Search results for ""Author Northrop Frye""

Addressed to educators and general readers—the "consumers of literature" from all walks of life—this important new book explores the value and uses of literature in our time. Dr. Frye offers, in addition, challenging and stimulating ideas for the teaching of literature at lower school levels, designed both to promote an early interest and to lead the student to the knowledge and kaleidoscopic experience found in the study of literature. Dr. Frye's proposals for the teaching of literature include an early emphasis on poetry, the "central and original literary form," intensive study of the Bible, as literature, and the Greek and Latin classics, as these embody all the great enduring themes of western man, and study of the great literary forms: tragedy and comedy, romance and irony.

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This brilliant outline of Blake's thought and commentary on his poetry comes on the crest of the current interest in Blake, and carries us further towards an understanding of his work than any previous study. Here is a dear and complete solution to the riddles of the longer poems, the so-called "Prophecies," and a demonstration of Blake's insight that will amaze the modern reader. The first section of the book shows how Blake arrived at a theory of knowledge that was also, for him, a theory of religion, of human life and of art, and how this rigorously defined system of ideas found expression in the complicated but consistent symbolism of his poetry. The second and third parts, after indicating the relation of Blake to English literature and the intellectual atmosphere of his own time, explain the meaning of Blake's poems and the significance of their characters.

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Here Professor Frye analyses the way in which the structure and imagery of literature have been affected by the complex of ideas and images surrounding the word 'creation.' Traditionally, everything associated with nature, reality, settled order, the way things are, is supposed to go back to the creation, the original divine act of making the world. If the word 'creative' is applied to human activities, the humanly creative is whatever profoundly disturbs our sense of 'the' creation, a reversing or neutralizing of it. What seems to be one of the few admirable forms of human achievement, the creation of the arts, turns out to be a kind of 'decreation.' The imagery of creation lies at the heart of every mythology and every development of the arts, though Professor Frye distinguishes between the stories of creation that look up to heaven and those that look down to earth. To these he contrasts human creativity, which is projected on the future, and recorded in various forms of the arts ranging from pastoral poetry to architecture. It is this counter-movement of creation set up by man, as reflected particularly in literature, that he calls 'recreation.' Originally delivered as the 1980 Larkin-Stuart Lectures, this book provides an intriguing and provocative insight into the notion of creation and of the relationship in creativity between the human and the divine.

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This collection of a dozen major essays written in recent year is vintage Frye—the fine distillation of a lifetime of originative thinking about literature and its context. The essays in Spiritus Mundi—the title comes from one of Yeat's best known poems, "The Second Coming," and refers to the book that was supposedly the source of Yeat's apocalyptic vision of a "great beast, slouching toward Bethlehem"—are arranges in three groups of four essays each. The first four are about the "contexts of literature," the second are about the "mythological universe," and the last are studies of four of the great visionary or myth-making poets who have been enduring sources of interest for Frye: Milton, Blake, Yeats, and Wallace Stevens.The volume is full of agreeable surprises: a delightful piece on charms and riddles is followed by an illuminating essay on Shakespearean romance. Like most of the other essays in the book, these two are compressed and elegant expositions of ideas that in the hands of a lesser writer would have required a book. In another selection Frye rescues Spengler from neglect and argues for the inclusion of The Decline of the West among the major imaginative books produced by the Western world. Elsewhere he advances the case for placing Copernicus in a pantheon composed primarily of literary figures. OF particular interest are several essays in which Frye comments personally and reflectively on the influence he has had on the study of literature and the reactions elicited by his work. In "The Renaissance of Books" he dissents from the opinion of the McLuhanites that the written word is showing signs of obsolescence and argues that books are "the technological instrument that makes democracy possible."As the dozen essays collected here amply attest, Northrop Frye continues to be the most perceptive and most persuasive exponent of the power of mythological imagination—or as he himself calls it, "the mythological habit of mind"—written in English.

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In the 1970s and 80s, Northrop Frye and Jay Macpherson co-taught a very influential course at the University of Toronto's Victoria College on the history of Western mythology - Frye focusing on the biblical myths; Macpherson on the classical. Biblical and Classical Myths recreates the thought behind that course, with Frye's lectures - unpublished until very recently - supplemented by Macpherson's popular 1962 textbook on classical mythology, Four Ages: The Classical Myths. Frye's lectures on the Bible make up the first half of the book. He expounds on an array of topics, including translations of the bible, sexual imagery, pastoral and agricultural imagery, and law and revolution in the bible. Four Ages makes up the second half. Macpherson narrates the major classical myths from stories of creation to the myths' survival in later European traditions. By complementing the biblical tradition with the classical, this volume imparts a comprehensive understanding of western mythology. With a preface by Alvin Lee, general editor of the Collected Works of Northrop Frye, Biblical and Classical Myths is an essential volume and represents a unique achievement in scholarship.

