Search results for ""Author Palmer""

With this incisive work, Palmer Rampell reveals the surprising role genre fiction played in redefining the category of the private person in the postwar period. Especially after the Supreme Court established a constitutional right to privacy in 1965, legal scholars, judges, and the public scrambled to understand the scope of that right. Before and after the Court's ruling, authors of genre fiction and film reformulated their aliens, androids, and monsters to engage in debates about personal privacy as it pertained to issues like abortion, police surveillance, and euthanasia. Triangulating novels and films with original archival discoveries and historical and legal research, Rampell provides new readings of Patricia Highsmith, Dorothy B. Hughes, Philip K. Dick, Octavia Butler, Chester Himes, Stephen King, Cormac McCarthy, and others. The book pairs the right of privacy for heterosexual sex with queer and proto-feminist crime fiction; racialized police surveillance at midcentury with Black crime fiction; Roe v. Wade (1973) with 1960s and 1970s science fiction; the Child Abuse Prevention and Treatment Act (1974) with horror; and the right to die with westerns. While we are accustomed to defenses of fiction for its capacity to represent fully rendered private life, Rampell suggests that we might value a certain strand of genre fiction for its capacity to theorize the meaning of the protean concept of privacy.

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This book includes 25 beautiful projects that is shown step by step. The wonderful hues and textures of enamel celebrated in inspirational and practical designs, shown in over 300 photographs. Projects include a Fleur-de-lis Bookmark, a Door Plaque, Stargazer Earrings, Napkin Rings, a Night and Day Clock Face, a Cloisonne Bowl, a Flower Pendant and a Moon Bowl. This is a comprehensive guide, from getting started to achieving excellence, with everything you need to know about materials, equipment and techniques. It comes with pictures by the highly regarded craft, cooking and lifestyle photographer, Peter Williams. Enamel is a form of glass, and enamelling is the process of fusing it to metal using heat. The craft of enamelling has been practised for centuries, dating back to the Egyptians who used it as to imitate precious stones. This book illustrates the remarkable work being produced by today's enamellists using tried-and-tested methods, and shows in simple step-by-step sequences how to create 25 beautiful projects at home. All you need to get started is access to a small, purpose-built kiln and some basic enamelling equipment.A techniques section shows how to prepare enamels and metal, how to apply enamels for different effects and how to fire a piece, and the projects include earrings, beads, buttons, brooches and keyrings. This outstanding book shows how to create highly distinctive work that will be treasured.

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With this incisive work, Palmer Rampell reveals the surprising role genre fiction played in redefining the category of the private person in the postwar period. Especially after the Supreme Court established a constitutional right to privacy in 1965, legal scholars, judges, and the public scrambled to understand the scope of that right. Before and after the Court's ruling, authors of genre fiction and film reformulated their aliens, androids, and monsters to engage in debates about personal privacy as it pertained to issues like abortion, police surveillance, and euthanasia. Triangulating novels and films with original archival discoveries and historical and legal research, Rampell provides new readings of Patricia Highsmith, Dorothy B. Hughes, Philip K. Dick, Octavia Butler, Chester Himes, Stephen King, Cormac McCarthy, and others. The book pairs the right of privacy for heterosexual sex with queer and proto-feminist crime fiction; racialized police surveillance at midcentury with Black crime fiction; Roe v. Wade (1973) with 1960s and 1970s science fiction; the Child Abuse Prevention and Treatment Act (1974) with horror; and the right to die with westerns. While we are accustomed to defenses of fiction for its capacity to represent fully rendered private life, Rampell suggests that we might value a certain strand of genre fiction for its capacity to theorize the meaning of the protean concept of privacy.

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The work of every school of psychotherapy and every therapist is inevitably structured by a value system and requires codes of ethics and practice. This book addresses the conscious and unconscious aspects of the value system in which therapists are situated. Values and Ethics in the Practice of Psychotherapy and Counselling explores the central issues through the experience of the contributors, each of whom is well known in this field. Each chapter will raise questions for the reader which will stimulate individual thinking about practice or can form a basis for discussion and debate for training or graduate groups. The book is firmly rooted in practice. Each chapter deals with a different aspect of the psychotherapist's work beginning with the general underlying principles, continuing through matters of technique and on to contextual issues. Finally the book moves to the outer world, politics and spirituality as ways of connecting inner and outer, social and individual. The arrangement of chapters allows for flexibility and creativity while providing a coherent structure.Values and Ethics in the Practice of Psychotherapy and Counselling is recommended reading for psychotherapists, psychoanalysts and counsellors in training and practice.

