zola and Wilde.Joris-Karl Huysmans (1848-1907) is now recognized as one of the most challenging and innovative figures in European literature and an acknowledged principal architect of the fin-de-siècle imagination. He was a career civil servant who wrote ten novels, most notably A Rebours and Là-Bas.If you enjoyed Against Nature, you might like Huysmans's The Damned (La-Bas), also available in Penguin Classics.

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'Abbé Faujas has arrived!' The arrival of Abbé Faujas in the provincial town of Plassans has profound consequences for the community, and for the family of François Mouret in particular. Faujas and his mother come to lodge with François, his wife Marthe, and their three children, and Marthe quickly falls under the influence of the priest. Ambitious and unscrupulous, Faujas gradually infiltrates into all quarters of the town, intent on political as well as religious conquest. Intrigue, slander, and insinuation tear the townsfolk apart, creating suspicion and distrust, and driving the Mourets to ever more extreme actions. The fourth novel in Zola's Rougon-Macquart sequence, The Conquest of Plassans returns to the fictional Provençal town from which the family sprang in The Fortune of the Rougons. In one of the most psychological of his novels, Zola links small-town politics to the greater political and national dramas of the Second Empire. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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'Beautiful and deep ... a sumptuous treat for any book lover' The Independent'Food for short story lovers everywhere' Irish Times*A major celebration of the French short story and Spectator Book of the Year*The short story has a rich tradition in French literature. This feast of an anthology celebrates its most famous practitioners, as well as newly translated writers ready for rediscovery. The first volume spans four hundred years, taking the reader from the sixteenth century to the 'golden age' of the fin de siècle. Its pages are populated by lovers, phantoms, cardinals, labourers, enchanted statues, gentleman burglars, retired bureaucrats, panthers and parrots, in a cacophony of styles and voices. From the affairs of Madame de Lafayette to the polemic realism of Victor Hugo, the supernatural mystery of Guy de Maupassant to the dark sensuality of Rachilde, this is the place to start for lovers of French literature, new and old.Edited and with an introduction by Patrick McGuinness, academic, writer and translator.

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'Like an artist working an empty sky into a busy cityscape, or an empty chair into a crowded family portrait, Joyce creates spaces where the reader is left to themselves' Patrick McGuinness, from his Preface to Dubliners.Set in the late 19th and early 20th-century, Dubliners is made up of fifteen stories, which all sit within the realm of realism, with easily identifiable streets and a cartographic identity of the city. Alike Joyce's other works, the collection was repeatedly rejected by publishers and he received accusations of obscurity and obscenity before it finally appeared in print on 15 June 1914. This was five years after a contract was signed, six weeks before the outbreak of World War One, and at a time when Ireland was under British Home Rule. We find an intricate account of the lives of the city's inhabitants in Joyce's haunted and bleak vision of Dublin.Discover these stories for the first time here, or read them afresh, and marvel at the unique stories that Joyce was able to capture, and make timeless, for us all.

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For Gilles Ortlieb, the day’s ration is hard won. He takes the art of noticing to a new level, petrifying us with moments of bleakness and ushering us out of them through his humanity. He states things as they are, with exactitude, with authenticity, and with humour and his voice is compelling. Ortlieb is among the very best poets writing in France today, and this bi-lingual selection of his work will cement his growing reputation in the anglophone world."A poet of uprootedness and displacement, with a uniquely gentle and rueful wit" -TIMES LITERARY SUPPLEMENT"It is no disservice to Gilles Ortlieb, not to place him among the “visionaries”. Rather, he is possessed of an eye that can discern, within the thicket of the real, the unnoticed, which may be its accessory or its reject. For the unnoticed is also this: the thing we conceal from ourselves." -JACQUES RÉDA"Reading the poems of Gilles Ortlieb, one’s focus is never blurred. Rather, everything is extraordinarily distinct. One emerges with clearer vision, and with an increased interest in the world." -JEAN-PIERRE LEMAIRE

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A SPECTATOR BOOK OF THE YEAR 2022'Beautiful and deep ... a sumptuous treat for any book lover' The Independent'There is so much to discover in these stories - both history and food for short story lovers everywhere' Irish TimesA major new celebration of the French short storyThe short story has a rich tradition in French literature. This feast of an anthology celebrates its most famous practitioners, as well as newly translated writers ready for rediscovery. Here are decadent tales, 'bloody tales', fairy tales, detective stories and war stories. They are stories about the self and the other, husbands, wives and lovers, country and city, rich and poor.The first volume spans four hundred years, taking the reader from the sixteenth century to the 'golden age' of the fin de siècle. Its pages are populated by lovers, phantoms, cardinals, labourers, enchanted statues, gentleman burglars, retired bureaucrats, panthers and parrots, in a cacophony of styles and voices. From the affairs of Madame de Lafayette to the polemic realism of Victor Hugo, the supernatural mystery of Guy de Maupassant to the dark sensuality of Rachilde, this is the place to start for lovers of French literature, new and old.Edited and with an introduction by Patrick McGuinness, academic, writer and translator.

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