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Robert D. Denham has collected in these volumes the 266 letters, cards, and telegrams that Helen Kemp and Northrop Frye wrote to each other during the six periods when they were apart, from the winter of 1931-32 until the summer of 1939. The letters form a compelling narrative of their early relationship. They tell of a romance in which two people fall in love, want to get married, and are confronted with obstacles blocking their path, including lack of money and the education they both need to advance their careers. But the story is much more than a romance. The letters reveal Frye's early talent as a writer, illustrating that both the matter and the manner of his criticism had begun to take shape when he was only nineteen. Helen Kemp's expressiveness and intelligence come through clearly in her letters, which were only discovered in 1992. Kemp and Frye share their thoughts on literature, music, religion, politics, education, and a host of other topics. They discuss their alma mater, Victoria College; artists and musicians of Toronto; southwestern Saskatchewan, where Frye spent a summer as a pastor on a United Church circuit; Frye's hometown, Moncton, New Brunswick; and Kemp's neighbourhood on Fulton Avenue in Toronto. We travel with them around the world, from Ottawa to Rome. We see through their eyes the early years of the Co-operative Commonwealth Federation, the struggles of the United Church of Canada, the activities of the Student Christian Movement, the appeal of Communism, the rise of fascism, and the beginnings of art education in the galleries of Canada.

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A landmark work of literary criticismNorthrop Frye's Anatomy of Criticism is the magnum opus of one of the most important and influential literary theorists of the twentieth century. Breaking with the practice of close reading of individual texts, Frye seeks to describe a common basis for understanding the full range of literary forms by examining archetypes, genres, poetic language, and the relations among the text, the reader, and society. Using a dazzling array of examples, he argues that understanding "the structure of literature as a total form" also allows us to see the profoundly liberating effect literature can have.

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'Frye was a person of uncommon gifts, and very little that came from his pen is without interest.' So writes Robert Denham in his introduction to this unique collection of twenty-two papers written by Northrop Frye during his student years. Made public only after Frye's death in 1991, all but one of the essays are published here for the first time. The majority of these papers were written for courses at Emmanuel College, the theology school of Victoria College at the University of Toronto. Essays such as 'The Concept of Sacrifice,' 'The Fertility Cults,' and 'The Jewish Background of the New Testament' reveal the links between Frye's early research in theology and the form and content of his later criticism. It is clear that even as a theology student Frye's first impulse was always that of the cultural critic. The papers on Calvin, Eliot, Chaucer, Wyndham Lewis, and on the forms of prose fiction show Frye as precociously witty, rigorous, and incisive - a gifted writer who clearly found his voice before his last undergraduate year. David Lodge wrote in the New Statesman: 'There are not many critics whose twenty-year-old book reviews one can read with pleasure and instruction, but Frye is an exception to most rules.' Northrop Frye's student essays provide pleasure and instruction through their comments on the Augustinian view of history, on beauty, truth, and goodness, on literary symbolism and tradition.

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In these essays Northrop Frye addresses a question which preoccupied him throughout his long and distinguished career – the conception of comedy, particularly Shakespearean comedy, and its relation to human experience. In most forms of comedy, and certainly in the New Comedy with which Shakespeare was concerned, the emphasis is on moving towards a climax in which the end incorporates the beginning. Such a climax is a vision of deliverance or expanded energy and freedom. Frye draws on the Aristotelian notion of reversal, or peripeteia, to analyse the three plays commonly known as the 'problem comedies': Measure for Measure, All's Well That Ends Well, and Troilus and Cressida, showing how they anticipate the romances of Shakespeare's final period.

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Originally published in 1971,The Bush Garden features Northrop Frye’s timeless essays on Canadian literature and painting, and an introduction by bestselling author Lisa Moore.In this cogent collection of essays written between 1943 and 1969, formidable literary critic and theorist Northrop Frye explores the Canadian imagination through the lens of the country’s artistic output: prose, poetry, and paintings. Frye offers insightful commentary on the works that shaped a “Canadian sensibility,” and includes a comprehensive survey of the landscape of Canadian poetry throughout the 1950s, including astute criticism of the work of E. J. Pratt, Robert Service, Irving Layton, and many others.Written with clarity and precision,The Bush Garden is a significant cache of literary criticism that traces a pivotal moment in the country’s cultural history and the evolution of Frye’s thinking at various stages of his career. These essays are evidence of Frye’s brilliance, and cemented his reputation as Canada’s — and the world’s — foremost literary critic.