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From tissue-fitting pioneers Pati Palmer and Marta Alto comes a new book whose title says it all: The Palmer/Pletsch Complete Guide to Fitting: Sew Great Clothes for Every Body! Fit Any Fashion Pattern. It’s been 20 years since their last book about fitting and altering sewing patterns, Fit for Real People. For Palmer and Alto, that means 20 more years of hands-on learning and experience from fitting more “real people” of all shapes and sizes from around the globe. Having long ago dispensed with tedious measuring or making a muslin to check the fit of a sewing pattern, the authors have mastered the process of tissue-fitting. This means simply “trying on” the pattern’s tissue pieces to check systematically for where to alter the pattern for a custom fit. The pattern pieces themselves become the “muslin.” “Systematically” means following the tissue-fitting sequence they’ve developed and refined. It’s a no-guess order of fitting that ensures success. The book reinforces this sequence since the alteration chapters themselves are ordered in the same sequence. Readers are instructed to start with length and width, move on to the back, check the neck and shoulders, all before even considering how the pattern fits in the bust. As they work through the pattern, sewers will alter the tissue and try on again until the tissue fits well. The book then instructs how to pin-fit the fabric for a final tweaking before sewing. The book explains all facets of pattern fitting and alteration to give readers the background and guidance they need to achieve a custom fit on any pattern from any company. Instructions include: • Take just one measurement to determine the right pattern size to buy. Find out what to do if you are between sizes or a different size top and bottom. • Make a “body map” with a close-fitting dress pattern to see how you differ from the “standard” on which sewing patterns are based. • Learn from “real people” examples of a variety of bodies and their individual alterations. • Use the book’s new “wrinkle dictionary” to identify a needed pattern alteration. “Wrinkles point to the problem,” say the authors, and now you can look up the page reference for a solution. • See how age can affect body shape, from preteen to octogenarian. • Take note of the latest sewing techniques for garment details that affect fit, such as darts, zippers and sleeves, for enhancing the look of a well-fitted garment. • Learn basic skills for designing or redesigning for myriad variations using the same pattern. Throughout the book, step-by step instructions are accompanied by full-color photography and a new style of technical art that is extremely clear. Short captions explain each illustration. As a bonus, the authors detail the evolution of ready-to-wear and pattern sizing over the past century, along with their own history in pioneering the art and practice of tissue-fitting.

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The Penn Greek Drama Series presents original literary translations of the entire corpus of classical Greek drama: tragedies, comedies, and satyr plays. It is the only contemporary series of all the surviving work of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander. This final volume of the tragedies of Aeschylus relates the historic defeat and dissolution of the Persian Empire on the heels of Xerxes disastrous campaign to subdue Greece, the struggle between the two sons of Oedipus for the throne of Thebes, the story of fifty daughters who seek asylum from their uncle, the king of Egypt, because of his demand that they marry his sons, and the well-known tale of the proud and unrepentant Prometheus, who is chained to a massive rock for revealing fire and hope to humankind. Translations are by David Slavitt (Persians), Stephen Sandy (Seven Against Thebes), Gail Holst-Warhaft (The Suppliants), and William Matthews (Prometheus Bound).

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The Penn Greek Drama Series presents original literary translations of the entire corpus of classical Greek drama: tragedies, comedies, and satyr plays. It is the only contemporary series of all the surviving work of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander. Aristophanes wrote most of his comedic masterpieces during the Peloponnesian War, parodying the tumultuous politics and society of that time with trademark innuendoes and bawdy stagings and dialogue. In these plays, Aristophanes brings every rhetorical strategem into play to treat the reader to stories of one man's attempt to create a "war-free zone," the rescue of the imprisoned Peace on the back of a giant dung beetle, a satire of Euripides's sympathies for women, and the hustling and healing of a blind and destitute Wealth in order to redistribute the world's riches. Translations are by Jack Flavin (Acharnians), Fred Beake (Peace), David Slavitt (Celebrating Ladies), and Palmer Bovie (Wealth). The volume includes an introduction by Ralph Rosen, Professor of Classics at the University of Pennsylvania.

