Search results for ""Author Nicolás Bourriaud""
Snoeck Verlagsgesellschaft mbH Liam Gillick
£65.00
£16.00
E.P.R. Murcia Cultural, S.A. FORMAS DE VIDA EL ARTE MODERNO Y LA INVENCIN DEL S Spanish Edition
Encuadernación: RústicaColección: AD LitteramY si la modernidad no era en realidad lo que se creía? En este libro, Nicolas Bourriaud convoca al arte, la literatura, la filosofía, el cine, la economía y la historia de las técnicas, para establecer una genealogía de ésta, que no acepta ni la estela de los antimodernos ni la de los llamados progresistas. Una modernidad olvidada cuyo imperativo moral sería: haz de tu vida una obra de arte. De Brummel a Michel Foucault, de la alquimia al movimiento Dada, de Baudelaire a Fluxus pasando por Raymond Hains y Guy Debord; Formas de vida ofrece un retrato del artista como filósofo presocrático; esto es, como un resistente anti-división del trabajo y como militante de la unidad perdida de la vida cotidiana
£18.40
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Adriana Hidalgo editora Radicante
£21.15
Sternberg Press Inclusions: Aesthetics of the Capitalocene
£19.50
Hatje Cantz Loris Gréaud: The Unplayed Notes & The Underground Sculpture Park — 2012-2020
The works by the conceptual artist Loris Gréaud include installations, films, and architecture, as does his long-term project taking place around the world, The Unplayed Notes. Viewers encounter an experimental field of diverse media, all of which attempt to give form to temperature, light waves, or time. Gréaud is interested in the stages of artistic production. The process of searching per se becomes visible in his installations. This book reveals the development of his art, in accordance with the ideas of Karlheinz Stockhausen, which gave the book its name: the actual meaning of a work lies in its unplayed, unheard notes. It includes as well an introduction to his upcoming project The Underground Sculpture Park that will be inaugurated in the Oaxaca desert and two complementary essays by the artist’s long-time collaborator, outstanding theorist, and curator Nicolas Bourriaud.Bilingual: English and French.
£49.50
Editions Skira Paris Walk on the Wild Side: At the heart of the Carmignac Collection
£55.00
Yale University Press Angel Vergara: In the Instant
Angel Vergara’s work tests the limits of art and reality by questioning the way the contemporary image shapes the intermingled public and private spheres—as well as our own experience Angel Vergara’s (b. 1958; based in Brussels) work is a continued investigation into the power of the image. By means of performances, videos, installations, paintings and drawings, he tests the limits of art and reality. Each of his works is an attempt to break through the image and to make its impact on an aesthetic as well as a sociocultural and political level. Thus, Vergara creates a new, suspended reality, grown from the artist’s personal dialogue with reality and with the image by which it has already been transformed. Decontextualised images of reality are mediated by the artist and transformed into art, encouraging the viewer to question their way of perceiving the everyday as well as the way it is presented to them in images. Vergara’s art disorients and disconcerts the viewer. It questions what is known and opens paths to new modes of signification. Accompanying the 2023 retrospective exhibition “In the Instant” that the MACS is dedicating to Angel Vergara, this important book reviews the career of the Belgian artist and highlights the close relationship between his painting and the cinematic medium. Distributed for Mercatorfonds Exhibition Schedule: 02.11.2022–02.06.2023 Outside installation. Musée de la batellerie—Conflans Sainte Honorine, France. 24.11.2022–19.03.2023 Photo Brut - Centrale for Contemporary Art, Brussels 23.04.2023–08.10.2023 Angel Vergara. In a Moment. Monographic exhibition. MAC’s in Mons, Belgium.
£45.00
Yale University Press Full House: One Space, Two Shows, 307 Artists, and 400 Pieces. From the Frederic de Goldschmidt Collection
A study of two exhibitions that took place five years apart in the same building in Brussels city-centreFull House explores two exhibitions that took place five years apart in the same building in Brussels and featured over 300 contemporary art works from the renowned collection of Frédéric de Goldschmidt. The first show, Not Really Really, was organized in 2016 in a building that had only been vacated a few months before by a mental health clinic. The works were mostly sculptures made with everyday objects and played with the ambiguity of what the last occupants could have left and what the artists purposefully created. The building then underwent a long renovation, with photos included illustrating this process. The second show, Inaspettatamente (Unexpectedly), then engaged with themes such as order and disorder, time, classification, the artist’s process or his/her position in world conflicts using the prism of the famous Arte Povera artist Alighiero Boetti. Curatorial texts and images of the works both in context and in studio allow the reader to discover and appreciate both exhibitions.Distributed for MercatorfondsExhibition Schedule:Cloud Seven, Quai du commerce 7 (November 11, 2021–January 30, 2022)
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