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Robert D. Denham has collected in these volumes the 266 letters, cards, and telegrams that Helen Kemp and Northrop Frye wrote to each other during the six periods when they were apart, from the winter of 1931-32 until the summer of 1939. The letters form a compelling narrative of their early relationship. They tell of a romance in which two people fall in love, want to get married, and are confronted with obstacles blocking their path, including lack of money and the education they both need to advance their careers. But the story is much more than a romance. The letters reveal Frye's early talent as a writer, illustrating that both the matter and the manner of his criticism had begun to take shape when he was only nineteen. Helen Kemp's expressiveness and intelligence come through clearly in her letters, which were only discovered in 1992. Kemp and Frye share their thoughts on literature, music, religion, politics, education, and a host of other topics. They discuss their alma mater, Victoria College; artists and musicians of Toronto; southwestern Saskatchewan, where Frye spent a summer as a pastor on a United Church circuit; Frye's hometown, Moncton, New Brunswick; and Kemp's neighbourhood on Fulton Avenue in Toronto. We travel with them around the world, from Ottawa to Rome. We see through their eyes the early years of the Co-operative Commonwealth Federation, the struggles of the United Church of Canada, the activities of the Student Christian Movement, the appeal of Communism, the rise of fascism, and the beginnings of art education in the galleries of Canada.

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Northrop Frye's The Secular Scripture was first published in 1976 and was soon recognized as one of his most influential works, reflecting an extensive development of Frye's thoughts about romance as a literary form. This new edition in the Collected Works of Northrop Frye series brings The Secular Scripture together with thirty shorter pieces pertaining to literary theory and criticism from the last fifteen years of Frye's life. Frye's study illuminates the enduring attraction and deep human significance of the romance genre in all its forms. He provides a unique perspective on popular fiction and culture and shows how romance forms have, by their very structural and conventional features, an ability to address both specific social concerns and deep and fundamental human concerns that span time and place. In distinguishing popular from elite culture, Frye insists that they are both ultimately two aspects of the same "human compulsion to create in the face of chaos." The additional late writings reflect Frye's sense at the time that he was working "toward some kind of final statement," which eventually saw the light of day, only months before his death, as Words with Power (1990).

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An inveterate notebook keeper, Northrop Frye continually jotted down his ideas and thoughts as he worked through the complex schemes of his criticism. Volumes 5 and 6 of the Collected Works are the notebooks that he kept while writing his two final books, "Words with Power" and "The Double Vision". They provide a record of what he was reading and thinking as he struggled with the implications of those projects. In a sense they are the workshops out of which the books were constructed. While focusing on the works-in-progress, the 3684 entries presented here range over diverse territory, never failing to surprise, delight, and provoke. In these notebooks, for instance, we find comments triggered by a detective story Frye is reading, a lecture he has to prepare, a glance at the books on his shelves, a quotation he remembers, a letter received, or the memory of a trip. In many respects, the notebooks reveal a Frye who is quite different from the critic who made his reputation with "Fearful Symmetry" and "Anatomy of Criticism", displaying aspects of his personality and thought that are not apparent in his books and essays. The notebooks show us the unbuttoned Frye, a complex man capable of both spiritual transcendence and hard-headed pragmatism. Here, for instance, his criticism of Catholicism is far more acerbic than in anything he published. Likewise, his rejection of both Marxist and feminist ideology is far more pointed than elsewhere. These two volumes include seven of Frye's handwritten notebooks and five collections of his typed notebooks - all previously unpublished. The material is the record of an extraordinary intellectual odyssey, an odyssey that is, at its base, deeply spiritual.

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This thirteenth and final volume of previously unpublished writings by Northrop Frye gathers together autobiographical reflections, short stories, an unfinished novel, and commentary on a wide range of topics from Canadian culture to religion. Drawn from holdings in the Frye archives - holograph notebooks, typed notes, and typescripts - these writings have been largely inaccessible to Frye scholars until now. Some of the contents of this volume, Frye's early fiction, for example, will come as a surprise to those acquainted primarily with his published criticism. All of his fables and dialogues are included here, as are a half-dozen sets of notes in which he speculates on forms of fiction and various literary projects he planned to one day undertake. These miscellaneous writings offer further evidence of Frye's fertile mind, quick wit, expansive imagination, and eloquence. Frye always claimed that the process of writing was for him a search for proper formulas through which to communicate. The material in this volume, which seldom fails to instruct and delight, discloses the process of that search.

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