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The Penn Greek Drama Series presents original literary translations of the entire corpus of classical Greek drama: tragedies, comedies, and satyr plays. It is the only contemporary series of all the surviving work of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander. The translations in this volume are by Sheila D'Atri, Palmer Bovie, and Richard Elman.

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"The works of Plautus," writes Palmer Bovie, "mark the real beginning of Roman literature." In these lively new translations, which effectively communicate the vitality and verve of the originals, the plays of Plautus are accessible to a new generation. Plays and translators: Volume 1: Amphitryon, Constance Carrier. Miles Gloriosus, Erich Segal. Captivi, Richard Moore. Casina, Richard Beacham. Curculio, Henry Taylor Volume 2: Rudens, Constance Carrier. Aulularia, Palmer Bovie. Bacchides, James Tatum. Mercator, George Garrett. Truculentus, James Tatum

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In English translations that achieve a lively readability without sacrificing the dramatic and comic impact of the original Latin, this volume presents all six comedies: The Girl from Andros (Andria), The Self-Tormentor (Heautontimorumenos), The Eunuch (Eunouchus), Phormios, The Brothers (Adelphoe), and Her Husband's Mother (Hecyra).

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The Penn Greek Drama Series presents original literary translations of the entire corpus of classical Greek drama: tragedies, comedies, and satyr plays. It is the only contemporary series of all the surviving work of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander. This volume includes translations by Richard Moore (Hippolytus), John Frederick Nims (Suppliant Women), Rachel Hadas (Helen), Elizabeth Seydel Morgan (Electra), and Palmer Bovie (Cyclops).

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"The works of Plautus," writes Palmer Bovie, "mark the real beginning of Roman literature." Now Bovie and David Slavitt have brought together a distinguished group of translators for the final two volumes of a four-volume set containing all twenty-one surviving comedies of one of Western literature's greatest dramatists. Born in Sarsina, Umbria, in 254 B.C., Plautus is said to have worked in Rome as a stage carpenter and later as a miller's helper. Whether authentic or not, these few details about the playwright's life are consistent with the image of him one might infer from his plays. Plautus was not "literary" but rather an energetic and resourceful man of the world who spoke the language of the people. His dramatic works were his way of describing and portraying that world in a language the people understood. Since Plautus's career unfolded against the background of the Second Punic War, it is not surprising that his prologues often end with a wish for the audience's "good luck against your enemies" or that the plays have their share of arrogant generals, boastful military captains, and mercenary adventurers. But other unforgettable characters are here as well-among them Euclio, in the Aulularia, the model for Moliere's miser. In these lively new translations, which effectively communicate the vitality and verve of the originals, the plays of Plautus are accessible to a new generation. Plays and translators: Volume 4: Persa, Palmer Bovie. Menaechmi, Palmer Bovie. Cistellaria, R. H. W. Dillard. Pseudolus, Richard Beacham. Stichus, Carol Poster. Vidularia, John Wright.

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The plays translated in this volume represent everything one would not expect either from the third-century B.C. playwright Plautus or from Roman comedy in general. A common theme in all three comedies is the triumph of women over men. In Truculentus, prostitutes snare all of the men in the play; in Bacchides, the victims include fathers and sons. In Casina, Plautus creates a fantasy that turns traditional social and sexual roles upside down. The plays' mordant, cynical treatment of the normal plots and casts of Roman comedy, their dark humor rooted in homosexuality, oedipal encounters, cruelty, larceny, and prostitution, and their pervasive lack of romance or sentimentality have alternately puzzled and offended the few audiences that have seen them since the Renaissance. Now these unusual plays have been rescued from obscurity in the best possible way-through performance. James Tatum's translations, revised from actual productions, demonstrate that these are among the most entertaining and theatrically effective of Plautus's comedies. The speakable, performable scripts, along with Tatum's introduction, notes, and critical essays summarizing his own experiences in producing them, make this a gold mine for troupes wishing to produce these classics on the contemporary stage as well as for students of classical drama.

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The Penn Greek Drama Series presents original literary translations of the entire corpus of classical Greek drama: tragedies, comedies, and satyr plays. It is the only contemporary series of all the surviving work of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander. This volume includes translations by Eleanor Wilner with Inés Azar (Medea), Marilyn Nelson (Hecuba), Donald Junkins (Andromache), and Daniel Mark Epstein (The Bacchae).

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