Search results for ""Author Noni Stacey""
Lund Humphries Publishers Ltd Leave to Remain: A Snapshot of Brexit
Art and photography have played a key role in capturing and reflecting on the conditions for the Brexit referendum. Illustrated by a range of work by artists including Cornelia Parker, Wolfgang Tillmans, David Shrigley, Tacita Dean and Jeremy Deller as well as the satirists Cold War Steve and Led By Donkeys, who offer fascinating insights into their work, along with ephemera such as campaign posters and leaflets, and more personal photographs which capture the searing impact of the vote on both UK and EU citizens, this impassioned and compelling book explores the role of the photograph and sometimes moving image in the ongoing consequences of what the author views as a political cataclysm. From Jeremy Deller’s film of musicians protesting outside the House of Commons and Mark Duffy’s extraordinary photograph of a debate held inside, to portraits of those whose lives have been changed immeasurably, this art of protest brings together disparate aspects of the bitterly fought battle to remain and the consequences of the decision to leave the EU on 1 January 2021 and serves as a reminder of this political and social schism. In doing so, the book offers insight into our society, exploring issues of national identity, migration, colonialism/decolonialism, racism, the flag, austerity, the border in Northern Ireland, Scotland and how artists can intervene in political debate. It offers an original, visually stimulating and attractive examination of this still topical subject, revealing how art and photography can capture and memorialise key moments in our history.
£35.00
Lund Humphries Publishers Ltd Photography of Protest and Community: The Radical Collectives of the 1970s
During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced. The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit their work. They wanted to do things in their own way, to create their own magazines and exhibition networks, and to take their politicised photographic and textual commentary on the re-imagination of British cities in the post-war period into community centres, laundrettes, Working Men's Clubs, polytechnics, nurseries - anywhere that would have them. The laminated panel exhibitions were sufficiently robust, when packed into a laundry box, to withstand circulation round the country on British Rail's Red Star parcel network. Through archival research, interviews and newly discovered photographic and ephemeral material, this tells the story of the Hackney Flashers Collective, Exit Photography Group, Half Moon Photography Workshop, producers of Camerawork magazine, and the community darkrooms, North Paddington Community Darkroom and Blackfriars Photography Project. It reveals how they created a 'history from below', positioning themselves outside of established mainstream media, and aiming to make the invisible visible by bringing the disenfranchised and marginalised into the political debate.
£45.00