Search results for ""Author Nick Crossley""
Manchester University Press Networks of Sound, Style and Subversion: The Punk and Post–Punk Worlds of Manchester, London, Liverpool and Sheffield, 1975–80
This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of ‘critical mass’, ‘social networks’ and ‘music worlds’, and using sophisticated techniques of ‘social network analysis’, it teases out the events and mechanisms involved in punk’s ‘micro-mobilisation’, its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of ‘music worlds’.Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact.
£17.99
Open University Press MAKING SENSE OF SOCIAL MOVEMENTS
"...effectively demonstrates the enduring importance of 'classical' social movement theory...and provides a cutting edge critical review of recent theoretical developments. This is one of the most important general theoretical texts on social movements for some years." - Paul Bagguley, University of Leeds Why and how do social movements emerge? In which ways are social movements analysed? Can our understanding be enhanced by new perspectives? Making Sense of Social Movements offers a clear and comprehensive overview of the key sociological approaches to the study of social movements. The author argues that each of these approaches makes an important contribution to our understanding of social movements but that none is adequate on its own. In response he argues for a new approach which draws together key insights within the solid foundations of Pierre Bourdieu's social theory of practice.This new approach transcends the barriers which still often divide European and North American perspectives of social movements, and also those which divide recent approaches from the older 'collective behaviour' approach. The result is a theoretical framework which is uniquely equipped for the demands of modern social movement analysis. The clear and concise style of the text, as well as its neat summaries of key concepts and approaches, will make this book invaluable for undergraduate courses. It will also be an essential reference for researchers.
£30.99
Manchester University Press Connecting Sounds: The Social Life of Music
Nick Crossley argues that music is a form of social interaction, interwoven in the fabric of society and in constant interplay with its other threads. Musical interactions are often also economic interactions, for example, and sometimes political interactions. They can be forms of identity work, for both individuals and collectives, contributing to the reproduction or bridging of social divisions. As such music both shapes and is shaped by the wider network of relations and interactions making up our societies at their local, national and global levels. Successive chapters of the book track and explore these interplays, in each case combining a critical consideration of existing literature with the development of an original, ‘relational’ approach to music sociology. The result is a grand sociological vision of music that captures not only music’s context but ‘the music itself’. The book extends the project begun in Crossley’s earlier work on punk and post-punk ‘music worlds’, revisiting this concept and the network ideas that underpin it, whilst broadening its focus through a consideration of wider music forms and the meanings that music has for its participants.
£72.00
Manchester University Press Connecting Sounds: The Social Life of Music
Crossley argues that music is a form of social interaction, interwoven in the fabric of society and in constant interplay with its other threads. Musical interactions are often also economic interactions, for example, and sometimes political interactions. They can be forms of identity work, for both individuals and collectives, contributing to the reproduction or bridging of social divisions. Successive chapters of the book track and explore these interplays, in each case combining a critical consideration of existing literature with the development of an original, ‘relational’ approach to music sociology. The result is a grand sociological vision of music which captures not only music’s context but ‘the music itself’. The book will appeal to social scientists, musicologists and cultural scholars more widely.
£19.99
Sage Publications Ltd Social Network Analysis for Ego-Nets
The ego-net approach to social network analysis, which takes discrete individual actors and their contacts as its starting point, is one of the most widely used approaches in the field. This is the first textbook to take readers through each stage of ego-net research, from conception, through research design and data gathering to analysis. It starts with the basics, assuming no prior knowledge of social network analysis, but then moves on to introduce cutting edge innovations, covering both new statistical approaches to ego-net analysis and also the most recent thinking on mixing methods (quantitative and qualitative) to achieve depth and rigour. It is an absolute must for anybody wishing to explore the importance of networks.
£35.99
